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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EDEA2 it is the complementary color #B1215D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EDEA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EDEA2 shade: #53DE9D, #64F0B0, #75FFC3, #86FFD6 and #97FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EDEA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EDEA2 shade: #4EDEA2, #3DCC8F, #2CBA7C, #1BA869 and #0A9656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EDEA2 shade: #4EDEA2, #4EDE7B, #4EDE54, #6EDE4E and #95DE4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EDEA2 shade: #4EDEA2, #4EDEC9, #4ECCDE, #4EA5DE and #4E7FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EDEA2 shade matches the following richer shades: #4EDEA2 and #3DEFA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EDEA2 shade: #4EDEA2, #5FCD9F, #70BC9C, #81AB9A and #919A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EDEA2 shade: #4EDE55, #4EDE7B, #4EDEA2, #4EDEC8 and #4ECDDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EDEA2 shade: #21B879, #2BD890, #4EDEA2, #71E4B4 and #94EBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EDEA2 shade: #4EDEA2, #4E6DDE and #DE684E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EDEA2 shade: #4EDEA2, #A24EDE and #DEA24E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EDEA2 shade: #4EDEA2, #4E6DDE, #DE4E8A and #DEBF4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EDEA2 shade: #4EDEA2, #5A4EDE, #DE4E8A and #D2DE4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

Complementary color

CMYK 0 / 81 / 47 / 31

HEX #B1215D

RGB 177 33 93

HSL 335, 0.69%, 0.41%

LAB 39.96, 59.39, 2.12

 

CMYK 63 / 0 / 29 / 13

HEX #53DE9D

RGB 83 222 157

HSL 151.94, 0.68%, 0.6%

LAB 79.91, -52.38, 21.02

 

CMYK 58 / 0 / 27 / 6

HEX #64F0B0

RGB 100 240 176

HSL 152.57, 0.82%, 0.67%

LAB 86.09, -52.51, 19.79

 

CMYK 54 / 0 / 24 / 0

HEX #75FFC3

RGB 117 255 195

HSL 153.91, 1%, 0.73%

LAB 91.34, -51.28, 17.42

 

CMYK 47 / 0 / 16 / 0

HEX #86FFD6

RGB 134 255 214

HSL 159.67, 1%, 0.76%

LAB 92.33, -43.5, 9.13

 

CMYK 41 / 0 / 9 / 0

HEX #97FFE9

RGB 151 255 233

HSL 167.31, 1%, 0.8%

LAB 93.44, -35.25, 1.02

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 70 / 0 / 30 / 20

HEX #3DCC8F

RGB 61 204 143

HSL 154.41, 0.58%, 0.52%

LAB 73.65, -51.86, 19.69

 

CMYK 76 / 0 / 33 / 27

HEX #2CBA7C

RGB 44 186 124

HSL 153.8, 0.62%, 0.45%

LAB 67.36, -51.22, 21.16

 

CMYK 84 / 0 / 38 / 34

HEX #1BA869

RGB 27 168 105

HSL 153.19, 0.72%, 0.38%

LAB 61.01, -50.2, 22.77

 

CMYK 93 / 0 / 43 / 41

HEX #0A9656

RGB 10 150 86

HSL 152.57, 0.88%, 0.31%

LAB 54.6, -48.64, 24.56

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 65 / 0 / 45 / 13

HEX #4EDE7B

RGB 78 222 123

HSL 138.75, 0.69%, 0.59%

LAB 79.21, -59.54, 37.46

 

CMYK 65 / 0 / 62 / 13

HEX #4EDE54

RGB 78 222 84

HSL 122.5, 0.69%, 0.59%

LAB 78.75, -64.75, 55.08

 

CMYK 50 / 0 / 65 / 13

HEX #6EDE4E

RGB 110 222 78

HSL 106.67, 0.69%, 0.59%

LAB 79.68, -57.71, 58.87

 

CMYK 33 / 0 / 65 / 13

HEX #95DE4E

RGB 149 222 78

HSL 90.42, 0.69%, 0.59%

LAB 81.39, -45.44, 61.23

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 65 / 0 / 9 / 13

HEX #4EDEC9

RGB 78 222 201

HSL 171.25, 0.69%, 0.59%

LAB 80.78, -43.08, -0.99

 

CMYK 65 / 8 / 0 / 13

HEX #4ECCDE

RGB 78 204 222

HSL 187.5, 0.69%, 0.59%

LAB 76.12, -28.98, -19.19

 

CMYK 65 / 26 / 0 / 13

HEX #4EA5DE

RGB 78 165 222

HSL 203.75, 0.69%, 0.59%

LAB 64.81, -8.7, -36.57

 

