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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB5ED it is the complementary color #B14A12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB5ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB5ED shade: #53B5E8, #64C7FB, #75D9FF, #86EBFF and #97FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB5ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB5ED shade: #4EB5ED, #3DA3DA, #2C91C7, #1B7FB4 and #0A6DA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB5ED shade: #4EB5ED, #4E8AED, #4E5FED, #684EED and #934EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB5ED shade: #4EB5ED, #4E8AED, #4E5FED and #4E4EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB5ED shade matches the following richer shades: #4EB5ED and #3EBAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB5ED shade: #4EB5ED, #5EB0DD, #6DACCE, #7DA7BE and #8DA3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB5ED shade: #4EEDD0, #4EE0ED, #4EB5ED, #4E8BED and #4E61ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB5ED shade: #1591D4, #29A5E9, #4EB5ED, #74C5F1 and #99D4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB5ED shade: #4EB5ED, #A64EED and #EDE54E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB5ED shade: #4EB5ED, #ED4EB5 and #B5ED4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB5ED shade: #4EB5ED, #A64EED, #ED864E and #96ED4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB5ED shade: #4EB5ED, #D54EED, #ED864E and #66ED4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

Complementary color

CMYK 0 / 58 / 90 / 31

HEX #B14A12

RGB 177 74 18

HSL 21.13, 0.82%, 0.38%

LAB 44.64, 39.38, 49.76

 

CMYK 64 / 22 / 0 / 9

HEX #53B5E8

RGB 83 181 232

HSL 200.54, 0.76%, 0.62%

LAB 69.97, -13.37, -34.01

 

CMYK 60 / 21 / 0 / 2

HEX #64C7FB

RGB 100 199 251

HSL 200.66, 0.95%, 0.69%

LAB 76.39, -14.12, -34.3

 

CMYK 54 / 15 / 0 / 0

HEX #75D9FF

RGB 117 217 255

HSL 196.52, 1%, 0.73%

LAB 82.18, -19.02, -27.48

 

CMYK 47 / 8 / 0 / 0

HEX #86EBFF

RGB 134 235 255

HSL 189.92, 1%, 0.76%

LAB 87.83, -24.43, -18.84

 

CMYK 41 / 1 / 0 / 0

HEX #97FDFF

RGB 151 253 255

HSL 181.15, 1%, 0.8%

LAB 93.47, -29.24, -10.32

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 72 / 25 / 0 / 15

HEX #3DA3DA

RGB 61 163 218

HSL 201.02, 0.68%, 0.55%

LAB 63.55, -11.47, -36.36

 

CMYK 78 / 27 / 0 / 22

HEX #2C91C7

RGB 44 145 199

HSL 200.9, 0.64%, 0.48%

LAB 56.99, -10.08, -36.01

 

CMYK 85 / 29 / 0 / 29

HEX #1B7FB4

RGB 27 127 180

HSL 200.78, 0.74%, 0.41%

LAB 50.34, -8.28, -35.61

 

CMYK 94 / 32 / 0 / 37

HEX #0A6DA1

RGB 10 109 161

HSL 200.66, 0.88%, 0.34%

LAB 43.62, -5.95, -35.13

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 67 / 42 / 0 / 7

HEX #4E8AED

RGB 78 138 237

HSL 217.36, 0.82%, 0.62%

LAB 57.95, 12.01, -55.69

 

CMYK 67 / 60 / 0 / 7

HEX #4E5FED

RGB 78 95 237

HSL 233.58, 0.82%, 0.62%

LAB 46.87, 38.42, -73.57

 

CMYK 56 / 67 / 0 / 7

HEX #684EED

RGB 104 78 237

HSL 249.81, 0.82%, 0.62%

LAB 44.95, 52.08, -76.63

 

CMYK 38 / 67 / 0 / 7

HEX #934EED

RGB 147 78 237

HSL 266.04, 0.82%, 0.62%

LAB 49.21, 59.51, -69.5

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 67 / 42 / 0 / 7

HEX #4E8AED

RGB 78 138 237

HSL 217.36, 0.82%, 0.62%

LAB 57.95, 12.01, -55.69

 

CMYK 67 / 60 / 0 / 7

HEX #4E5FED

RGB 78 95 237

HSL 233.58, 0.82%, 0.62%

LAB 46.87, 38.42, -73.57

 

CMYK 67 / 67 / 0 / 7

HEX #4E4EED

RGB 78 78 237

HSL 240, 0.82%, 0.62%

LAB 43.04, 48.53, -79.84

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 75 / 26 / 0 / 1

HEX #3EBAFD

RGB 62 186 253

HSL 201.05, 0.98%, 0.62%

LAB 71.71, -12.09, -42.73

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 57 / 20 / 0 / 13

HEX #5EB0DD

RGB 94 176 221

HSL 201.26, 0.65%, 0.62%

LAB 68.5, -12.11, -30.25

 

