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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FBA62 it is the complementary color #B0459D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FBA62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FBA62 shade: #54BA5D, #65CC70, #76DE83, #87F096 and #98FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FBA62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FBA62 shade: #4FBA62, #3EA84F, #2D963C, #1C8429 and #0B7216

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FBA62 shade: #4EBA61, #58BA4E, #75BA4E, #92BA4E and #AFBA4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FBA62 shade: #4EBA61, #4EBA7E, #4EBA9B, #4EBAB9 and #4E9EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FBA62 shade matches the following richer shades: #4EBA61, #3ACE55, #27E248 and #13F53B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FBA62 shade: #4EBA61, #62A66E, #76927B, #8A7F88 and #9D6B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FBA62 shade: #76BA4E, #59BA4E, #4EBA60, #4EBA7D and #4EBA9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FBA62 shade: #338341, #3EA150, #4EBA61, #6CC67C and #8AD196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FBA62 shade: #4FBA62, #4E92BA and #BA4E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FBA62 shade: #4FBA62, #604EBA and #BA604E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FBA62 shade: #4FBA62, #4E92BA, #BA4EA8 and #BA764E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FBA62 shade: #4FBA62, #4E72BA, #BA4EA8 and #BA964E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

Complementary color

CMYK 0 / 61 / 11 / 31

HEX #B0459D

RGB 176 69 157

HSL 310.65, 0.44%, 0.48%

LAB 46.87, 54.07, -26.75

 

CMYK 55 / 0 / 50 / 27

HEX #54BA5D

RGB 84 186 93

HSL 125.29, 0.43%, 0.53%

LAB 67.87, -49.06, 38.13

 

CMYK 50 / 0 / 45 / 20

HEX #65CC70

RGB 101 204 112

HSL 126.41, 0.5%, 0.6%

LAB 74.27, -49.09, 36.78

 

CMYK 47 / 0 / 41 / 13

HEX #76DE83

RGB 118 222 131

HSL 127.5, 0.61%, 0.67%

LAB 80.59, -49, 35.49

 

CMYK 44 / 0 / 38 / 6

HEX #87F096

RGB 135 240 150

HSL 128.57, 0.78%, 0.74%

LAB 86.84, -48.84, 34.25

 

CMYK 40 / 0 / 34 / 0

HEX #98FFA9

RGB 152 255 169

HSL 129.9, 1%, 0.8%

LAB 92.16, -47.36, 31.94

 

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

CMYK 63 / 0 / 53 / 34

HEX #3EA84F

RGB 62 168 79

HSL 129.62, 0.46%, 0.45%

LAB 61.3, -49.29, 36.88

 

CMYK 70 / 0 / 60 / 41

HEX #2D963C

RGB 45 150 60

HSL 128.57, 0.54%, 0.38%

LAB 54.76, -48.68, 38.3

 

CMYK 79 / 0 / 69 / 48

HEX #1C8429

RGB 28 132 41

HSL 127.5, 0.65%, 0.31%

LAB 48.15, -47.5, 39.55

 

CMYK 90 / 0 / 81 / 55

HEX #0B7216

RGB 11 114 22

HSL 126.41, 0.82%, 0.25%

LAB 41.48, -45.39, 40.24

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA61

RGB 78 186 97

HSL 130.56, 0.44%, 0.52%

LAB 67.73, -49.95, 35.9

 

CMYK 53 / 0 / 58 / 27

HEX #58BA4E

RGB 88 186 78

HSL 114.44, 0.44%, 0.52%

LAB 67.83, -49.95, 45.34

 

CMYK 37 / 0 / 58 / 27

HEX #75BA4E

RGB 117 186 78

HSL 98.33, 0.44%, 0.52%

LAB 69.08, -41.01, 47.11

 

CMYK 22 / 0 / 58 / 27

HEX #92BA4E

RGB 146 186 78

HSL 82.22, 0.44%, 0.52%

LAB 70.72, -30.4, 49.42

 

CMYK 6 / 0 / 58 / 27

HEX #AFBA4E

RGB 175 186 78

HSL 66.11, 0.44%, 0.52%

LAB 72.75, -18.73, 52.26

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA61

RGB 78 186 97

HSL 130.56, 0.44%, 0.52%

LAB 67.73, -49.95, 35.9

 

CMYK 58 / 0 / 32 / 27

HEX #4EBA7E

RGB 78 186 126

HSL 146.67, 0.44%, 0.52%

LAB 68.2, -44.87, 21.36

 

CMYK 58 / 0 / 17 / 27

HEX #4EBA9B

RGB 78 186 155

HSL 162.78, 0.44%, 0.52%

LAB 68.83, -38.51, 6.49

 

CMYK 58 / 0 / 1 / 27

HEX #4EBAB9

RGB 78 186 185

HSL 179.44, 0.44%, 0.52%

LAB 69.64, -30.77, -8.79

 

CMYK 58 / 15 / 0 / 27

HEX #4E9EBA

RGB 78 158 186

HSL 195.56, 0.44%, 0.52%

LAB 61.32, -16.25, -21.9

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA61

RGB 78 186 97

HSL 130.56, 0.44%, 0.52%

LAB 67.73, -49.95, 35.9

 

