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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE292 it is the complementary color #B11D6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE292 shade: #53E28D, #64F4A0, #75FFB3, #86FFC6 and #97FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE292 shade: #4EE292, #3DD07F, #2CBE6C, #1BAC59 and #0A9A46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE292 shade: #4FE293, #4FE26B, #5BE24F, #82E24F and #AAE24F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE292 shade: #4FE293, #4FE2BA, #4FE2E2, #4FBBE2 and #4F93E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE292 shade matches the following richer shades: #4FE293 and #3FF291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE292 shade: #4FE293, #60D194, #70C195, #81B097 and #91A098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE292 shade: #5BE24F, #4FE26A, #4FE291, #4FE2B8 and #4FE2DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE292 shade: #1FC069, #2CDC7D, #4FE293, #73E8A8 and #96EDBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE292 shade: #4EE292, #4F82E2 and #E2564F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE292 shade: #4EE292, #914FE2 and #E2914F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE292 shade: #4EE292, #4F82E2, #E24FA0 and #E2AF4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE292 shade: #4EE292, #4F56E2, #E24FA0 and #E2DB4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

Complementary color

CMYK 0 / 84 / 38 / 31

HEX #B11D6D

RGB 177 29 109

HSL 327.57, 0.72%, 0.4%

LAB 40.13, 61.91, -7.72

 

CMYK 63 / 0 / 38 / 11

HEX #53E28D

RGB 83 226 141

HSL 144.34, 0.71%, 0.61%

LAB 80.82, -57.03, 30.53

 

CMYK 59 / 0 / 34 / 4

HEX #64F4A0

RGB 100 244 160

HSL 145, 0.87%, 0.67%

LAB 86.97, -57.2, 29.18

 

CMYK 54 / 0 / 30 / 0

HEX #75FFB3

RGB 117 255 179

HSL 146.96, 1%, 0.73%

LAB 91.03, -54.43, 25.15

 

CMYK 47 / 0 / 22 / 0

HEX #86FFC6

RGB 134 255 198

HSL 151.74, 1%, 0.76%

LAB 91.98, -46.81, 16.87

 

CMYK 41 / 0 / 15 / 0

HEX #97FFD9

RGB 151 255 217

HSL 158.08, 1%, 0.8%

LAB 93.06, -38.7, 8.73

 

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

CMYK 71 / 0 / 39 / 18

HEX #3DD07F

RGB 61 208 127

HSL 146.94, 0.61%, 0.53%

LAB 74.59, -56.57, 29.35

 

CMYK 77 / 0 / 43 / 25

HEX #2CBE6C

RGB 44 190 108

HSL 146.3, 0.62%, 0.46%

LAB 68.35, -55.83, 30.91

 

CMYK 84 / 0 / 48 / 33

HEX #1BAC59

RGB 27 172 89

HSL 145.66, 0.73%, 0.39%

LAB 62.05, -54.66, 32.59

 

CMYK 94 / 0 / 55 / 40

HEX #0A9A46

RGB 10 154 70

HSL 145, 0.88%, 0.32%

LAB 55.7, -52.87, 34.37

 

CMYK 65 / 0 / 35 / 11

HEX #4FE293

RGB 79 226 147

HSL 147.76, 0.72%, 0.6%

LAB 80.83, -56.65, 27.44

 

CMYK 65 / 0 / 53 / 11

HEX #4FE26B

RGB 79 226 107

HSL 131.43, 0.72%, 0.6%

LAB 80.25, -63.16, 46.5

 

CMYK 60 / 0 / 65 / 11

HEX #5BE24F

RGB 91 226 79

HSL 115.1, 0.72%, 0.6%

LAB 80.28, -63.86, 58.95

 

CMYK 42 / 0 / 65 / 11

HEX #82E24F

RGB 130 226 79

HSL 99.18, 0.72%, 0.6%

LAB 81.68, -53.28, 60.87

 

CMYK 25 / 0 / 65 / 11

HEX #AAE24F

RGB 170 226 79

HSL 82.86, 0.72%, 0.6%

LAB 83.71, -39.54, 63.64

 

CMYK 65 / 0 / 35 / 11

HEX #4FE293

RGB 79 226 147

HSL 147.76, 0.72%, 0.6%

LAB 80.83, -56.65, 27.44

 

CMYK 65 / 0 / 18 / 11

HEX #4FE2BA

RGB 79 226 186

HSL 163.67, 0.72%, 0.6%

LAB 81.62, -48.33, 8.18

 

CMYK 65 / 0 / 0 / 11

HEX #4FE2E2

RGB 79 226 226

HSL 180, 0.72%, 0.6%

LAB 82.67, -38.08, -11.47

 

CMYK 65 / 17 / 0 / 11

HEX #4FBBE2

RGB 79 187 226

HSL 195.92, 0.72%, 0.6%

LAB 71.35, -19.06, -28.63

 

CMYK 65 / 35 / 0 / 11

HEX #4F93E2

RGB 79 147 226

HSL 212.24, 0.72%, 0.6%

LAB 59.91, 3.05, -46.47

 

CMYK 65 / 0 / 35 / 11

HEX #4FE293

RGB 79 226 147

HSL 147.76, 0.72%, 0.6%

LAB 80.83, -56.65, 27.44

 

