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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EDF23 it is the complementary color #B120DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EDF23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EDF23 shade: #53DF1E, #64F131, #75FF44, #86FF57 and #97FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EDF23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EDF23 shade: #4EDF23, #3DCD10, #2CBB00, #1BA900 and #0A9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EDF23 shade: #4FDF24, #81DF24, #B4DF24, #DFD824 and #DFA624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EDF23 shade: #4FDF24, #24DF2C, #24DF5E, #24DF91 and #24DFC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EDF23 shade matches the following richer shades: #4FDF24 and #44F310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EDF23 shade: #4FDF24, #5ACB38, #65B74C, #70A360 and #7B8E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EDF23 shade: #B4DF24, #82DF24, #50DF24, #24DF2A and #24DF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EDF23 shade: #349B16, #40BF1B, #4FDF24, #6CE448 and #89EA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EDF23 shade: #4EDF23, #24DFD9 and #DF249B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EDF23 shade: #4EDF23, #2450DF and #DF2450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EDF23 shade: #4EDF23, #24DFD9, #B424DF and #DF242A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EDF23 shade: #4EDF23, #24ADDF, #B424DF and #DF5624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

Complementary color

CMYK 20 / 85 / 0 / 14

HEX #B120DC

RGB 177 32 220

HSL 286.28, 0.75%, 0.49%

LAB 46.38, 77.4, -64.28

 

CMYK 63 / 0 / 87 / 13

HEX #53DF1E

RGB 83 223 30

HSL 103.52, 0.76%, 0.5%

LAB 78.87, -67.79, 72.75

 

CMYK 59 / 0 / 80 / 5

HEX #64F131

RGB 100 241 49

HSL 104.06, 0.87%, 0.57%

LAB 84.92, -69.03, 73.89

 

CMYK 54 / 0 / 73 / 0

HEX #75FF44

RGB 117 255 68

HSL 104.28, 1%, 0.63%

LAB 89.73, -68.53, 73.02

 

CMYK 47 / 0 / 66 / 0

HEX #86FF57

RGB 134 255 87

HSL 103.21, 1%, 0.67%

LAB 90.45, -62.57, 67.18

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6A

RGB 151 255 106

HSL 101.88, 1%, 0.71%

LAB 91.3, -55.86, 60.57

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

CMYK 70 / 0 / 92 / 20

HEX #3DCD10

RGB 61 205 16

HSL 105.71, 0.86%, 0.43%

LAB 72.69, -66.91, 69.64

 

CMYK 76 / 0 / 100 / 27

HEX #2CBB00

RGB 44 187 0

HSL 105.88, 1%, 0.37%

LAB 66.58, -64.57, 66.39

 

CMYK 84 / 0 / 100 / 34

HEX #1BA900

RGB 27 169 0

HSL 110.41, 1%, 0.33%

LAB 60.43, -61.44, 61.38

 

CMYK 93 / 0 / 100 / 41

HEX #0A9700

RGB 10 151 0

HSL 116.03, 1%, 0.3%

LAB 54.24, -57.67, 56.35

 

CMYK 65 / 0 / 84 / 13

HEX #4FDF24

RGB 79 223 36

HSL 106.2, 0.75%, 0.51%

LAB 78.79, -68.41, 71.36

 

CMYK 42 / 0 / 84 / 13

HEX #81DF24

RGB 129 223 36

HSL 90.16, 0.75%, 0.51%

LAB 80.5, -54.99, 73.52

 

CMYK 19 / 0 / 84 / 13

HEX #B4DF24

RGB 180 223 36

HSL 73.8, 0.75%, 0.51%

LAB 83.23, -36.52, 76.96

 

CMYK 0 / 3 / 84 / 13

HEX #DFD824

RGB 223 216 36

HSL 57.75, 0.75%, 0.51%

LAB 84.45, -15.53, 79.23

 

CMYK 0 / 26 / 84 / 13

HEX #DFA624

RGB 223 166 36

HSL 41.71, 0.75%, 0.51%

LAB 71.61, 10.27, 68.55

 

CMYK 65 / 0 / 84 / 13

HEX #4FDF24

RGB 79 223 36

HSL 106.2, 0.75%, 0.51%

LAB 78.79, -68.41, 71.36

 

CMYK 84 / 0 / 80 / 13

HEX #24DF2C

RGB 36 223 44

HSL 122.57, 0.75%, 0.51%

LAB 78.07, -74.5, 68.41

 

CMYK 84 / 0 / 58 / 13

HEX #24DF5E

RGB 36 223 94

HSL 138.61, 0.75%, 0.51%

LAB 78.44, -69.93, 50.15

 

CMYK 84 / 0 / 35 / 13

HEX #24DF91

RGB 36 223 145

HSL 154.97, 0.75%, 0.51%

LAB 79.15, -61.49, 26.09

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 65 / 0 / 84 / 13

HEX #4FDF24

RGB 79 223 36

HSL 106.2, 0.75%, 0.51%

LAB 78.79, -68.41, 71.36

 

CMYK 72 / 0 / 93 / 5

HEX #44F310

RGB 68 243 16

HSL 106.26, 0.9%, 0.51%

LAB 84.67, -77.17, 79.62

 

