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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FAB3E it is the complementary color #B054C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FAB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FAB3E shade: #54AB39, #65BD4C, #76CF5F, #87E172 and #98F385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FAB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FAB3E shade: #4FAB3E, #3E992B, #2D8718, #1C7505 and #0B6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FAB3E shade: #4FAC3E, #6DAC3E, #8AAC3E, #A8AC3E and #AC923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FAB3E shade: #4FAC3E, #3EAC4A, #3EAC68, #3EAC86 and #3EACA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FAB3E shade matches the following richer shades: #4FAC3E, #42BF2B, #35D218 and #28E505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FAB3E shade: #4FAC3E, #5C9951, #698664, #767377 and #83608A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FAB3E shade: #8BAC3E, #6DAC3E, #50AC3E, #3EAC49 and #3EAC66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FAB3E shade: #336F28, #418E33, #4FAC3E, #64C052 and #7FCB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FAB3E shade: #4FAB3E, #3EA8AC and #AC3E7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FAB3E shade: #4FAB3E, #3E50AC and #AC3E50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FAB3E shade: #4FAB3E, #3EA8AC, #9A3EAC and #AC413E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FAB3E shade: #4FAB3E, #3E87AC, #9A3EAC and #AC623E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

Complementary color

CMYK 9 / 56 / 0 / 24

HEX #B054C1

RGB 176 84 193

HSL 290.64, 0.47%, 0.54%

LAB 51.18, 53.51, -41.09

 

CMYK 51 / 0 / 67 / 33

HEX #54AB39

RGB 84 171 57

HSL 105.79, 0.5%, 0.45%

LAB 62.77, -47.37, 48.96

 

CMYK 47 / 0 / 60 / 26

HEX #65BD4C

RGB 101 189 76

HSL 106.73, 0.46%, 0.52%

LAB 69.24, -47.63, 48.02

 

CMYK 43 / 0 / 54 / 19

HEX #76CF5F

RGB 118 207 95

HSL 107.68, 0.54%, 0.59%

LAB 75.64, -47.71, 46.9

 

CMYK 40 / 0 / 49 / 12

HEX #87E172

RGB 135 225 114

HSL 108.65, 0.65%, 0.66%

LAB 81.96, -47.67, 45.71

 

CMYK 37 / 0 / 45 / 5

HEX #98F385

RGB 152 243 133

HSL 109.64, 0.82%, 0.74%

LAB 88.19, -47.56, 44.52

 

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

CMYK 59 / 0 / 72 / 40

HEX #3E992B

RGB 62 153 43

HSL 109.64, 0.56%, 0.38%

LAB 56.07, -47.76, 47.37

 

CMYK 67 / 0 / 82 / 47

HEX #2D8718

RGB 45 135 24

HSL 108.65, 0.7%, 0.31%

LAB 49.44, -46.72, 47.43

 

CMYK 76 / 0 / 96 / 54

HEX #1C7505

RGB 28 117 5

HSL 107.68, 0.92%, 0.24%

LAB 42.73, -44.91, 46.08

 

CMYK 89 / 0 / 100 / 61

HEX #0B6300

RGB 11 99 0

HSL 113.33, 1%, 0.19%

LAB 35.97, -41.82, 41.73

 

CMYK 54 / 0 / 64 / 33

HEX #4FAC3E

RGB 79 172 62

HSL 110.73, 0.47%, 0.46%

LAB 62.94, -48.69, 46.94

 

CMYK 37 / 0 / 64 / 33

HEX #6DAC3E

RGB 109 172 62

HSL 94.36, 0.47%, 0.46%

LAB 64.25, -39.22, 48.75

 

CMYK 20 / 0 / 64 / 33

HEX #8AAC3E

RGB 138 172 62

HSL 78.55, 0.47%, 0.46%

LAB 65.95, -28.22, 51.09

 

CMYK 2 / 0 / 64 / 33

HEX #A8AC3E

RGB 168 172 62

HSL 62.18, 0.47%, 0.46%

LAB 68.15, -15.72, 54.1

 

CMYK 0 / 15 / 64 / 33

HEX #AC923E

RGB 172 146 62

HSL 45.82, 0.47%, 0.46%

LAB 61.37, -0.18, 46.93

 

CMYK 54 / 0 / 64 / 33

HEX #4FAC3E

RGB 79 172 62

HSL 110.73, 0.47%, 0.46%

LAB 62.94, -48.69, 46.94

 

CMYK 64 / 0 / 57 / 33

HEX #3EAC4A

RGB 62 172 74

HSL 126.55, 0.47%, 0.46%

LAB 62.53, -51.48, 40.8

 

CMYK 64 / 0 / 40 / 33

HEX #3EAC68

RGB 62 172 104

HSL 142.91, 0.47%, 0.46%

LAB 62.95, -46.74, 26.02

 

CMYK 64 / 0 / 22 / 33

HEX #3EAC86

RGB 62 172 134

HSL 159.27, 0.47%, 0.46%

LAB 63.55, -40.41, 10.47

 

CMYK 64 / 0 / 5 / 33

HEX #3EACA3

RGB 62 172 163

HSL 175.09, 0.47%, 0.46%

LAB 64.3, -32.98, -4.58

 

CMYK 54 / 0 / 64 / 33

HEX #4FAC3E

RGB 79 172 62

HSL 110.73, 0.47%, 0.46%

LAB 62.94, -48.69, 46.94

 

CMYK 65 / 0 / 77 / 25

HEX #42BF2B

RGB 66 191 43

HSL 110.68, 0.63%, 0.46%

LAB 68.46, -60.27, 59.76

 

