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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F64EC it is the complementary color #B09B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F64EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F64EC shade: #5464E7, #6576FA, #7688FF, #879AFF and #98ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F64EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F64EC shade: #4F64EC, #3E52D9, #2D40C6, #1C2EB3 and #0B1CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F64EC shade: #4F64EC, #644FEC, #8F4FEC, #B94FEC and #E34FEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F64EC shade: #4F64EC and #4F4FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F64EC shade matches the following richer shades: #4F64EC and #3F59FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F64EC shade: #4F64EC, #5F70DC, #6E7BCD, #7E87BD and #8E92AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F64EC shade: #4FBAEC, #4F91EC, #4F67EC, #614FEC and #8B4FEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F64EC shade: #162FD3, #2A43E8, #4F64EC, #7485F0 and #9AA6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F64EC shade: #4F64EC, #EC4FE4 and #A5EC4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F64EC shade: #4F64EC, #EC4F67 and #67EC4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F64EC shade: #4F64EC, #EC4FE4, #ECD54F and #4FEC57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F64EC shade: #4F64EC, #EC4FB5, #ECD54F and #4FEC86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

Complementary color

CMYK 0 / 12 / 89 / 31

HEX #B09B13

RGB 176 155 19

HSL 51.97, 0.81%, 0.38%

LAB 63.93, -5.08, 64.5

 

CMYK 64 / 57 / 0 / 9

HEX #5464E7

RGB 84 100 231

HSL 233.47, 0.75%, 0.62%

LAB 47.97, 34.21, -68.39

 

CMYK 60 / 53 / 0 / 2

HEX #6576FA

RGB 101 118 250

HSL 233.15, 0.94%, 0.69%

LAB 54.68, 32.32, -68.08

 

CMYK 54 / 47 / 0 / 0

HEX #7688FF

RGB 118 136 255

HSL 232.12, 1%, 0.73%

LAB 60.5, 26.33, -61.43

 

CMYK 47 / 40 / 0 / 0

HEX #879AFF

RGB 135 154 255

HSL 230.5, 1%, 0.76%

LAB 66.12, 19.46, -52.41

 

CMYK 40 / 33 / 0 / 0

HEX #98ACFF

RGB 152 172 255

HSL 228.35, 1%, 0.8%

LAB 71.83, 13.29, -43.35

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 71 / 62 / 0 / 15

HEX #3E52D9

RGB 62 82 217

HSL 232.26, 0.67%, 0.55%

LAB 41.32, 37.51, -71.32

 

CMYK 77 / 68 / 0 / 22

HEX #2D40C6

RGB 45 64 198

HSL 232.55, 0.63%, 0.48%

LAB 34.6, 40.21, -71.39

 

CMYK 84 / 74 / 0 / 30

HEX #1C2EB3

RGB 28 46 179

HSL 232.85, 0.73%, 0.41%

LAB 28, 43.16, -71.1

 

CMYK 93 / 83 / 0 / 37

HEX #0B1CA0

RGB 11 28 160

HSL 233.15, 0.87%, 0.34%

LAB 21.73, 45.96, -70.05

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 58 / 67 / 0 / 7

HEX #644FEC

RGB 100 79 236

HSL 248.03, 0.81%, 0.62%

LAB 44.74, 50.63, -76.42

 

CMYK 39 / 67 / 0 / 7

HEX #8F4FEC

RGB 143 79 236

HSL 264.46, 0.81%, 0.62%

LAB 48.87, 58.02, -69.52

 

CMYK 22 / 67 / 0 / 7

HEX #B94FEC

RGB 185 79 236

HSL 280.51, 0.81%, 0.62%

LAB 53.99, 66.49, -61

 

CMYK 4 / 67 / 0 / 7

HEX #E34FEC

RGB 227 79 236

HSL 296.56, 0.81%, 0.62%

LAB 59.87, 75.56, -51.26

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEC

RGB 79 79 236

HSL 240, 0.81%, 0.62%

LAB 43.23, 47.75, -78.96

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 75 / 65 / 0 / 1

HEX #3F59FC

RGB 63 89 252

HSL 231.75, 0.97%, 0.62%

LAB 45.95, 45.43, -83.51

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 57 / 49 / 0 / 14

HEX #5F70DC

RGB 95 112 220

HSL 231.84, 0.64%, 0.62%

LAB 50.91, 25.12, -57.4

 

CMYK 46 / 40 / 0 / 20

HEX #6E7BCD

RGB 110 123 205

HSL 231.79, 0.49%, 0.62%

LAB 53.91, 17.02, -44.06

 

