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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE263 it is the complementary color #B11D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE263 shade: #53E25E, #64F471, #75FF84, #86FF97 and #97FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE263 shade: #4EE263, #3DD050, #2CBE3D, #1BAC2A and #0A9A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE263 shade: #4FE264, #62E24F, #89E24F, #B1E24F and #D9E24F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE263 shade: #4FE264, #4FE28C, #4FE2B3, #4FE2DB and #4FC2E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE263 shade matches the following richer shades: #4FE264 and #3FF258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE263 shade: #4FE264, #60D170, #70C17C, #81B087 and #91A093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE263 shade: #8AE24F, #63E24F, #4FE263, #4FE28A and #4FE2B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE263 shade: #1FC036, #2CDC45, #4FE264, #73E883 and #96EDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE263 shade: #4EE263, #4FB1E2 and #E24F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE263 shade: #4EE263, #634FE2 and #E2634F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE263 shade: #4EE263, #4FB1E2, #E24FCE and #E2804F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE263 shade: #4EE263, #4F85E2, #E24FCE and #E2AC4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

Complementary color

CMYK 0 / 84 / 12 / 31

HEX #B11D9C

RGB 177 29 156

HSL 308.51, 0.72%, 0.4%

LAB 42.19, 67.68, -33.46

 

CMYK 63 / 0 / 58 / 11

HEX #53E25E

RGB 83 226 94

HSL 124.62, 0.71%, 0.61%

LAB 80.2, -64.01, 52.42

 

CMYK 59 / 0 / 54 / 4

HEX #64F471

RGB 100 244 113

HSL 125.42, 0.87%, 0.67%

LAB 86.31, -64.46, 51.17

 

CMYK 54 / 0 / 48 / 0

HEX #75FF84

RGB 117 255 132

HSL 126.52, 1%, 0.73%

LAB 90.31, -62.1, 47.34

 

CMYK 47 / 0 / 41 / 0

HEX #86FF97

RGB 134 255 151

HSL 128.43, 1%, 0.76%

LAB 91.15, -55.1, 39.4

 

CMYK 41 / 0 / 33 / 0

HEX #97FFAA

RGB 151 255 170

HSL 130.96, 1%, 0.8%

LAB 92.13, -47.48, 31.39

 

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

CMYK 71 / 0 / 62 / 18

HEX #3DD050

RGB 61 208 80

HSL 127.76, 0.61%, 0.53%

LAB 73.99, -63.6, 51.32

 

CMYK 77 / 0 / 68 / 25

HEX #2CBE3D

RGB 44 190 61

HSL 126.99, 0.62%, 0.46%

LAB 67.8, -62.35, 52.41

 

CMYK 84 / 0 / 76 / 33

HEX #1BAC2A

RGB 27 172 42

HSL 126.21, 0.73%, 0.39%

LAB 61.57, -60.48, 53.1

 

CMYK 94 / 0 / 85 / 40

HEX #0A9A17

RGB 10 154 23

HSL 125.42, 0.88%, 0.32%

LAB 55.32, -57.72, 52.94

 

CMYK 65 / 0 / 56 / 11

HEX #4FE264

RGB 79 226 100

HSL 128.57, 0.72%, 0.6%

LAB 80.17, -64.08, 49.65

 

CMYK 57 / 0 / 65 / 11

HEX #62E24F

RGB 98 226 79

HSL 112.24, 0.72%, 0.6%

LAB 80.49, -62.21, 59.23

 

CMYK 39 / 0 / 65 / 11

HEX #89E24F

RGB 137 226 79

HSL 96.33, 0.72%, 0.6%

LAB 81.99, -51.06, 61.29

 

CMYK 22 / 0 / 65 / 11

HEX #B1E24F

RGB 177 226 79

HSL 80, 0.72%, 0.6%

LAB 84.12, -36.91, 64.21

 

CMYK 4 / 0 / 65 / 11

HEX #D9E24F

RGB 217 226 79

HSL 63.67, 0.72%, 0.6%

LAB 86.85, -21.14, 67.9

 

CMYK 65 / 0 / 56 / 11

HEX #4FE264

RGB 79 226 100

HSL 128.57, 0.72%, 0.6%

LAB 80.17, -64.08, 49.65

 

CMYK 65 / 0 / 38 / 11

HEX #4FE28C

RGB 79 226 140

HSL 144.9, 0.72%, 0.6%

LAB 80.71, -57.95, 30.86

 

CMYK 65 / 0 / 21 / 11

HEX #4FE2B3

RGB 79 226 179

HSL 160.82, 0.72%, 0.6%

LAB 81.46, -49.96, 11.64

 

CMYK 65 / 0 / 3 / 11

HEX #4FE2DB

RGB 79 226 219

HSL 177.14, 0.72%, 0.6%

LAB 82.47, -39.99, -8.06

 

CMYK 65 / 14 / 0 / 11

HEX #4FC2E2

RGB 79 194 226

HSL 193.06, 0.72%, 0.6%

LAB 73.37, -22.66, -25.52

 

CMYK 65 / 0 / 56 / 11

HEX #4FE264

RGB 79 226 100

HSL 128.57, 0.72%, 0.6%

LAB 80.17, -64.08, 49.65

 

CMYK 74 / 0 / 64 / 5

HEX #3FF258

RGB 63 242 88

HSL 128.38, 0.87%, 0.6%

LAB 84.62, -73.41, 59.88

 

