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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EC4A6 it is the complementary color #B13B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EC4A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EC4A6 shade: #53C4A1, #64D6B4, #75E8C7, #86FADA and #97FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EC4A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EC4A6 shade: #4EC4A6, #3DB293, #2CA080, #1B8E6D and #0A7C5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EC4A6 shade: #4FC4A6, #4FC486, #4FC467, #56C44F and #76C44F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EC4A6 shade: #4FC4A6, #4FC2C4, #4FA2C4, #4F83C4 and #4F63C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EC4A6 shade matches the following richer shades: #4FC4A6, #3CD7AF, #29EAB9 and #16FDC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EC4A6 shade: #4FC4A6, #62B19D, #759E93, #878B8A and #9A7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EC4A6 shade: #4FC466, #4FC485, #4FC4A5, #4FC4C4 and #4FA5C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EC4A6 shade: #309078, #3AAF91, #4FC4A6, #6DCEB6 and #8CD8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EC4A6 shade: #4EC4A6, #4F56C4 and #C4764F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EC4A6 shade: #4EC4A6, #A54FC4 and #C4A54F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EC4A6 shade: #4EC4A6, #4F56C4, #C44F6E and #C4BC4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EC4A6 shade: #4EC4A6, #6A4FC4, #C44F6E and #A8C44F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

Complementary color

CMYK 0 / 67 / 50 / 31

HEX #B13B59

RGB 177 59 89

HSL 344.75, 0.5%, 0.46%

LAB 43.06, 50.09, 9.06

 

CMYK 58 / 0 / 18 / 23

HEX #53C4A1

RGB 83 196 161

HSL 161.42, 0.49%, 0.55%

LAB 72.16, -40.54, 8.01

 

CMYK 53 / 0 / 16 / 16

HEX #64D6B4

RGB 100 214 180

HSL 162.11, 0.58%, 0.62%

LAB 78.52, -40.56, 6.99

 

CMYK 50 / 0 / 14 / 9

HEX #75E8C7

RGB 117 232 199

HSL 162.78, 0.71%, 0.68%

LAB 84.8, -40.5, 6.05

 

CMYK 46 / 0 / 13 / 2

HEX #86FADA

RGB 134 250 218

HSL 163.45, 0.92%, 0.75%

LAB 91.01, -40.41, 5.17

 

CMYK 41 / 0 / 7 / 0

HEX #97FFED

RGB 151 255 237

HSL 169.62, 1%, 0.8%

LAB 93.54, -34.36, -0.9

 

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

CMYK 66 / 0 / 17 / 30

HEX #3DB293

RGB 61 178 147

HSL 164.1, 0.49%, 0.47%

LAB 65.7, -40.08, 6.35

 

CMYK 73 / 0 / 20 / 37

HEX #2CA080

RGB 44 160 128

HSL 163.45, 0.57%, 0.4%

LAB 59.19, -39.62, 7.57

 

CMYK 81 / 0 / 23 / 44

HEX #1B8E6D

RGB 27 142 109

HSL 162.78, 0.68%, 0.33%

LAB 52.6, -38.84, 8.96

 

CMYK 92 / 0 / 27 / 51

HEX #0A7C5A

RGB 10 124 90

HSL 162.11, 0.85%, 0.26%

LAB 45.93, -37.55, 10.55

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 60 / 0 / 32 / 23

HEX #4FC486

RGB 79 196 134

HSL 148.21, 0.5%, 0.54%

LAB 71.46, -47.23, 21.54

 

CMYK 60 / 0 / 47 / 23

HEX #4FC467

RGB 79 196 103

HSL 132.31, 0.5%, 0.54%

LAB 70.95, -52.69, 36.95

 

CMYK 56 / 0 / 60 / 23

HEX #56C44F

RGB 86 196 79

HSL 116.41, 0.5%, 0.54%

LAB 70.89, -54.2, 48.4

 

CMYK 40 / 0 / 60 / 23

HEX #76C44F

RGB 118 196 79

HSL 100, 0.5%, 0.54%

LAB 72.16, -44.86, 50.19

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 60 / 1 / 0 / 23

HEX #4FC2C4

RGB 79 194 196

HSL 181.03, 0.5%, 0.54%

LAB 72.38, -31.39, -10.71

 

CMYK 60 / 17 / 0 / 23

HEX #4FA2C4

RGB 79 162 196

HSL 197.44, 0.5%, 0.54%

LAB 62.92, -15.14, -25.05

 

CMYK 60 / 33 / 0 / 23

HEX #4F83C4

RGB 79 131 196

HSL 213.33, 0.5%, 0.54%

LAB 53.9, 2.43, -39.08

 

CMYK 60 / 49 / 0 / 23

HEX #4F63C4

RGB 79 99 196

HSL 229.74, 0.5%, 0.54%

LAB 45.04, 22.15, -53.17

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 72 / 0 / 19 / 16

HEX #3CD7AF

RGB 60 215 175

HSL 164.52, 0.66%, 0.54%

LAB 77.67, -49.16, 8.31

 

