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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E612D it is the complementary color #B19ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E612D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E612D shade: #536128, #64733B, #75854E, #869761 and #97A974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E612D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E612D shade: #4E612D, #3D4F1A, #2C3D07, #1B2B00 and #0A1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E612D shade: #4E612C, #5C612C, #61582C, #614A2C and #613C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E612D shade: #4E612C, #40612C, #32612C, #2C6136 and #2C6144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E612D shade matches the following richer shades: #4E612C, #516D21, #547815 and #57840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E612D shade: #4E612C, #4B5638, #484A44, #453F4F and #42335B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E612D shade: #61582C, #5D612C, #4F612C, #41612C and #33612C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E612D shade: #212912, #37451F, #4E612C, #657E39 and #7B9A46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E612D shade: #4E612D, #2C614A and #5F2C61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E612D shade: #4E612D, #2C4F61 and #612C4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E612D shade: #4E612D, #2C614A, #3F2C61 and #612C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E612D shade: #4E612D, #2C6159, #3F2C61 and #612C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

Complementary color

CMYK 16 / 25 / 0 / 18

HEX #B19ED2

RGB 177 158 210

HSL 261.92, 0.37%, 0.72%

LAB 68.35, 17.22, -23.98

 

CMYK 14 / 0 / 59 / 62

HEX #536128

RGB 83 97 40

HSL 74.74, 0.42%, 0.27%

LAB 38.8, -15.04, 30.24

 

CMYK 13 / 0 / 49 / 55

HEX #64733B

RGB 100 115 59

HSL 76.07, 0.32%, 0.34%

LAB 46.02, -15.29, 28.99

 

CMYK 12 / 0 / 41 / 48

HEX #75854E

RGB 117 133 78

HSL 77.45, 0.26%, 0.41%

LAB 53.07, -15.44, 27.71

 

CMYK 11 / 0 / 36 / 41

HEX #869761

RGB 134 151 97

HSL 78.89, 0.22%, 0.49%

LAB 59.95, -15.53, 26.49

 

CMYK 11 / 0 / 31 / 34

HEX #97A974

RGB 151 169 116

HSL 80.38, 0.24%, 0.56%

LAB 66.68, -15.58, 25.33

 

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

CMYK 23 / 0 / 67 / 69

HEX #3D4F1A

RGB 61 79 26

HSL 80.38, 0.5%, 0.21%

LAB 31.02, -16.48, 28.26

 

CMYK 28 / 0 / 89 / 76

HEX #2C3D07

RGB 44 61 7

HSL 78.89, 0.79%, 0.13%

LAB 23.3, -15.97, 28.63

 

CMYK 37 / 0 / 100 / 83

HEX #1B2B00

RGB 27 43 0

HSL 82.33, 1%, 0.08%

LAB 15.28, -14.77, 21.92

 

CMYK 60 / 0 / 100 / 90

HEX #0A1900

RGB 10 25 0

HSL 96, 1%, 0.05%

LAB 6.86, -10.21, 10.09

 

CMYK 20 / 0 / 55 / 62

HEX #4E612C

RGB 78 97 44

HSL 81.51, 0.38%, 0.28%

LAB 38.47, -16.82, 27.61

 

CMYK 5 / 0 / 55 / 62

HEX #5C612C

RGB 92 97 44

HSL 65.66, 0.38%, 0.28%

LAB 39.59, -10.52, 29.22

 

CMYK 0 / 9 / 55 / 62

HEX #61582C

RGB 97 88 44

HSL 49.81, 0.38%, 0.28%

LAB 37.3, -2.93, 26.61

 

CMYK 0 / 24 / 55 / 62

HEX #614A2C

RGB 97 74 44

HSL 33.96, 0.38%, 0.28%

LAB 33.18, 5.6, 21.56

 

CMYK 0 / 38 / 55 / 62

HEX #613C2C

RGB 97 60 44

HSL 18.11, 0.38%, 0.28%

LAB 29.3, 14.33, 16.62

 

CMYK 20 / 0 / 55 / 62

HEX #4E612C

RGB 78 97 44

HSL 81.51, 0.38%, 0.28%

LAB 38.47, -16.82, 27.61

 

CMYK 34 / 0 / 55 / 62

HEX #40612C

RGB 64 97 44

HSL 97.36, 0.38%, 0.28%

LAB 37.52, -22.68, 26.25

 

CMYK 48 / 0 / 55 / 62

HEX #32612C

RGB 50 97 44

HSL 113.21, 0.38%, 0.28%

LAB 36.76, -27.84, 25.15

 

CMYK 55 / 0 / 44 / 62

HEX #2C6136

RGB 44 97 54

HSL 131.32, 0.38%, 0.28%

LAB 36.65, -28.09, 19.26

 

CMYK 55 / 0 / 30 / 62

HEX #2C6144

RGB 44 97 68

HSL 147.17, 0.38%, 0.28%

LAB 36.93, -25.21, 11.27

 

CMYK 20 / 0 / 55 / 62

HEX #4E612C

RGB 78 97 44

HSL 81.51, 0.38%, 0.28%

LAB 38.47, -16.82, 27.61

 

CMYK 26 / 0 / 70 / 57

HEX #516D21

RGB 81 109 33

HSL 82.11, 0.54%, 0.28%

LAB 42.45, -22.92, 37.64

 

CMYK 30 / 0 / 83 / 53

HEX #547815

RGB 84 120 21

HSL 81.82, 0.7%, 0.28%

LAB 46.14, -27.87, 45.92

 

