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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E96BA it is the complementary color #B16945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E96BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E96BA shade: #5396B5, #64A8C8, #75BADB, #86CCEE and #97DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E96BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E96BA shade: #4E96BA, #3D84A7, #2C7294, #1B6081 and #0A4E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E96BA shade: #4E96BA, #4E79BA, #4E5CBA, #5E4EBA and #7B4EBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E96BA shade: #4E96BA, #4E79BA, #4E5CBA and #4E4EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E96BA shade matches the following richer shades: #4E96BA, #3A9DCE, #27A3E2 and #13AAF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E96BA shade: #4E96BA, #628FA6, #768992, #8A827F and #9D7C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E96BA shade: #4EBAA4, #4EB3BA, #4E96BA, #4E79BA and #4E5DBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E96BA shade: #336883, #3E80A1, #4E96BA, #6CA8C6 and #8AB9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E96BA shade: #4E96BA, #884EBA and #BAB34E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E96BA shade: #4E96BA, #BA4E96 and #96BA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E96BA shade: #4E96BA, #884EBA, #BA724E and #81BA4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E96BA shade: #4E96BA, #A84EBA, #BA724E and #60BA4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

Complementary color

CMYK 0 / 41 / 61 / 31

HEX #B16945

RGB 177 105 69

HSL 20, 0.44%, 0.48%

LAB 51.7, 25.34, 32.3

 

CMYK 54 / 17 / 0 / 29

HEX #5396B5

RGB 83 150 181

HSL 198.98, 0.4%, 0.52%

LAB 58.96, -12.38, -22.67

 

CMYK 50 / 16 / 0 / 22

HEX #64A8C8

RGB 100 168 200

HSL 199.2, 0.48%, 0.59%

LAB 65.66, -12.75, -23.01

 

CMYK 47 / 15 / 0 / 14

HEX #75BADB

RGB 117 186 219

HSL 199.41, 0.59%, 0.66%

LAB 72.24, -13.03, -23.33

 

CMYK 44 / 14 / 0 / 7

HEX #86CCEE

RGB 134 204 238

HSL 199.62, 0.75%, 0.73%

LAB 78.71, -13.25, -23.65

 

CMYK 41 / 13 / 0 / 0

HEX #97DEFF

RGB 151 222 255

HSL 199.04, 1%, 0.8%

LAB 85.02, -13.94, -23.02

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 63 / 21 / 0 / 35

HEX #3D84A7

RGB 61 132 167

HSL 199.81, 0.46%, 0.45%

LAB 52.16, -11.24, -25.21

 

CMYK 70 / 23 / 0 / 42

HEX #2C7294

RGB 44 114 148

HSL 199.62, 0.54%, 0.38%

LAB 45.23, -10.33, -24.86

 

CMYK 79 / 26 / 0 / 49

HEX #1B6081

RGB 27 96 129

HSL 199.41, 0.65%, 0.31%

LAB 38.17, -9.05, -24.46

 

CMYK 91 / 29 / 0 / 57

HEX #0A4E6E

RGB 10 78 110

HSL 199.2, 0.83%, 0.24%

LAB 30.97, -7.16, -23.97

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 58 / 35 / 0 / 27

HEX #4E79BA

RGB 78 121 186

HSL 216.11, 0.44%, 0.52%

LAB 50.5, 4.91, -38.71

 

CMYK 58 / 51 / 0 / 27

HEX #4E5CBA

RGB 78 92 186

HSL 232.22, 0.44%, 0.52%

LAB 42.49, 23, -51.47

 

CMYK 49 / 58 / 0 / 27

HEX #5E4EBA

RGB 94 78 186

HSL 248.89, 0.44%, 0.52%

LAB 40.2, 34.99, -55.1

 

CMYK 34 / 58 / 0 / 27

HEX #7B4EBA

RGB 123 78 186

HSL 265, 0.44%, 0.52%

LAB 43.07, 41.57, -50.33

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 58 / 35 / 0 / 27

HEX #4E79BA

RGB 78 121 186

HSL 216.11, 0.44%, 0.52%

LAB 50.5, 4.91, -38.71

 

CMYK 58 / 51 / 0 / 27

HEX #4E5CBA

RGB 78 92 186

HSL 232.22, 0.44%, 0.52%

LAB 42.49, 23, -51.47

 

CMYK 58 / 58 / 0 / 27

HEX #4E4EBA

RGB 78 78 186

HSL 240, 0.44%, 0.52%

LAB 38.92, 31.83, -57.23

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 72 / 24 / 0 / 19

HEX #3A9DCE

RGB 58 157 206

HSL 199.86, 0.6%, 0.52%

LAB 61.19, -12.62, -33.36

 

CMYK 83 / 28 / 0 / 11

HEX #27A3E2

RGB 39 163 226

HSL 200.21, 0.76%, 0.52%

LAB 63.44, -11.06, -40.98

 