CMYK 65 / 0 / 84 / 13

HEX #4FDF24

RGB 79 223 36

HSL 106.2, 0.75%, 0.51%

LAB 78.79, -68.41, 71.36

 

CMYK 56 / 0 / 72 / 20

HEX #5ACB38

RGB 90 203 56

HSL 106.12, 0.59%, 0.51%

LAB 73, -57.88, 60.1

 

CMYK 45 / 0 / 58 / 28

HEX #65B74C

RGB 101 183 76

HSL 105.98, 0.43%, 0.51%

LAB 67.39, -45.17, 45.9

 

CMYK 31 / 0 / 41 / 36

HEX #70A360

RGB 112 163 96

HSL 105.67, 0.27%, 0.51%

LAB 62.07, -30.02, 29.51

 

CMYK 13 / 0 / 18 / 44

HEX #7B8E75

RGB 123 142 117

HSL 105.6, 0.1%, 0.51%

LAB 56.92, -11.79, 11.07

 

CMYK 19 / 0 / 84 / 13

HEX #B4DF24

RGB 180 223 36

HSL 73.8, 0.75%, 0.51%

LAB 83.23, -36.52, 76.96

 

CMYK 42 / 0 / 84 / 13

HEX #82DF24

RGB 130 223 36

HSL 89.84, 0.75%, 0.51%

LAB 80.54, -54.67, 73.58

 

CMYK 64 / 0 / 84 / 13

HEX #50DF24

RGB 80 223 36

HSL 105.88, 0.75%, 0.51%

LAB 78.82, -68.2, 71.39

 

CMYK 84 / 0 / 81 / 13

HEX #24DF2A

RGB 36 223 42

HSL 121.93, 0.75%, 0.51%

LAB 78.06, -74.61, 68.94

 

CMYK 84 / 0 / 59 / 13

HEX #24DF5C

RGB 36 223 92

HSL 137.97, 0.75%, 0.51%

LAB 78.42, -70.18, 51.02

 

CMYK 66 / 0 / 86 / 39

HEX #349B16

RGB 52 155 22

HSL 106.47, 0.75%, 0.35%

LAB 56.32, -52.25, 54.35

 

CMYK 66 / 0 / 86 / 25

HEX #40BF1B

RGB 64 191 27

HSL 106.46, 0.75%, 0.43%

LAB 68.34, -61.52, 63.97

 

CMYK 65 / 0 / 84 / 13

HEX #4FDF24

RGB 79 223 36

HSL 106.2, 0.75%, 0.51%

LAB 78.79, -68.41, 71.36

 

CMYK 53 / 0 / 68 / 11

HEX #6CE448

RGB 108 228 72

HSL 106.15, 0.74%, 0.59%

LAB 81.37, -60.98, 63.01

 

CMYK 41 / 0 / 54 / 8

HEX #89EA6C

RGB 137 234 108

HSL 106.19, 0.75%, 0.67%

LAB 84.61, -51.49, 51.75

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

CMYK 84 / 0 / 3 / 13

HEX #24DFD9

RGB 36 223 217

HSL 178.07, 0.75%, 0.51%

LAB 80.83, -43.8, -9.51

 

CMYK 0 / 84 / 30 / 13

HEX #DF249B

RGB 223 36 155

HSL 321.82, 0.75%, 0.51%

LAB 51.06, 75.98, -18.44

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

CMYK 84 / 64 / 0 / 13

HEX #2450DF

RGB 36 80 223

HSL 225.88, 0.75%, 0.51%

LAB 40.31, 38.52, -76.45

 

CMYK 0 / 84 / 64 / 13

HEX #DF2450

RGB 223 36 80

HSL 345.88, 0.75%, 0.51%

LAB 48.92, 69.85, 23.98

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

CMYK 84 / 0 / 3 / 13

HEX #24DFD9

RGB 36 223 217

HSL 178.07, 0.75%, 0.51%

LAB 80.83, -43.8, -9.51

 

CMYK 19 / 84 / 0 / 13

HEX #B424DF

RGB 180 36 223

HSL 286.2, 0.75%, 0.51%

LAB 47.36, 77.53, -64.38

 

CMYK 0 / 84 / 81 / 13

HEX #DF242A

RGB 223 36 42

HSL 358.07, 0.75%, 0.51%

LAB 48.41, 68.33, 45.49

 

CMYK 65 / 0 / 84 / 13

HEX #4EDF23

RGB 78 223 35

HSL 106.28, 0.75%, 0.51%

LAB 78.76, -68.66, 71.55

 

CMYK 84 / 22 / 0 / 13

HEX #24ADDF

RGB 36 173 223

HSL 196.04, 0.75%, 0.51%

LAB 66.21, -17.76, -35.02

 

CMYK 19 / 84 / 0 / 13

HEX #B424DF

RGB 180 36 223

HSL 286.2, 0.75%, 0.51%

LAB 47.36, 77.53, -64.38

 

CMYK 0 / 61 / 84 / 13

HEX #DF5624

RGB 223 86 36

HSL 16.04, 0.75%, 0.51%

LAB 54.52, 51.23, 53.96

 

Description

Color code: HEX #4EDF23 | qconv.com Color code: HEX #4EDF23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 223 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 223 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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