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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E8686 it is the complementary color #B17979. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E8686. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E8686 shade: #538681, #649894, #75AAA7, #86BCBA and #97CECD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E8686. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E8686 shade: #4E8686, #3D7473, #2C6260, #1B504D and #0A3E3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E8686 shade: #4F8686, #4F8677, #4F8668, #4F8659 and #53864F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E8686 shade: #4F8686, #4F7786, #4F6886, #4F5986 and #4F4F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E8686 shade matches the following richer shades: #4F8686, #3D9898, #2CA9A9, #1BBABA and #09CCCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E8686 shade: #4F8686, #607575, #716464, #835252 and #944141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E8686 shade: #4F8669, #4F8678, #4F8686, #4F7886 and #4F6986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E8686 shade: #305252, #3F6C6C, #4F8686, #5EA0A0 and #78B0B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E8686 shade: #4E8686, #5A4F86 and #86704F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E8686 shade: #4E8686, #864F86 and #86864F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E8686 shade: #4E8686, #5A4F86, #864F4F and #7B864F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E8686 shade: #4E8686, #6B4F86, #864F4F and #6B864F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

Complementary color

CMYK 0 / 32 / 32 / 31

HEX #B17979

RGB 177 121 121

HSL 0, 0.26%, 0.58%

LAB 56.49, 21.9, 8.88

 

CMYK 38 / 0 / 4 / 47

HEX #538681

RGB 83 134 129

HSL 174.12, 0.24%, 0.43%

LAB 52.37, -18.3, -2.72

 

CMYK 34 / 0 / 3 / 40

HEX #649894

RGB 100 152 148

HSL 175.38, 0.21%, 0.49%

LAB 59.25, -18.18, -3.41

 

CMYK 31 / 0 / 2 / 33

HEX #75AAA7

RGB 117 170 167

HSL 176.6, 0.24%, 0.56%

LAB 66, -18.05, -4.06

 

CMYK 29 / 0 / 1 / 26

HEX #86BCBA

RGB 134 188 186

HSL 177.78, 0.29%, 0.63%

LAB 72.61, -17.94, -4.67

 

CMYK 27 / 0 / 0 / 19

HEX #97CECD

RGB 151 206 205

HSL 178.91, 0.36%, 0.7%

LAB 79.12, -17.84, -5.25

 

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

CMYK 47 / 0 / 1 / 55

HEX #3D7473

RGB 61 116 115

HSL 178.91, 0.31%, 0.35%

LAB 45.25, -18.41, -5.11

 

CMYK 55 / 0 / 2 / 62

HEX #2C6260

RGB 44 98 96

HSL 177.78, 0.38%, 0.28%

LAB 38.05, -18.34, -4.33

 

CMYK 66 / 0 / 4 / 69

HEX #1B504D

RGB 27 80 77

HSL 176.6, 0.5%, 0.21%

LAB 30.66, -18.1, -3.44

 

CMYK 84 / 0 / 6 / 76

HEX #0A3E3A

RGB 10 62 58

HSL 175.38, 0.72%, 0.14%

LAB 23.05, -17.45, -2.34

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 41 / 0 / 11 / 47

HEX #4F8677

RGB 79 134 119

HSL 163.64, 0.26%, 0.42%

LAB 51.89, -21.94, 2.37

 

CMYK 41 / 0 / 22 / 47

HEX #4F8668

RGB 79 134 104

HSL 147.27, 0.26%, 0.42%

LAB 51.51, -25.38, 10.53

 

CMYK 41 / 0 / 34 / 47

HEX #4F8659

RGB 79 134 89

HSL 130.91, 0.26%, 0.42%

LAB 51.19, -28.4, 18.67

 

CMYK 38 / 0 / 41 / 47

HEX #53864F

RGB 83 134 79

HSL 115.64, 0.26%, 0.42%

LAB 51.21, -28.81, 24.35

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 41 / 11 / 0 / 47

HEX #4F7786

RGB 79 119 134

HSL 196.36, 0.26%, 0.42%

LAB 47.72, -9.83, -12.62

 

CMYK 41 / 22 / 0 / 47

HEX #4F6886

RGB 79 104 134

HSL 212.73, 0.26%, 0.42%

LAB 43.19, -1, -19.53

 

CMYK 41 / 34 / 0 / 47

HEX #4F5986

RGB 79 89 134

HSL 229.09, 0.26%, 0.42%

LAB 38.77, 8.3, -26.38

 

CMYK 41 / 41 / 0 / 47

HEX #4F4F86

RGB 79 79 134

HSL 240, 0.26%, 0.42%

LAB 35.94, 14.69, -30.83

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 60 / 0 / 0 / 40

HEX #3D9898

RGB 61 152 152

HSL 180, 0.43%, 0.42%

LAB 57.77, -26.53, -8.07

 

CMYK 74 / 0 / 0 / 34

HEX #2CA9A9

RGB 44 169 169

HSL 180, 0.59%, 0.42%

LAB 63.16, -32.41, -9.67

 

