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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB572 it is the complementary color #B14A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB572 shade: #53B56D, #64C780, #75D993, #86EBA6 and #97FDB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB572 shade: #4EB572, #3DA35F, #2C914C, #1B7F39 and #0A6D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB572 shade: #4EB572, #4EB557, #62B54E, #7DB54E and #99B54E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB572 shade: #4EB572, #4EB58E, #4EB5A9, #4EA5B5 and #4E89B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB572 shade matches the following richer shades: #4EB572, #3AC96C, #26DD66 and #12F160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB572 shade: #4EB572, #63A178, #778C7E, #8B7884 and #9F648A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB572 shade: #63B54E, #4EB555, #4EB570, #4EB58C and #4EB5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB572 shade: #347D4D, #409A5F, #4EB572, #6BC189 and #88CDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB572 shade: #4EB572, #4E7EB5 and #B54E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB572 shade: #4EB572, #704EB5 and #B5704E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB572 shade: #4EB572, #4E7EB5, #B54E93 and #B5854E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB572 shade: #4EB572, #4E5FB5, #B54E93 and #B5A44E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

Complementary color

CMYK 0 / 58 / 20 / 31

HEX #B14A8D

RGB 177 74 141

HSL 320.97, 0.41%, 0.49%

LAB 47.19, 49.62, -16.67

 

CMYK 54 / 0 / 40 / 29

HEX #53B56D

RGB 83 181 109

HSL 135.92, 0.4%, 0.52%

LAB 66.51, -44.75, 28.18

 

CMYK 50 / 0 / 36 / 22

HEX #64C780

RGB 100 199 128

HSL 136.97, 0.47%, 0.59%

LAB 72.97, -44.66, 26.86

 

CMYK 46 / 0 / 32 / 15

HEX #75D993

RGB 117 217 147

HSL 138, 0.57%, 0.65%

LAB 79.34, -44.49, 25.63

 

CMYK 43 / 0 / 29 / 8

HEX #86EBA6

RGB 134 235 166

HSL 139.01, 0.72%, 0.72%

LAB 85.62, -44.27, 24.49

 

CMYK 40 / 0 / 27 / 1

HEX #97FDB9

RGB 151 253 185

HSL 140, 0.96%, 0.79%

LAB 91.83, -44.03, 23.4

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 63 / 0 / 42 / 36

HEX #3DA35F

RGB 61 163 95

HSL 140, 0.46%, 0.44%

LAB 59.9, -44.96, 26.81

 

CMYK 70 / 0 / 48 / 43

HEX #2C914C

RGB 44 145 76

HSL 139.01, 0.53%, 0.37%

LAB 53.29, -44.59, 28.35

 

CMYK 79 / 0 / 55 / 50

HEX #1B7F39

RGB 27 127 57

HSL 138, 0.65%, 0.3%

LAB 46.59, -43.75, 29.99

 

CMYK 91 / 0 / 65 / 57

HEX #0A6D26

RGB 10 109 38

HSL 136.97, 0.83%, 0.23%

LAB 39.82, -42.13, 31.63

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 57 / 0 / 52 / 29

HEX #4EB557

RGB 78 181 87

HSL 125.24, 0.41%, 0.51%

LAB 66.02, -49.44, 38.79

 

CMYK 46 / 0 / 57 / 29

HEX #62B54E

RGB 98 181 78

HSL 108.35, 0.41%, 0.51%

LAB 66.67, -45.04, 44.09

 

CMYK 31 / 0 / 57 / 29

HEX #7DB54E

RGB 125 181 78

HSL 92.62, 0.41%, 0.51%

LAB 67.99, -35.97, 45.96

 

CMYK 15 / 0 / 57 / 29

HEX #99B54E

RGB 153 181 78

HSL 76.31, 0.41%, 0.51%

LAB 69.73, -25.23, 48.42

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 57 / 0 / 22 / 29

HEX #4EB58E

RGB 78 181 142

HSL 157.28, 0.41%, 0.51%

LAB 66.99, -39.3, 11

 

CMYK 57 / 0 / 7 / 29

HEX #4EB5A9

RGB 78 181 169

HSL 173.01, 0.41%, 0.51%

LAB 67.67, -32.68, -2.88

 

CMYK 57 / 9 / 0 / 29

HEX #4EA5B5

RGB 78 165 181

HSL 189.32, 0.41%, 0.51%

LAB 63.23, -21.43, -16.19

 

CMYK 57 / 24 / 0 / 29

HEX #4E89B5

RGB 78 137 181

HSL 205.63, 0.41%, 0.51%

LAB 54.91, -6.16, -28.94

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 71 / 0 / 46 / 21

HEX #3AC96C

RGB 58 201 108

HSL 140.98, 0.57%, 0.51%

LAB 72.06, -57.79, 35.74

 

