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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F5703 it is the complementary color #B0A8FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F5703. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F5703 shade: #545700, #656911, #767B24, #878D37 and #989F4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F5703. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F5703 shade: #4F5703, #3E4500, #2D3300, #1C2100 and #0B0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F5703 shade: #505803, #584903, #583203, #581B03 and #580403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F5703 shade: #505803, #395803, #225803, #0B5803 and #035812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F5703 shade matches the following richer shades: #505803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F5703 shade: #505803, #4A510A, #444912, #3E4219 and #383A20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F5703 shade: #583203, #584803, #515803, #3A5803 and #235803

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F5703 shade: #080800, #2C3001, #505803, #748004 and #98A806

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F5703 shade: #4F5703, #03581B and #3D0358

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F5703 shade: #4F5703, #035158 and #580351

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F5703 shade: #4F5703, #03581B, #0A0358 and #580340

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F5703 shade: #4F5703, #035835, #0A0358 and #580326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

Complementary color

CMYK 30 / 33 / 0 / 1

HEX #B0A8FC

RGB 176 168 252

HSL 245.71, 0.93%, 0.82%

LAB 72.4, 21.16, -40.7

 

CMYK 3 / 0 / 100 / 66

HEX #545700

RGB 84 87 0

HSL 62.07, 1%, 0.17%

LAB 35.4, -11.34, 42.83

 

CMYK 4 / 0 / 84 / 59

HEX #656911

RGB 101 105 17

HSL 62.73, 0.72%, 0.24%

LAB 42.63, -12.64, 44.48

 

CMYK 4 / 0 / 71 / 52

HEX #767B24

RGB 118 123 36

HSL 63.45, 0.55%, 0.31%

LAB 49.67, -13.63, 44.66

 

CMYK 4 / 0 / 61 / 45

HEX #878D37

RGB 135 141 55

HSL 64.19, 0.44%, 0.38%

LAB 56.56, -14.35, 43.95

 

CMYK 4 / 0 / 53 / 38

HEX #989F4A

RGB 152 159 74

HSL 64.94, 0.36%, 0.46%

LAB 63.31, -14.89, 42.91

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 10 / 0 / 100 / 73

HEX #3E4500

RGB 62 69 0

HSL 66.09, 1%, 0.14%

LAB 27.52, -12.02, 35.97

 

CMYK 12 / 0 / 100 / 80

HEX #2D3300

RGB 45 51 0

HSL 67.06, 1%, 0.1%

LAB 19.74, -10.16, 27.67

 

CMYK 15 / 0 / 100 / 87

HEX #1C2100

RGB 28 33 0

HSL 69.09, 1%, 0.06%

LAB 11.52, -8.21, 16.94

 

CMYK 27 / 0 / 100 / 94

HEX #0B0F00

RGB 11 15 0

HSL 76, 1%, 0.03%

LAB 3.73, -3.42, 5.52

 

CMYK 9 / 0 / 97 / 65

HEX #505803

RGB 80 88 3

HSL 65.65, 0.93%, 0.18%

LAB 35.38, -13.77, 41.69

 

CMYK 0 / 17 / 97 / 65

HEX #584903

RGB 88 73 3

HSL 49.41, 0.93%, 0.18%

LAB 31.45, -0.88, 38.99

 

CMYK 0 / 43 / 97 / 65

HEX #583203

RGB 88 50 3

HSL 33.18, 0.93%, 0.18%

LAB 24.84, 13.57, 33.45

 

CMYK 0 / 69 / 97 / 65

HEX #581B03

RGB 88 27 3

HSL 16.94, 0.93%, 0.18%

LAB 19.5, 26.98, 27.81

 

CMYK 0 / 95 / 97 / 65

HEX #580403

RGB 88 4 3

HSL 0.71, 0.93%, 0.18%

LAB 16.35, 35.71, 24.04

 

CMYK 9 / 0 / 97 / 65

HEX #505803

RGB 80 88 3

HSL 65.65, 0.93%, 0.18%

LAB 35.38, -13.77, 41.69

 

CMYK 35 / 0 / 97 / 65

HEX #395803

RGB 57 88 3

HSL 81.88, 0.93%, 0.18%

LAB 33.68, -24.41, 39.61

 

CMYK 61 / 0 / 97 / 65

HEX #225803

RGB 34 88 3

HSL 98.12, 0.93%, 0.18%

LAB 32.54, -32.93, 38.2

 

CMYK 88 / 0 / 97 / 65

HEX #0B5803

RGB 11 88 3

HSL 114.35, 0.93%, 0.18%

LAB 31.94, -38.02, 37.46

 

CMYK 97 / 0 / 80 / 65

HEX #035812

RGB 3 88 18

HSL 130.59, 0.93%, 0.18%

LAB 31.9, -38, 32.22

 

CMYK 9 / 0 / 97 / 65

HEX #505803

RGB 80 88 3

HSL 65.65, 0.93%, 0.18%

LAB 35.38, -13.77, 41.69

 

