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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E7622 it is the complementary color #B189DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E7622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E7622 shade: #53761D, #648830, #759A43, #86AC56 and #97BE69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E7622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E7622 shade: #4E7622, #3D640F, #2C5200, #1B4000 and #0A2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E7622 shade: #4E7622, #657622, #767122, #765A22 and #764322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E7622 shade: #4E7622, #377622, #227623, #22763A and #227651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E7622 shade matches the following richer shades: #4E7622, #4F8216 and #4F8F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E7622 shade: #4E7622, #4D6A2E, #4D5D3B, #4C5147 and #4C4553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E7622 shade: #767022, #657622, #4F7622, #387622 and #227622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E7622 shade: #24360F, #395619, #4E7622, #63962B and #78B634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E7622 shade: #4E7622, #22765A and #762270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E7622 shade: #4E7622, #224F76 and #76224F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E7622 shade: #4E7622, #22765A, #492276 and #76223E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E7622 shade: #4E7622, #227673, #492276 and #762225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

Complementary color

CMYK 20 / 38 / 0 / 13

HEX #B189DD

RGB 177 137 221

HSL 268.57, 0.55%, 0.7%

LAB 63.72, 31.47, -37.24

 

CMYK 30 / 0 / 75 / 54

HEX #53761D

RGB 83 118 29

HSL 83.6, 0.61%, 0.29%

LAB 45.48, -26.85, 42.44

 

CMYK 26 / 0 / 65 / 47

HEX #648830

RGB 100 136 48

HSL 84.55, 0.48%, 0.36%

LAB 52.43, -27.23, 41.92

 

CMYK 24 / 0 / 56 / 40

HEX #759A43

RGB 117 154 67

HSL 85.52, 0.39%, 0.43%

LAB 59.25, -27.43, 40.94

 

CMYK 22 / 0 / 50 / 33

HEX #86AC56

RGB 134 172 86

HSL 86.51, 0.34%, 0.51%

LAB 65.94, -27.52, 39.8

 

CMYK 21 / 0 / 45 / 25

HEX #97BE69

RGB 151 190 105

HSL 87.53, 0.4%, 0.58%

LAB 72.51, -27.54, 38.61

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 39 / 0 / 85 / 61

HEX #3D640F

RGB 61 100 15

HSL 87.53, 0.74%, 0.23%

LAB 38.09, -27.99, 39.95

 

CMYK 46 / 0 / 100 / 68

HEX #2C5200

RGB 44 82 0

HSL 87.8, 1%, 0.16%

LAB 30.81, -27.03, 38.07

 

CMYK 58 / 0 / 100 / 75

HEX #1B4000

RGB 27 64 0

HSL 94.69, 1%, 0.13%

LAB 23.34, -25.24, 31.19

 

CMYK 78 / 0 / 100 / 82

HEX #0A2E00

RGB 10 46 0

HSL 106.96, 1%, 0.09%

LAB 15.58, -22.97, 22.13

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 14 / 0 / 71 / 54

HEX #657622

RGB 101 118 34

HSL 72.14, 0.55%, 0.3%

LAB 46.76, -18.77, 42.11

 

CMYK 0 / 4 / 71 / 54

HEX #767122

RGB 118 113 34

HSL 56.43, 0.55%, 0.3%

LAB 46.68, -8.24, 42.49

 

CMYK 0 / 24 / 71 / 54

HEX #765A22

RGB 118 90 34

HSL 40, 0.55%, 0.3%

LAB 40.05, 5.11, 35.64

 

CMYK 0 / 43 / 71 / 54

HEX #764322

RGB 118 67 34

HSL 23.57, 0.55%, 0.3%

LAB 33.94, 18.92, 28.97

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 53 / 0 / 71 / 54

HEX #377622

RGB 55 118 34

HSL 105, 0.55%, 0.3%

LAB 44.07, -36.7, 38.47

 

CMYK 71 / 0 / 70 / 54

HEX #227623

RGB 34 118 35

HSL 120.71, 0.55%, 0.3%

LAB 43.39, -42.08, 37.1

 

CMYK 71 / 0 / 51 / 54

HEX #22763A

RGB 34 118 58

HSL 137.14, 0.55%, 0.3%

LAB 43.66, -38.92, 25.86

 

CMYK 71 / 0 / 31 / 54

HEX #227651

RGB 34 118 81

HSL 153.57, 0.55%, 0.3%

LAB 44.08, -34.28, 13.31

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 45 / 0 / 94 / 44

HEX #4F8F09

RGB 79 143 9

HSL 88.66, 0.88%, 0.3%

LAB 53.31, -40.48, 54.8

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 27 / 0 / 57 / 58

HEX #4D6A2E

RGB 77 106 46

HSL 89, 0.39%, 0.3%

LAB 41.35, -21.79, 29.94

 

