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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F2F41 it is the complementary color #B0D0BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F2F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F2F41 shade: #542F3C, #65414F, #765362, #876575 and #987788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F2F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F2F41 shade: #4F2F41, #3E1D2E, #2D0B1B, #1C0008 and #0B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F2F41 shade: #4F2F41, #4F2F39, #4F2F30 and #4F2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F2F41 shade: #4F2F41, #4F2F4A, #4C2F4F, #432F4F and #3B2F4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F2F41 shade matches the following richer shades: #4F2F41, #5A2543, #641B44, #6E1045 and #780646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F2F41 shade: #4F2F41, #453A40, #3B443F, #304E3D and #26593C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F2F41 shade: #4C2F4F, #4F2F4A, #4F2F41, #4F2F39 and #4F2F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F2F41 shade: #1C1017, #35202C, #4F2F41, #693F57 and #834E6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F2F41 shade: #4F2F41, #4F442F and #2F4E4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F2F41 shade: #4F2F41, #414F2F and #2F414F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F2F41 shade: #4F2F41, #4F442F, #2F4F3D and #2F3B4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F2F41 shade: #4F2F41, #4F4D2F, #2F4F3D and #2F314F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

Complementary color

CMYK 15 / 0 / 9 / 18

HEX #B0D0BE

RGB 176 208 190

HSL 146.25, 0.25%, 0.75%

LAB 80.77, -14.15, 5.38

 

CMYK 0 / 44 / 29 / 67

HEX #542F3C

RGB 84 47 60

HSL 338.92, 0.28%, 0.26%

LAB 24.46, 18.85, -0.91

 

CMYK 0 / 36 / 22 / 60

HEX #65414F

RGB 101 65 79

HSL 336.67, 0.22%, 0.33%

LAB 32.06, 17.91, -1.98

 

CMYK 0 / 30 / 17 / 54

HEX #765362

RGB 118 83 98

HSL 334.29, 0.17%, 0.39%

LAB 39.45, 17.09, -2.86

 

CMYK 0 / 25 / 13 / 47

HEX #876575

RGB 135 101 117

HSL 331.76, 0.14%, 0.46%

LAB 46.63, 16.39, -3.63

 

CMYK 0 / 22 / 11 / 40

HEX #987788

RGB 152 119 136

HSL 329.09, 0.14%, 0.53%

LAB 53.65, 15.77, -4.32

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 53 / 26 / 76

HEX #3E1D2E

RGB 62 29 46

HSL 329.09, 0.36%, 0.18%

LAB 16, 18.63, -4.11

 

CMYK 0 / 76 / 40 / 82

HEX #2D0B1B

RGB 45 11 27

HSL 331.76, 0.61%, 0.11%

LAB 7.92, 19.47, -2.42

 

CMYK 0 / 100 / 71 / 89

HEX #1C0008

RGB 28 0 8

HSL 342.86, 1%, 0.05%

LAB 2.39, 11.12, 0.5

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 41 / 28 / 69

HEX #4F2F39

RGB 79 47 57

HSL 341.25, 0.25%, 0.25%

LAB 23.64, 16.23, -0.18

 

CMYK 0 / 41 / 39 / 69

HEX #4F2F30

RGB 79 47 48

HSL 358.13, 0.25%, 0.25%

LAB 23.37, 14.8, 5.52

 

CMYK 0 / 41 / 41 / 69

HEX #4F2F2F

RGB 79 47 47

HSL 0, 0.25%, 0.25%

LAB 23.34, 14.66, 6.16

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 41 / 6 / 69

HEX #4F2F4A

RGB 79 47 74

HSL 309.38, 0.25%, 0.25%

LAB 24.29, 19.47, -10.65

 

CMYK 4 / 41 / 0 / 69

HEX #4C2F4F

RGB 76 47 79

HSL 294.38, 0.25%, 0.25%

LAB 24.11, 19.43, -14.3

 

CMYK 15 / 41 / 0 / 69

HEX #432F4F

RGB 67 47 79

HSL 277.5, 0.25%, 0.25%

LAB 22.97, 16.11, -16.16

 

CMYK 25 / 41 / 0 / 69

HEX #3B2F4F

RGB 59 47 79

HSL 262.5, 0.25%, 0.25%

LAB 22.04, 13.23, -17.67

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 59 / 26 / 65

HEX #5A2543

RGB 90 37 67

HSL 326.04, 0.42%, 0.25%

LAB 23.34, 28.28, -7.21

 

CMYK 0 / 73 / 32 / 61

HEX #641B44

RGB 100 27 68

HSL 326.3, 0.57%, 0.25%

LAB 23.37, 36.74, -7.67

 

CMYK 0 / 85 / 37 / 57

HEX #6E1045

RGB 110 16 69

HSL 326.17, 0.75%, 0.25%

LAB 24.05, 43.63, -7.14

 