CMYK 75 / 0 / 89 / 18

HEX #35D218

RGB 53 210 24

HSL 110.65, 0.79%, 0.46%

LAB 74.14, -69.53, 69.53

 

CMYK 83 / 0 / 98 / 10

HEX #28E505

RGB 40 229 5

HSL 110.63, 0.96%, 0.46%

LAB 79.9, -77.05, 76.56

 

CMYK 54 / 0 / 64 / 33

HEX #4FAC3E

RGB 79 172 62

HSL 110.73, 0.47%, 0.46%

LAB 62.94, -48.69, 46.94

 

CMYK 40 / 0 / 47 / 40

HEX #5C9951

RGB 92 153 81

HSL 110.83, 0.31%, 0.46%

LAB 57.71, -34.39, 31.66

 

CMYK 22 / 0 / 25 / 47

HEX #698664

RGB 105 134 100

HSL 111.18, 0.15%, 0.46%

LAB 52.92, -17.3, 15.02

 

CMYK 1 / 3 / 0 / 53

HEX #767377

RGB 118 115 119

HSL 285, 0.02%, 0.46%

LAB 48.82, 1.96, -1.8

 

CMYK 5 / 30 / 0 / 46

HEX #83608A

RGB 131 96 138

HSL 290, 0.18%, 0.46%

LAB 45.67, 22.01, -17.74

 

CMYK 19 / 0 / 64 / 33

HEX #8BAC3E

RGB 139 172 62

HSL 78, 0.47%, 0.46%

LAB 66.01, -27.82, 51.18

 

CMYK 37 / 0 / 64 / 33

HEX #6DAC3E

RGB 109 172 62

HSL 94.36, 0.47%, 0.46%

LAB 64.25, -39.22, 48.75

 

CMYK 53 / 0 / 64 / 33

HEX #50AC3E

RGB 80 172 62

HSL 110.18, 0.47%, 0.46%

LAB 62.98, -48.42, 46.99

 

CMYK 64 / 0 / 58 / 33

HEX #3EAC49

RGB 62 172 73

HSL 126, 0.47%, 0.46%

LAB 62.52, -51.61, 41.27

 

CMYK 64 / 0 / 41 / 33

HEX #3EAC66

RGB 62 172 102

HSL 141.82, 0.47%, 0.46%

LAB 62.92, -47.11, 27.04

 

CMYK 54 / 0 / 64 / 56

HEX #336F28

RGB 51 111 40

HSL 110.7, 0.47%, 0.3%

LAB 41.57, -34.34, 32.91

 

CMYK 54 / 0 / 64 / 44

HEX #418E33

RGB 65 142 51

HSL 110.77, 0.47%, 0.38%

LAB 52.63, -41.88, 40.27

 

CMYK 54 / 0 / 64 / 33

HEX #4FAC3E

RGB 79 172 62

HSL 110.73, 0.47%, 0.46%

LAB 62.94, -48.69, 46.94

 

CMYK 48 / 0 / 57 / 25

HEX #64C052

RGB 100 192 82

HSL 110.18, 0.47%, 0.54%

LAB 70.19, -48.48, 46.35

 

CMYK 37 / 0 / 44 / 20

HEX #7FCB71

RGB 127 203 113

HSL 110.67, 0.46%, 0.62%

LAB 75.09, -40.88, 37.55

 

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

CMYK 64 / 2 / 0 / 33

HEX #3EA8AC

RGB 62 168 172

HSL 182.18, 0.47%, 0.46%

LAB 63.35, -28.49, -11.02

 

CMYK 0 / 64 / 28 / 33

HEX #AC3E7C

RGB 172 62 124

HSL 326.18, 0.47%, 0.46%

LAB 43.76, 51.15, -11.65

 

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

CMYK 64 / 53 / 0 / 33

HEX #3E50AC

RGB 62 80 172

HSL 230.18, 0.47%, 0.46%

LAB 37.37, 22.87, -51.53

 

CMYK 0 / 64 / 53 / 33

HEX #AC3E50

RGB 172 62 80

HSL 350.18, 0.47%, 0.46%

LAB 42.45, 46.35, 13.67

 

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

CMYK 64 / 2 / 0 / 33

HEX #3EA8AC

RGB 62 168 172

HSL 182.18, 0.47%, 0.46%

LAB 63.35, -28.49, -11.02

 

CMYK 10 / 64 / 0 / 33

HEX #9A3EAC

RGB 154 62 172

HSL 290.18, 0.47%, 0.46%

LAB 43.2, 54.1, -41.65

 

CMYK 0 / 62 / 64 / 33

HEX #AC413E

RGB 172 65 62

HSL 1.64, 0.47%, 0.46%

LAB 42.61, 43.63, 24.92

 

CMYK 54 / 0 / 64 / 33

HEX #4FAB3E

RGB 79 171 62

HSL 110.64, 0.47%, 0.46%

LAB 62.62, -48.31, 46.59

 

CMYK 64 / 22 / 0 / 33

HEX #3E87AC

RGB 62 135 172

HSL 200.18, 0.47%, 0.46%

LAB 53.31, -11.1, -26.31

 

CMYK 10 / 64 / 0 / 33

HEX #9A3EAC

RGB 154 62 172

HSL 290.18, 0.47%, 0.46%

LAB 43.2, 54.1, -41.65

 

CMYK 0 / 43 / 64 / 33

HEX #AC623E

RGB 172 98 62

HSL 19.64, 0.47%, 0.46%

LAB 49.32, 26.61, 33.15

 

Description

Color code: HEX #4FAB3E | qconv.com Color code: HEX #4FAB3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 171 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 171 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 64% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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