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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F165F it is the complementary color #B0E9A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F165F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F165F shade: #54165A, #65286D, #763A80, #874C93 and #985EA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F165F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F165F shade: #4F165F, #3E044C, #2D0039, #1C0026 and #0B0013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F165F shade: #4F165F, #5F165B, #5F1647, #5F1634 and #5F1620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F165F shade: #4F165F, #3B165F, #27165F and #16165F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F165F shade matches the following richer shades: #4F165F, #540C68 and #590371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F165F shade: #4F165F, #491F55, #44294C, #3F3242 and #393C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F165F shade: #27165F, #3A165F, #4E165F, #5F165C and #5F1649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F165F shade: #17061C, #330E3D, #4F165F, #6A1E80 and #8625A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F165F shade: #4F165F, #5F1618 and #165F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F165F shade: #4F165F, #5F4E16 and #165F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F165F shade: #4F165F, #5F1618, #275F16 and #165F5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F165F shade: #4F165F, #5F2916, #275F16 and #164B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

Complementary color

CMYK 24 / 0 / 31 / 9

HEX #B0E9A0

RGB 176 233 160

HSL 106.85, 0.62%, 0.77%

LAB 87.02, -31.5, 29.8

 

CMYK 7 / 76 / 0 / 65

HEX #54165A

RGB 84 22 90

HSL 294.71, 0.61%, 0.22%

LAB 20.82, 38.03, -26.71

 

CMYK 7 / 63 / 0 / 57

HEX #65286D

RGB 101 40 109

HSL 293.04, 0.46%, 0.29%

LAB 27.81, 38.08, -27.84

 

CMYK 8 / 55 / 0 / 50

HEX #763A80

RGB 118 58 128

HSL 291.43, 0.38%, 0.36%

LAB 34.88, 37.53, -28.52

 

CMYK 8 / 48 / 0 / 42

HEX #874C93

RGB 135 76 147

HSL 289.86, 0.32%, 0.44%

LAB 41.89, 36.78, -28.97

 

CMYK 8 / 43 / 0 / 35

HEX #985EA6

RGB 152 94 166

HSL 288.33, 0.29%, 0.51%

LAB 48.8, 35.98, -29.31

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 18 / 95 / 0 / 70

HEX #3E044C

RGB 62 4 76

HSL 288.33, 0.9%, 0.16%

LAB 13.43, 36.84, -29.29

 

CMYK 21 / 100 / 0 / 78

HEX #2D0039

RGB 45 0 57

HSL 287.37, 1%, 0.11%

LAB 7.71, 31.6, -25.27

 

CMYK 26 / 100 / 0 / 85

HEX #1C0026

RGB 28 0 38

HSL 284.21, 1%, 0.07%

LAB 3.49, 18.89, -17.94

 

CMYK 42 / 100 / 0 / 93

HEX #0B0013

RGB 11 0 19

HSL 274.74, 1%, 0.04%

LAB 1.07, 5.87, -7.11

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 0 / 77 / 4 / 63

HEX #5F165B

RGB 95 22 91

HSL 303.29, 0.62%, 0.23%

LAB 22.87, 40.99, -24

 

CMYK 0 / 77 / 25 / 63

HEX #5F1647

RGB 95 22 71

HSL 319.73, 0.62%, 0.23%

LAB 21.81, 37.71, -12.2

 

CMYK 0 / 77 / 45 / 63

HEX #5F1634

RGB 95 22 52

HSL 335.34, 0.62%, 0.23%

LAB 21.04, 35.22, -0.22

 

CMYK 0 / 77 / 66 / 63

HEX #5F1620

RGB 95 22 32

HSL 351.78, 0.62%, 0.23%

LAB 20.48, 33.37, 13.02

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 38 / 77 / 0 / 63

HEX #3B165F

RGB 59 22 95

HSL 270.41, 0.62%, 0.23%

LAB 17.13, 33.35, -36.19

 

CMYK 59 / 77 / 0 / 63

HEX #27165F

RGB 39 22 95

HSL 253.97, 0.62%, 0.23%

LAB 14.58, 29.47, -40.46

 

CMYK 77 / 77 / 0 / 63

HEX #16165F

RGB 22 22 95

HSL 240, 0.62%, 0.23%

LAB 13.05, 27.03, -43.03

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 19 / 88 / 0 / 59

HEX #540C68

RGB 84 12 104

HSL 286.96, 0.79%, 0.23%

LAB 20.62, 44.34, -36.27

 