CMYK 83 / 0 / 54 / 13

HEX #26DD66

RGB 38 221 102

HSL 140.98, 0.73%, 0.51%

LAB 77.92, -68.03, 45.86

 

CMYK 93 / 0 / 60 / 5

HEX #12F160

RGB 18 241 96

HSL 140.99, 0.89%, 0.51%

LAB 83.91, -76.33, 55.58

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 39 / 0 / 25 / 37

HEX #63A178

RGB 99 161 120

HSL 140.32, 0.25%, 0.51%

LAB 61.22, -29.23, 15.17

 

CMYK 15 / 0 / 10 / 45

HEX #778C7E

RGB 119 140 126

HSL 140, 0.08%, 0.51%

LAB 56.27, -10.44, 4.96

 

CMYK 0 / 14 / 5 / 45

HEX #8B7884

RGB 139 120 132

HSL 322.11, 0.08%, 0.51%

LAB 52.5, 9.55, -3.83

 

CMYK 0 / 37 / 13 / 38

HEX #9F648A

RGB 159 100 138

HSL 321.36, 0.24%, 0.51%

LAB 49.88, 29.59, -11.04

 

CMYK 45 / 0 / 57 / 29

HEX #63B54E

RGB 99 181 78

HSL 107.77, 0.41%, 0.51%

LAB 66.71, -44.73, 44.15

 

CMYK 57 / 0 / 53 / 29

HEX #4EB555

RGB 78 181 85

HSL 124.08, 0.41%, 0.51%

LAB 66, -49.72, 39.74

 

CMYK 57 / 0 / 38 / 29

HEX #4EB570

RGB 78 181 112

HSL 139.81, 0.41%, 0.51%

LAB 66.4, -45.44, 26.41

 

CMYK 57 / 0 / 23 / 29

HEX #4EB58C

RGB 78 181 140

HSL 156.12, 0.41%, 0.51%

LAB 66.95, -39.75, 12.03

 

CMYK 57 / 0 / 8 / 29

HEX #4EB5A7

RGB 78 181 167

HSL 171.84, 0.41%, 0.51%

LAB 67.62, -33.21, -1.86

 

CMYK 58 / 0 / 38 / 51

HEX #347D4D

RGB 52 125 77

HSL 140.55, 0.41%, 0.35%

LAB 46.89, -34.32, 19.52

 

CMYK 58 / 0 / 38 / 40

HEX #409A5F

RGB 64 154 95

HSL 140.67, 0.41%, 0.43%

LAB 57.1, -40.55, 23.14

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 45 / 0 / 29 / 24

HEX #6BC189

RGB 107 193 137

HSL 140.93, 0.41%, 0.59%

LAB 71.6, -38.5, 20.3

 

CMYK 34 / 0 / 22 / 20

HEX #88CDA0

RGB 136 205 160

HSL 140.87, 0.41%, 0.67%

LAB 76.94, -31.21, 15.63

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 57 / 30 / 0 / 29

HEX #4E7EB5

RGB 78 126 181

HSL 212.04, 0.41%, 0.51%

LAB 51.7, 0.26, -33.95

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 38 / 57 / 0 / 29

HEX #704EB5

RGB 112 78 181

HSL 259.81, 0.41%, 0.51%

LAB 41.58, 37.6, -49.86

 

CMYK 0 / 38 / 57 / 29

HEX #B5704E

RGB 181 112 78

HSL 19.81, 0.41%, 0.51%

LAB 53.99, 23.84, 30.24

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 57 / 30 / 0 / 29

HEX #4E7EB5

RGB 78 126 181

HSL 212.04, 0.41%, 0.51%

LAB 51.7, 0.26, -33.95

 

CMYK 0 / 57 / 19 / 29

HEX #B54E93

RGB 181 78 147

HSL 319.81, 0.41%, 0.51%

LAB 48.73, 49.85, -17.85

 

CMYK 0 / 27 / 57 / 29

HEX #B5854E

RGB 181 133 78

HSL 32.04, 0.41%, 0.51%

LAB 59.11, 12.15, 36.56

 

CMYK 57 / 0 / 37 / 29

HEX #4EB572

RGB 78 181 114

HSL 140.97, 0.41%, 0.51%

LAB 66.43, -45.07, 25.39

 

CMYK 57 / 48 / 0 / 29

HEX #4E5FB5

RGB 78 95 181

HSL 230.1, 0.41%, 0.51%

LAB 42.97, 19.41, -47.77

 

CMYK 0 / 57 / 19 / 29

HEX #B54E93

RGB 181 78 147

HSL 319.81, 0.41%, 0.51%

LAB 48.73, 49.85, -17.85

 

CMYK 0 / 9 / 57 / 29

HEX #B5A44E

RGB 181 164 78

HSL 50.1, 0.41%, 0.51%

LAB 67.22, -4.8, 46.13

 

Description

Color code: HEX #4EB572 | qconv.com Color code: HEX #4EB572 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 181 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 181 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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