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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F4883 it is the complementary color #B0B77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F4883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F4883 shade: #54487E, #655A91, #766CA4, #877EB7 and #9890CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F4883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F4883 shade: #4F4883, #3E3670, #2D245D, #1C124A and #0B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F4883 shade: #4F4883, #5F4883, #6F4883, #7F4883 and #834877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F4883 shade: #4F4883 and #484883

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F4883 shade matches the following richer shades: #4F4883, #423794, #3627A4, #2916B5 and #1D06C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F4883 shade: #4F4883, #5C5873, #686962, #757952 and #818A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F4883 shade: #486183, #485183, #4F4883, #5F4883 and #6E4883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F4883 shade: #2F2B4E, #3F3968, #4F4883, #5F579E and #766EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F4883 shade: #4F4883, #834870 and #598348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F4883 shade: #4F4883, #834F48 and #48834F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F4883 shade: #4F4883, #834870, #7C8348 and #48835B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F4883 shade: #4F4883, #83485F, #7C8348 and #48836C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

Complementary color

CMYK 4 / 0 / 32 / 28

HEX #B0B77C

RGB 176 183 124

HSL 67.12, 0.29%, 0.6%

LAB 72.6, -12.01, 29.25

 

CMYK 33 / 43 / 0 / 51

HEX #54487E

RGB 84 72 126

HSL 253.33, 0.27%, 0.39%

LAB 34.04, 18.3, -28.87

 

CMYK 30 / 38 / 0 / 43

HEX #655A91

RGB 101 90 145

HSL 252, 0.23%, 0.46%

LAB 41.41, 17.43, -28.78

 

CMYK 28 / 34 / 0 / 36

HEX #766CA4

RGB 118 108 164

HSL 250.71, 0.24%, 0.53%

LAB 48.58, 16.7, -28.75

 

CMYK 26 / 31 / 0 / 28

HEX #877EB7

RGB 135 126 183

HSL 249.47, 0.28%, 0.61%

LAB 55.58, 16.06, -28.77

 

CMYK 25 / 29 / 0 / 21

HEX #9890CA

RGB 152 144 202

HSL 248.28, 0.35%, 0.68%

LAB 62.41, 15.5, -28.84

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 45 / 52 / 0 / 56

HEX #3E3670

RGB 62 54 112

HSL 248.28, 0.35%, 0.33%

LAB 26.25, 19.48, -32.55

 

CMYK 52 / 61 / 0 / 64

HEX #2D245D

RGB 45 36 93

HSL 249.47, 0.44%, 0.25%

LAB 18.41, 20.97, -32.87

 

CMYK 62 / 76 / 0 / 71

HEX #1C124A

RGB 28 18 74

HSL 250.71, 0.61%, 0.18%

LAB 10.36, 22.8, -33.12

 

CMYK 80 / 100 / 0 / 78

HEX #0B0037

RGB 11 0 55

HSL 252, 1%, 0.11%

LAB 3.13, 20.39, -31.43

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 27 / 45 / 0 / 49

HEX #5F4883

RGB 95 72 131

HSL 263.39, 0.29%, 0.4%

LAB 35.41, 23.04, -29.72

 

CMYK 15 / 45 / 0 / 49

HEX #6F4883

RGB 111 72 131

HSL 279.66, 0.29%, 0.4%

LAB 37.21, 28.05, -26.76

 

CMYK 3 / 45 / 0 / 49

HEX #7F4883

RGB 127 72 131

HSL 295.93, 0.29%, 0.4%

LAB 39.22, 33.19, -23.49

 

CMYK 0 / 45 / 9 / 49

HEX #834877

RGB 131 72 119

HSL 312.2, 0.29%, 0.4%

LAB 39.23, 32.19, -16.04

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 45 / 45 / 0 / 49

HEX #484883

RGB 72 72 131

HSL 240, 0.29%, 0.4%

LAB 33.25, 16.36, -33.28

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 55 / 63 / 0 / 42

HEX #423794

RGB 66 55 148

HSL 247.1, 0.46%, 0.4%

LAB 29.48, 31.49, -49.82

 

CMYK 67 / 76 / 0 / 36

HEX #3627A4

RGB 54 39 164

HSL 247.2, 0.62%, 0.4%

LAB 26.49, 44.29, -64.52

 

CMYK 77 / 88 / 0 / 29

HEX #2916B5

RGB 41 22 181

HSL 247.17, 0.78%, 0.4%

LAB 24.89, 56.11, -77.42

 

