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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EFDC8 it is the complementary color #B10237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EFDC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EFDC8 shade: #53FDC3, #64FFD6, #75FFE9, #86FFFC and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EFDC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EFDC8 shade: #4EFDC8, #3DEBB5, #2CD9A2, #1BC78F and #0AB57C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EFDC8 shade: #4EFDC8, #4EFD99, #4EFD69, #61FD4E and #91FD4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EFDC8 shade: #4EFDC8, #4EFDF7, #4ED3FD, #4EA4FD and #4E75FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EFDC8 shade matches the following richer shades: #4EFDC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EFDC8 shade: #4EFDC8, #5CEEC2, #6BE0BC, #79D1B7 and #88C3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EFDC8 shade: #4EFD68, #4EFD97, #4EFDC5, #4EFDF4 and #4ED7FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EFDC8 shade: #02F6AC, #25FCBB, #4EFDC8, #77FDD4 and #9FFEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EFDC8 shade: #4EFDC8, #4E62FD and #FD7F4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EFDC8 shade: #4EFDC8, #C54EFD and #FDC54E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EFDC8 shade: #4EFDC8, #4E62FD, #FD4E85 and #FDE84E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EFDC8 shade: #4EFDC8, #6E4EFD, #FD4E85 and #DDFD4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

Complementary color

CMYK 0 / 99 / 69 / 31

HEX #B10237

RGB 177 2 55

HSL 341.83, 0.98%, 0.35%

LAB 37.24, 62.08, 22.71

 

CMYK 67 / 0 / 23 / 1

HEX #53FDC3

RGB 83 253 195

HSL 159.53, 0.98%, 0.66%

LAB 89.87, -56.68, 15.23

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 54 / 0 / 9 / 0

HEX #75FFE9

RGB 117 255 233

HSL 170.43, 1%, 0.73%

LAB 92.21, -42.82, -0.92

 

CMYK 47 / 0 / 1 / 0

HEX #86FFFC

RGB 134 255 252

HSL 178.51, 1%, 0.76%

LAB 93.28, -34.73, -9.11

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 74 / 0 / 23 / 8

HEX #3DEBB5

RGB 61 235 181

HSL 161.38, 0.81%, 0.58%

LAB 83.83, -55.7, 13.9

 

CMYK 80 / 0 / 25 / 15

HEX #2CD9A2

RGB 44 217 162

HSL 160.92, 0.69%, 0.51%

LAB 77.74, -54.86, 15.27

 

CMYK 86 / 0 / 28 / 22

HEX #1BC78F

RGB 27 199 143

HSL 160.47, 0.76%, 0.44%

LAB 71.6, -53.7, 16.77

 

CMYK 94 / 0 / 31 / 29

HEX #0AB57C

RGB 10 181 124

HSL 160, 0.9%, 0.37%

LAB 65.41, -52.1, 18.43

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 69 / 0 / 40 / 1

HEX #4EFD99

RGB 78 253 153

HSL 145.71, 0.98%, 0.65%

LAB 89, -65.76, 35.3

 

CMYK 69 / 0 / 58 / 1

HEX #4EFD69

RGB 78 253 105

HSL 129.26, 0.98%, 0.65%

LAB 88.4, -72.75, 57.06

 

CMYK 62 / 0 / 69 / 1

HEX #61FD4E

RGB 97 253 78

HSL 113.49, 0.98%, 0.65%

LAB 88.61, -71.8, 68.25

 

CMYK 43 / 0 / 69 / 1

HEX #91FD4E

RGB 145 253 78

HSL 97.03, 0.98%, 0.65%

LAB 90.24, -59.26, 70.44

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 69 / 0 / 2 / 1

HEX #4EFDF7

RGB 78 253 247

HSL 177.94, 0.98%, 0.65%

LAB 91.05, -44.61, -10.01

 

CMYK 69 / 17 / 0 / 1

HEX #4ED3FD

RGB 78 211 253

HSL 194.4, 0.98%, 0.65%

LAB 79.21, -23.13, -31.07

 

CMYK 69 / 35 / 0 / 1

HEX #4EA4FD

RGB 78 164 253

HSL 210.51, 0.98%, 0.65%

LAB 65.95, 2.2, -51.76

 

CMYK 69 / 54 / 0 / 1

HEX #4E75FD

RGB 78 117 253

HSL 226.63, 0.98%, 0.65%

LAB 53.42, 30.4, -71.84

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 61 / 0 / 18 / 7

HEX #5CEEC2

RGB 92 238 194

HSL 161.92, 0.81%, 0.65%

LAB 85.66, -49.31, 9.8

 