CMYK 47 / 17 / 0 / 19

HEX #6DACCE

RGB 109 172 206

HSL 201.03, 0.5%, 0.62%

LAB 67.44, -11.08, -23.57

 

CMYK 34 / 12 / 0 / 25

HEX #7DA7BE

RGB 125 167 190

HSL 201.23, 0.33%, 0.62%

LAB 66.3, -8.48, -16.36

 

CMYK 19 / 6 / 0 / 32

HEX #8DA3AE

RGB 141 163 174

HSL 200, 0.17%, 0.62%

LAB 65.68, -5.25, -8.27

 

CMYK 67 / 0 / 12 / 7

HEX #4EEDD0

RGB 78 237 208

HSL 169.06, 0.82%, 0.62%

LAB 85.37, -47.8, 2.01

 

CMYK 67 / 5 / 0 / 7

HEX #4EE0ED

RGB 78 224 237

HSL 184.91, 0.82%, 0.62%

LAB 82.4, -34.21, -17.71

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 67 / 41 / 0 / 7

HEX #4E8BED

RGB 78 139 237

HSL 216.98, 0.82%, 0.62%

LAB 58.23, 11.4, -55.25

 

CMYK 67 / 59 / 0 / 7

HEX #4E61ED

RGB 78 97 237

HSL 232.83, 0.82%, 0.62%

LAB 47.34, 37.19, -72.8

 

CMYK 90 / 32 / 0 / 17

HEX #1591D4

RGB 21 145 212

HSL 201.05, 0.82%, 0.46%

LAB 57.23, -7.2, -42.97

 

CMYK 82 / 29 / 0 / 9

HEX #29A5E9

RGB 41 165 233

HSL 201.25, 0.81%, 0.54%

LAB 64.37, -9.54, -43.37

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 52 / 18 / 0 / 5

HEX #74C5F1

RGB 116 197 241

HSL 201.12, 0.82%, 0.7%

LAB 76.07, -12.87, -29.38

 

CMYK 37 / 13 / 0 / 4

HEX #99D4F4

RGB 153 212 244

HSL 201.1, 0.81%, 0.78%

LAB 82.05, -11.06, -21.69

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 30 / 67 / 0 / 7

HEX #A64EED

RGB 166 78 237

HSL 273.21, 0.82%, 0.62%

LAB 51.46, 63.23, -65.75

 

CMYK 0 / 3 / 67 / 7

HEX #EDE54E

RGB 237 229 78

HSL 56.98, 0.82%, 0.62%

LAB 89.2, -14.48, 71.18

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 0 / 67 / 24 / 7

HEX #ED4EB5

RGB 237 78 181

HSL 321.13, 0.82%, 0.62%

LAB 58.78, 70.21, -21.64

 

CMYK 24 / 0 / 67 / 7

HEX #B5ED4E

RGB 181 237 78

HSL 81.13, 0.82%, 0.62%

LAB 87.46, -40.39, 68.15

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 30 / 67 / 0 / 7

HEX #A64EED

RGB 166 78 237

HSL 273.21, 0.82%, 0.62%

LAB 51.46, 63.23, -65.75

 

CMYK 0 / 43 / 67 / 7

HEX #ED864E

RGB 237 134 78

HSL 21.13, 0.82%, 0.62%

LAB 66.22, 34.81, 46.62

 

CMYK 37 / 0 / 67 / 7

HEX #96ED4E

RGB 150 237 78

HSL 92.83, 0.82%, 0.62%

LAB 85.81, -51.34, 65.92

 

CMYK 67 / 24 / 0 / 7

HEX #4EB5ED

RGB 78 181 237

HSL 201.13, 0.82%, 0.62%

LAB 70.02, -12.57, -36.67

 

CMYK 10 / 67 / 0 / 7

HEX #D54EED

RGB 213 78 237

HSL 290.94, 0.82%, 0.62%

LAB 57.76, 73.06, -55.3

 

CMYK 0 / 43 / 67 / 7

HEX #ED864E

RGB 237 134 78

HSL 21.13, 0.82%, 0.62%

LAB 66.22, 34.81, 46.62

 

CMYK 57 / 0 / 67 / 7

HEX #66ED4E

RGB 102 237 78

HSL 110.94, 0.82%, 0.62%

LAB 83.94, -65.22, 63.37

 

Description

Color code: HEX #4EB5ED | qconv.com Color code: HEX #4EB5ED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 181 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 181 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 24 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 24% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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