CMYK 65 / 0 / 56 / 11

HEX #4FE264

RGB 79 226 100

HSL 128.57, 0.72%, 0.6%

LAB 80.17, -64.08, 49.65

 

CMYK 54 / 0 / 46 / 18

HEX #60D170

RGB 96 209 112

HSL 128.5, 0.55%, 0.6%

LAB 75.61, -52.38, 38.45

 

CMYK 42 / 0 / 36 / 24

HEX #70C17C

RGB 112 193 124

HSL 128.89, 0.4%, 0.6%

LAB 71.58, -39.4, 27.2

 

CMYK 27 / 0 / 23 / 31

HEX #81B087

RGB 129 176 135

HSL 127.66, 0.23%, 0.6%

LAB 67.63, -24.04, 16.06

 

CMYK 9 / 0 / 8 / 37

HEX #91A093

RGB 145 160 147

HSL 128, 0.07%, 0.6%

LAB 64.38, -7.87, 4.96

 

CMYK 39 / 0 / 65 / 11

HEX #8AE24F

RGB 138 226 79

HSL 95.92, 0.72%, 0.6%

LAB 82.03, -50.73, 61.36

 

CMYK 56 / 0 / 65 / 11

HEX #63E24F

RGB 99 226 79

HSL 111.84, 0.72%, 0.6%

LAB 80.52, -61.97, 59.28

 

CMYK 65 / 0 / 56 / 11

HEX #4FE263

RGB 79 226 99

HSL 128.16, 0.72%, 0.6%

LAB 80.15, -64.2, 50.09

 

CMYK 65 / 0 / 39 / 11

HEX #4FE28A

RGB 79 226 138

HSL 144.08, 0.72%, 0.6%

LAB 80.68, -58.3, 31.84

 

CMYK 65 / 0 / 22 / 11

HEX #4FE2B1

RGB 79 226 177

HSL 160, 0.72%, 0.6%

LAB 81.42, -50.41, 12.63

 

CMYK 84 / 0 / 72 / 25

HEX #1FC036

RGB 31 192 54

HSL 128.57, 0.72%, 0.44%

LAB 68.21, -65.18, 55.51

 

CMYK 80 / 0 / 69 / 14

HEX #2CDC45

RGB 44 220 69

HSL 128.52, 0.72%, 0.52%

LAB 77.37, -70.94, 59.48

 

CMYK 65 / 0 / 56 / 11

HEX #4FE264

RGB 79 226 100

HSL 128.57, 0.72%, 0.6%

LAB 80.17, -64.08, 49.65

 

CMYK 50 / 0 / 44 / 9

HEX #73E883

RGB 115 232 131

HSL 128.21, 0.72%, 0.68%

LAB 83.44, -53.86, 39.14

 

CMYK 37 / 0 / 32 / 7

HEX #96EDA2

RGB 150 237 162

HSL 128.28, 0.71%, 0.76%

LAB 86.83, -41.27, 28.29

 

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

CMYK 65 / 22 / 0 / 11

HEX #4FB1E2

RGB 79 177 226

HSL 200, 0.72%, 0.6%

LAB 68.46, -13.79, -33.09

 

CMYK 0 / 65 / 48 / 11

HEX #E24F76

RGB 226 79 118

HSL 344.08, 0.72%, 0.6%

LAB 55.14, 59.84, 9.7

 

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

CMYK 56 / 65 / 0 / 11

HEX #634FE2

RGB 99 79 226

HSL 248.16, 0.72%, 0.6%

LAB 43.85, 47.47, -72.22

 

CMYK 0 / 56 / 65 / 11

HEX #E2634F

RGB 226 99 79

HSL 8.16, 0.72%, 0.6%

LAB 57.71, 48.15, 35.7

 

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

CMYK 65 / 22 / 0 / 11

HEX #4FB1E2

RGB 79 177 226

HSL 200, 0.72%, 0.6%

LAB 68.46, -13.79, -33.09

 

CMYK 0 / 65 / 9 / 11

HEX #E24FCE

RGB 226 79 206

HSL 308.16, 0.72%, 0.6%

LAB 58.24, 70.55, -36.93

 

CMYK 0 / 43 / 65 / 11

HEX #E2804F

RGB 226 128 79

HSL 20, 0.72%, 0.6%

LAB 63.48, 33.63, 42.58

 

CMYK 65 / 0 / 56 / 11

HEX #4EE263

RGB 78 226 99

HSL 128.51, 0.72%, 0.6%

LAB 80.13, -64.4, 50.06

 

CMYK 65 / 41 / 0 / 11

HEX #4F85E2

RGB 79 133 226

HSL 217.96, 0.72%, 0.6%

LAB 56.02, 11.39, -52.65

 

CMYK 0 / 65 / 9 / 11

HEX #E24FCE

RGB 226 79 206

HSL 308.16, 0.72%, 0.6%

LAB 58.24, 70.55, -36.93

 

CMYK 0 / 24 / 65 / 11

HEX #E2AC4F

RGB 226 172 79

HSL 37.96, 0.72%, 0.6%

LAB 73.7, 10.22, 54.15

 

Description

Color code: HEX #4EE263 | qconv.com Color code: HEX #4EE263 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 226 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 226 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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