CMYK 0 / 95 / 42 / 53

HEX #780646

RGB 120 6 70

HSL 326.32, 0.9%, 0.25%

LAB 25.46, 48.48, -5.49

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 16 / 7 / 73

HEX #453A40

RGB 69 58 64

HSL 327.27, 0.09%, 0.25%

LAB 25.75, 6.05, -1.92

 

CMYK 13 / 0 / 7 / 73

HEX #3B443F

RGB 59 68 63

HSL 146.67, 0.07%, 0.25%

LAB 27.91, -4.85, 1.78

 

CMYK 38 / 0 / 22 / 69

HEX #304E3D

RGB 48 78 61

HSL 146, 0.24%, 0.25%

LAB 30.43, -15.52, 6.57

 

CMYK 57 / 0 / 33 / 65

HEX #26593C

RGB 38 89 60

HSL 145.88, 0.4%, 0.25%

LAB 33.74, -24.73, 11.72

 

CMYK 4 / 41 / 0 / 69

HEX #4C2F4F

RGB 76 47 79

HSL 294.38, 0.25%, 0.25%

LAB 24.11, 19.43, -14.3

 

CMYK 0 / 41 / 6 / 69

HEX #4F2F4A

RGB 79 47 74

HSL 309.38, 0.25%, 0.25%

LAB 24.29, 19.47, -10.65

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 41 / 28 / 69

HEX #4F2F39

RGB 79 47 57

HSL 341.25, 0.25%, 0.25%

LAB 23.64, 16.23, -0.18

 

CMYK 0 / 41 / 39 / 69

HEX #4F2F30

RGB 79 47 48

HSL 358.13, 0.25%, 0.25%

LAB 23.37, 14.8, 5.52

 

CMYK 0 / 43 / 18 / 89

HEX #1C1017

RGB 28 16 23

HSL 325, 0.27%, 0.09%

LAB 6.14, 7.09, -2.27

 

CMYK 0 / 40 / 17 / 79

HEX #35202C

RGB 53 32 44

HSL 325.71, 0.25%, 0.17%

LAB 15.34, 12.41, -3.82

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 40 / 17 / 59

HEX #693F57

RGB 105 63 87

HSL 325.71, 0.25%, 0.33%

LAB 32.36, 22.14, -6.62

 

CMYK 0 / 40 / 18 / 49

HEX #834E6C

RGB 131 78 108

HSL 326.04, 0.25%, 0.41%

LAB 40.18, 26.81, -7.8

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 14 / 41 / 69

HEX #4F442F

RGB 79 68 47

HSL 39.38, 0.25%, 0.25%

LAB 29.42, 1.14, 14.46

 

CMYK 41 / 1 / 0 / 69

HEX #2F4E4F

RGB 47 78 79

HSL 181.88, 0.25%, 0.25%

LAB 30.92, -11.12, -4.23

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 18 / 0 / 41 / 69

HEX #414F2F

RGB 65 79 47

HSL 86.25, 0.25%, 0.25%

LAB 31.63, -12.02, 17.13

 

CMYK 41 / 18 / 0 / 69

HEX #2F414F

RGB 47 65 79

HSL 206.25, 0.25%, 0.25%

LAB 26.59, -3.05, -10.74

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 14 / 41 / 69

HEX #4F442F

RGB 79 68 47

HSL 39.38, 0.25%, 0.25%

LAB 29.42, 1.14, 14.46

 

CMYK 41 / 0 / 23 / 69

HEX #2F4F3D

RGB 47 79 61

HSL 146.25, 0.25%, 0.25%

LAB 30.72, -16.43, 6.97

 

CMYK 41 / 25 / 0 / 69

HEX #2F3B4F

RGB 47 59 79

HSL 217.5, 0.25%, 0.25%

LAB 24.63, 0.9, -13.74

 

CMYK 0 / 41 / 18 / 69

HEX #4F2F41

RGB 79 47 65

HSL 326.25, 0.25%, 0.25%

LAB 23.92, 17.67, -5.16

 

CMYK 0 / 3 / 41 / 69

HEX #4F4D2F

RGB 79 77 47

HSL 56.25, 0.25%, 0.25%

LAB 32.2, -4.45, 18.11

 

CMYK 41 / 0 / 23 / 69

HEX #2F4F3D

RGB 47 79 61

HSL 146.25, 0.25%, 0.25%

LAB 30.72, -16.43, 6.97

 

CMYK 41 / 38 / 0 / 69

HEX #2F314F

RGB 47 49 79

HSL 236.25, 0.25%, 0.25%

LAB 21.45, 7.75, -18.68

 

Description

Color code: HEX #4F2F41 | qconv.com Color code: HEX #4F2F41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 47 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 47 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 18 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 18% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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