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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EBA9F it is the complementary color #B14560. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EBA9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EBA9F shade: #53BA9A, #64CCAD, #75DEC0, #86F0D3 and #97FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EBA9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EBA9F shade: #4EBA9F, #3DA88C, #2C9679, #1B8466 and #0A7253

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EBA9F shade: #4EBA9F, #4EBA82, #4EBA65, #55BA4E and #72BA4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EBA9F shade: #4EBA9F, #4EB8BA, #4E9BBA, #4E7EBA and #4E61BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EBA9F shade matches the following richer shades: #4EBA9F, #3ACEA9, #27E2B3 and #13F5BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EBA9F shade: #4EBA9F, #62A695, #76928B, #8A7F81 and #9D6B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EBA9F shade: #4EBA66, #4EBA82, #4EBA9F, #4EB8BA and #4E9BBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EBA9F shade: #33836F, #3EA188, #4EBA9F, #6CC6AF and #8AD1BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EBA9F shade: #4EBA9F, #4E54BA and #BA744E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EBA9F shade: #4EBA9F, #9F4EBA and #BA9F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EBA9F shade: #4EBA9F, #4E54BA, #BA4E69 and #BAB54E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EBA9F shade: #4EBA9F, #694EBA, #BA4E69 and #9FBA4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

Complementary color

CMYK 0 / 61 / 46 / 31

HEX #B14560

RGB 177 69 96

HSL 345, 0.44%, 0.48%

LAB 44.87, 46.35, 7.29

 

CMYK 55 / 0 / 17 / 27

HEX #53BA9A

RGB 83 186 154

HSL 161.36, 0.43%, 0.53%

LAB 68.96, -37.69, 7.25

 

CMYK 51 / 0 / 15 / 20

HEX #64CCAD

RGB 100 204 173

HSL 162.12, 0.5%, 0.6%

LAB 75.4, -37.66, 6.25

 

CMYK 47 / 0 / 14 / 13

HEX #75DEC0

RGB 117 222 192

HSL 162.86, 0.61%, 0.66%

LAB 81.75, -37.57, 5.33

 

CMYK 44 / 0 / 12 / 6

HEX #86F0D3

RGB 134 240 211

HSL 163.58, 0.78%, 0.73%

LAB 88.01, -37.44, 4.48

 

CMYK 41 / 0 / 10 / 0

HEX #97FFE6

RGB 151 255 230

HSL 165.58, 1%, 0.8%

LAB 93.37, -35.92, 2.46

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 64 / 0 / 17 / 34

HEX #3DA88C

RGB 61 168 140

HSL 164.3, 0.47%, 0.45%

LAB 62.42, -37.36, 5.51

 

CMYK 71 / 0 / 19 / 41

HEX #2C9679

RGB 44 150 121

HSL 163.58, 0.55%, 0.38%

LAB 55.82, -36.99, 6.71

 

CMYK 80 / 0 / 23 / 48

HEX #1B8466

RGB 27 132 102

HSL 162.86, 0.66%, 0.31%

LAB 49.12, -36.3, 8.08

 

CMYK 91 / 0 / 27 / 55

HEX #0A7253

RGB 10 114 83

HSL 162.12, 0.84%, 0.24%

LAB 42.34, -35.1, 9.66

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 0 / 30 / 27

HEX #4EBA82

RGB 78 186 130

HSL 148.89, 0.44%, 0.52%

LAB 68.28, -44.06, 19.32

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA65

RGB 78 186 101

HSL 132.78, 0.44%, 0.52%

LAB 67.78, -49.33, 33.94

 

CMYK 54 / 0 / 58 / 27

HEX #55BA4E

RGB 85 186 78

HSL 116.11, 0.44%, 0.52%

LAB 67.72, -50.75, 45.19

 

CMYK 39 / 0 / 58 / 27

HEX #72BA4E

RGB 114 186 78

HSL 100, 0.44%, 0.52%

LAB 68.93, -42.02, 46.9

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 1 / 0 / 27

HEX #4EB8BA

RGB 78 184 186

HSL 181.11, 0.44%, 0.52%

LAB 69.07, -29.53, -10.18

 

CMYK 58 / 17 / 0 / 27

HEX #4E9BBA

RGB 78 155 186

HSL 197.22, 0.44%, 0.52%

LAB 60.43, -14.63, -23.26

 

CMYK 58 / 32 / 0 / 27

HEX #4E7EBA

RGB 78 126 186

HSL 213.33, 0.44%, 0.52%

LAB 51.93, 1.9, -36.45

 

CMYK 58 / 48 / 0 / 27

HEX #4E61BA

RGB 78 97 186

HSL 229.44, 0.44%, 0.52%

LAB 43.82, 19.83, -49.33

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 72 / 0 / 18 / 19

HEX #3ACEA9

RGB 58 206 169

HSL 165, 0.6%, 0.52%

LAB 74.77, -47.14, 7.35

 

