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Color name
HEX #4F9F21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F9F21 it is the complementary color #B060DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F9F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F9F21 shade: #549F1C, #65B12F, #76C342, #87D555 and #98E768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F9F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F9F21 shade: #4F9F21, #3E8D0E, #2D7B00, #1C6900 and #0B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F9F21 shade: #4FA020, #72A020, #94A020, #A08A20 and #A06820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F9F21 shade: #4FA020, #2DA020, #20A037, #20A059 and #20A07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F9F21 shade matches the following richer shades: #4FA020, #4BB011 and #47C001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F9F21 shade: #4FA020, #539130, #588140, #5C714F and #60625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F9F21 shade: #94A020, #71A020, #4FA020, #2DA020 and #20A036

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F9F21 shade: #2D5C12, #3E7E19, #4FA020, #60C327 and #75D73D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F9F21 shade: #4F9F21, #20A08B and #A02083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F9F21 shade: #4F9F21, #204FA0 and #A0204F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F9F21 shade: #4F9F21, #20A08B, #7120A0 and #A02036

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F9F21 shade: #4F9F21, #208FA0, #7120A0 and #A03220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

Complementary color

CMYK 21 / 57 / 0 / 13

HEX #B060DE

RGB 176 96 222

HSL 278.1, 0.66%, 0.62%

LAB 54.94, 53.54, -51.66

 

CMYK 47 / 0 / 82 / 38

HEX #549F1C

RGB 84 159 28

HSL 94.35, 0.7%, 0.37%

LAB 58.76, -44.64, 55.37

 

CMYK 43 / 0 / 73 / 31

HEX #65B12F

RGB 101 177 47

HSL 95.08, 0.58%, 0.44%

LAB 65.29, -45.26, 55.72

 

CMYK 39 / 0 / 66 / 24

HEX #76C342

RGB 118 195 66

HSL 95.81, 0.52%, 0.51%

LAB 71.74, -45.62, 55.3

 

CMYK 37 / 0 / 60 / 16

HEX #87D555

RGB 135 213 85

HSL 96.56, 0.6%, 0.58%

LAB 78.11, -45.81, 54.49

 

CMYK 34 / 0 / 55 / 9

HEX #98E768

RGB 152 231 104

HSL 97.32, 0.73%, 0.66%

LAB 84.39, -45.88, 53.49

 

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

CMYK 56 / 0 / 90 / 45

HEX #3E8D0E

RGB 62 141 14

HSL 97.32, 0.82%, 0.3%

LAB 51.96, -44.97, 52.47

 

CMYK 63 / 0 / 100 / 52

HEX #2D7B00

RGB 45 123 0

HSL 98.05, 1%, 0.24%

LAB 45.25, -43.4, 49.44

 

CMYK 73 / 0 / 100 / 59

HEX #1C6900

RGB 28 105 0

HSL 104, 1%, 0.21%

LAB 38.46, -41.01, 43.85

 

CMYK 87 / 0 / 100 / 66

HEX #0B5700

RGB 11 87 0

HSL 112.41, 1%, 0.17%

LAB 31.55, -37.88, 38.2

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 29 / 0 / 80 / 37

HEX #72A020

RGB 114 160 32

HSL 81.56, 0.67%, 0.38%

LAB 60.63, -34.03, 56.48

 

CMYK 7 / 0 / 80 / 37

HEX #94A020

RGB 148 160 32

HSL 65.63, 0.67%, 0.38%

LAB 62.96, -19.81, 59.47

 

CMYK 0 / 14 / 80 / 37

HEX #A08A20

RGB 160 138 32

HSL 49.69, 0.67%, 0.38%

LAB 57.8, -2.77, 55.24

 

CMYK 0 / 35 / 80 / 37

HEX #A06820

RGB 160 104 32

HSL 33.75, 0.67%, 0.38%

LAB 48.86, 16.38, 47.03

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 72 / 0 / 80 / 37

HEX #2DA020

RGB 45 160 32

HSL 113.91, 0.67%, 0.38%

LAB 57.85, -54.81, 52.89

 

CMYK 80 / 0 / 66 / 37

HEX #20A037

RGB 32 160 55

HSL 130.78, 0.67%, 0.38%

LAB 57.77, -54.84, 43.96

 

CMYK 80 / 0 / 44 / 37

HEX #20A059

RGB 32 160 89

HSL 146.72, 0.67%, 0.38%

LAB 58.2, -49.8, 27.68

 

CMYK 80 / 0 / 23 / 37

HEX #20A07C

RGB 32 160 124

HSL 163.13, 0.67%, 0.38%

LAB 58.89, -42.15, 9.36

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 57 / 0 / 90 / 31

HEX #4BB011

RGB 75 176 17

HSL 98.11, 0.82%, 0.38%

LAB 63.83, -54.16, 62.19

 

