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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE3CB it is the complementary color #B11C34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE3CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE3CB shade: #53E3C6, #64F5D9, #75FFEC, #86FFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE3CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE3CB shade: #4EE3CB, #3DD1B8, #2CBFA5, #1BAD92 and #0A9B7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE3CB shade: #4EE3CB, #4EE3A3, #4EE37B, #4EE353 and #72E34E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE3CB shade: #4EE3CB, #4ED3E3, #4EABE3, #4E82E3 and #4E5AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE3CB shade matches the following richer shades: #4EE3CB and #3EF3D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE3CB shade: #4EE3CB, #5FD2C0, #6FC2B5, #80B1A9 and #90A19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE3CB shade: #4EE37B, #4EE3A2, #4EE3CA, #4ED4E3 and #4EACE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE3CB shade: #1EC1A7, #2ADDC1, #4EE3CB, #72E9D5 and #95EEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE3CB shade: #4EE3CB, #534EE3 and #E38F4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE3CB shade: #4EE3CB, #CA4EE3 and #E3CA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE3CB shade: #4EE3CB, #534EE3, #E34E67 and #DEE34E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE3CB shade: #4EE3CB, #804EE3, #E34E67 and #B1E34E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

Complementary color

CMYK 0 / 84 / 71 / 31

HEX #B11C34

RGB 177 28 52

HSL 350.34, 0.73%, 0.4%

LAB 38.6, 57.88, 26.28

 

CMYK 63 / 0 / 13 / 11

HEX #53E3C6

RGB 83 227 198

HSL 167.92, 0.72%, 0.61%

LAB 82.3, -45.21, 2.83

 

CMYK 59 / 0 / 11 / 4

HEX #64F5D9

RGB 100 245 217

HSL 168.41, 0.88%, 0.68%

LAB 88.46, -45.47, 1.85

 

CMYK 54 / 0 / 7 / 0

HEX #75FFEC

RGB 117 255 236

HSL 171.74, 1%, 0.73%

LAB 92.29, -42.1, -2.36

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 71 / 0 / 12 / 18

HEX #3DD1B8

RGB 61 209 184

HSL 169.86, 0.62%, 0.53%

LAB 76.1, -44.24, 1.22

 

CMYK 77 / 0 / 14 / 25

HEX #2CBFA5

RGB 44 191 165

HSL 169.39, 0.63%, 0.46%

LAB 69.83, -43.49, 2.38

 

CMYK 84 / 0 / 16 / 32

HEX #1BAD92

RGB 27 173 146

HSL 168.9, 0.73%, 0.39%

LAB 63.5, -42.43, 3.66

 

CMYK 94 / 0 / 18 / 39

HEX #0A9B7F

RGB 10 155 127

HSL 168.41, 0.88%, 0.32%

LAB 57.11, -40.94, 5.1

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 66 / 0 / 28 / 11

HEX #4EE3A3

RGB 78 227 163

HSL 154.23, 0.73%, 0.6%

LAB 81.4, -54.03, 19.94

 

CMYK 66 / 0 / 46 / 11

HEX #4EE37B

RGB 78 227 123

HSL 138.12, 0.73%, 0.6%

LAB 80.73, -61.37, 39.4

 

CMYK 66 / 0 / 63 / 11

HEX #4EE353

RGB 78 227 83

HSL 122.01, 0.73%, 0.6%

LAB 80.28, -66.55, 57.21

 

CMYK 50 / 0 / 66 / 11

HEX #72E34E

RGB 114 227 78

HSL 105.5, 0.73%, 0.6%

LAB 81.33, -58.48, 60.7

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 66 / 7 / 0 / 11

HEX #4ED3E3

RGB 78 211 227

HSL 186.44, 0.73%, 0.6%

LAB 78.32, -30.91, -18.55

 

CMYK 66 / 25 / 0 / 11

HEX #4EABE3

RGB 78 171 227

HSL 202.55, 0.73%, 0.6%

LAB 66.74, -10.38, -36.31

 

CMYK 66 / 43 / 0 / 11

HEX #4E82E3

RGB 78 130 227

HSL 219.06, 0.73%, 0.6%

LAB 55.21, 13.39, -54.5

 

CMYK 66 / 60 / 0 / 11

HEX #4E5AE3

RGB 78 90 227

HSL 235.17, 0.73%, 0.6%

LAB 44.91, 38.1, -71.12

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 74 / 0 / 12 / 5

HEX #3EF3D6

RGB 62 243 214

HSL 170.39, 0.88%, 0.6%

LAB 86.99, -50.85, 1.18

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 55 / 0 / 9 / 18

HEX #5FD2C0

RGB 95 210 192

HSL 170.61, 0.56%, 0.6%

LAB 77.48, -36.92, -0.96

 

