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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE3C0 it is the complementary color #B11C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE3C0 shade: #53E3BB, #64F5CE, #75FFE1, #86FFF4 and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE3C0 shade: #4EE3C0, #3DD1AD, #2CBF9A, #1BAD87 and #0A9B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE3C0 shade: #4EE3C0, #4EE398, #4EE370, #55E34E and #7DE34E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE3C0 shade: #4EE3C0, #4EDEE3, #4EB6E3, #4E8DE3 and #4E65E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE3C0 shade matches the following richer shades: #4EE3C0 and #3EF3C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE3C0 shade: #4EE3C0, #5FD2B7, #6FC2AE, #80B1A6 and #90A19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE3C0 shade: #4EE36E, #4EE396, #4EE3BE, #4EE0E3 and #4EB9E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE3C0 shade: #1EC19B, #2ADDB3, #4EE3C0, #72E9CD and #95EED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE3C0 shade: #4EE3C0, #4E55E3 and #E3824E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE3C0 shade: #4EE3C0, #BE4EE3 and #E3BE4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE3C0 shade: #4EE3C0, #4E55E3, #E34E73 and #E3DC4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE3C0 shade: #4EE3C0, #734EE3, #E34E73 and #BEE34E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

Complementary color

CMYK 0 / 84 / 64 / 31

HEX #B11C3F

RGB 177 28 63

HSL 345.91, 0.73%, 0.4%

LAB 38.79, 58.46, 19.6

 

CMYK 63 / 0 / 18 / 11

HEX #53E3BB

RGB 83 227 187

HSL 163.33, 0.72%, 0.61%

LAB 82.04, -47.86, 8.26

 

CMYK 59 / 0 / 16 / 4

HEX #64F5CE

RGB 100 245 206

HSL 163.86, 0.88%, 0.68%

LAB 88.19, -48.06, 7.2

 

CMYK 54 / 0 / 12 / 0

HEX #75FFE1

RGB 117 255 225

HSL 166.96, 1%, 0.73%

LAB 92.02, -44.71, 2.93

 

CMYK 47 / 0 / 4 / 0

HEX #86FFF4

RGB 134 255 244

HSL 174.55, 1%, 0.76%

LAB 93.07, -36.67, -5.3

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 71 / 0 / 17 / 18

HEX #3DD1AD

RGB 61 209 173

HSL 165.41, 0.62%, 0.53%

LAB 75.83, -47.01, 6.74

 

CMYK 77 / 0 / 19 / 25

HEX #2CBF9A

RGB 44 191 154

HSL 164.9, 0.63%, 0.46%

LAB 69.56, -46.31, 7.99

 

CMYK 84 / 0 / 22 / 32

HEX #1BAD87

RGB 27 173 135

HSL 164.38, 0.73%, 0.39%

LAB 63.23, -45.28, 9.38

 

CMYK 94 / 0 / 25 / 39

HEX #0A9B74

RGB 10 155 116

HSL 163.86, 0.88%, 0.32%

LAB 56.85, -43.81, 10.95

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 66 / 0 / 33 / 11

HEX #4EE398

RGB 78 227 152

HSL 149.8, 0.73%, 0.6%

LAB 81.2, -56.25, 25.36

 

CMYK 66 / 0 / 51 / 11

HEX #4EE370

RGB 78 227 112

HSL 133.69, 0.73%, 0.6%

LAB 80.59, -63.01, 44.55

 

CMYK 63 / 0 / 66 / 11

HEX #55E34E

RGB 85 227 78

HSL 117.18, 0.73%, 0.6%

LAB 80.41, -65.62, 59.45

 

CMYK 45 / 0 / 66 / 11

HEX #7DE34E

RGB 125 227 78

HSL 101.07, 0.73%, 0.6%

LAB 81.76, -55.29, 61.29

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 66 / 2 / 0 / 11

HEX #4EDEE3

RGB 78 222 227

HSL 182.01, 0.73%, 0.6%

LAB 81.52, -36.11, -13.73

 

CMYK 66 / 20 / 0 / 11

HEX #4EB6E3

RGB 78 182 227

HSL 198.12, 0.73%, 0.6%

LAB 69.91, -16.29, -31.39

 

CMYK 66 / 38 / 0 / 11

HEX #4E8DE3

RGB 78 141 227

HSL 214.63, 0.73%, 0.6%

LAB 58.24, 6.77, -49.67

 

CMYK 66 / 56 / 0 / 11

HEX #4E65E3

RGB 78 101 227

HSL 230.74, 0.73%, 0.6%

LAB 47.59, 31.32, -66.77

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 74 / 0 / 17 / 5

HEX #3EF3C9

RGB 62 243 201

HSL 166.08, 0.88%, 0.6%

LAB 86.67, -54.08, 7.51

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 55 / 0 / 13 / 18

HEX #5FD2B7

RGB 95 210 183

HSL 165.91, 0.56%, 0.6%

LAB 77.25, -39.12, 3.53

 

