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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E88FD it is the complementary color #B17702. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E88FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E88FD shade: #5388F8, #649AFF, #75ACFF, #86BEFF and #97D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E88FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E88FD shade: #4E88FD, #3D76EA, #2C64D7, #1B52C4 and #0A40B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E88FD shade: #4E88FD, #4E59FD, #724EFD, #A14EFD and #D04EFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E88FD shade: #4E88FD, #4E59FD and #4E4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E88FD shade matches the following richer shades: #4E88FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E88FD shade: #4E88FD, #5C8DEE, #6B92E0, #7996D1 and #889BC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E88FD shade: #4EE5FD, #4EB7FD, #4E88FD, #4E59FD and #714EFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E88FD shade: #0253F6, #256CFC, #4E88FD, #77A3FD and #9FBFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E88FD shade: #4E88FD, #E54EFD and #CEFD4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E88FD shade: #4E88FD, #FD4E88 and #88FD4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E88FD shade: #4E88FD, #E54EFD, #FDC24E and #65FD4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E88FD shade: #4E88FD, #FD4EE0, #FDC24E and #4EFD6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

Complementary color

CMYK 0 / 33 / 99 / 31

HEX #B17702

RGB 177 119 2

HSL 40.11, 0.98%, 0.35%

LAB 54.6, 14.93, 60.62

 

CMYK 67 / 45 / 0 / 3

HEX #5388F8

RGB 83 136 248

HSL 220.73, 0.92%, 0.65%

LAB 58.25, 17.78, -61.28

 

CMYK 61 / 40 / 0 / 0

HEX #649AFF

RGB 100 154 255

HSL 219.1, 1%, 0.7%

LAB 64.19, 12.25, -55.59

 

CMYK 54 / 33 / 0 / 0

HEX #75ACFF

RGB 117 172 255

HSL 216.09, 1%, 0.73%

LAB 69.83, 5.17, -46.63

 

CMYK 47 / 25 / 0 / 0

HEX #86BEFF

RGB 134 190 255

HSL 212.23, 1%, 0.76%

LAB 75.52, -1.09, -37.67

 

CMYK 41 / 18 / 0 / 0

HEX #97D0FF

RGB 151 208 255

HSL 207.12, 1%, 0.8%

LAB 81.24, -6.65, -28.78

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 74 / 50 / 0 / 8

HEX #3D76EA

RGB 61 118 234

HSL 220.23, 0.8%, 0.58%

LAB 51.71, 20.86, -64.07

 

CMYK 80 / 53 / 0 / 16

HEX #2C64D7

RGB 44 100 215

HSL 220.35, 0.68%, 0.51%

LAB 45.02, 23.38, -64.19

 

CMYK 86 / 58 / 0 / 23

HEX #1B52C4

RGB 27 82 196

HSL 220.47, 0.76%, 0.44%

LAB 38.29, 26.42, -64.21

 

CMYK 94 / 64 / 0 / 31

HEX #0A40B1

RGB 10 64 177

HSL 220.6, 0.89%, 0.37%

LAB 31.59, 30.07, -64

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 69 / 65 / 0 / 1

HEX #4E59FD

RGB 78 89 253

HSL 236.23, 0.98%, 0.65%

LAB 46.79, 47.34, -82.66

 

CMYK 55 / 69 / 0 / 1

HEX #724EFD

RGB 114 78 253

HSL 252.34, 0.98%, 0.65%

LAB 47.13, 58.17, -82

 

CMYK 36 / 69 / 0 / 1

HEX #A14EFD

RGB 161 78 253

HSL 268.46, 0.98%, 0.65%

LAB 51.97, 65.93, -73.89

 

CMYK 18 / 69 / 0 / 1

HEX #D04EFD

RGB 208 78 253

HSL 284.57, 0.98%, 0.65%

LAB 57.99, 74.96, -63.87

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 69 / 65 / 0 / 1

HEX #4E59FD

RGB 78 89 253

HSL 236.23, 0.98%, 0.65%

LAB 46.79, 47.34, -82.66

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 61 / 41 / 0 / 7

HEX #5C8DEE

RGB 92 141 238

HSL 219.86, 0.81%, 0.65%

LAB 59.43, 12.9, -53.84

 

CMYK 52 / 35 / 0 / 12

HEX #6B92E0

RGB 107 146 224

HSL 220, 0.65%, 0.65%

LAB 60.84, 8.46, -43.8

 

