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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB840 it is the complementary color #B147BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB840 shade: #53B83B, #64CA4E, #75DC61, #86EE74 and #97FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB840 shade: #4EB840, #3DA62D, #2C941A, #1B8207 and #0A7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB840 shade: #4EB840, #6FB840, #8FB840, #B0B840 and #B8A140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB840 shade: #4EB840, #40B853, #40B873, #40B894 and #40B8B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB840 shade matches the following richer shades: #4EB840, #3FCD2C, #2FE118 and #20F504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB840 shade: #4EB840, #5EA455, #6D9069, #7D7C7D and #8C6891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB840 shade: #8EB840, #6EB840, #4EB840, #40B852 and #40B872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB840 shade: #347B2B, #419A36, #4EB840, #69C65D and #85D07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB840 shade: #4EB840, #40AEB8 and #B8407E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB840 shade: #4EB840, #404EB8 and #B8404E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB840 shade: #4EB840, #40AEB8, #AA40B8 and #B84A40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB840 shade: #4EB840, #408AB8, #AA40B8 and #B86E40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

Complementary color

CMYK 7 / 63 / 0 / 25

HEX #B147BF

RGB 177 71 191

HSL 293, 0.48%, 0.51%

LAB 49.03, 59.35, -43.33

 

CMYK 55 / 0 / 68 / 28

HEX #53B83B

RGB 83 184 59

HSL 108.48, 0.51%, 0.48%

LAB 66.85, -52.48, 52.5

 

CMYK 50 / 0 / 61 / 21

HEX #64CA4E

RGB 100 202 78

HSL 109.35, 0.54%, 0.55%

LAB 73.22, -52.87, 51.63

 

CMYK 47 / 0 / 56 / 14

HEX #75DC61

RGB 117 220 97

HSL 110.24, 0.64%, 0.62%

LAB 79.52, -53.04, 50.55

 

CMYK 44 / 0 / 51 / 7

HEX #86EE74

RGB 134 238 116

HSL 111.15, 0.78%, 0.69%

LAB 85.74, -53.06, 49.38

 

CMYK 41 / 0 / 47 / 0

HEX #97FF87

RGB 151 255 135

HSL 112, 1%, 0.76%

LAB 91.62, -52.59, 47.83

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 63 / 0 / 73 / 35

HEX #3DA62D

RGB 61 166 45

HSL 112.07, 0.57%, 0.41%

LAB 60.3, -52.59, 50.93

 

CMYK 70 / 0 / 82 / 42

HEX #2C941A

RGB 44 148 26

HSL 111.15, 0.7%, 0.34%

LAB 53.8, -51.34, 50.89

 

CMYK 79 / 0 / 95 / 49

HEX #1B8207

RGB 27 130 7

HSL 110.24, 0.9%, 0.27%

LAB 47.25, -49.29, 49.44

 

CMYK 91 / 0 / 100 / 56

HEX #0A7000

RGB 10 112 0

HSL 114.64, 1%, 0.22%

LAB 40.66, -46.03, 45.48

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 40 / 0 / 65 / 28

HEX #6FB840

RGB 111 184 64

HSL 96.5, 0.48%, 0.49%

LAB 68.04, -43.52, 52.06

 

CMYK 22 / 0 / 65 / 28

HEX #8FB840

RGB 143 184 64

HSL 80.5, 0.48%, 0.49%

LAB 69.82, -31.78, 54.48

 

CMYK 4 / 0 / 65 / 28

HEX #B0B840

RGB 176 184 64

HSL 64, 0.48%, 0.49%

LAB 72.15, -18.29, 57.65

 

CMYK 0 / 13 / 65 / 28

HEX #B8A140

RGB 184 161 64

HSL 48.5, 0.48%, 0.49%

LAB 66.56, -2.89, 51.97

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 0 / 55 / 28

HEX #40B853

RGB 64 184 83

HSL 129.5, 0.48%, 0.49%

LAB 66.52, -54.29, 41.24

 

CMYK 65 / 0 / 38 / 28

HEX #40B873

RGB 64 184 115

HSL 145.5, 0.48%, 0.49%

LAB 66.98, -49.07, 25.52

 

CMYK 65 / 0 / 20 / 28

HEX #40B894

RGB 64 184 148

HSL 162, 0.48%, 0.49%

LAB 67.66, -41.95, 8.6

 

CMYK 65 / 0 / 2 / 28

HEX #40B8B4

RGB 64 184 180

HSL 178, 0.48%, 0.49%

LAB 68.51, -33.59, -7.76

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 69 / 0 / 79 / 20

HEX #3FCD2C

RGB 63 205 44

HSL 112.92, 0.65%, 0.49%

LAB 72.83, -65.38, 63.62

 