CMYK 43 / 0 / 10 / 24

HEX #6FC2AE

RGB 111 194 174

HSL 165.54, 0.4%, 0.6%

LAB 72.9, -30.07, 2.17

 

CMYK 28 / 0 / 6 / 31

HEX #80B1A6

RGB 128 177 166

HSL 166.53, 0.24%, 0.6%

LAB 68.6, -18.6, 0.38

 

CMYK 11 / 0 / 2 / 37

HEX #90A19D

RGB 144 161 157

HSL 165.88, 0.08%, 0.6%

LAB 64.85, -6.79, 0.03

 

CMYK 66 / 0 / 52 / 11

HEX #4EE36E

RGB 78 227 110

HSL 132.89, 0.73%, 0.6%

LAB 80.56, -63.29, 45.47

 

CMYK 66 / 0 / 34 / 11

HEX #4EE396

RGB 78 227 150

HSL 148.99, 0.73%, 0.6%

LAB 81.16, -56.64, 26.34

 

CMYK 66 / 0 / 16 / 11

HEX #4EE3BE

RGB 78 227 190

HSL 165.1, 0.73%, 0.6%

LAB 81.99, -47.96, 6.59

 

CMYK 66 / 1 / 0 / 11

HEX #4EE0E3

RGB 78 224 227

HSL 181.21, 0.73%, 0.6%

LAB 82.1, -37.03, -12.86

 

CMYK 66 / 19 / 0 / 11

HEX #4EB9E3

RGB 78 185 227

HSL 196.91, 0.73%, 0.6%

LAB 70.78, -17.87, -30.06

 

CMYK 84 / 0 / 20 / 24

HEX #1EC19B

RGB 30 193 155

HSL 166.01, 0.73%, 0.44%

LAB 70.02, -48.22, 8.08

 

CMYK 81 / 0 / 19 / 13

HEX #2ADDB3

RGB 42 221 179

HSL 165.92, 0.72%, 0.52%

LAB 79.31, -52.59, 8.48

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 51 / 0 / 12 / 9

HEX #72E9CD

RGB 114 233 205

HSL 165.88, 0.73%, 0.68%

LAB 85.13, -40.25, 3.35

 

CMYK 37 / 0 / 9 / 7

HEX #95EED9

RGB 149 238 217

HSL 165.84, 0.72%, 0.76%

LAB 88.23, -31.38, 1.74

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 66 / 63 / 0 / 11

HEX #4E55E3

RGB 78 85 227

HSL 237.18, 0.73%, 0.6%

LAB 43.75, 41.13, -73.02

 

CMYK 0 / 43 / 66 / 11

HEX #E3824E

RGB 227 130 78

HSL 20.94, 0.73%, 0.6%

LAB 64.04, 32.92, 43.77

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 16 / 66 / 0 / 11

HEX #BE4EE3

RGB 190 78 227

HSL 285.1, 0.73%, 0.6%

LAB 53.97, 66.2, -55.93

 

CMYK 0 / 16 / 66 / 11

HEX #E3BE4E

RGB 227 190 78

HSL 45.1, 0.73%, 0.6%

LAB 78.29, 1.11, 59.6

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 66 / 63 / 0 / 11

HEX #4E55E3

RGB 78 85 227

HSL 237.18, 0.73%, 0.6%

LAB 43.75, 41.13, -73.02

 

CMYK 0 / 66 / 49 / 11

HEX #E34E73

RGB 227 78 115

HSL 345.1, 0.73%, 0.6%

LAB 55.09, 60.29, 11.43

 

CMYK 0 / 3 / 66 / 11

HEX #E3DC4E

RGB 227 220 78

HSL 57.18, 0.73%, 0.6%

LAB 86.04, -14.16, 67.7

 

CMYK 66 / 0 / 15 / 11

HEX #4EE3C0

RGB 78 227 192

HSL 165.91, 0.73%, 0.6%

LAB 82.04, -47.48, 5.6

 

CMYK 49 / 66 / 0 / 11

HEX #734EE3

RGB 115 78 227

HSL 254.9, 0.73%, 0.6%

LAB 45.14, 51.01, -70.63

 

CMYK 0 / 66 / 49 / 11

HEX #E34E73

RGB 227 78 115

HSL 345.1, 0.73%, 0.6%

LAB 55.09, 60.29, 11.43

 

CMYK 16 / 0 / 66 / 11

HEX #BEE34E

RGB 190 227 78

HSL 74.9, 0.73%, 0.6%

LAB 85.22, -32.44, 66

 

Description

Color code: HEX #4EE3C0 | qconv.com Color code: HEX #4EE3C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 227 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 227 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 15 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 15% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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