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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ECA4E it is the complementary color #B135B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ECA4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ECA4E shade: #53CA49, #64DC5C, #75EE6F, #86FF82 and #97FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ECA4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ECA4E shade: #4ECA4E, #3DB83B, #2CA628, #1B9415 and #0A8202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ECA4E shade: #4ECA4E, #6FCA4E, #91CA4E, #B2CA4E and #CAC04E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ECA4E shade: #4ECA4E, #4ECA6F, #4ECA91, #4ECAB2 and #4EC0CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ECA4E shade matches the following richer shades: #4ECA4E, #3BDC3B and #29EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ECA4E shade: #4ECA4E, #60B760, #73A573, #859285 and #987F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ECA4E shade: #90CA4E, #6FCA4E, #4ECA4E, #4ECA6F and #4ECA90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ECA4E shade: #2D982D, #37B837, #4ECA4E, #6ED36E and #8DDD8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ECA4E shade: #4ECA4E, #4EB1CA and #CA4E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ECA4E shade: #4ECA4E, #4E4ECA and #CA4E4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ECA4E shade: #4ECA4E, #4EB1CA, #CA4ECA and #CA674E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ECA4E shade: #4ECA4E, #4E8CCA, #CA4ECA and #CA8C4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

Complementary color

CMYK 0 / 70 / 0 / 31

HEX #B135B1

RGB 177 53 177

HSL 300, 0.54%, 0.45%

LAB 45.73, 64, -40.38

 

CMYK 59 / 0 / 64 / 21

HEX #53CA49

RGB 83 202 73

HSL 115.35, 0.55%, 0.54%

LAB 72.6, -57.79, 52.93

 

CMYK 55 / 0 / 58 / 14

HEX #64DC5C

RGB 100 220 92

HSL 116.25, 0.65%, 0.61%

LAB 78.85, -58.2, 51.87

 

CMYK 51 / 0 / 53 / 7

HEX #75EE6F

RGB 117 238 111

HSL 117.17, 0.79%, 0.68%

LAB 85.04, -58.39, 50.69

 

CMYK 47 / 0 / 49 / 0

HEX #86FF82

RGB 134 255 130

HSL 118.08, 1%, 0.75%

LAB 90.87, -58.05, 49.11

 

CMYK 41 / 0 / 42 / 0

HEX #97FF95

RGB 151 255 149

HSL 118.87, 1%, 0.79%

LAB 91.81, -50.7, 41.35

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 67 / 0 / 68 / 28

HEX #3DB83B

RGB 61 184 59

HSL 119.04, 0.51%, 0.48%

LAB 66.2, -57.66, 51.62

 

CMYK 73 / 0 / 76 / 35

HEX #2CA628

RGB 44 166 40

HSL 118.1, 0.61%, 0.4%

LAB 59.85, -56.41, 52.17

 

CMYK 82 / 0 / 86 / 42

HEX #1B9415

RGB 27 148 21

HSL 117.17, 0.75%, 0.33%

LAB 53.46, -54.42, 51.84

 

CMYK 92 / 0 / 98 / 49

HEX #0A8202

RGB 10 130 2

HSL 116.25, 0.97%, 0.26%

LAB 47.02, -51.43, 50.16

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 45 / 0 / 61 / 21

HEX #6FCA4E

RGB 111 202 78

HSL 104.03, 0.54%, 0.55%

LAB 73.66, -49.64, 52.24

 

CMYK 28 / 0 / 61 / 21

HEX #91CA4E

RGB 145 202 78

HSL 87.58, 0.54%, 0.55%

LAB 75.33, -38.14, 54.57

 

CMYK 12 / 0 / 61 / 21

HEX #B2CA4E

RGB 178 202 78

HSL 71.61, 0.54%, 0.55%

LAB 77.43, -25.38, 57.48

 

CMYK 0 / 5 / 61 / 21

HEX #CAC04E

RGB 202 192 78

HSL 55.16, 0.54%, 0.55%

LAB 76.56, -10.48, 57.07

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 61 / 0 / 28 / 21

HEX #4ECA91

RGB 78 202 145

HSL 152.42, 0.54%, 0.55%

LAB 73.48, -47.66, 18.46

 

CMYK 61 / 0 / 12 / 21

HEX #4ECAB2

RGB 78 202 178

HSL 168.39, 0.54%, 0.55%

LAB 74.24, -40.04, 1.79

 