CMYK 79 / 0 / 89 / 12

HEX #2FE118

RGB 47 225 24

HSL 113.13, 0.81%, 0.49%

LAB 78.76, -74.74, 73.46

 

CMYK 87 / 0 / 98 / 4

HEX #20F504

RGB 32 245 4

HSL 113.03, 0.97%, 0.49%

LAB 84.8, -82.12, 80.57

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 43 / 0 / 48 / 36

HEX #5EA455

RGB 94 164 85

HSL 113.16, 0.32%, 0.49%

LAB 61.3, -38.12, 34.1

 

CMYK 24 / 0 / 27 / 44

HEX #6D9069

RGB 109 144 105

HSL 113.85, 0.16%, 0.49%

LAB 56.31, -20.18, 16.87

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 3 / 28 / 0 / 43

HEX #8C6891

RGB 140 104 145

HSL 292.68, 0.16%, 0.49%

LAB 48.91, 21.9, -16.87

 

CMYK 23 / 0 / 65 / 28

HEX #8EB840

RGB 142 184 64

HSL 81, 0.48%, 0.49%

LAB 69.75, -32.17, 54.4

 

CMYK 40 / 0 / 65 / 28

HEX #6EB840

RGB 110 184 64

HSL 97, 0.48%, 0.49%

LAB 68, -43.86, 51.99

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 0 / 55 / 28

HEX #40B852

RGB 64 184 82

HSL 129, 0.48%, 0.49%

LAB 66.5, -54.42, 41.71

 

CMYK 65 / 0 / 38 / 28

HEX #40B872

RGB 64 184 114

HSL 145, 0.48%, 0.49%

LAB 66.97, -49.26, 26.03

 

CMYK 58 / 0 / 65 / 52

HEX #347B2B

RGB 52 123 43

HSL 113.25, 0.48%, 0.33%

LAB 45.73, -38.73, 36.16

 

CMYK 58 / 0 / 65 / 40

HEX #419A36

RGB 65 154 54

HSL 113.4, 0.48%, 0.41%

LAB 56.59, -46.31, 43.31

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 47 / 0 / 53 / 22

HEX #69C65D

RGB 105 198 93

HSL 113.14, 0.48%, 0.57%

LAB 72.35, -48.14, 43.78

 

CMYK 36 / 0 / 41 / 18

HEX #85D07B

RGB 133 208 123

HSL 112.94, 0.47%, 0.65%

LAB 77, -39.75, 35.01

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 5 / 0 / 28

HEX #40AEB8

RGB 64 174 184

HSL 185, 0.48%, 0.49%

LAB 65.61, -27.6, -14.31

 

CMYK 0 / 65 / 32 / 28

HEX #B8407E

RGB 184 64 126

HSL 329, 0.48%, 0.49%

LAB 46.13, 54.12, -9.11

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 58 / 0 / 28

HEX #404EB8

RGB 64 78 184

HSL 233, 0.48%, 0.49%

LAB 37.84, 28.74, -57.85

 

CMYK 0 / 65 / 58 / 28

HEX #B8404E

RGB 184 64 78

HSL 353, 0.48%, 0.49%

LAB 44.81, 49.35, 18.45

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 5 / 0 / 28

HEX #40AEB8

RGB 64 174 184

HSL 185, 0.48%, 0.49%

LAB 65.61, -27.6, -14.31

 

CMYK 8 / 65 / 0 / 28

HEX #AA40B8

RGB 170 64 184

HSL 293, 0.48%, 0.49%

LAB 46.54, 59.36, -43.26

 

CMYK 0 / 60 / 65 / 28

HEX #B84A40

RGB 184 74 64

HSL 5, 0.48%, 0.49%

LAB 46.26, 43.87, 28.72

 

CMYK 58 / 0 / 65 / 28

HEX #4EB840

RGB 78 184 64

HSL 113, 0.48%, 0.49%

LAB 66.73, -53.31, 50.24

 

CMYK 65 / 25 / 0 / 28

HEX #408AB8

RGB 64 138 184

HSL 203, 0.48%, 0.49%

LAB 54.79, -8.46, -30.89

 

CMYK 8 / 65 / 0 / 28

HEX #AA40B8

RGB 170 64 184

HSL 293, 0.48%, 0.49%

LAB 46.54, 59.36, -43.26

 

CMYK 0 / 40 / 65 / 28

HEX #B86E40

RGB 184 110 64

HSL 23, 0.48%, 0.49%

LAB 53.72, 25.17, 37.66

 

Description

Color code: HEX #4EB840 | qconv.com Color code: HEX #4EB840 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 184 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 184 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 65 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 65% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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