CMYK 82 / 0 / 21 / 8

HEX #29EAB9

RGB 41 234 185

HSL 164.77, 0.82%, 0.54%

LAB 83.35, -56.38, 11.08

 

CMYK 91 / 0 / 23 / 1

HEX #16FDC2

RGB 22 253 194

HSL 164.68, 0.98%, 0.54%

LAB 89.07, -62.64, 14.5

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 45 / 0 / 11 / 31

HEX #62B19D

RGB 98 177 157

HSL 164.81, 0.34%, 0.54%

LAB 66.88, -29.19, 2.68

 

CMYK 26 / 0 / 7 / 38

HEX #759E93

RGB 117 158 147

HSL 163.9, 0.17%, 0.54%

LAB 61.95, -16.36, 1.21

 

CMYK 3 / 0 / 1 / 45

HEX #878B8A

RGB 135 139 138

HSL 165, 0.02%, 0.54%

LAB 57.51, -1.66, 0.01

 

CMYK 0 / 22 / 16 / 40

HEX #9A7881

RGB 154 120 129

HSL 344.12, 0.14%, 0.54%

LAB 53.91, 14.73, 0.18

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 60 / 0 / 32 / 23

HEX #4FC485

RGB 79 196 133

HSL 147.69, 0.5%, 0.54%

LAB 71.44, -47.43, 22.05

 

CMYK 60 / 0 / 16 / 23

HEX #4FC4A5

RGB 79 196 165

HSL 164.1, 0.5%, 0.54%

LAB 72.13, -40.38, 5.8

 

CMYK 60 / 0 / 0 / 23

HEX #4FC4C4

RGB 79 196 196

HSL 180, 0.5%, 0.54%

LAB 72.98, -32.35, -9.83

 

CMYK 60 / 16 / 0 / 23

HEX #4FA5C4

RGB 79 165 196

HSL 195.9, 0.5%, 0.54%

LAB 63.8, -16.74, -23.7

 

CMYK 67 / 0 / 17 / 44

HEX #309078

RGB 48 144 120

HSL 165, 0.5%, 0.38%

LAB 53.95, -33.85, 4.63

 

CMYK 67 / 0 / 17 / 31

HEX #3AAF91

RGB 58 175 145

HSL 164.62, 0.5%, 0.46%

LAB 64.65, -39.76, 5.93

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 47 / 0 / 12 / 19

HEX #6DCEB6

RGB 109 206 182

HSL 165.15, 0.5%, 0.62%

LAB 76.54, -34.39, 3.11

 

CMYK 35 / 0 / 9 / 15

HEX #8CD8C5

RGB 140 216 197

HSL 165, 0.49%, 0.7%

LAB 81.14, -27.7, 1.92

 

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

CMYK 60 / 56 / 0 / 23

HEX #4F56C4

RGB 79 86 196

HSL 236.41, 0.5%, 0.54%

LAB 41.69, 30.33, -58.57

 

CMYK 0 / 40 / 60 / 23

HEX #C4764F

RGB 196 118 79

HSL 20, 0.5%, 0.54%

LAB 57.33, 26.83, 34.25

 

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

CMYK 16 / 60 / 0 / 23

HEX #A54FC4

RGB 165 79 196

HSL 284.1, 0.5%, 0.54%

LAB 48.98, 53.7, -46.4

 

CMYK 0 / 16 / 60 / 23

HEX #C4A54F

RGB 196 165 79

HSL 44.1, 0.5%, 0.54%

LAB 68.9, 1.18, 47.95

 

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

CMYK 60 / 56 / 0 / 23

HEX #4F56C4

RGB 79 86 196

HSL 236.41, 0.5%, 0.54%

LAB 41.69, 30.33, -58.57

 

CMYK 0 / 60 / 44 / 23

HEX #C44F6E

RGB 196 79 110

HSL 344.1, 0.5%, 0.54%

LAB 50.04, 49.51, 6.56

 

CMYK 0 / 4 / 60 / 23

HEX #C4BC4F

RGB 196 188 79

HSL 55.9, 0.5%, 0.54%

LAB 74.99, -10.89, 54.77

 

CMYK 60 / 0 / 15 / 23

HEX #4EC4A6

RGB 78 196 166

HSL 164.75, 0.5%, 0.54%

LAB 72.13, -40.33, 5.25

 

CMYK 46 / 60 / 0 / 23

HEX #6A4FC4

RGB 106 79 196

HSL 253.85, 0.5%, 0.54%

LAB 42.22, 39.88, -57.62

 

CMYK 0 / 60 / 44 / 23

HEX #C44F6E

RGB 196 79 110

HSL 344.1, 0.5%, 0.54%

LAB 50.04, 49.51, 6.56

 

CMYK 14 / 0 / 60 / 23

HEX #A8C44F

RGB 168 196 79

HSL 74.36, 0.5%, 0.54%

LAB 75.06, -26.42, 54.24

 

Description

Color code: HEX #4EC4A6 | qconv.com Color code: HEX #4EC4A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 196 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 196 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 15 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 15% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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