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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5C04 it is the complementary color #B1A3FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5C04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5C04 shade: #535C00, #646E12, #758025, #869238 and #97A44B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5C04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5C04 shade: #4E5C04, #3D4A00, #2C3800, #1B2600 and #0A1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5C04 shade: #4E5D03, #5D5303, #5D3B03, #5D2303 and #5D0B03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5C04 shade: #4E5D03, #365D03, #1E5D03, #065D03 and #035D19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5C04 shade matches the following richer shades: #4E5D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5C04 shade: #4E5D03, #49550B, #444D13, #3E451B and #393D23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5C04 shade: #5D3A03, #5D5203, #4F5D03, #375D03 and #205D03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5C04 shade: #0B0D00, #2D3502, #4E5D03, #708405 and #91AC07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5C04 shade: #4E5C04, #035D23 and #46035D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5C04 shade: #4E5C04, #034F5D and #5D034F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5C04 shade: #4E5C04, #035D23, #11035D and #5D033D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5C04 shade: #4E5C04, #035D3D, #11035D and #5D0323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

Complementary color

CMYK 29 / 35 / 0 / 2

HEX #B1A3FB

RGB 177 163 251

HSL 249.55, 0.92%, 0.81%

LAB 71.22, 23.99, -42

 

CMYK 10 / 0 / 100 / 64

HEX #535C00

RGB 83 92 0

HSL 65.87, 1%, 0.18%

LAB 36.92, -14.64, 43.91

 

CMYK 9 / 0 / 84 / 57

HEX #646E12

RGB 100 110 18

HSL 66.52, 0.72%, 0.25%

LAB 44.1, -15.81, 45.44

 

CMYK 9 / 0 / 71 / 50

HEX #758025

RGB 117 128 37

HSL 67.25, 0.55%, 0.32%

LAB 51.1, -16.7, 45.65

 

CMYK 8 / 0 / 62 / 43

HEX #869238

RGB 134 146 56

HSL 68, 0.45%, 0.4%

LAB 57.95, -17.34, 45

 

CMYK 8 / 0 / 54 / 36

HEX #97A44B

RGB 151 164 75

HSL 68.76, 0.37%, 0.47%

LAB 64.67, -17.81, 43.98

 

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

CMYK 18 / 0 / 100 / 71

HEX #3D4A00

RGB 61 74 0

HSL 70.54, 1%, 0.15%

LAB 29.13, -15.37, 37.26

 

CMYK 21 / 0 / 100 / 78

HEX #2C3800

RGB 44 56 0

HSL 72.86, 1%, 0.11%

LAB 21.45, -13.65, 29.54

 

CMYK 29 / 0 / 100 / 85

HEX #1B2600

RGB 27 38 0

HSL 77.37, 1%, 0.07%

LAB 13.35, -11.87, 19.4

 

CMYK 50 / 0 / 100 / 92

HEX #0A1400

RGB 10 20 0

HSL 90, 1%, 0.04%

LAB 5.1, -6.62, 7.52

 

CMYK 16 / 0 / 97 / 64

HEX #4E5D03

RGB 78 93 3

HSL 70, 0.94%, 0.19%

LAB 36.85, -17.48, 42.76

 

CMYK 0 / 11 / 97 / 64

HEX #5D5303

RGB 93 83 3

HSL 53.33, 0.94%, 0.19%

LAB 35.04, -4.38, 41.96

 

CMYK 0 / 37 / 97 / 64

HEX #5D3B03

RGB 93 59 3

HSL 37.33, 0.94%, 0.19%

LAB 28.01, 10.42, 36.58

 

CMYK 0 / 62 / 97 / 64

HEX #5D2303

RGB 93 35 3

HSL 21.33, 0.94%, 0.19%

LAB 22.07, 24.87, 30.93

 

CMYK 0 / 88 / 97 / 64

HEX #5D0B03

RGB 93 11 3

HSL 5.33, 0.94%, 0.19%

LAB 18.25, 35.26, 26.63

 

CMYK 16 / 0 / 97 / 64

HEX #4E5D03

RGB 78 93 3

HSL 70, 0.94%, 0.19%

LAB 36.85, -17.48, 42.76

 

CMYK 42 / 0 / 97 / 64

HEX #365D03

RGB 54 93 3

HSL 86, 0.94%, 0.19%

LAB 35.24, -28.04, 40.8

 

CMYK 68 / 0 / 97 / 64

HEX #1E5D03

RGB 30 93 3

HSL 102, 0.94%, 0.19%

LAB 34.21, -36.01, 39.54

 

CMYK 94 / 0 / 97 / 64

HEX #065D03

RGB 6 93 3

HSL 118, 0.94%, 0.19%

LAB 33.72, -40.3, 38.93

 

CMYK 97 / 0 / 73 / 64

HEX #035D19

RGB 3 93 25

HSL 134.67, 0.94%, 0.19%

LAB 33.81, -38.96, 31.16

 

CMYK 16 / 0 / 97 / 64

HEX #4E5D03

RGB 78 93 3

HSL 70, 0.94%, 0.19%

LAB 36.85, -17.48, 42.76

 