CMYK 34 / 0 / 92 / 48

HEX #57840A

RGB 87 132 10

HSL 82.13, 0.86%, 0.28%

LAB 50.16, -32.69, 52.2

 

CMYK 20 / 0 / 55 / 62

HEX #4E612C

RGB 78 97 44

HSL 81.51, 0.38%, 0.28%

LAB 38.47, -16.82, 27.61

 

CMYK 13 / 0 / 35 / 66

HEX #4B5638

RGB 75 86 56

HSL 82, 0.21%, 0.28%

LAB 34.88, -10.28, 16.08

 

CMYK 3 / 0 / 8 / 71

HEX #484A44

RGB 72 74 68

HSL 80, 0.04%, 0.28%

LAB 31.1, -2.11, 3.29

 

CMYK 13 / 20 / 0 / 69

HEX #453F4F

RGB 69 63 79

HSL 262.5, 0.11%, 0.28%

LAB 27.8, 6.25, -8.73

 

CMYK 27 / 44 / 0 / 64

HEX #42335B

RGB 66 51 91

HSL 262.5, 0.28%, 0.28%

LAB 24.58, 16.33, -21.58

 

CMYK 0 / 9 / 55 / 62

HEX #61582C

RGB 97 88 44

HSL 49.81, 0.38%, 0.28%

LAB 37.3, -2.93, 26.61

 

CMYK 4 / 0 / 55 / 62

HEX #5D612C

RGB 93 97 44

HSL 64.53, 0.38%, 0.28%

LAB 39.68, -10.06, 29.34

 

CMYK 19 / 0 / 55 / 62

HEX #4F612C

RGB 79 97 44

HSL 80.38, 0.38%, 0.28%

LAB 38.54, -16.38, 27.72

 

CMYK 33 / 0 / 55 / 62

HEX #41612C

RGB 65 97 44

HSL 96.23, 0.38%, 0.28%

LAB 37.58, -22.28, 26.34

 

CMYK 47 / 0 / 55 / 62

HEX #33612C

RGB 51 97 44

HSL 112.08, 0.38%, 0.28%

LAB 36.81, -27.5, 25.22

 

CMYK 20 / 0 / 56 / 84

HEX #212912

RGB 33 41 18

HSL 80.87, 0.39%, 0.12%

LAB 15.24, -8.42, 13.85

 

CMYK 20 / 0 / 55 / 73

HEX #37451F

RGB 55 69 31

HSL 82.11, 0.38%, 0.2%

LAB 27.21, -13.03, 20.98

 

CMYK 20 / 0 / 55 / 62

HEX #4E612C

RGB 78 97 44

HSL 81.51, 0.38%, 0.28%

LAB 38.47, -16.82, 27.61

 

CMYK 20 / 0 / 55 / 51

HEX #657E39

RGB 101 126 57

HSL 81.74, 0.38%, 0.36%

LAB 49.48, -20.92, 34.22

 

CMYK 20 / 0 / 55 / 40

HEX #7B9A46

RGB 123 154 70

HSL 82.14, 0.38%, 0.44%

LAB 59.68, -24.74, 40.07

 

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

CMYK 55 / 0 / 24 / 62

HEX #2C614A

RGB 44 97 74

HSL 153.96, 0.38%, 0.28%

LAB 37.08, -23.79, 7.81

 

CMYK 2 / 55 / 0 / 62

HEX #5F2C61

RGB 95 44 97

HSL 297.74, 0.38%, 0.28%

LAB 27.01, 31.68, -21.42

 

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

CMYK 55 / 19 / 0 / 62

HEX #2C4F61

RGB 44 79 97

HSL 200.38, 0.38%, 0.28%

LAB 31.79, -6.97, -14.41

 

CMYK 0 / 55 / 19 / 62

HEX #612C4F

RGB 97 44 79

HSL 320.38, 0.38%, 0.28%

LAB 26.47, 28.91, -10.41

 

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

CMYK 55 / 0 / 24 / 62

HEX #2C614A

RGB 44 97 74

HSL 153.96, 0.38%, 0.28%

LAB 37.08, -23.79, 7.81

 

CMYK 35 / 55 / 0 / 62

HEX #3F2C61

RGB 63 44 97

HSL 261.51, 0.38%, 0.28%

LAB 22.73, 21.76, -28.47

 

CMYK 0 / 55 / 30 / 62

HEX #612C44

RGB 97 44 68

HSL 332.83, 0.38%, 0.28%

LAB 26.04, 27.11, -3.73

 

CMYK 20 / 0 / 54 / 62

HEX #4E612D

RGB 78 97 45

HSL 81.92, 0.37%, 0.28%

LAB 38.48, -16.7, 27.08

 

CMYK 55 / 0 / 8 / 62

HEX #2C6159

RGB 44 97 89

HSL 170.94, 0.38%, 0.28%

LAB 37.49, -19.83, -0.83

 

CMYK 35 / 55 / 0 / 62

HEX #3F2C61

RGB 63 44 97

HSL 261.51, 0.38%, 0.28%

LAB 22.73, 21.76, -28.47

 

CMYK 0 / 55 / 46 / 62

HEX #612C34

RGB 97 44 52

HSL 350.94, 0.38%, 0.28%

LAB 25.54, 24.92, 6.28

 

Description

Color code: HEX #4E612D | qconv.com Color code: HEX #4E612D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 97 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 97 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 54 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 54% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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