CMYK 42 / 28 / 0 / 18

HEX #7996D1

RGB 121 150 209

HSL 220.23, 0.49%, 0.65%

LAB 62.07, 5.07, -33.46

 

CMYK 30 / 21 / 0 / 24

HEX #889BC3

RGB 136 155 195

HSL 220.68, 0.33%, 0.65%

LAB 63.85, 2.66, -22.81

 

CMYK 69 / 9 / 0 / 1

HEX #4EE5FD

RGB 78 229 253

HSL 188.23, 0.98%, 0.65%

LAB 84.35, -31.94, -23.21

 

CMYK 69 / 28 / 0 / 1

HEX #4EB7FD

RGB 78 183 253

HSL 204, 0.98%, 0.65%

LAB 71.27, -8.44, -43.39

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 69 / 65 / 0 / 1

HEX #4E59FD

RGB 78 89 253

HSL 236.23, 0.98%, 0.65%

LAB 46.79, 47.34, -82.66

 

CMYK 55 / 69 / 0 / 1

HEX #714EFD

RGB 113 78 253

HSL 252, 0.98%, 0.65%

LAB 47.04, 58.02, -82.14

 

CMYK 99 / 66 / 0 / 4

HEX #0253F6

RGB 2 83 246

HSL 220.08, 0.98%, 0.49%

LAB 42.54, 43.83, -85.81

 

CMYK 85 / 57 / 0 / 1

HEX #256CFC

RGB 37 108 252

HSL 220.19, 0.97%, 0.57%

LAB 49.67, 31.61, -77.44

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 53 / 36 / 0 / 1

HEX #77A3FD

RGB 119 163 253

HSL 220.3, 0.97%, 0.73%

LAB 67.43, 10.12, -49.31

 

CMYK 37 / 25 / 0 / 0

HEX #9FBFFE

RGB 159 191 254

HSL 219.79, 0.98%, 0.81%

LAB 77.15, 4.29, -34.5

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 9 / 69 / 0 / 1

HEX #E54EFD

RGB 229 78 253

HSL 291.77, 0.98%, 0.65%

LAB 60.96, 79.23, -58.95

 

CMYK 19 / 0 / 69 / 1

HEX #CEFD4E

RGB 206 253 78

HSL 76.11, 0.98%, 0.65%

LAB 93.42, -38.1, 74.69

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 0 / 69 / 46 / 1

HEX #FD4E88

RGB 253 78 136

HSL 340.11, 0.98%, 0.65%

LAB 59.99, 69.74, 6.61

 

CMYK 46 / 0 / 69 / 1

HEX #88FD4E

RGB 136 253 78

HSL 100.11, 0.98%, 0.65%

LAB 89.88, -61.95, 69.95

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 9 / 69 / 0 / 1

HEX #E54EFD

RGB 229 78 253

HSL 291.77, 0.98%, 0.65%

LAB 60.96, 79.23, -58.95

 

CMYK 0 / 23 / 69 / 1

HEX #FDC24E

RGB 253 194 78

HSL 39.77, 0.98%, 0.65%

LAB 81.85, 9.95, 64.12

 

CMYK 60 / 0 / 69 / 1

HEX #65FD4E

RGB 101 253 78

HSL 112.11, 0.98%, 0.65%

LAB 88.72, -70.93, 68.39

 

CMYK 69 / 46 / 0 / 1

HEX #4E88FD

RGB 78 136 253

HSL 220.11, 0.98%, 0.65%

LAB 58.34, 18.77, -63.9

 

CMYK 0 / 69 / 11 / 1

HEX #FD4EE0

RGB 253 78 224

HSL 309.94, 0.98%, 0.65%

LAB 63.11, 79.9, -39.18

 

CMYK 0 / 23 / 69 / 1

HEX #FDC24E

RGB 253 194 78

HSL 39.77, 0.98%, 0.65%

LAB 81.85, 9.95, 64.12

 

CMYK 69 / 0 / 58 / 1

HEX #4EFD6B

RGB 78 253 107

HSL 129.94, 0.98%, 0.65%

LAB 88.42, -72.52, 56.22

 

Description

Color code: HEX #4E88FD | qconv.com Color code: HEX #4E88FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 136 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 136 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 46 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 46% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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