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Color name
HEX #4E709C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E709C it is the complementary color #B18F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E709C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E709C shade: #537097, #6482AA, #7594BD, #86A6D0 and #97B8E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E709C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E709C shade: #4E709C, #3D5E89, #2C4C76, #1B3A63 and #0A2850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E709C shade: #4E709C, #4E5B9C, #564E9C, #6B4E9C and #804E9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E709C shade: #4E709C, #4E5B9C and #4E4E9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E709C shade matches the following richer shades: #4E709C, #3B6DAE, #286BC1, #1569D4 and #0266E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E709C shade: #4E709C, #617289, #747576, #877763 and #9A7A50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E709C shade: #4E9A9C, #4E869C, #4E719C, #4E5C9C and #554E9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E709C shade: #324865, #405C80, #4E709C, #6384B0 and #7E9ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E709C shade: #4E709C, #884E9C and #909C4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E709C shade: #4E709C, #9C4E71 and #719C4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E709C shade: #4E709C, #884E9C, #9C794E and #619C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E709C shade: #4E709C, #9C4E98, #9C794E and #4E9C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

Complementary color

CMYK 0 / 19 / 44 / 31

HEX #B18F63

RGB 177 143 99

HSL 33.85, 0.33%, 0.54%

LAB 61.56, 6.89, 28.23

 

CMYK 45 / 26 / 0 / 41

HEX #537097

RGB 83 112 151

HSL 214.41, 0.29%, 0.46%

LAB 46.53, 0.37, -24.49

 

CMYK 41 / 24 / 0 / 33

HEX #6482AA

RGB 100 130 170

HSL 214.29, 0.29%, 0.53%

LAB 53.58, -0.07, -24.6

 

CMYK 38 / 22 / 0 / 26

HEX #7594BD

RGB 117 148 189

HSL 214.17, 0.35%, 0.6%

LAB 60.46, -0.43, -24.75

 

CMYK 36 / 20 / 0 / 18

HEX #86A6D0

RGB 134 166 208

HSL 214.05, 0.44%, 0.67%

LAB 67.2, -0.73, -24.92

 

CMYK 33 / 19 / 0 / 11

HEX #97B8E3

RGB 151 184 227

HSL 213.95, 0.58%, 0.74%

LAB 73.81, -1, -25.12

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 55 / 31 / 0 / 46

HEX #3D5E89

RGB 61 94 137

HSL 213.95, 0.38%, 0.39%

LAB 39.25, 1.34, -27.54

 

CMYK 63 / 36 / 0 / 54

HEX #2C4C76

RGB 44 76 118

HSL 214.05, 0.46%, 0.32%

LAB 31.84, 2.33, -27.55

 

CMYK 73 / 41 / 0 / 61

HEX #1B3A63

RGB 27 58 99

HSL 214.17, 0.57%, 0.25%

LAB 24.19, 3.76, -27.61

 

CMYK 88 / 50 / 0 / 69

HEX #0A2850

RGB 10 40 80

HSL 214.29, 0.78%, 0.18%

LAB 16.31, 6.01, -27.65

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 50 / 42 / 0 / 39

HEX #4E5B9C

RGB 78 91 156

HSL 230, 0.33%, 0.46%

LAB 40.41, 13.68, -37.07

 

CMYK 45 / 50 / 0 / 39

HEX #564E9C

RGB 86 78 156

HSL 246.15, 0.33%, 0.46%

LAB 37.53, 23.96, -41.62

 

CMYK 31 / 50 / 0 / 39

HEX #6B4E9C

RGB 107 78 156

HSL 262.31, 0.33%, 0.46%

LAB 39.54, 29.54, -38.3

 

CMYK 18 / 50 / 0 / 39

HEX #804E9C

RGB 128 78 156

HSL 278.46, 0.33%, 0.46%

LAB 41.9, 35.55, -34.4

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 50 / 42 / 0 / 39

HEX #4E5B9C

RGB 78 91 156

HSL 230, 0.33%, 0.46%

LAB 40.41, 13.68, -37.07

 

CMYK 50 / 50 / 0 / 39

HEX #4E4E9C

RGB 78 78 156

HSL 240, 0.33%, 0.46%

LAB 36.87, 22.01, -42.71

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 66 / 37 / 0 / 32

HEX #3B6DAE

RGB 59 109 174

HSL 213.91, 0.49%, 0.46%

LAB 45.53, 4.46, -39.66

 

CMYK 79 / 45 / 0 / 24

HEX #286BC1

RGB 40 107 193

HSL 213.73, 0.66%, 0.46%

LAB 45.38, 10.1, -50.98

 

CMYK 90 / 50 / 0 / 17

HEX #1569D4

RGB 21 105 212

HSL 213.61, 0.82%, 0.46%

LAB 45.66, 17.3, -61.47

 