CMYK 85 / 97 / 0 / 23

HEX #1D06C5

RGB 29 6 197

HSL 247.23, 0.94%, 0.4%

LAB 25.02, 64.23, -86.71

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 20 / 23 / 0 / 55

HEX #5C5873

RGB 92 88 115

HSL 248.89, 0.13%, 0.4%

LAB 38.71, 7.82, -14.75

 

CMYK 1 / 0 / 7 / 59

HEX #686962

RGB 104 105 98

HSL 68.57, 0.03%, 0.4%

LAB 44.13, -1.79, 3.79

 

CMYK 3 / 0 / 32 / 53

HEX #757952

RGB 117 121 82

HSL 66.15, 0.19%, 0.4%

LAB 49.58, -8.33, 20.93

 

CMYK 7 / 0 / 53 / 46

HEX #818A41

RGB 129 138 65

HSL 67.4, 0.36%, 0.4%

LAB 55.3, -14.5, 37.54

 

CMYK 45 / 26 / 0 / 49

HEX #486183

RGB 72 97 131

HSL 214.58, 0.29%, 0.4%

LAB 40.52, 0.38, -21.88

 

CMYK 45 / 38 / 0 / 49

HEX #485183

RGB 72 81 131

HSL 230.85, 0.29%, 0.4%

LAB 35.79, 10.5, -29.26

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 27 / 45 / 0 / 49

HEX #5F4883

RGB 95 72 131

HSL 263.39, 0.29%, 0.4%

LAB 35.41, 23.04, -29.72

 

CMYK 16 / 45 / 0 / 49

HEX #6E4883

RGB 110 72 131

HSL 278.64, 0.29%, 0.4%

LAB 37.09, 27.73, -26.96

 

CMYK 40 / 45 / 0 / 69

HEX #2F2B4E

RGB 47 43 78

HSL 246.86, 0.29%, 0.24%

LAB 19.57, 11.63, -20.97

 

CMYK 39 / 45 / 0 / 59

HEX #3F3968

RGB 63 57 104

HSL 247.66, 0.29%, 0.32%

LAB 26.68, 15.23, -26.73

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 40 / 45 / 0 / 38

HEX #5F579E

RGB 95 87 158

HSL 246.76, 0.29%, 0.48%

LAB 40.76, 21.25, -37.63

 

CMYK 33 / 37 / 0 / 31

HEX #766EAF

RGB 118 110 175

HSL 247.38, 0.29%, 0.56%

LAB 49.62, 18.41, -33.55

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 0 / 45 / 15 / 49

HEX #834870

RGB 131 72 112

HSL 319.32, 0.29%, 0.4%

LAB 38.95, 30.94, -12.13

 

CMYK 32 / 0 / 45 / 49

HEX #598348

RGB 89 131 72

HSL 102.71, 0.29%, 0.4%

LAB 50.48, -26.29, 27.32

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 0 / 40 / 45 / 49

HEX #834F48

RGB 131 79 72

HSL 7.12, 0.29%, 0.4%

LAB 39.39, 21.02, 13.4

 

CMYK 45 / 0 / 40 / 49

HEX #48834F

RGB 72 131 79

HSL 127.12, 0.29%, 0.4%

LAB 49.71, -31, 22.27

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 0 / 45 / 15 / 49

HEX #834870

RGB 131 72 112

HSL 319.32, 0.29%, 0.4%

LAB 38.95, 30.94, -12.13

 

CMYK 5 / 0 / 45 / 49

HEX #7C8348

RGB 124 131 72

HSL 67.12, 0.29%, 0.4%

LAB 52.93, -12.15, 30.92

 

CMYK 45 / 0 / 31 / 49

HEX #48835B

RGB 72 131 91

HSL 139.32, 0.29%, 0.4%

LAB 49.94, -28.75, 15.77

 

CMYK 40 / 45 / 0 / 49

HEX #4F4883

RGB 79 72 131

HSL 247.12, 0.29%, 0.4%

LAB 33.85, 18.3, -32.29

 

CMYK 0 / 45 / 27 / 49

HEX #83485F

RGB 131 72 95

HSL 336.61, 0.29%, 0.4%

LAB 38.35, 28.16, -2.41

 

CMYK 5 / 0 / 45 / 49

HEX #7C8348

RGB 124 131 72

HSL 67.12, 0.29%, 0.4%

LAB 52.93, -12.15, 30.92

 

CMYK 45 / 0 / 18 / 49

HEX #48836C

RGB 72 131 108

HSL 156.61, 0.29%, 0.4%

LAB 50.33, -25.04, 6.48

 

Description

Color code: HEX #4F4883 | qconv.com Color code: HEX #4F4883 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 72 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 72 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 45 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 45% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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