CMYK 74 / 0 / 40 / 5

HEX #3FF291

RGB 63 242 145

HSL 147.49, 0.87%, 0.6%

LAB 85.3, -65.39, 34.36

 

CMYK 65 / 0 / 35 / 11

HEX #4FE293

RGB 79 226 147

HSL 147.76, 0.72%, 0.6%

LAB 80.83, -56.65, 27.44

 

CMYK 54 / 0 / 29 / 18

HEX #60D194

RGB 96 209 148

HSL 147.61, 0.55%, 0.6%

LAB 76.21, -46.13, 20.72

 

CMYK 42 / 0 / 23 / 24

HEX #70C195

RGB 112 193 149

HSL 147.41, 0.4%, 0.6%

LAB 72.06, -34.76, 14.52

 

CMYK 27 / 0 / 14 / 31

HEX #81B097

RGB 129 176 151

HSL 148.09, 0.23%, 0.6%

LAB 67.99, -20.95, 7.78

 

CMYK 9 / 0 / 5 / 37

HEX #91A098

RGB 145 160 152

HSL 148, 0.07%, 0.6%

LAB 64.51, -6.9, 2.35

 

CMYK 60 / 0 / 65 / 11

HEX #5BE24F

RGB 91 226 79

HSL 115.1, 0.72%, 0.6%

LAB 80.28, -63.86, 58.95

 

CMYK 65 / 0 / 53 / 11

HEX #4FE26A

RGB 79 226 106

HSL 131.02, 0.72%, 0.6%

LAB 80.23, -63.3, 46.95

 

CMYK 65 / 0 / 36 / 11

HEX #4FE291

RGB 79 226 145

HSL 146.94, 0.72%, 0.6%

LAB 80.79, -57.03, 28.42

 

CMYK 65 / 0 / 19 / 11

HEX #4FE2B8

RGB 79 226 184

HSL 162.86, 0.72%, 0.6%

LAB 81.57, -48.8, 9.17

 

CMYK 65 / 0 / 1 / 11

HEX #4FE2DF

RGB 79 226 223

HSL 178.78, 0.72%, 0.6%

LAB 82.58, -38.9, -10.01

 

CMYK 84 / 0 / 45 / 25

HEX #1FC069

RGB 31 192 105

HSL 147.58, 0.72%, 0.44%

LAB 68.76, -58.51, 32.95

 

CMYK 80 / 0 / 43 / 14

HEX #2CDC7D

RGB 44 220 125

HSL 147.61, 0.72%, 0.52%

LAB 77.99, -63.46, 34.77

 

CMYK 65 / 0 / 35 / 11

HEX #4FE293

RGB 79 226 147

HSL 147.76, 0.72%, 0.6%

LAB 80.83, -56.65, 27.44

 

CMYK 50 / 0 / 28 / 9

HEX #73E8A8

RGB 115 232 168

HSL 147.18, 0.72%, 0.68%

LAB 84.06, -47.48, 21.19

 

CMYK 37 / 0 / 20 / 7

HEX #96EDBE

RGB 150 237 190

HSL 147.59, 0.71%, 0.76%

LAB 87.37, -36.23, 14.6

 

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

CMYK 65 / 42 / 0 / 11

HEX #4F82E2

RGB 79 130 226

HSL 219.18, 0.72%, 0.6%

LAB 55.19, 13.21, -53.96

 

CMYK 0 / 62 / 65 / 11

HEX #E2564F

RGB 226 86 79

HSL 2.86, 0.72%, 0.6%

LAB 55.47, 54.05, 32.96

 

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

CMYK 36 / 65 / 0 / 11

HEX #914FE2

RGB 145 79 226

HSL 266.94, 0.72%, 0.6%

LAB 48.39, 55.95, -64.64

 

CMYK 0 / 36 / 65 / 11

HEX #E2914F

RGB 226 145 79

HSL 26.94, 0.72%, 0.6%

LAB 67.27, 24.64, 46.95

 

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

CMYK 65 / 42 / 0 / 11

HEX #4F82E2

RGB 79 130 226

HSL 219.18, 0.72%, 0.6%

LAB 55.19, 13.21, -53.96

 

CMYK 0 / 65 / 29 / 11

HEX #E24FA0

RGB 226 79 160

HSL 326.94, 0.72%, 0.6%

LAB 56.39, 64.26, -13.25

 

CMYK 0 / 23 / 65 / 11

HEX #E2AF4F

RGB 226 175 79

HSL 39.18, 0.72%, 0.6%

LAB 74.44, 8.63, 54.96

 

CMYK 65 / 0 / 35 / 11

HEX #4EE292

RGB 78 226 146

HSL 147.57, 0.72%, 0.6%

LAB 80.79, -57.02, 27.9

 

CMYK 65 / 62 / 0 / 11

HEX #4F56E2

RGB 79 86 226

HSL 237.14, 0.72%, 0.6%

LAB 43.96, 40.34, -72.11

 

CMYK 0 / 65 / 29 / 11

HEX #E24FA0

RGB 226 79 160

HSL 326.94, 0.72%, 0.6%

LAB 56.39, 64.26, -13.25

 

CMYK 0 / 3 / 65 / 11

HEX #E2DB4F

RGB 226 219 79

HSL 57.14, 0.72%, 0.6%

LAB 85.7, -14.02, 66.94

 

Description

Color code: HEX #4EE292 | qconv.com Color code: HEX #4EE292 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 226 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 226 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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