CMYK 21 / 97 / 0 / 56

HEX #590371

RGB 89 3 113

HSL 286.91, 0.95%, 0.23%

LAB 21.51, 49.22, -40.65

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 14 / 64 / 0 / 67

HEX #491F55

RGB 73 31 85

HSL 286.67, 0.47%, 0.23%

LAB 20.25, 29.54, -24.38

 

CMYK 11 / 46 / 0 / 70

HEX #44294C

RGB 68 41 76

HSL 286.29, 0.3%, 0.23%

LAB 21.34, 19.66, -16.66

 

CMYK 5 / 24 / 0 / 74

HEX #3F3242

RGB 63 50 66

HSL 288.75, 0.14%, 0.23%

LAB 22.76, 9.32, -7.79

 

CMYK 5 / 0 / 5 / 76

HEX #393C39

RGB 57 60 57

HSL 120, 0.03%, 0.23%

LAB 24.94, -1.96, 1.41

 

CMYK 59 / 77 / 0 / 63

HEX #27165F

RGB 39 22 95

HSL 253.97, 0.62%, 0.23%

LAB 14.58, 29.47, -40.46

 

CMYK 39 / 77 / 0 / 63

HEX #3A165F

RGB 58 22 95

HSL 269.59, 0.62%, 0.23%

LAB 16.99, 33.13, -36.43

 

CMYK 18 / 77 / 0 / 63

HEX #4E165F

RGB 78 22 95

HSL 286.03, 0.62%, 0.23%

LAB 20.12, 37.63, -31.2

 

CMYK 0 / 77 / 3 / 63

HEX #5F165C

RGB 95 22 92

HSL 302.47, 0.62%, 0.23%

LAB 22.93, 41.17, -24.57

 

CMYK 0 / 77 / 23 / 63

HEX #5F1649

RGB 95 22 73

HSL 318.08, 0.62%, 0.23%

LAB 21.9, 38.01, -13.41

 

CMYK 18 / 79 / 0 / 89

HEX #17061C

RGB 23 6 28

HSL 286.36, 0.65%, 0.07%

LAB 3.58, 10.3, -10.02

 

CMYK 16 / 77 / 0 / 76

HEX #330E3D

RGB 51 14 61

HSL 287.23, 0.63%, 0.15%

LAB 11.65, 26.77, -21.73

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 17 / 77 / 0 / 50

HEX #6A1E80

RGB 106 30 128

HSL 286.53, 0.62%, 0.31%

LAB 28.25, 47.68, -39.17

 

CMYK 17 / 77 / 0 / 37

HEX #8625A1

RGB 134 37 161

HSL 286.94, 0.63%, 0.39%

LAB 35.92, 57.53, -46.91

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 0 / 77 / 75 / 63

HEX #5F1618

RGB 95 22 24

HSL 358.36, 0.62%, 0.23%

LAB 20.33, 32.85, 18.32

 

CMYK 77 / 0 / 49 / 63

HEX #165F30

RGB 22 95 48

HSL 141.37, 0.62%, 0.23%

LAB 35.14, -33.63, 20.66

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 0 / 18 / 77 / 63

HEX #5F4E16

RGB 95 78 22

HSL 46.03, 0.62%, 0.23%

LAB 33.86, 0.4, 34.16

 

CMYK 77 / 0 / 18 / 63

HEX #165F4E

RGB 22 95 78

HSL 166.03, 0.62%, 0.23%

LAB 35.8, -26.45, 3.43

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 0 / 77 / 75 / 63

HEX #5F1618

RGB 95 22 24

HSL 358.36, 0.62%, 0.23%

LAB 20.33, 32.85, 18.32

 

CMYK 59 / 0 / 77 / 63

HEX #275F16

RGB 39 95 22

HSL 106.03, 0.62%, 0.23%

LAB 35.35, -33.07, 34.34

 

CMYK 77 / 0 / 3 / 63

HEX #165F5C

RGB 22 95 92

HSL 177.53, 0.62%, 0.23%

LAB 36.23, -22.19, -4.63

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 0 / 57 / 77 / 63

HEX #5F2916

RGB 95 41 22

HSL 15.62, 0.62%, 0.23%

LAB 23.92, 23.13, 23.74

 

CMYK 59 / 0 / 77 / 63

HEX #275F16

RGB 39 95 22

HSL 106.03, 0.62%, 0.23%

LAB 35.35, -33.07, 34.34

 

CMYK 77 / 21 / 0 / 63

HEX #164B5F

RGB 22 75 95

HSL 196.44, 0.62%, 0.23%

LAB 29.49, -9.81, -16.75

 

Description

Color code: HEX #4F165F | qconv.com Color code: HEX #4F165F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 22 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 22 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 77 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 77% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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