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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F5C04 it is the complementary color #B0A3FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F5C04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F5C04 shade: #545C00, #656E12, #768025, #879238 and #98A44B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F5C04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F5C04 shade: #4F5C04, #3E4A00, #2D3800, #1C2600 and #0B1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F5C04 shade: #4F5D03, #5D5203, #5D3A03, #5D2203 and #5D0A03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F5C04 shade: #4F5D03, #375D03, #1F5D03, #075D03 and #035D18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F5C04 shade matches the following richer shades: #4F5D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F5C04 shade: #4F5D03, #4A550B, #444D13, #3F451B and #393D23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F5C04 shade: #5D3903, #5D5103, #515D03, #395D03 and #215D03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F5C04 shade: #0B0D00, #2D3502, #4F5D03, #718405 and #93AC07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F5C04 shade: #4F5C04, #035D21 and #45035D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F5C04 shade: #4F5C04, #03515D and #5D0351

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F5C04 shade: #4F5C04, #035D21, #0F035D and #5D033F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F5C04 shade: #4F5C04, #035D3C, #0F035D and #5D0324

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

Complementary color

CMYK 30 / 35 / 0 / 2

HEX #B0A3FB

RGB 176 163 251

HSL 248.86, 0.92%, 0.81%

LAB 71.14, 23.72, -42.14

 

CMYK 9 / 0 / 100 / 64

HEX #545C00

RGB 84 92 0

HSL 65.22, 1%, 0.18%

LAB 37, -14.16, 44.01

 

CMYK 8 / 0 / 84 / 57

HEX #656E12

RGB 101 110 18

HSL 65.87, 0.72%, 0.25%

LAB 44.18, -15.35, 45.54

 

CMYK 8 / 0 / 71 / 50

HEX #768025

RGB 118 128 37

HSL 66.59, 0.55%, 0.32%

LAB 51.18, -16.25, 45.76

 

CMYK 8 / 0 / 62 / 43

HEX #879238

RGB 135 146 56

HSL 67.33, 0.45%, 0.4%

LAB 58.03, -16.91, 45.1

 

CMYK 7 / 0 / 54 / 36

HEX #98A44B

RGB 152 164 75

HSL 68.09, 0.37%, 0.47%

LAB 64.75, -17.39, 44.09

 

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

CMYK 16 / 0 / 100 / 71

HEX #3E4A00

RGB 62 74 0

HSL 69.73, 1%, 0.15%

LAB 29.21, -14.88, 37.36

 

CMYK 20 / 0 / 100 / 78

HEX #2D3800

RGB 45 56 0

HSL 71.79, 1%, 0.11%

LAB 21.53, -13.14, 29.65

 

CMYK 26 / 0 / 100 / 85

HEX #1C2600

RGB 28 38 0

HSL 75.79, 1%, 0.07%

LAB 13.43, -11.34, 19.53

 

CMYK 45 / 0 / 100 / 92

HEX #0B1400

RGB 11 20 0

HSL 87, 1%, 0.04%

LAB 5.16, -6.35, 7.61

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 0 / 12 / 97 / 64

HEX #5D5203

RGB 93 82 3

HSL 52.67, 0.94%, 0.19%

LAB 34.74, -3.79, 41.73

 

CMYK 0 / 38 / 97 / 64

HEX #5D3A03

RGB 93 58 3

HSL 36.67, 0.94%, 0.19%

LAB 27.74, 11.05, 36.35

 

CMYK 0 / 63 / 97 / 64

HEX #5D2203

RGB 93 34 3

HSL 20.67, 0.94%, 0.19%

LAB 21.86, 25.41, 30.71

 

CMYK 0 / 89 / 97 / 64

HEX #5D0A03

RGB 93 10 3

HSL 4.67, 0.94%, 0.19%

LAB 18.15, 35.54, 26.51

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 41 / 0 / 97 / 64

HEX #375D03

RGB 55 93 3

HSL 85.33, 0.94%, 0.19%

LAB 35.3, -27.64, 40.87

 

CMYK 67 / 0 / 97 / 64

HEX #1F5D03

RGB 31 93 3

HSL 101.33, 0.94%, 0.19%

LAB 34.25, -35.75, 39.58

 

CMYK 92 / 0 / 97 / 64

HEX #075D03

RGB 7 93 3

HSL 117.33, 0.94%, 0.19%

LAB 33.73, -40.18, 38.94

 

CMYK 97 / 0 / 74 / 64

HEX #035D18

RGB 3 93 24

HSL 134, 0.94%, 0.19%

LAB 33.8, -39.07, 31.6

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 13 / 0 / 87 / 67

HEX #4A550B

RGB 74 85 11

HSL 68.92, 0.77%, 0.19%

LAB 33.93, -14.69, 37.8

 