CMYK 85 / 0 / 0 / 27

HEX #1BBABA

RGB 27 186 186

HSL 180, 0.75%, 0.42%

LAB 68.68, -36.81, -10.88

 

CMYK 96 / 0 / 0 / 20

HEX #09CCCC

RGB 9 204 204

HSL 180, 0.92%, 0.42%

LAB 74.57, -40.39, -11.89

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 18 / 0 / 0 / 54

HEX #607575

RGB 96 117 117

HSL 180, 0.1%, 0.42%

LAB 47.62, -7.68, -2.58

 

CMYK 0 / 12 / 12 / 56

HEX #716464

RGB 113 100 100

HSL 0, 0.06%, 0.42%

LAB 43.57, 5.17, 1.89

 

CMYK 0 / 37 / 37 / 49

HEX #835252

RGB 131 82 82

HSL 0, 0.23%, 0.42%

LAB 40.36, 20.5, 8.58

 

CMYK 0 / 56 / 56 / 42

HEX #944141

RGB 148 65 65

HSL 0, 0.39%, 0.42%

LAB 38.65, 34.97, 17.18

 

CMYK 41 / 0 / 22 / 47

HEX #4F8669

RGB 79 134 105

HSL 148.36, 0.26%, 0.42%

LAB 51.53, -25.16, 9.98

 

CMYK 41 / 0 / 10 / 47

HEX #4F8678

RGB 79 134 120

HSL 164.73, 0.26%, 0.42%

LAB 51.91, -21.7, 1.83

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 41 / 10 / 0 / 47

HEX #4F7886

RGB 79 120 134

HSL 195.27, 0.26%, 0.42%

LAB 48.03, -10.4, -12.16

 

CMYK 41 / 22 / 0 / 47

HEX #4F6986

RGB 79 105 134

HSL 211.64, 0.26%, 0.42%

LAB 43.49, -1.61, -19.07

 

CMYK 41 / 0 / 0 / 68

HEX #305252

RGB 48 82 82

HSL 180, 0.26%, 0.25%

LAB 32.42, -12.31, -3.91

 

CMYK 42 / 0 / 0 / 58

HEX #3F6C6C

RGB 63 108 108

HSL 180, 0.26%, 0.34%

LAB 42.56, -15.43, -4.88

 

CMYK 41 / 0 / 0 / 47

HEX #4F8686

RGB 79 134 134

HSL 180, 0.26%, 0.42%

LAB 52.32, -18.12, -5.72

 

CMYK 41 / 0 / 0 / 37

HEX #5EA0A0

RGB 94 160 160

HSL 180, 0.26%, 0.5%

LAB 61.71, -20.98, -6.61

 

CMYK 32 / 0 / 0 / 31

HEX #78B0B0

RGB 120 176 176

HSL 180, 0.26%, 0.58%

LAB 68.15, -18.15, -5.85

 

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

CMYK 33 / 41 / 0 / 47

HEX #5A4F86

RGB 90 79 134

HSL 252, 0.26%, 0.42%

LAB 36.91, 17.93, -29.24

 

CMYK 0 / 16 / 41 / 47

HEX #86704F

RGB 134 112 79

HSL 36, 0.26%, 0.42%

LAB 48.54, 3.74, 21.57

 

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

CMYK 0 / 41 / 0 / 47

HEX #864F86

RGB 134 79 134

HSL 300, 0.26%, 0.42%

LAB 41.82, 32.12, -21.22

 

CMYK 0 / 0 / 41 / 47

HEX #86864F

RGB 134 134 79

HSL 60, 0.26%, 0.42%

LAB 54.74, -8.69, 29.58

 

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

CMYK 33 / 41 / 0 / 47

HEX #5A4F86

RGB 90 79 134

HSL 252, 0.26%, 0.42%

LAB 36.91, 17.93, -29.24

 

CMYK 0 / 41 / 41 / 47

HEX #864F4F

RGB 134 79 79

HSL 0, 0.26%, 0.42%

LAB 39.96, 23.11, 9.93

 

CMYK 8 / 0 / 41 / 47

HEX #7B864F

RGB 123 134 79

HSL 72, 0.26%, 0.42%

LAB 53.84, -13.35, 28.25

 

CMYK 42 / 0 / 0 / 47

HEX #4E8686

RGB 78 134 134

HSL 180, 0.26%, 0.42%

LAB 52.28, -18.39, -5.8

 

CMYK 20 / 41 / 0 / 47

HEX #6B4F86

RGB 107 79 134

HSL 270.55, 0.26%, 0.42%

LAB 38.62, 23.26, -26.43

 

CMYK 0 / 41 / 41 / 47

HEX #864F4F

RGB 134 79 79

HSL 0, 0.26%, 0.42%

LAB 39.96, 23.11, 9.93

 

CMYK 20 / 0 / 41 / 47

HEX #6B864F

RGB 107 134 79

HSL 89.45, 0.26%, 0.42%

LAB 52.66, -19.89, 26.51

 

Description

Color code: HEX #4E8686 | qconv.com Color code: HEX #4E8686 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 134 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 134 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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