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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F6251 it is the complementary color #B09DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F6251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F6251 shade: #54624C, #65745F, #768672, #879885 and #98AA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F6251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F6251 shade: #4F6251, #3E503E, #2D3E2B, #1C2C18 and #0B1A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F6251 shade: #4F6351, #52634F, #57634F, #5D634F and #62634F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F6251 shade: #4F6351, #4F6356, #4F635C, #4F6361 and #4F5F63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F6251 shade matches the following richer shades: #4F6351, #407146, #327F3A, #248E2F and #159C23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F6251 shade: #4F6351, #5D545C, #6C4668, #7A3773 and #89297F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F6251 shade: #57634F, #52634F, #4F6351, #4F6356 and #4F635B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F6251 shade: #2A352B, #3D4C3E, #4F6351, #617964 and #749077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F6251 shade: #4F6251, #4F5D63 and #634F55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F6251 shade: #4F6251, #514F63 and #63514F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F6251 shade: #4F6251, #4F5D63, #634F61 and #63554F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F6251 shade: #4F6251, #4F5763, #634F61 and #635B4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

Complementary color

CMYK 0 / 11 / 1 / 31

HEX #B09DAE

RGB 176 157 174

HSL 306.32, 0.11%, 0.65%

LAB 66.82, 10.05, -6.27

 

CMYK 14 / 0 / 22 / 62

HEX #54624C

RGB 84 98 76

HSL 98.18, 0.13%, 0.34%

LAB 39.82, -9.96, 10.77

 

CMYK 13 / 0 / 18 / 55

HEX #65745F

RGB 101 116 95

HSL 102.86, 0.1%, 0.41%

LAB 47.08, -9.9, 9.76

 

CMYK 12 / 0 / 15 / 47

HEX #768672

RGB 118 134 114

HSL 108, 0.08%, 0.49%

LAB 54.15, -9.85, 8.82

 

CMYK 11 / 0 / 13 / 40

HEX #879885

RGB 135 152 133

HSL 113.68, 0.08%, 0.56%

LAB 61.05, -9.81, 7.96

 

CMYK 11 / 0 / 11 / 33

HEX #98AA98

RGB 152 170 152

HSL 120, 0.1%, 0.63%

LAB 67.79, -9.79, 7.15

 

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

CMYK 23 / 0 / 23 / 69

HEX #3E503E

RGB 62 80 62

HSL 120, 0.13%, 0.28%

LAB 32.05, -11.14, 8.35

 

CMYK 27 / 0 / 31 / 76

HEX #2D3E2B

RGB 45 62 43

HSL 113.68, 0.18%, 0.21%

LAB 24.25, -11.36, 9.52

 

CMYK 36 / 0 / 45 / 83

HEX #1C2C18

RGB 28 44 24

HSL 108, 0.29%, 0.13%

LAB 16.08, -11.61, 10.91

 

CMYK 58 / 0 / 81 / 90

HEX #0B1A05

RGB 11 26 5

HSL 102.86, 0.68%, 0.06%

LAB 7.42, -10.05, 8.87

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 17 / 0 / 20 / 61

HEX #52634F

RGB 82 99 79

HSL 111, 0.11%, 0.35%

LAB 40.05, -10.76, 9.26

 

CMYK 12 / 0 / 20 / 61

HEX #57634F

RGB 87 99 79

HSL 96, 0.11%, 0.35%

LAB 40.43, -8.76, 9.85

 

CMYK 6 / 0 / 20 / 61

HEX #5D634F

RGB 93 99 79

HSL 78, 0.11%, 0.35%

LAB 40.92, -6.3, 10.6

 

CMYK 1 / 0 / 20 / 61

HEX #62634F

RGB 98 99 79

HSL 63, 0.11%, 0.35%

LAB 41.35, -4.2, 11.26

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 20 / 0 / 13 / 61

HEX #4F6356

RGB 79 99 86

HSL 141, 0.11%, 0.35%

LAB 40.01, -10.48, 4.9

 

CMYK 20 / 0 / 7 / 61

HEX #4F635C

RGB 79 99 92

HSL 159, 0.11%, 0.35%

LAB 40.18, -9.15, 1.48

 

CMYK 20 / 0 / 2 / 61

HEX #4F6361

RGB 79 99 97

HSL 174, 0.11%, 0.35%

LAB 40.33, -7.98, -1.37

 

CMYK 20 / 4 / 0 / 61

HEX #4F5F63

RGB 79 95 99

HSL 192, 0.11%, 0.35%

LAB 39.15, -5.12, -4.33

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 43 / 0 / 38 / 56

HEX #407146

RGB 64 113 70

HSL 127.35, 0.28%, 0.35%

LAB 43.27, -26.55, 18.82

 

CMYK 61 / 0 / 54 / 50

HEX #327F3A

RGB 50 127 58

HSL 126.23, 0.44%, 0.35%

LAB 47.19, -38.95, 30.33

 