CMYK 12 / 0 / 75 / 70

HEX #444D13

RGB 68 77 19

HSL 69.31, 0.6%, 0.19%

LAB 30.84, -12.63, 31.62

 

CMYK 9 / 0 / 61 / 73

HEX #3F451B

RGB 63 69 27

HSL 68.57, 0.44%, 0.19%

LAB 27.82, -9.69, 24.17

 

CMYK 7 / 0 / 43 / 76

HEX #393D23

RGB 57 61 35

HSL 69.23, 0.27%, 0.19%

LAB 24.73, -6.72, 15.48

 

CMYK 0 / 39 / 97 / 64

HEX #5D3903

RGB 93 57 3

HSL 36, 0.94%, 0.19%

LAB 27.46, 11.68, 36.11

 

CMYK 0 / 13 / 97 / 64

HEX #5D5103

RGB 93 81 3

HSL 52, 0.94%, 0.19%

LAB 34.43, -3.19, 41.5

 

CMYK 13 / 0 / 97 / 64

HEX #515D03

RGB 81 93 3

HSL 68, 0.94%, 0.19%

LAB 37.09, -16.05, 43.06

 

CMYK 39 / 0 / 97 / 64

HEX #395D03

RGB 57 93 3

HSL 84, 0.94%, 0.19%

LAB 35.41, -26.83, 41.01

 

CMYK 65 / 0 / 97 / 64

HEX #215D03

RGB 33 93 3

HSL 100, 0.94%, 0.19%

LAB 34.31, -35.2, 39.66

 

CMYK 15 / 0 / 100 / 95

HEX #0B0D00

RGB 11 13 0

HSL 69.23, 1%, 0.03%

LAB 3.24, -2.43, 4.81

 

CMYK 15 / 0 / 96 / 79

HEX #2D3502

RGB 45 53 2

HSL 69.41, 0.93%, 0.11%

LAB 20.47, -11.22, 27.68

 

CMYK 15 / 0 / 97 / 64

HEX #4F5D03

RGB 79 93 3

HSL 69.33, 0.94%, 0.19%

LAB 36.93, -17, 42.86

 

CMYK 14 / 0 / 96 / 48

HEX #718405

RGB 113 132 5

HSL 68.98, 0.93%, 0.27%

LAB 51.86, -21.79, 55.2

 

CMYK 15 / 0 / 96 / 33

HEX #93AC07

RGB 147 172 7

HSL 69.09, 0.92%, 0.35%

LAB 66.31, -26.81, 67.17

 

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

CMYK 97 / 0 / 65 / 64

HEX #035D21

RGB 3 93 33

HSL 140, 0.94%, 0.19%

LAB 33.89, -37.93, 27.33

 

CMYK 26 / 97 / 0 / 64

HEX #45035D

RGB 69 3 93

HSL 284, 0.94%, 0.19%

LAB 16.11, 41.98, -36.44

 

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

CMYK 97 / 13 / 0 / 64

HEX #03515D

RGB 3 81 93

HSL 188, 0.94%, 0.19%

LAB 31.1, -16.23, -13.02

 

CMYK 0 / 97 / 13 / 64

HEX #5D0351

RGB 93 3 81

HSL 308, 0.94%, 0.19%

LAB 19.99, 44.31, -21.87

 

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

CMYK 97 / 0 / 65 / 64

HEX #035D21

RGB 3 93 33

HSL 140, 0.94%, 0.19%

LAB 33.89, -37.93, 27.33

 

CMYK 84 / 97 / 0 / 64

HEX #0F035D

RGB 15 3 93

HSL 248, 0.94%, 0.19%

LAB 8.63, 36.45, -49.03

 

CMYK 0 / 97 / 32 / 64

HEX #5D033F

RGB 93 3 63

HSL 320, 0.94%, 0.19%

LAB 19.02, 41.79, -10.99

 

CMYK 14 / 0 / 96 / 64

HEX #4F5C04

RGB 79 92 4

HSL 68.86, 0.92%, 0.19%

LAB 36.6, -16.42, 42.31

 

CMYK 97 / 0 / 35 / 64

HEX #035D3C

RGB 3 93 60

HSL 158, 0.94%, 0.19%

LAB 34.34, -32.6, 12.42

 

CMYK 84 / 97 / 0 / 64

HEX #0F035D

RGB 15 3 93

HSL 248, 0.94%, 0.19%

LAB 8.63, 36.45, -49.03

 

CMYK 0 / 97 / 61 / 64

HEX #5D0324

RGB 93 3 36

HSL 338, 0.94%, 0.19%

LAB 18.01, 39.07, 6.77

 

Description

Color code: HEX #4F5C04 | qconv.com Color code: HEX #4F5C04 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 92 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 92 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 96 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 96% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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