CMYK 16 / 0 / 97 / 64

HEX #4E5D03

RGB 78 93 3

HSL 70, 0.94%, 0.19%

LAB 36.85, -17.48, 42.76

 

CMYK 14 / 0 / 87 / 67

HEX #49550B

RGB 73 85 11

HSL 69.73, 0.77%, 0.19%

LAB 33.85, -15.17, 37.7

 

CMYK 12 / 0 / 75 / 70

HEX #444D13

RGB 68 77 19

HSL 69.31, 0.6%, 0.19%

LAB 30.84, -12.63, 31.62

 

CMYK 10 / 0 / 61 / 73

HEX #3E451B

RGB 62 69 27

HSL 70, 0.44%, 0.19%

LAB 27.74, -10.18, 24.04

 

CMYK 7 / 0 / 43 / 76

HEX #393D23

RGB 57 61 35

HSL 69.23, 0.27%, 0.19%

LAB 24.73, -6.72, 15.48

 

CMYK 0 / 38 / 97 / 64

HEX #5D3A03

RGB 93 58 3

HSL 36.67, 0.94%, 0.19%

LAB 27.74, 11.05, 36.35

 

CMYK 0 / 12 / 97 / 64

HEX #5D5203

RGB 93 82 3

HSL 52.67, 0.94%, 0.19%

LAB 34.74, -3.79, 41.73

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 41 / 0 / 97 / 64

HEX #375D03

RGB 55 93 3

HSL 85.33, 0.94%, 0.19%

LAB 35.3, -27.64, 40.87

 

CMYK 66 / 0 / 97 / 64

HEX #205D03

RGB 32 93 3

HSL 100.67, 0.94%, 0.19%

LAB 34.28, -35.48, 39.62

 

CMYK 15 / 0 / 100 / 95

HEX #0B0D00

RGB 11 13 0

HSL 69.23, 1%, 0.03%

LAB 3.24, -2.43, 4.81

 

CMYK 15 / 0 / 96 / 79

HEX #2D3502

RGB 45 53 2

HSL 69.41, 0.93%, 0.11%

LAB 20.47, -11.22, 27.68

 

CMYK 16 / 0 / 97 / 64

HEX #4E5D03

RGB 78 93 3

HSL 70, 0.94%, 0.19%

LAB 36.85, -17.48, 42.76

 

CMYK 15 / 0 / 96 / 48

HEX #708405

RGB 112 132 5

HSL 69.45, 0.93%, 0.27%

LAB 51.79, -22.23, 55.11

 

CMYK 16 / 0 / 96 / 33

HEX #91AC07

RGB 145 172 7

HSL 69.82, 0.92%, 0.35%

LAB 66.17, -27.66, 67

 

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

CMYK 97 / 0 / 62 / 64

HEX #035D23

RGB 3 93 35

HSL 141.33, 0.94%, 0.19%

LAB 33.92, -37.63, 26.31

 

CMYK 25 / 97 / 0 / 64

HEX #46035D

RGB 70 3 93

HSL 284.67, 0.94%, 0.19%

LAB 16.29, 42.14, -36.13

 

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

CMYK 97 / 15 / 0 / 64

HEX #034F5D

RGB 3 79 93

HSL 189.33, 0.94%, 0.19%

LAB 30.4, -15.08, -14.09

 

CMYK 0 / 97 / 15 / 64

HEX #5D034F

RGB 93 3 79

HSL 309.33, 0.94%, 0.19%

LAB 19.87, 44.01, -20.7

 

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

CMYK 97 / 0 / 62 / 64

HEX #035D23

RGB 3 93 35

HSL 141.33, 0.94%, 0.19%

LAB 33.92, -37.63, 26.31

 

CMYK 82 / 97 / 0 / 64

HEX #11035D

RGB 17 3 93

HSL 249.33, 0.94%, 0.19%

LAB 8.78, 36.54, -48.78

 

CMYK 0 / 97 / 34 / 64

HEX #5D033D

RGB 93 3 61

HSL 321.33, 0.94%, 0.19%

LAB 18.93, 41.55, -9.73

 

CMYK 15 / 0 / 96 / 64

HEX #4E5C04

RGB 78 92 4

HSL 69.55, 0.92%, 0.19%

LAB 36.52, -16.9, 42.21

 

CMYK 97 / 0 / 34 / 64

HEX #035D3D

RGB 3 93 61

HSL 158.67, 0.94%, 0.19%

LAB 34.37, -32.35, 11.84

 

CMYK 82 / 97 / 0 / 64

HEX #11035D

RGB 17 3 93

HSL 249.33, 0.94%, 0.19%

LAB 8.78, 36.54, -48.78

 

CMYK 0 / 97 / 62 / 64

HEX #5D0323

RGB 93 3 35

HSL 338.67, 0.94%, 0.19%

LAB 17.98, 38.99, 7.45

 

Description

Color code: HEX #4E5C04 | qconv.com Color code: HEX #4E5C04 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 92 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 92 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 96 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 96% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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