CMYK 43 / 0 / 7 / 24

HEX #6FC2B5

RGB 111 194 181

HSL 170.6, 0.4%, 0.6%

LAB 73.09, -28.41, -1.37

 

CMYK 28 / 0 / 5 / 31

HEX #80B1A9

RGB 128 177 169

HSL 170.2, 0.24%, 0.6%

LAB 68.68, -17.93, -1.16

 

CMYK 11 / 0 / 2 / 37

HEX #90A19E

RGB 144 161 158

HSL 169.41, 0.08%, 0.6%

LAB 64.87, -6.59, -0.49

 

CMYK 66 / 0 / 46 / 11

HEX #4EE37B

RGB 78 227 123

HSL 138.12, 0.73%, 0.6%

LAB 80.73, -61.37, 39.4

 

CMYK 66 / 0 / 29 / 11

HEX #4EE3A2

RGB 78 227 162

HSL 153.83, 0.73%, 0.6%

LAB 81.38, -54.24, 20.44

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CA

RGB 78 227 202

HSL 169.93, 0.73%, 0.6%

LAB 82.28, -45.01, 0.67

 

CMYK 66 / 7 / 0 / 11

HEX #4ED4E3

RGB 78 212 227

HSL 186.04, 0.73%, 0.6%

LAB 78.61, -31.39, -18.11

 

CMYK 66 / 24 / 0 / 11

HEX #4EACE3

RGB 78 172 227

HSL 202.15, 0.73%, 0.6%

LAB 67.03, -10.92, -35.86

 

CMYK 84 / 0 / 13 / 24

HEX #1EC1A7

RGB 30 193 167

HSL 170.43, 0.73%, 0.44%

LAB 70.32, -45.1, 1.97

 

CMYK 81 / 0 / 13 / 13

HEX #2ADDC1

RGB 42 221 193

HSL 170.61, 0.72%, 0.52%

LAB 79.65, -49.04, 1.53

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 51 / 0 / 9 / 9

HEX #72E9D5

RGB 114 233 213

HSL 169.92, 0.73%, 0.68%

LAB 85.33, -38.36, -0.56

 

CMYK 37 / 0 / 6 / 7

HEX #95EEE0

RGB 149 238 224

HSL 170.56, 0.72%, 0.76%

LAB 88.41, -29.82, -1.67

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 63 / 66 / 0 / 11

HEX #534EE3

RGB 83 78 227

HSL 242.01, 0.73%, 0.6%

LAB 42.51, 45.96, -75.03

 

CMYK 0 / 37 / 66 / 11

HEX #E38F4E

RGB 227 143 78

HSL 26.17, 0.73%, 0.6%

LAB 66.92, 26.06, 47.08

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 11 / 66 / 0 / 11

HEX #CA4EE3

RGB 202 78 227

HSL 289.93, 0.73%, 0.6%

LAB 55.64, 68.85, -53.17

 

CMYK 0 / 11 / 66 / 11

HEX #E3CA4E

RGB 227 202 78

HSL 49.93, 0.73%, 0.6%

LAB 81.36, -5.09, 62.84

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 63 / 66 / 0 / 11

HEX #534EE3

RGB 83 78 227

HSL 242.01, 0.73%, 0.6%

LAB 42.51, 45.96, -75.03

 

CMYK 0 / 66 / 55 / 11

HEX #E34E67

RGB 227 78 103

HSL 349.93, 0.73%, 0.6%

LAB 54.82, 59.32, 18.17

 

CMYK 2 / 0 / 66 / 11

HEX #DEE34E

RGB 222 227 78

HSL 62.01, 0.73%, 0.6%

LAB 87.49, -19.65, 69.06

 

CMYK 66 / 0 / 11 / 11

HEX #4EE3CB

RGB 78 227 203

HSL 170.34, 0.73%, 0.6%

LAB 82.31, -44.76, 0.18

 

CMYK 44 / 66 / 0 / 11

HEX #804EE3

RGB 128 78 227

HSL 260.13, 0.73%, 0.6%

LAB 46.42, 53.38, -68.48

 

CMYK 0 / 66 / 55 / 11

HEX #E34E67

RGB 227 78 103

HSL 349.93, 0.73%, 0.6%

LAB 54.82, 59.32, 18.17

 

CMYK 22 / 0 / 66 / 11

HEX #B1E34E

RGB 177 227 78

HSL 80.13, 0.73%, 0.6%

LAB 84.4, -37.43, 64.89

 

Description

Color code: HEX #4EE3CB | qconv.com Color code: HEX #4EE3CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 227 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 227 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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