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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F7129 it is the complementary color #B08ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F7129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F7129 shade: #547124, #658337, #76954A, #87A75D and #98B970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F7129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F7129 shade: #4F7129, #3E5F16, #2D4D03, #1C3B00 and #0B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F7129 shade: #4E7028, #617028, #706B28, #705828 and #704428

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F7129 shade: #4E7028, #3B7028, #287029, #28703C and #287050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F7129 shade matches the following richer shades: #4E7028, #4F7C1C, #4F890F and #509503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F7129 shade: #4E7028, #4D6434, #4D5741, #4C4B4D and #4B3E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F7129 shade: #706B28, #627028, #4E7028, #3B7028 and #287028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F7129 shade: #243312, #39521D, #4E7028, #638E33 and #78AD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F7129 shade: #4F7129, #287058 and #70286B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F7129 shade: #4F7129, #284E70 and #70284E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F7129 shade: #4F7129, #287058, #4A2870 and #702840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F7129 shade: #4F7129, #28706E, #4A2870 and #70282A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

Complementary color

CMYK 18 / 34 / 0 / 16

HEX #B08ED6

RGB 176 142 214

HSL 268.33, 0.47%, 0.7%

LAB 64.51, 26.78, -32.13

 

CMYK 26 / 0 / 68 / 56

HEX #547124

RGB 84 113 36

HSL 82.6, 0.52%, 0.29%

LAB 43.98, -23.43, 37.96

 

CMYK 23 / 0 / 58 / 49

HEX #658337

RGB 101 131 55

HSL 83.68, 0.41%, 0.36%

LAB 51.01, -23.69, 37.01

 

CMYK 21 / 0 / 50 / 42

HEX #76954A

RGB 118 149 74

HSL 84.8, 0.34%, 0.44%

LAB 57.89, -23.81, 35.85

 

CMYK 19 / 0 / 44 / 35

HEX #87A75D

RGB 135 167 93

HSL 85.95, 0.3%, 0.51%

LAB 64.63, -23.85, 34.63

 

CMYK 18 / 0 / 39 / 27

HEX #98B970

RGB 152 185 112

HSL 87.12, 0.34%, 0.58%

LAB 71.24, -23.84, 33.44

 

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

CMYK 35 / 0 / 77 / 63

HEX #3E5F16

RGB 62 95 22

HSL 87.12, 0.62%, 0.23%

LAB 36.49, -24.73, 35.87

 

CMYK 42 / 0 / 96 / 70

HEX #2D4D03

RGB 45 77 3

HSL 85.95, 0.93%, 0.16%

LAB 29.09, -24.09, 35.55

 

CMYK 53 / 0 / 100 / 77

HEX #1C3B00

RGB 28 59 0

HSL 91.53, 1%, 0.12%

LAB 21.49, -22.56, 29.27

 

CMYK 73 / 0 / 100 / 84

HEX #0B2900

RGB 11 41 0

HSL 103.9, 1%, 0.08%

LAB 13.57, -20.49, 19.53

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 13 / 0 / 64 / 56

HEX #617028

RGB 97 112 40

HSL 72.5, 0.47%, 0.3%

LAB 44.64, -16.91, 37.08

 

CMYK 0 / 4 / 64 / 56

HEX #706B28

RGB 112 107 40

HSL 55.83, 0.47%, 0.3%

LAB 44.4, -7.26, 37.19

 

CMYK 0 / 21 / 64 / 56

HEX #705828

RGB 112 88 40

HSL 40, 0.47%, 0.3%

LAB 38.86, 3.87, 31.04

 

CMYK 0 / 39 / 64 / 56

HEX #704428

RGB 112 68 40

HSL 23.33, 0.47%, 0.3%

LAB 33.42, 16, 24.67

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 47 / 0 / 64 / 56

HEX #3B7028

RGB 59 112 40

HSL 104.17, 0.47%, 0.3%

LAB 42.26, -32.19, 33.79

 

CMYK 64 / 0 / 63 / 56

HEX #287029

RGB 40 112 41

HSL 120.83, 0.47%, 0.3%

LAB 41.53, -37.71, 32.27

 

CMYK 64 / 0 / 46 / 56

HEX #28703C

RGB 40 112 60

HSL 136.67, 0.47%, 0.3%

LAB 41.79, -34.79, 22.42

 

CMYK 64 / 0 / 29 / 56

HEX #287050

RGB 40 112 80

HSL 153.33, 0.47%, 0.3%

LAB 42.18, -30.6, 11.31

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 36 / 0 / 77 / 51

HEX #4F7C1C

RGB 79 124 28

HSL 88.13, 0.63%, 0.3%

LAB 47.19, -31.36, 44.41

 

CMYK 42 / 0 / 89 / 46

HEX #4F890F

RGB 79 137 15

HSL 88.52, 0.8%, 0.3%

LAB 51.37, -37.77, 52.04

 