CMYK 61 / 5 / 0 / 21

HEX #4EC0CA

RGB 78 192 202

HSL 184.84, 0.54%, 0.55%

LAB 71.95, -28.91, -14.64

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 73 / 0 / 73 / 14

HEX #3BDC3B

RGB 59 220 59

HSL 120, 0.7%, 0.55%

LAB 77.54, -69.75, 63.37

 

CMYK 83 / 0 / 83 / 6

HEX #29EF29

RGB 41 239 41

HSL 120, 0.86%, 0.55%

LAB 83.11, -78.69, 73.83

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 48 / 0 / 48 / 28

HEX #60B760

RGB 96 183 96

HSL 120, 0.38%, 0.55%

LAB 67.43, -44.14, 36.17

 

CMYK 30 / 0 / 30 / 35

HEX #73A573

RGB 115 165 115

HSL 120, 0.22%, 0.55%

LAB 63.17, -26.9, 20.74

 

CMYK 9 / 0 / 9 / 43

HEX #859285

RGB 133 146 133

HSL 120, 0.06%, 0.55%

LAB 59.19, -7.27, 5.29

 

CMYK 0 / 16 / 0 / 40

HEX #987F98

RGB 152 127 152

HSL 300, 0.11%, 0.55%

LAB 56.21, 14.18, -9.82

 

CMYK 29 / 0 / 61 / 21

HEX #90CA4E

RGB 144 202 78

HSL 88.06, 0.54%, 0.55%

LAB 75.28, -38.51, 54.5

 

CMYK 45 / 0 / 61 / 21

HEX #6FCA4E

RGB 111 202 78

HSL 104.03, 0.54%, 0.55%

LAB 73.66, -49.64, 52.24

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 61 / 0 / 29 / 21

HEX #4ECA90

RGB 78 202 144

HSL 151.94, 0.54%, 0.55%

LAB 73.46, -47.87, 18.97

 

CMYK 70 / 0 / 70 / 40

HEX #2D982D

RGB 45 152 45

HSL 120, 0.54%, 0.39%

LAB 55.28, -51.07, 45.59

 

CMYK 70 / 0 / 70 / 28

HEX #37B837

RGB 55 184 55

HSL 120, 0.54%, 0.47%

LAB 66.03, -59.18, 52.99

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 48 / 0 / 48 / 17

HEX #6ED36E

RGB 110 211 110

HSL 120, 0.53%, 0.63%

LAB 76.7, -49.78, 40.91

 

CMYK 36 / 0 / 36 / 13

HEX #8DDD8D

RGB 141 221 141

HSL 120, 0.54%, 0.71%

LAB 81.46, -40.29, 31.74

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 12 / 0 / 21

HEX #4EB1CA

RGB 78 177 202

HSL 192.1, 0.54%, 0.55%

LAB 67.52, -21.39, -21.34

 

CMYK 0 / 61 / 37 / 21

HEX #CA4E7F

RGB 202 78 127

HSL 336.29, 0.54%, 0.55%

LAB 51.31, 53.72, -1.7

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

CMYK 0 / 61 / 61 / 21

HEX #CA4E4E

RGB 202 78 78

HSL 0, 0.54%, 0.55%

LAB 50.16, 49.31, 26.03

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 12 / 0 / 21

HEX #4EB1CA

RGB 78 177 202

HSL 192.1, 0.54%, 0.55%

LAB 67.52, -21.39, -21.34

 

CMYK 0 / 61 / 0 / 21

HEX #CA4ECA

RGB 202 78 202

HSL 300, 0.54%, 0.55%

LAB 54.31, 64.44, -41.07

 

CMYK 0 / 49 / 61 / 21

HEX #CA674E

RGB 202 103 78

HSL 12.1, 0.54%, 0.55%

LAB 54.87, 37.13, 31.97

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 31 / 0 / 21

HEX #4E8CCA

RGB 78 140 202

HSL 210, 0.54%, 0.55%

LAB 56.72, -1.07, -38.05

 

CMYK 0 / 61 / 0 / 21

HEX #CA4ECA

RGB 202 78 202

HSL 300, 0.54%, 0.55%

LAB 54.31, 64.44, -41.07

 

CMYK 0 / 31 / 61 / 21

HEX #CA8C4E

RGB 202 140 78

HSL 30, 0.54%, 0.55%

LAB 63.23, 17.25, 42.04

 

Description

Color code: HEX #4ECA4E | qconv.com Color code: HEX #4ECA4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 202 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 202 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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