CMYK 52 / 0 / 16 / 12

HEX #6BE0BC

RGB 107 224 188

HSL 161.54, 0.65%, 0.65%

LAB 81.88, -41.65, 7.59

 

CMYK 42 / 0 / 12 / 18

HEX #79D1B7

RGB 121 209 183

HSL 162.27, 0.49%, 0.65%

LAB 77.93, -32.57, 4.63

 

CMYK 30 / 0 / 9 / 24

HEX #88C3B1

RGB 136 195 177

HSL 161.69, 0.33%, 0.65%

LAB 74.47, -22.9, 2.96

 

CMYK 69 / 0 / 59 / 1

HEX #4EFD68

RGB 78 253 104

HSL 128.91, 0.98%, 0.65%

LAB 88.39, -72.87, 57.49

 

CMYK 69 / 0 / 40 / 1

HEX #4EFD97

RGB 78 253 151

HSL 145.03, 0.98%, 0.65%

LAB 88.97, -66.11, 36.25

 

CMYK 69 / 0 / 22 / 1

HEX #4EFDC5

RGB 78 253 197

HSL 160.8, 0.98%, 0.65%

LAB 89.81, -56.97, 14.1

 

CMYK 69 / 0 / 4 / 1

HEX #4EFDF4

RGB 78 253 244

HSL 176.91, 0.98%, 0.65%

LAB 90.96, -45.41, -8.58

 

CMYK 69 / 15 / 0 / 1

HEX #4ED7FD

RGB 78 215 253

HSL 193.03, 0.98%, 0.65%

LAB 80.36, -25.13, -29.31

 

CMYK 99 / 0 / 30 / 4

HEX #02F6AC

RGB 2 246 172

HSL 161.8, 0.98%, 0.49%

LAB 86.46, -65.6, 22.14

 

CMYK 85 / 0 / 26 / 1

HEX #25FCBB

RGB 37 252 187

HSL 161.86, 0.97%, 0.57%

LAB 88.73, -63.07, 17.64

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 53 / 0 / 16 / 1

HEX #77FDD4

RGB 119 253 212

HSL 161.64, 0.97%, 0.73%

LAB 91.2, -46.39, 8.48

 

CMYK 37 / 0 / 11 / 0

HEX #9FFEE1

RGB 159 254 225

HSL 161.68, 0.98%, 0.81%

LAB 93.32, -34.48, 5.01

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 69 / 61 / 0 / 1

HEX #4E62FD

RGB 78 98 253

HSL 233.14, 0.98%, 0.65%

LAB 48.82, 41.99, -79.33

 

CMYK 0 / 50 / 69 / 1

HEX #FD7F4E

RGB 253 127 78

HSL 16.8, 0.98%, 0.65%

LAB 66.98, 44.51, 48.08

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 22 / 69 / 0 / 1

HEX #C54EFD

RGB 197 78 253

HSL 280.8, 0.98%, 0.65%

LAB 56.5, 72.77, -66.35

 

CMYK 0 / 22 / 69 / 1

HEX #FDC54E

RGB 253 197 78

HSL 40.8, 0.98%, 0.65%

LAB 82.57, 8.39, 64.87

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 69 / 61 / 0 / 1

HEX #4E62FD

RGB 78 98 253

HSL 233.14, 0.98%, 0.65%

LAB 48.82, 41.99, -79.33

 

CMYK 0 / 69 / 47 / 1

HEX #FD4E85

RGB 253 78 133

HSL 341.14, 0.98%, 0.65%

LAB 59.91, 69.49, 8.25

 

CMYK 0 / 8 / 69 / 1

HEX #FDE84E

RGB 253 232 78

HSL 52.8, 0.98%, 0.65%

LAB 91.3, -9.38, 73.72

 

CMYK 69 / 0 / 21 / 1

HEX #4EFDC8

RGB 78 253 200

HSL 161.83, 0.98%, 0.65%

LAB 89.88, -56.29, 12.64

 

CMYK 57 / 69 / 0 / 1

HEX #6E4EFD

RGB 110 78 253

HSL 250.97, 0.98%, 0.65%

LAB 46.78, 57.59, -82.57

 

CMYK 0 / 69 / 47 / 1

HEX #FD4E85

RGB 253 78 133

HSL 341.14, 0.98%, 0.65%

LAB 59.91, 69.49, 8.25

 

CMYK 13 / 0 / 69 / 1

HEX #DDFD4E

RGB 221 253 78

HSL 70.97, 0.98%, 0.65%

LAB 94.39, -32.33, 75.98

 

Description

Color code: HEX #4EFDC8 | qconv.com Color code: HEX #4EFDC8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 253 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 253 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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