CMYK 75 / 0 / 67 / 44

HEX #248E2F

RGB 36 142 47

HSL 126.23, 0.6%, 0.35%

LAB 51.75, -49.02, 40.88

 

CMYK 87 / 0 / 78 / 39

HEX #159C23

RGB 21 156 35

HSL 126.22, 0.76%, 0.35%

LAB 56.15, -56.7, 50.12

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 0 / 10 / 1 / 64

HEX #5D545C

RGB 93 84 92

HSL 306.67, 0.05%, 0.35%

LAB 36.82, 5.32, -3.31

 

CMYK 0 / 35 / 4 / 58

HEX #6C4668

RGB 108 70 104

HSL 306.32, 0.21%, 0.35%

LAB 35.14, 22.3, -13.2

 

CMYK 0 / 55 / 6 / 52

HEX #7A3773

RGB 122 55 115

HSL 306.27, 0.38%, 0.35%

LAB 34.21, 37.77, -21.4

 

CMYK 0 / 70 / 7 / 46

HEX #89297F

RGB 137 41 127

HSL 306.25, 0.54%, 0.35%

LAB 34.88, 50.55, -27.69

 

CMYK 12 / 0 / 20 / 61

HEX #57634F

RGB 87 99 79

HSL 96, 0.11%, 0.35%

LAB 40.43, -8.76, 9.85

 

CMYK 17 / 0 / 20 / 61

HEX #52634F

RGB 82 99 79

HSL 111, 0.11%, 0.35%

LAB 40.05, -10.76, 9.26

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 20 / 0 / 13 / 61

HEX #4F6356

RGB 79 99 86

HSL 141, 0.11%, 0.35%

LAB 40.01, -10.48, 4.9

 

CMYK 20 / 0 / 8 / 61

HEX #4F635B

RGB 79 99 91

HSL 156, 0.11%, 0.35%

LAB 40.15, -9.38, 2.05

 

CMYK 21 / 0 / 19 / 79

HEX #2A352B

RGB 42 53 43

HSL 125.45, 0.12%, 0.19%

LAB 20.88, -7.07, 4.79

 

CMYK 20 / 0 / 18 / 70

HEX #3D4C3E

RGB 61 76 62

HSL 124, 0.11%, 0.27%

LAB 30.66, -9.17, 6.38

 

CMYK 20 / 0 / 18 / 61

HEX #4F6351

RGB 79 99 81

HSL 126, 0.11%, 0.35%

LAB 39.88, -11.54, 7.77

 

CMYK 20 / 0 / 17 / 53

HEX #617964

RGB 97 121 100

HSL 127.5, 0.11%, 0.43%

LAB 48.43, -13.24, 8.67

 

CMYK 19 / 0 / 17 / 44

HEX #749077

RGB 116 144 119

HSL 126.43, 0.11%, 0.51%

LAB 57.07, -15.06, 10.07

 

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

CMYK 20 / 6 / 0 / 61

HEX #4F5D63

RGB 79 93 99

HSL 198, 0.11%, 0.35%

LAB 38.54, -3.92, -5.24

 

CMYK 0 / 20 / 14 / 61

HEX #634F55

RGB 99 79 85

HSL 342, 0.11%, 0.35%

LAB 35.79, 9.46, -0.36

 

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

CMYK 18 / 20 / 0 / 61

HEX #514F63

RGB 81 79 99

HSL 246, 0.11%, 0.35%

LAB 34.48, 5.49, -11.32

 

CMYK 0 / 18 / 20 / 61

HEX #63514F

RGB 99 81 79

HSL 6, 0.11%, 0.35%

LAB 36.18, 7.12, 3.98

 

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

CMYK 20 / 6 / 0 / 61

HEX #4F5D63

RGB 79 93 99

HSL 198, 0.11%, 0.35%

LAB 38.54, -3.92, -5.24

 

CMYK 0 / 20 / 2 / 61

HEX #634F61

RGB 99 79 97

HSL 306, 0.11%, 0.35%

LAB 36.19, 11.86, -7.31

 

CMYK 0 / 14 / 20 / 61

HEX #63554F

RGB 99 85 79

HSL 18, 0.11%, 0.35%

LAB 37.32, 4.65, 5.61

 

CMYK 19 / 0 / 17 / 62

HEX #4F6251

RGB 79 98 81

HSL 126.32, 0.11%, 0.35%

LAB 39.57, -10.96, 7.32

 

CMYK 20 / 12 / 0 / 61

HEX #4F5763

RGB 79 87 99

HSL 216, 0.11%, 0.35%

LAB 36.7, -0.26, -7.98

 

CMYK 0 / 20 / 2 / 61

HEX #634F61

RGB 99 79 97

HSL 306, 0.11%, 0.35%

LAB 36.19, 11.86, -7.31

 

CMYK 0 / 8 / 20 / 61

HEX #635B4F

RGB 99 91 79

HSL 36, 0.11%, 0.35%

LAB 39.07, 1, 8.09

 

Description

Color code: HEX #4F6251 | qconv.com Color code: HEX #4F6251 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 98 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 98 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 17 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 17% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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