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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FA58E it is the complementary color #B05A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FA58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FA58E shade: #54A589, #65B79C, #76C9AF, #87DBC2 and #98EDD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FA58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FA58E shade: #4FA58E, #3E937B, #2D8168, #1C6F55 and #0B5D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FA58E shade: #4FA58E, #4FA577, #4FA560, #56A54F and #6DA54F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FA58E shade: #4FA58E, #4FA5A5, #4F8DA5, #4F76A5 and #4F5FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FA58E shade matches the following richer shades: #4FA58E, #3BB997, #27CCA0, #14E0A9 and #00F4B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FA58E shade: #4FA58E, #639185, #777D7B, #8A6972 and #9E5669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FA58E shade: #4FA55F, #4FA576, #4FA58C, #4FA5A3 and #4F8FA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FA58E shade: #346D5E, #428976, #4FA58E, #67B6A1 and #83C3B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FA58E shade: #4FA58E, #4F56A5 and #A56A4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FA58E shade: #4FA58E, #8C4FA5 and #A58C4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FA58E shade: #4FA58E, #4F56A5, #A54F67 and #A59E4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FA58E shade: #4FA58E, #624FA5, #A54F67 and #92A54F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

Complementary color

CMYK 0 / 49 / 36 / 31

HEX #B05A71

RGB 176 90 113

HSL 343.95, 0.35%, 0.52%

LAB 49.17, 37.47, 3.11

 

CMYK 49 / 0 / 17 / 35

HEX #54A589

RGB 84 165 137

HSL 159.26, 0.33%, 0.49%

LAB 62.17, -31.69, 6.94

 

CMYK 45 / 0 / 15 / 28

HEX #65B79C

RGB 101 183 156

HSL 160.24, 0.36%, 0.56%

LAB 68.78, -31.53, 5.98

 

CMYK 41 / 0 / 13 / 21

HEX #76C9AF

RGB 118 201 175

HSL 161.2, 0.43%, 0.63%

LAB 75.28, -31.35, 5.1

 

CMYK 38 / 0 / 11 / 14

HEX #87DBC2

RGB 135 219 194

HSL 162.14, 0.54%, 0.69%

LAB 81.68, -31.16, 4.27

 

CMYK 36 / 0 / 10 / 7

HEX #98EDD5

RGB 152 237 213

HSL 163.06, 0.7%, 0.76%

LAB 87.99, -30.97, 3.5

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 58 / 0 / 16 / 42

HEX #3E937B

RGB 62 147 123

HSL 163.06, 0.41%, 0.41%

LAB 55.4, -31.72, 5.05

 

CMYK 65 / 0 / 19 / 49

HEX #2D8168

RGB 45 129 104

HSL 162.14, 0.48%, 0.34%

LAB 48.58, -31.57, 6.2

 

CMYK 75 / 0 / 23 / 56

HEX #1C6F55

RGB 28 111 85

HSL 161.2, 0.6%, 0.27%

LAB 41.64, -31.16, 7.52

 

CMYK 88 / 0 / 29 / 64

HEX #0B5D42

RGB 11 93 66

HSL 160.24, 0.79%, 0.2%

LAB 34.59, -30.25, 9.09

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 52 / 0 / 28 / 35

HEX #4FA577

RGB 79 165 119

HSL 147.91, 0.35%, 0.48%

LAB 61.57, -36.92, 16.08

 

CMYK 52 / 0 / 42 / 35

HEX #4FA560

RGB 79 165 96

HSL 131.86, 0.35%, 0.48%

LAB 61.15, -41.26, 28.02

 

CMYK 48 / 0 / 52 / 35

HEX #56A54F

RGB 86 165 79

HSL 115.12, 0.35%, 0.48%

LAB 61.18, -41.84, 36.92

 

CMYK 34 / 0 / 52 / 35

HEX #6DA54F

RGB 109 165 79

HSL 99.07, 0.35%, 0.48%

LAB 62.28, -34.3, 38.51

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 52 / 0 / 0 / 35

HEX #4FA5A5

RGB 79 165 165

HSL 180, 0.35%, 0.48%

LAB 62.75, -25.75, -7.94

 

CMYK 52 / 15 / 0 / 35

HEX #4F8DA5

RGB 79 141 165

HSL 196.74, 0.35%, 0.48%

LAB 55.51, -13.14, -18.85

 

CMYK 52 / 28 / 0 / 35

HEX #4F76A5

RGB 79 118 165

HSL 212.79, 0.35%, 0.48%

LAB 48.68, 0.1, -29.39

 

CMYK 52 / 42 / 0 / 35

HEX #4F5FA5

RGB 79 95 165

HSL 228.84, 0.35%, 0.48%

LAB 42.1, 14.32, -39.75

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 68 / 0 / 18 / 27

HEX #3BB997

RGB 59 185 151

HSL 163.81, 0.52%, 0.48%

LAB 67.92, -42.48, 7.32

 

CMYK 81 / 0 / 22 / 20

HEX #27CCA0

RGB 39 204 160

HSL 164, 0.68%, 0.48%

LAB 73.65, -50.67, 10.55

 