CMYK 9 / 0 / 97 / 65

HEX #505803

RGB 80 88 3

HSL 65.65, 0.93%, 0.18%

LAB 35.38, -13.77, 41.69

 

CMYK 9 / 0 / 88 / 68

HEX #4A510A

RGB 74 81 10

HSL 65.92, 0.78%, 0.18%

LAB 32.62, -12.47, 36.95

 

CMYK 7 / 0 / 75 / 71

HEX #444912

RGB 68 73 18

HSL 65.45, 0.6%, 0.18%

LAB 29.51, -10.37, 30.72

 

CMYK 6 / 0 / 62 / 74

HEX #3E4219

RGB 62 66 25

HSL 65.85, 0.45%, 0.18%

LAB 26.71, -8.59, 23.98

 

CMYK 3 / 0 / 45 / 77

HEX #383A20

RGB 56 58 32

HSL 64.62, 0.29%, 0.18%

LAB 23.58, -5.76, 15.88

 

CMYK 0 / 43 / 97 / 65

HEX #583203

RGB 88 50 3

HSL 33.18, 0.93%, 0.18%

LAB 24.84, 13.57, 33.45

 

CMYK 0 / 18 / 97 / 65

HEX #584803

RGB 88 72 3

HSL 48.71, 0.93%, 0.18%

LAB 31.15, -0.27, 38.76

 

CMYK 8 / 0 / 97 / 65

HEX #515803

RGB 81 88 3

HSL 64.94, 0.93%, 0.18%

LAB 35.47, -13.28, 41.79

 

CMYK 34 / 0 / 97 / 65

HEX #3A5803

RGB 58 88 3

HSL 81.18, 0.93%, 0.18%

LAB 33.74, -23.98, 39.69

 

CMYK 60 / 0 / 97 / 65

HEX #235803

RGB 35 88 3

HSL 97.41, 0.93%, 0.18%

LAB 32.58, -32.62, 38.25

 

CMYK 0 / 0 / 100 / 97

HEX #080800

RGB 8 8 0

HSL 60, 1%, 0.02%

LAB 2.04, -1.11, 3.03

 

CMYK 8 / 0 / 98 / 81

HEX #2C3001

RGB 44 48 1

HSL 65.11, 0.96%, 0.1%

LAB 18.59, -8.77, 25.91

 

CMYK 9 / 0 / 97 / 65

HEX #505803

RGB 80 88 3

HSL 65.65, 0.93%, 0.18%

LAB 35.38, -13.77, 41.69

 

CMYK 9 / 0 / 97 / 50

HEX #748004

RGB 116 128 4

HSL 65.81, 0.94%, 0.26%

LAB 50.87, -18.39, 54.72

 

CMYK 10 / 0 / 96 / 34

HEX #98A806

RGB 152 168 6

HSL 65.93, 0.93%, 0.34%

LAB 65.51, -22.71, 66.84

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 97 / 0 / 69 / 65

HEX #03581B

RGB 3 88 27

HSL 136.94, 0.93%, 0.18%

LAB 31.98, -36.99, 28.2

 

CMYK 31 / 97 / 0 / 65

HEX #3D0358

RGB 61 3 88

HSL 280.94, 0.93%, 0.18%

LAB 14.18, 39.63, -36.28

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 97 / 8 / 0 / 65

HEX #035158

RGB 3 81 88

HSL 184.94, 0.93%, 0.18%

LAB 30.9, -18.09, -10.14

 

CMYK 0 / 97 / 8 / 65

HEX #580351

RGB 88 3 81

HSL 304.94, 0.93%, 0.18%

LAB 18.95, 43.26, -23.59

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 97 / 0 / 69 / 65

HEX #03581B

RGB 3 88 27

HSL 136.94, 0.93%, 0.18%

LAB 31.98, -36.99, 28.2

 

CMYK 89 / 97 / 0 / 65

HEX #0A0358

RGB 10 3 88

HSL 244.94, 0.93%, 0.18%

LAB 7.54, 34.71, -47.48

 

CMYK 0 / 97 / 27 / 65

HEX #580340

RGB 88 3 64

HSL 316.94, 0.93%, 0.18%

LAB 17.96, 40.73, -13.41

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 97 / 0 / 40 / 65

HEX #035835

RGB 3 88 53

HSL 155.29, 0.93%, 0.18%

LAB 32.38, -32.2, 14.02

 

CMYK 89 / 97 / 0 / 65

HEX #0A0358

RGB 10 3 88

HSL 244.94, 0.93%, 0.18%

LAB 7.54, 34.71, -47.48

 

CMYK 0 / 97 / 57 / 65

HEX #580326

RGB 88 3 38

HSL 335.29, 0.93%, 0.18%

LAB 16.89, 37.85, 3.58

 

Description

Color code: HEX #4F5703 | qconv.com Color code: HEX #4F5703 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 87 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 87 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 97 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 97% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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