CMYK 17 / 0 / 37 / 64

HEX #4D5D3B

RGB 77 93 59

HSL 88.24, 0.22%, 0.3%

LAB 37.34, -12.96, 17.56

 

CMYK 6 / 0 / 12 / 68

HEX #4C5147

RGB 76 81 71

HSL 90, 0.07%, 0.3%

LAB 33.72, -4.14, 5.2

 

CMYK 8 / 17 / 0 / 67

HEX #4C4553

RGB 76 69 83

HSL 270, 0.09%, 0.3%

LAB 30.44, 6.06, -7.28

 

CMYK 0 / 5 / 71 / 54

HEX #767022

RGB 118 112 34

HSL 55.71, 0.55%, 0.3%

LAB 46.39, -7.68, 42.19

 

CMYK 14 / 0 / 71 / 54

HEX #657622

RGB 101 118 34

HSL 72.14, 0.55%, 0.3%

LAB 46.76, -18.77, 42.11

 

CMYK 33 / 0 / 71 / 54

HEX #4F7622

RGB 79 118 34

HSL 87.86, 0.55%, 0.3%

LAB 45.27, -28.11, 40.1

 

CMYK 53 / 0 / 71 / 54

HEX #387622

RGB 56 118 34

HSL 104.29, 0.55%, 0.3%

LAB 44.11, -36.39, 38.53

 

CMYK 71 / 0 / 71 / 54

HEX #227622

RGB 34 118 34

HSL 120, 0.55%, 0.3%

LAB 43.38, -42.18, 37.53

 

CMYK 33 / 0 / 72 / 79

HEX #24360F

RGB 36 54 15

HSL 87.69, 0.57%, 0.14%

LAB 20.23, -15.15, 21.62

 

CMYK 34 / 0 / 71 / 66

HEX #395619

RGB 57 86 25

HSL 88.52, 0.55%, 0.22%

LAB 33.13, -22.05, 30.96

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 34 / 0 / 71 / 41

HEX #63962B

RGB 99 150 43

HSL 88.6, 0.55%, 0.38%

LAB 56.72, -34.6, 48.55

 

CMYK 34 / 0 / 71 / 29

HEX #78B634

RGB 120 182 52

HSL 88.62, 0.56%, 0.46%

LAB 67.8, -40.43, 56.71

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 71 / 0 / 24 / 54

HEX #22765A

RGB 34 118 90

HSL 160, 0.55%, 0.3%

LAB 44.28, -32.08, 8.29

 

CMYK 0 / 71 / 5 / 54

HEX #762270

RGB 118 34 112

HSL 304.29, 0.55%, 0.3%

LAB 29.83, 45.9, -26.4

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 71 / 33 / 0 / 54

HEX #224F76

RGB 34 79 118

HSL 207.86, 0.55%, 0.3%

LAB 32.35, -1.58, -26.78

 

CMYK 0 / 71 / 33 / 54

HEX #76224F

RGB 118 34 79

HSL 327.86, 0.55%, 0.3%

LAB 28.27, 40.83, -7.33

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 71 / 0 / 24 / 54

HEX #22765A

RGB 34 118 90

HSL 160, 0.55%, 0.3%

LAB 44.28, -32.08, 8.29

 

CMYK 38 / 71 / 0 / 54

HEX #492276

RGB 73 34 118

HSL 267.86, 0.55%, 0.3%

LAB 23.23, 36.3, -41.18

 

CMYK 0 / 71 / 47 / 54

HEX #76223E

RGB 118 34 62

HSL 340, 0.55%, 0.3%

LAB 27.69, 38.83, 3.15

 

CMYK 34 / 0 / 71 / 54

HEX #4E7622

RGB 78 118 34

HSL 88.57, 0.55%, 0.3%

LAB 45.21, -28.51, 40.02

 

CMYK 71 / 0 / 3 / 54

HEX #227673

RGB 34 118 115

HSL 177.86, 0.55%, 0.3%

LAB 44.99, -25.03, -5.59

 

CMYK 38 / 71 / 0 / 54

HEX #492276

RGB 73 34 118

HSL 267.86, 0.55%, 0.3%

LAB 23.23, 36.3, -41.18

 

CMYK 0 / 71 / 69 / 54

HEX #762225

RGB 118 34 37

HSL 357.86, 0.55%, 0.3%

LAB 27.1, 36.74, 19.03

 

Description

Color code: HEX #4E7622 | qconv.com Color code: HEX #4E7622 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 118 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 118 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 71 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 71% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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