CMYK 92 / 31 / 0 / 4

HEX #13AAF5

RGB 19 170 245

HSL 199.91, 0.92%, 0.52%

LAB 66.12, -9.34, -47.21

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 41 / 14 / 0 / 35

HEX #628FA6

RGB 98 143 166

HSL 200.29, 0.28%, 0.52%

LAB 57.07, -9.17, -16.96

 

CMYK 19 / 6 / 0 / 43

HEX #768992

RGB 118 137 146

HSL 199.29, 0.11%, 0.52%

LAB 55.91, -4.79, -7.1

 

CMYK 0 / 6 / 8 / 46

HEX #8A827F

RGB 138 130 127

HSL 16.36, 0.04%, 0.52%

LAB 54.97, 2.45, 2.69

 

CMYK 0 / 21 / 32 / 38

HEX #9D7C6B

RGB 157 124 107

HSL 20.4, 0.2%, 0.52%

LAB 54.7, 10.24, 14.15

 

CMYK 58 / 0 / 12 / 27

HEX #4EBAA4

RGB 78 186 164

HSL 167.78, 0.44%, 0.52%

LAB 69.05, -36.3, 1.88

 

CMYK 58 / 4 / 0 / 27

HEX #4EB3BA

RGB 78 179 186

HSL 183.89, 0.44%, 0.52%

LAB 67.58, -27.07, -12.42

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 58 / 35 / 0 / 27

HEX #4E79BA

RGB 78 121 186

HSL 216.11, 0.44%, 0.52%

LAB 50.5, 4.91, -38.71

 

CMYK 58 / 50 / 0 / 27

HEX #4E5DBA

RGB 78 93 186

HSL 231.67, 0.44%, 0.52%

LAB 42.75, 22.36, -51.05

 

CMYK 61 / 21 / 0 / 49

HEX #336883

RGB 51 104 131

HSL 200.25, 0.44%, 0.36%

LAB 41.6, -9.03, -20.29

 

CMYK 61 / 20 / 0 / 37

HEX #3E80A1

RGB 62 128 161

HSL 200, 0.44%, 0.44%

LAB 50.73, -10.75, -23.94

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 45 / 15 / 0 / 22

HEX #6CA8C6

RGB 108 168 198

HSL 200, 0.44%, 0.6%

LAB 65.96, -11.41, -21.41

 

CMYK 34 / 11 / 0 / 18

HEX #8AB9D1

RGB 138 185 209

HSL 200.28, 0.44%, 0.68%

LAB 72.7, -9.7, -17.08

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 27 / 58 / 0 / 27

HEX #884EBA

RGB 136 78 186

HSL 272.22, 0.44%, 0.52%

LAB 44.56, 44.76, -47.86

 

CMYK 0 / 4 / 58 / 27

HEX #BAB34E

RGB 186 179 78

HSL 56.11, 0.44%, 0.52%

LAB 71.71, -10.55, 51.34

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 0 / 58 / 19 / 27

HEX #BA4E96

RGB 186 78 150

HSL 320, 0.44%, 0.52%

LAB 49.6, 51.8, -18.24

 

CMYK 19 / 0 / 58 / 27

HEX #96BA4E

RGB 150 186 78

HSL 80, 0.44%, 0.52%

LAB 70.98, -28.84, 49.78

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 27 / 58 / 0 / 27

HEX #884EBA

RGB 136 78 186

HSL 272.22, 0.44%, 0.52%

LAB 44.56, 44.76, -47.86

 

CMYK 0 / 39 / 58 / 27

HEX #BA724E

RGB 186 114 78

HSL 20, 0.44%, 0.52%

LAB 55.1, 24.82, 31.76

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4E

RGB 129 186 78

HSL 91.67, 0.44%, 0.52%

LAB 69.71, -36.79, 48

 

CMYK 58 / 19 / 0 / 27

HEX #4E96BA

RGB 78 150 186

HSL 200, 0.44%, 0.52%

LAB 58.95, -11.9, -25.54

 

CMYK 10 / 58 / 0 / 27

HEX #A84EBA

RGB 168 78 186

HSL 290, 0.44%, 0.52%

LAB 48.66, 52.94, -41.09

 

CMYK 0 / 39 / 58 / 27

HEX #BA724E

RGB 186 114 78

HSL 20, 0.44%, 0.52%

LAB 55.1, 24.82, 31.76

 

CMYK 48 / 0 / 58 / 27

HEX #60BA4E

RGB 96 186 78

HSL 110, 0.44%, 0.52%

LAB 68.13, -47.69, 45.78

 

Description

Color code: HEX #4E96BA | qconv.com Color code: HEX #4E96BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 150 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 150 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 19 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 19% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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