CMYK 91 / 0 / 25 / 12

HEX #14E0A9

RGB 20 224 169

HSL 163.82, 0.84%, 0.48%

LAB 79.8, -57.62, 14.44

 

CMYK 100 / 0 / 27 / 4

HEX #00F4B3

RGB 0 244 179

HSL 164.02, 1%, 0.48%

LAB 85.98, -63.38, 17.89

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 32 / 0 / 8 / 43

HEX #639185

RGB 99 145 133

HSL 164.35, 0.19%, 0.48%

LAB 56.68, -18.36, 1.37

 

CMYK 5 / 0 / 2 / 51

HEX #777D7B

RGB 119 125 123

HSL 160, 0.02%, 0.48%

LAB 51.86, -2.64, 0.31

HEX #777D7B

CMYK 0 / 24 / 17 / 46

HEX #8A6972

RGB 138 105 114

HSL 343.64, 0.14%, 0.48%

LAB 47.91, 14.67, 0.08

HEX #8A6972

CMYK 0 / 46 / 34 / 38

HEX #9E5669

RGB 158 86 105

HSL 344.17, 0.3%, 0.48%

LAB 45.56, 31.95, 2.39

HEX #9E5669

CMYK 52 / 0 / 42 / 35

HEX #4FA55F

RGB 79 165 95

HSL 131.16, 0.35%, 0.48%

LAB 61.13, -41.42, 28.53

 

CMYK 52 / 0 / 28 / 35

HEX #4FA576

RGB 79 165 118

HSL 147.21, 0.35%, 0.48%

LAB 61.55, -37.13, 16.61

 

CMYK 52 / 0 / 15 / 35

HEX #4FA58C

RGB 79 165 140

HSL 162.56, 0.35%, 0.48%

LAB 62.05, -32.2, 5.07

 

CMYK 52 / 0 / 1 / 35

HEX #4FA5A3

RGB 79 165 163

HSL 178.6, 0.35%, 0.48%

LAB 62.69, -26.3, -6.91

 

CMYK 52 / 13 / 0 / 35

HEX #4F8FA5

RGB 79 143 165

HSL 195.35, 0.35%, 0.48%

LAB 56.11, -14.23, -17.93

 

CMYK 52 / 0 / 14 / 57

HEX #346D5E

RGB 52 109 94

HSL 164.21, 0.35%, 0.32%

LAB 41.96, -22.74, 2.66

 

CMYK 52 / 0 / 14 / 46

HEX #428976

RGB 66 137 118

HSL 163.94, 0.35%, 0.4%

LAB 52.24, -27.2, 3.39

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 43 / 0 / 12 / 29

HEX #67B6A1

RGB 103 182 161

HSL 164.05, 0.35%, 0.56%

LAB 68.69, -29.38, 3.12

 

CMYK 33 / 0 / 9 / 24

HEX #83C3B2

RGB 131 195 178

HSL 164.06, 0.35%, 0.64%

LAB 74.23, -24.15, 2.04

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 52 / 48 / 0 / 35

HEX #4F56A5

RGB 79 86 165

HSL 235.12, 0.35%, 0.48%

LAB 39.64, 20.05, -43.67

 

CMYK 0 / 36 / 52 / 35

HEX #A56A4F

RGB 165 106 79

HSL 18.84, 0.35%, 0.48%

LAB 50.54, 20.58, 24.86

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 15 / 52 / 0 / 35

HEX #8C4FA5

RGB 140 79 165

HSL 282.56, 0.35%, 0.48%

LAB 44.07, 40.47, -36.26

 

CMYK 0 / 15 / 52 / 35

HEX #A58C4F

RGB 165 140 79

HSL 42.56, 0.35%, 0.48%

LAB 59.27, 1.41, 35.83

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 52 / 48 / 0 / 35

HEX #4F56A5

RGB 79 86 165

HSL 235.12, 0.35%, 0.48%

LAB 39.64, 20.05, -43.67

 

CMYK 0 / 52 / 38 / 35

HEX #A54F67

RGB 165 79 103

HSL 343.26, 0.35%, 0.48%

LAB 45.04, 38.02, 2.99

 

CMYK 0 / 4 / 52 / 35

HEX #A59E4F

RGB 165 158 79

HSL 55.12, 0.35%, 0.48%

LAB 64.18, -8.38, 41.73

 

CMYK 52 / 0 / 14 / 35

HEX #4FA58E

RGB 79 165 142

HSL 163.95, 0.35%, 0.48%

LAB 62.11, -31.72, 4.02

 

CMYK 41 / 52 / 0 / 35

HEX #624FA5

RGB 98 79 165

HSL 253.26, 0.35%, 0.48%

LAB 39.42, 29.05, -43.93

 

CMYK 0 / 52 / 38 / 35

HEX #A54F67

RGB 165 79 103

HSL 343.26, 0.35%, 0.48%

LAB 45.04, 38.02, 2.99

 

CMYK 12 / 0 / 52 / 35

HEX #92A54F

RGB 146 165 79

HSL 73.26, 0.35%, 0.48%

LAB 64.63, -20.01, 41.89

 

Description

Color code: HEX #4FA58E | qconv.com Color code: HEX #4FA58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 165 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 165 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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