CMYK 65 / 43 / 0 / 13

HEX #4E7FDE

RGB 78 127 222

HSL 219.58, 0.69%, 0.59%

LAB 54.1, 13.49, -53.46

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 74 / 0 / 31 / 6

HEX #3DEFA5

RGB 61 239 165

HSL 155.06, 0.85%, 0.59%

LAB 84.71, -60.71, 23.41

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 54 / 0 / 22 / 20

HEX #5FCD9F

RGB 95 205 159

HSL 154.91, 0.52%, 0.59%

LAB 75.2, -42.37, 13.47

 

CMYK 40 / 0 / 17 / 26

HEX #70BC9C

RGB 112 188 156

HSL 154.74, 0.36%, 0.59%

LAB 70.74, -30.95, 8.86

 

CMYK 25 / 0 / 10 / 33

HEX #81AB9A

RGB 129 171 154

HSL 155.71, 0.2%, 0.59%

LAB 66.62, -17.77, 4.15

 

CMYK 6 / 0 / 2 / 40

HEX #919A97

RGB 145 154 151

HSL 160, 0.04%, 0.59%

LAB 62.81, -3.82, 0.45

 

CMYK 65 / 0 / 62 / 13

HEX #4EDE55

RGB 78 222 85

HSL 122.92, 0.69%, 0.59%

LAB 78.76, -64.65, 54.67

 

CMYK 65 / 0 / 45 / 13

HEX #4EDE7B

RGB 78 222 123

HSL 138.75, 0.69%, 0.59%

LAB 79.21, -59.54, 37.46

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 65 / 0 / 10 / 13

HEX #4EDEC8

RGB 78 222 200

HSL 170.83, 0.69%, 0.59%

LAB 80.76, -43.34, -0.5

 

CMYK 65 / 8 / 0 / 13

HEX #4ECDDE

RGB 78 205 222

HSL 187.08, 0.69%, 0.59%

LAB 76.41, -29.46, -18.75

 

CMYK 82 / 0 / 34 / 28

HEX #21B879

RGB 33 184 121

HSL 154.97, 0.7%, 0.43%

LAB 66.51, -52.32, 21.58

 

CMYK 80 / 0 / 33 / 15

HEX #2BD890

RGB 43 216 144

HSL 155.03, 0.69%, 0.51%

LAB 77.06, -58.5, 23.79

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 50 / 0 / 21 / 11

HEX #71E4B4

RGB 113 228 180

HSL 154.96, 0.68%, 0.67%

LAB 83.07, -43.81, 13.53

 

CMYK 37 / 0 / 16 / 8

HEX #94EBC6

RGB 148 235 198

HSL 154.48, 0.69%, 0.75%

LAB 86.89, -34.27, 9.74

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 65 / 51 / 0 / 13

HEX #4E6DDE

RGB 78 109 222

HSL 227.08, 0.69%, 0.59%

LAB 49.29, 24.62, -61.19

 

CMYK 0 / 53 / 65 / 13

HEX #DE684E

RGB 222 104 78

HSL 10.83, 0.69%, 0.59%

LAB 58.02, 44.22, 36.49

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 27 / 65 / 0 / 13

HEX #A24EDE

RGB 162 78 222

HSL 275, 0.69%, 0.59%

LAB 49.98, 59.06, -59.7

 

CMYK 0 / 27 / 65 / 13

HEX #DEA24E

RGB 222 162 78

HSL 35, 0.69%, 0.59%

LAB 70.82, 13.81, 51.31

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 65 / 51 / 0 / 13

HEX #4E6DDE

RGB 78 109 222

HSL 227.08, 0.69%, 0.59%

LAB 49.29, 24.62, -61.19

 

CMYK 0 / 65 / 38 / 13

HEX #DE4E8A

RGB 222 78 138

HSL 335, 0.69%, 0.59%

LAB 54.88, 61, -2.62

 

CMYK 0 / 14 / 65 / 13

HEX #DEBF4E

RGB 222 191 78

HSL 47.08, 0.69%, 0.59%

LAB 78.08, -1.52, 59.23

 

CMYK 65 / 0 / 27 / 13

HEX #4EDEA2

RGB 78 222 162

HSL 155, 0.69%, 0.59%

LAB 79.88, -52.24, 18.35

 

CMYK 59 / 65 / 0 / 13

HEX #5A4EDE

RGB 90 78 222

HSL 245, 0.69%, 0.59%

LAB 42.61, 45.4, -72.01

 

CMYK 0 / 65 / 38 / 13

HEX #DE4E8A

RGB 222 78 138

HSL 335, 0.69%, 0.59%

LAB 54.88, 61, -2.62

 

CMYK 5 / 0 / 65 / 13

HEX #D2DE4E

RGB 210 222 78

HSL 65, 0.69%, 0.59%

LAB 85.25, -22.11, 66.47

 

Description

Color code: HEX #4EDEA2 | qconv.com Color code: HEX #4EDEA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 222 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 222 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 27 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 27% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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