CMYK 99 / 56 / 0 / 9

HEX #0266E7

RGB 2 102 231

HSL 213.8, 0.98%, 0.46%

LAB 46.02, 26.04, -71.67

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 29 / 17 / 0 / 46

HEX #617289

RGB 97 114 137

HSL 214.5, 0.17%, 0.46%

LAB 47.47, -0.64, -14.67

 

CMYK 2 / 1 / 0 / 54

HEX #747576

RGB 116 117 118

HSL 210, 0.01%, 0.46%

LAB 49.18, -0.17, -0.69

 

CMYK 0 / 12 / 27 / 47

HEX #877763

RGB 135 119 99

HSL 33.33, 0.15%, 0.46%

LAB 50.97, 2.86, 13.28

 

CMYK 0 / 21 / 48 / 40

HEX #9A7A50

RGB 154 122 80

HSL 34.05, 0.32%, 0.46%

LAB 53.35, 6.83, 27.66

 

CMYK 50 / 1 / 0 / 39

HEX #4E9A9C

RGB 78 154 156

HSL 181.54, 0.33%, 0.46%

LAB 59.1, -22.87, -8.31

 

CMYK 50 / 14 / 0 / 39

HEX #4E869C

RGB 78 134 156

HSL 196.92, 0.33%, 0.46%

LAB 53.03, -12.17, -17.45

 

CMYK 50 / 28 / 0 / 39

HEX #4E719C

RGB 78 113 156

HSL 213.08, 0.33%, 0.46%

LAB 46.75, 0.01, -27.11

 

CMYK 50 / 41 / 0 / 39

HEX #4E5C9C

RGB 78 92 156

HSL 229.23, 0.33%, 0.46%

LAB 40.69, 13.05, -36.63

 

CMYK 46 / 50 / 0 / 39

HEX #554E9C

RGB 85 78 156

HSL 245.38, 0.33%, 0.46%

LAB 37.45, 23.71, -41.76

 

CMYK 50 / 29 / 0 / 60

HEX #324865

RGB 50 72 101

HSL 214.12, 0.34%, 0.3%

LAB 30.04, 0.43, -19.61

 

CMYK 50 / 28 / 0 / 50

HEX #405C80

RGB 64 92 128

HSL 213.75, 0.33%, 0.38%

LAB 38.38, 0.36, -23.41

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 44 / 25 / 0 / 31

HEX #6384B0

RGB 99 132 176

HSL 214.29, 0.33%, 0.54%

LAB 54.33, 0.23, -26.89

 

CMYK 34 / 19 / 0 / 25

HEX #7E9ABE

RGB 126 154 190

HSL 213.75, 0.33%, 0.62%

LAB 62.73, -1, -21.78

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 13 / 50 / 0 / 39

HEX #884E9C

RGB 136 78 156

HSL 284.62, 0.33%, 0.46%

LAB 42.89, 37.9, -32.79

 

CMYK 8 / 0 / 50 / 39

HEX #909C4E

RGB 144 156 78

HSL 69.23, 0.33%, 0.46%

LAB 61.87, -16.31, 39.07

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 0 / 50 / 28 / 39

HEX #9C4E71

RGB 156 78 113

HSL 333.08, 0.33%, 0.46%

LAB 43.81, 36.66, -5.09

 

CMYK 28 / 0 / 50 / 39

HEX #719C4E

RGB 113 156 78

HSL 93.08, 0.33%, 0.46%

LAB 59.74, -28.71, 35.99

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 13 / 50 / 0 / 39

HEX #884E9C

RGB 136 78 156

HSL 284.62, 0.33%, 0.46%

LAB 42.89, 37.9, -32.79

 

CMYK 0 / 22 / 50 / 39

HEX #9C794E

RGB 156 121 78

HSL 33.08, 0.33%, 0.46%

LAB 53.27, 8.07, 28.71

 

CMYK 38 / 0 / 50 / 39

HEX #619C4E

RGB 97 156 78

HSL 105.38, 0.33%, 0.46%

LAB 58.85, -34.48, 34.7

 

CMYK 50 / 28 / 0 / 39

HEX #4E709C

RGB 78 112 156

HSL 213.85, 0.33%, 0.46%

LAB 46.46, 0.61, -27.57

 

CMYK 0 / 50 / 3 / 39

HEX #9C4E98

RGB 156 78 152

HSL 303.08, 0.33%, 0.46%

LAB 45.34, 43.09, -26.38

 

CMYK 0 / 22 / 50 / 39

HEX #9C794E

RGB 156 121 78

HSL 33.08, 0.33%, 0.46%

LAB 53.27, 8.07, 28.71

 

CMYK 50 / 0 / 47 / 39

HEX #4E9C52

RGB 78 156 82

HSL 123.08, 0.33%, 0.46%

LAB 58.04, -39.93, 31.43

 

Description

Color code: HEX #4E709C | qconv.com Color code: HEX #4E709C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 112 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 112 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 28 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 28% 0% 39% C M Y K

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Provide designers and agencies with accurate color values.

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