CMYK 83 / 0 / 21 / 11

HEX #27E2B3

RGB 39 226 179

HSL 164.92, 0.76%, 0.52%

LAB 80.78, -54.83, 10.58

 

CMYK 92 / 0 / 23 / 4

HEX #13F5BD

RGB 19 245 189

HSL 165.13, 0.92%, 0.52%

LAB 86.56, -60.92, 13.53

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 41 / 0 / 10 / 35

HEX #62A695

RGB 98 166 149

HSL 165, 0.28%, 0.52%

LAB 63.38, -25.67, 2.04

 

CMYK 19 / 0 / 5 / 43

HEX #76928B

RGB 118 146 139

HSL 165, 0.11%, 0.52%

LAB 58.3, -11.35, 0.44

 

CMYK 0 / 8 / 7 / 46

HEX #8A7F81

RGB 138 127 129

HSL 349.09, 0.04%, 0.52%

LAB 54.2, 4.55, 0.42

 

CMYK 0 / 32 / 24 / 38

HEX #9D6B77

RGB 157 107 119

HSL 345.6, 0.2%, 0.52%

LAB 50.71, 21.74, 1.44

 

CMYK 58 / 0 / 45 / 27

HEX #4EBA66

RGB 78 186 102

HSL 133.33, 0.44%, 0.52%

LAB 67.8, -49.17, 33.45

 

CMYK 58 / 0 / 30 / 27

HEX #4EBA82

RGB 78 186 130

HSL 148.89, 0.44%, 0.52%

LAB 68.28, -44.06, 19.32

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 1 / 0 / 27

HEX #4EB8BA

RGB 78 184 186

HSL 181.11, 0.44%, 0.52%

LAB 69.07, -29.53, -10.18

 

CMYK 58 / 17 / 0 / 27

HEX #4E9BBA

RGB 78 155 186

HSL 197.22, 0.44%, 0.52%

LAB 60.43, -14.63, -23.26

 

CMYK 61 / 0 / 15 / 49

HEX #33836F

RGB 51 131 111

HSL 165, 0.44%, 0.36%

LAB 49.6, -29.5, 3.58

 

CMYK 61 / 0 / 16 / 37

HEX #3EA188

RGB 62 161 136

HSL 164.85, 0.44%, 0.44%

LAB 60.15, -34.99, 4.5

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 45 / 0 / 12 / 22

HEX #6CC6AF

RGB 108 198 175

HSL 164.67, 0.44%, 0.6%

LAB 73.98, -32.5, 3.17

 

CMYK 34 / 0 / 9 / 18

HEX #8AD1BF

RGB 138 209 191

HSL 164.79, 0.44%, 0.68%

LAB 78.91, -26.18, 1.87

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 55 / 0 / 27

HEX #4E54BA

RGB 78 84 186

HSL 236.67, 0.44%, 0.52%

LAB 40.42, 28.06, -54.81

 

CMYK 0 / 38 / 58 / 27

HEX #BA744E

RGB 186 116 78

HSL 21.11, 0.44%, 0.52%

LAB 55.56, 23.72, 32.34

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 15 / 58 / 0 / 27

HEX #9F4EBA

RGB 159 78 186

HSL 285, 0.44%, 0.52%

LAB 47.45, 50.61, -43.08

 

CMYK 0 / 15 / 58 / 27

HEX #BA9F4E

RGB 186 159 78

HSL 45, 0.44%, 0.52%

LAB 66.36, 0.03, 45.25

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 55 / 0 / 27

HEX #4E54BA

RGB 78 84 186

HSL 236.67, 0.44%, 0.52%

LAB 40.42, 28.06, -54.81

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E69

RGB 186 78 105

HSL 345, 0.44%, 0.52%

LAB 48.14, 46.1, 6.65

 

CMYK 0 / 3 / 58 / 27

HEX #BAB54E

RGB 186 181 78

HSL 57.22, 0.44%, 0.52%

LAB 72.25, -11.58, 51.95

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 44 / 58 / 0 / 27

HEX #694EBA

RGB 105 78 186

HSL 255, 0.44%, 0.52%

LAB 41.21, 37.37, -53.42

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E69

RGB 186 78 105

HSL 345, 0.44%, 0.52%

LAB 48.14, 46.1, 6.65

 

CMYK 15 / 0 / 58 / 27

HEX #9FBA4E

RGB 159 186 78

HSL 75, 0.44%, 0.52%

LAB 71.58, -25.26, 50.63

 

Description

Color code: HEX #4EBA9F | qconv.com Color code: HEX #4EBA9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 186 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 186 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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