CMYK 33 / 29 / 0 / 26

HEX #7E87BD

RGB 126 135 189

HSL 231.43, 0.32%, 0.62%

LAB 57.5, 9.64, -29.27

 

CMYK 18 / 16 / 0 / 32

HEX #8E92AD

RGB 142 146 173

HSL 232.26, 0.16%, 0.62%

LAB 61.07, 4.33, -14.62

 

CMYK 67 / 21 / 0 / 7

HEX #4FBAEC

RGB 79 186 236

HSL 199.11, 0.81%, 0.62%

LAB 71.44, -15.4, -33.92

 

CMYK 67 / 39 / 0 / 7

HEX #4F91EC

RGB 79 145 236

HSL 214.78, 0.81%, 0.62%

LAB 59.86, 7.64, -52.09

 

CMYK 67 / 56 / 0 / 7

HEX #4F67EC

RGB 79 103 236

HSL 230.83, 0.81%, 0.62%

LAB 48.78, 33.31, -69.89

 

CMYK 59 / 67 / 0 / 7

HEX #614FEC

RGB 97 79 236

HSL 246.88, 0.81%, 0.62%

LAB 44.5, 50.18, -76.82

 

CMYK 41 / 67 / 0 / 7

HEX #8B4FEC

RGB 139 79 236

HSL 262.93, 0.81%, 0.62%

LAB 48.43, 57.26, -70.25

 

CMYK 90 / 78 / 0 / 17

HEX #162FD3

RGB 22 47 211

HSL 232.06, 0.81%, 0.46%

LAB 31.59, 53.16, -83.95

 

CMYK 82 / 71 / 0 / 9

HEX #2A43E8

RGB 42 67 232

HSL 232.11, 0.81%, 0.54%

LAB 38.43, 49.97, -84.65

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 52 / 45 / 0 / 6

HEX #7485F0

RGB 116 133 240

HSL 231.77, 0.81%, 0.7%

LAB 58.77, 23.06, -55.93

 

CMYK 37 / 32 / 0 / 4

HEX #9AA6F4

RGB 154 166 244

HSL 232, 0.8%, 0.78%

LAB 69.95, 14.24, -40.31

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 0 / 67 / 3 / 7

HEX #EC4FE4

RGB 236 79 228

HSL 303.06, 0.81%, 0.62%

LAB 60.8, 76.28, -45.22

 

CMYK 30 / 0 / 67 / 7

HEX #A5EC4F

RGB 165 236 79

HSL 87.13, 0.81%, 0.62%

LAB 86.28, -45.7, 66.27

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 0 / 67 / 56 / 7

HEX #EC4F67

RGB 236 79 103

HSL 350.83, 0.81%, 0.62%

LAB 56.49, 61.72, 20.68

 

CMYK 56 / 0 / 67 / 7

HEX #67EC4F

RGB 103 236 79

HSL 110.83, 0.81%, 0.62%

LAB 83.67, -64.54, 62.71

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 0 / 67 / 3 / 7

HEX #EC4FE4

RGB 236 79 228

HSL 303.06, 0.81%, 0.62%

LAB 60.8, 76.28, -45.22

 

CMYK 0 / 10 / 67 / 7

HEX #ECD54F

RGB 236 213 79

HSL 51.21, 0.81%, 0.62%

LAB 84.99, -6.86, 66.46

 

CMYK 67 / 0 / 63 / 7

HEX #4FEC57

RGB 79 236 87

HSL 123.06, 0.81%, 0.62%

LAB 83.09, -68.95, 58.68

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EC

RGB 79 100 236

HSL 231.97, 0.81%, 0.62%

LAB 48.05, 35.15, -71.09

 

CMYK 0 / 67 / 23 / 7

HEX #EC4FB5

RGB 236 79 181

HSL 321.02, 0.81%, 0.62%

LAB 58.75, 69.58, -21.7

 

CMYK 0 / 10 / 67 / 7

HEX #ECD54F

RGB 236 213 79

HSL 51.21, 0.81%, 0.62%

LAB 84.99, -6.86, 66.46

 

CMYK 67 / 0 / 43 / 7

HEX #4FEC86

RGB 79 236 134

HSL 141.02, 0.81%, 0.62%

LAB 83.64, -62.68, 37.71

 

Description

Color code: HEX #4F64EC | qconv.com Color code: HEX #4F64EC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 100 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 100 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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