CMYK 46 / 0 / 98 / 42

HEX #509503

RGB 80 149 3

HSL 88.36, 0.96%, 0.3%

LAB 55.28, -42.75, 57.41

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 23 / 0 / 48 / 61

HEX #4D6434

RGB 77 100 52

HSL 88.75, 0.32%, 0.3%

LAB 39.48, -17.86, 24.39

 

CMYK 11 / 0 / 25 / 66

HEX #4D5741

RGB 77 87 65

HSL 87.27, 0.14%, 0.3%

LAB 35.55, -8.47, 11.51

 

CMYK 1 / 3 / 0 / 70

HEX #4C4B4D

RGB 76 75 77

HSL 270, 0.01%, 0.3%

LAB 32.04, 0.85, -1.05

 

CMYK 17 / 31 / 0 / 65

HEX #4B3E5A

RGB 75 62 90

HSL 267.86, 0.18%, 0.3%

LAB 28.59, 11.96, -14.63

 

CMYK 0 / 4 / 64 / 56

HEX #706B28

RGB 112 107 40

HSL 55.83, 0.47%, 0.3%

LAB 44.4, -7.26, 37.19

 

CMYK 13 / 0 / 64 / 56

HEX #627028

RGB 98 112 40

HSL 71.67, 0.47%, 0.3%

LAB 44.71, -16.47, 37.19

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 47 / 0 / 64 / 56

HEX #3B7028

RGB 59 112 40

HSL 104.17, 0.47%, 0.3%

LAB 42.26, -32.19, 33.79

 

CMYK 64 / 0 / 64 / 56

HEX #287028

RGB 40 112 40

HSL 120, 0.47%, 0.3%

LAB 41.52, -37.83, 32.75

 

CMYK 29 / 0 / 65 / 80

HEX #243312

RGB 36 51 18

HSL 87.27, 0.48%, 0.14%

LAB 19.17, -13.07, 18.7

 

CMYK 30 / 0 / 65 / 68

HEX #39521D

RGB 57 82 29

HSL 88.3, 0.48%, 0.22%

LAB 31.79, -19.57, 27.5

 

CMYK 30 / 0 / 64 / 56

HEX #4E7028

RGB 78 112 40

HSL 88.33, 0.47%, 0.3%

LAB 43.3, -25.06, 35.24

 

CMYK 30 / 0 / 64 / 44

HEX #638E33

RGB 99 142 51

HSL 88.35, 0.47%, 0.38%

LAB 54.28, -30.25, 42.56

 

CMYK 31 / 0 / 64 / 32

HEX #78AD3E

RGB 120 173 62

HSL 88.65, 0.47%, 0.46%

LAB 65.14, -35.67, 49.9

 

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

CMYK 64 / 0 / 21 / 56

HEX #287058

RGB 40 112 88

HSL 160, 0.47%, 0.3%

LAB 42.38, -28.63, 6.8

 

CMYK 0 / 64 / 4 / 56

HEX #70286B

RGB 112 40 107

HSL 304.17, 0.47%, 0.3%

LAB 29.47, 40.78, -23.83

 

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

CMYK 64 / 30 / 0 / 56

HEX #284E70

RGB 40 78 112

HSL 208.33, 0.47%, 0.3%

LAB 31.97, -2.02, -23.61

 

CMYK 0 / 64 / 30 / 56

HEX #70284E

RGB 112 40 78

HSL 328.33, 0.47%, 0.3%

LAB 28.15, 36.04, -6.97

 

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

CMYK 64 / 0 / 21 / 56

HEX #287058

RGB 40 112 88

HSL 160, 0.47%, 0.3%

LAB 42.38, -28.63, 6.8

 

CMYK 34 / 64 / 0 / 56

HEX #4A2870

RGB 74 40 112

HSL 268.33, 0.47%, 0.3%

LAB 24.14, 31.53, -35.86

 

CMYK 0 / 64 / 43 / 56

HEX #702840

RGB 112 40 64

HSL 340, 0.47%, 0.3%

LAB 27.66, 34.22, 1.62

 

CMYK 30 / 0 / 64 / 56

HEX #4F7129

RGB 79 113 41

HSL 88.33, 0.47%, 0.3%

LAB 43.7, -25.05, 35.21

 

CMYK 64 / 0 / 2 / 56

HEX #28706E

RGB 40 112 110

HSL 178.33, 0.47%, 0.3%

LAB 43.01, -22.45, -5.51

 

CMYK 34 / 64 / 0 / 56

HEX #4A2870

RGB 74 40 112

HSL 268.33, 0.47%, 0.3%

LAB 24.14, 31.53, -35.86

 

CMYK 0 / 64 / 63 / 56

HEX #70282A

RGB 112 40 42

HSL 358.33, 0.47%, 0.3%

LAB 27.1, 32.05, 15.52

 

Description

Color code: HEX #4F7129 | qconv.com Color code: HEX #4F7129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 113 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 113 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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