CMYK 63 / 0 / 99 / 25

HEX #47C001

RGB 71 192 1

HSL 98.01, 0.99%, 0.38%

LAB 68.78, -61, 68.28

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 43 / 0 / 67 / 43

HEX #539130

RGB 83 145 48

HSL 98.35, 0.5%, 0.38%

LAB 54.35, -37.75, 43.72

 

CMYK 32 / 0 / 50 / 49

HEX #588140

RGB 88 129 64

HSL 97.85, 0.34%, 0.38%

LAB 49.67, -26.78, 30.6

 

CMYK 19 / 0 / 30 / 56

HEX #5C714F

RGB 92 113 79

HSL 97.06, 0.18%, 0.38%

LAB 45.15, -14.65, 16.4

 

CMYK 2 / 0 / 3 / 62

HEX #60625F

RGB 96 98 95

HSL 100, 0.02%, 0.38%

LAB 41.29, -1.41, 1.43

 

CMYK 7 / 0 / 80 / 37

HEX #94A020

RGB 148 160 32

HSL 65.63, 0.67%, 0.38%

LAB 62.96, -19.81, 59.47

 

CMYK 29 / 0 / 80 / 37

HEX #71A020

RGB 113 160 32

HSL 82.03, 0.67%, 0.38%

LAB 60.57, -34.42, 56.41

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 72 / 0 / 80 / 37

HEX #2DA020

RGB 45 160 32

HSL 113.91, 0.67%, 0.38%

LAB 57.85, -54.81, 52.89

 

CMYK 80 / 0 / 66 / 37

HEX #20A036

RGB 32 160 54

HSL 130.31, 0.67%, 0.38%

LAB 57.77, -54.96, 44.39

 

CMYK 51 / 0 / 80 / 64

HEX #2D5C12

RGB 45 92 18

HSL 98.11, 0.67%, 0.22%

LAB 34.51, -30.14, 35.2

 

CMYK 51 / 0 / 80 / 51

HEX #3E7E19

RGB 62 126 25

HSL 98.02, 0.67%, 0.3%

LAB 47, -38.49, 45

 

CMYK 51 / 0 / 80 / 37

HEX #4FA020

RGB 79 160 32

HSL 97.97, 0.67%, 0.38%

LAB 58.89, -46.4, 54.24

 

CMYK 51 / 0 / 80 / 24

HEX #60C327

RGB 96 195 39

HSL 98.08, 0.67%, 0.46%

LAB 70.64, -54.35, 63.37

 

CMYK 46 / 0 / 72 / 16

HEX #75D73D

RGB 117 215 61

HSL 98.18, 0.66%, 0.54%

LAB 77.71, -54.36, 63.39

 

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 0 / 80 / 18 / 37

HEX #A02083

RGB 160 32 131

HSL 313.59, 0.67%, 0.38%

LAB 38.1, 59.72, -24.83

 

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

CMYK 80 / 51 / 0 / 37

HEX #204FA0

RGB 32 79 160

HSL 217.97, 0.67%, 0.38%

LAB 34.88, 14.66, -48.46

 

CMYK 0 / 80 / 51 / 37

HEX #A0204F

RGB 160 32 79

HSL 337.97, 0.67%, 0.38%

LAB 36.12, 53.84, 5.12

 

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 29 / 80 / 0 / 37

HEX #7120A0

RGB 113 32 160

HSL 277.97, 0.67%, 0.38%

LAB 31.99, 55.11, -52.81

 

CMYK 0 / 80 / 66 / 37

HEX #A02036

RGB 160 32 54

HSL 349.69, 0.67%, 0.38%

LAB 35.54, 52.05, 20.46

 

CMYK 50 / 0 / 79 / 38

HEX #4F9F21

RGB 79 159 33

HSL 98.1, 0.66%, 0.38%

LAB 58.57, -45.95, 53.63

 

CMYK 80 / 11 / 0 / 37

HEX #208FA0

RGB 32 143 160

HSL 187.97, 0.67%, 0.38%

LAB 54.54, -23.67, -17.58

 

CMYK 29 / 80 / 0 / 37

HEX #7120A0

RGB 113 32 160

HSL 277.97, 0.67%, 0.38%

LAB 31.99, 55.11, -52.81

 

CMYK 0 / 69 / 80 / 37

HEX #A03220

RGB 160 50 32

HSL 8.44, 0.67%, 0.38%

LAB 37.59, 44.51, 36.07

 

Description

Color code: HEX #4F9F21 | qconv.com Color code: HEX #4F9F21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 159 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 159 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 79 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 79% 38% C M Y K

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Provide designers and agencies with accurate color values.

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