CMYK 72 / 0 / 59 / 19

HEX #3ACE55

RGB 58 206 85

HSL 130.95, 0.6%, 0.52%

LAB 73.35, -62.83, 48.35

 

CMYK 83 / 0 / 68 / 11

HEX #27E248

RGB 39 226 72

HSL 130.59, 0.76%, 0.52%

LAB 79.21, -72.99, 60.26

 

CMYK 92 / 0 / 76 / 4

HEX #13F53B

RGB 19 245 59

HSL 130.62, 0.92%, 0.52%

LAB 84.87, -80.87, 70.5

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA61

RGB 78 186 97

HSL 130.56, 0.44%, 0.52%

LAB 67.73, -49.95, 35.9

 

CMYK 41 / 0 / 34 / 35

HEX #62A66E

RGB 98 166 110

HSL 130.59, 0.28%, 0.52%

LAB 62.5, -33.78, 22.42

 

CMYK 19 / 0 / 16 / 43

HEX #76927B

RGB 118 146 123

HSL 130.71, 0.11%, 0.52%

LAB 57.88, -14.64, 8.97

 

CMYK 0 / 8 / 1 / 46

HEX #8A7F88

RGB 138 127 136

HSL 310.91, 0.04%, 0.52%

LAB 54.41, 5.89, -3.36

 

CMYK 0 / 32 / 6 / 38

HEX #9D6B94

RGB 157 107 148

HSL 310.8, 0.2%, 0.52%

LAB 51.63, 26.71, -14.32

 

CMYK 37 / 0 / 58 / 27

HEX #76BA4E

RGB 118 186 78

HSL 97.78, 0.44%, 0.52%

LAB 69.13, -40.67, 47.18

 

CMYK 52 / 0 / 58 / 27

HEX #59BA4E

RGB 89 186 78

HSL 113.89, 0.44%, 0.52%

LAB 67.87, -49.67, 45.4

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA60

RGB 78 186 96

HSL 130, 0.44%, 0.52%

LAB 67.71, -50.1, 36.39

 

CMYK 58 / 0 / 33 / 27

HEX #4EBA7D

RGB 78 186 125

HSL 146.11, 0.44%, 0.52%

LAB 68.18, -45.06, 21.87

 

CMYK 58 / 0 / 17 / 27

HEX #4EBA9A

RGB 78 186 154

HSL 162.22, 0.44%, 0.52%

LAB 68.8, -38.75, 7.01

 

CMYK 61 / 0 / 50 / 49

HEX #338341

RGB 51 131 65

HSL 130.5, 0.44%, 0.36%

LAB 48.66, -39.28, 28.44

 

CMYK 61 / 0 / 50 / 37

HEX #3EA150

RGB 62 161 80

HSL 130.91, 0.44%, 0.44%

LAB 59.06, -46.43, 33.62

 

CMYK 58 / 0 / 48 / 27

HEX #4EBA61

RGB 78 186 97

HSL 130.56, 0.44%, 0.52%

LAB 67.73, -49.95, 35.9

 

CMYK 45 / 0 / 37 / 22

HEX #6CC67C

RGB 108 198 124

HSL 130.67, 0.44%, 0.6%

LAB 72.91, -42.75, 28.93

 

CMYK 34 / 0 / 28 / 18

HEX #8AD196

RGB 138 209 150

HSL 130.14, 0.44%, 0.68%

LAB 78, -34.29, 22.4

 

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

CMYK 58 / 22 / 0 / 27

HEX #4E92BA

RGB 78 146 186

HSL 202.22, 0.44%, 0.52%

LAB 57.77, -9.68, -27.36

 

CMYK 0 / 58 / 45 / 27

HEX #BA4E67

RGB 186 78 103

HSL 346.11, 0.44%, 0.52%

LAB 48.09, 45.89, 7.79

 

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

CMYK 48 / 58 / 0 / 27

HEX #604EBA

RGB 96 78 186

HSL 250, 0.44%, 0.52%

LAB 40.38, 35.41, -54.8

 

CMYK 0 / 48 / 58 / 27

HEX #BA604E

RGB 186 96 78

HSL 10, 0.44%, 0.52%

LAB 51.1, 34.55, 26.73

 

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

CMYK 58 / 22 / 0 / 27

HEX #4E92BA

RGB 78 146 186

HSL 202.22, 0.44%, 0.52%

LAB 57.77, -9.68, -27.36

 

CMYK 0 / 58 / 10 / 27

HEX #BA4EA8

RGB 186 78 168

HSL 310, 0.44%, 0.52%

LAB 50.35, 54.59, -27.73

 

CMYK 0 / 37 / 58 / 27

HEX #BA764E

RGB 186 118 78

HSL 22.22, 0.44%, 0.52%

LAB 56.03, 22.61, 32.92

 

CMYK 58 / 0 / 47 / 27

HEX #4FBA62

RGB 79 186 98

HSL 130.65, 0.44%, 0.52%

LAB 67.77, -49.56, 35.46

 

CMYK 58 / 39 / 0 / 27

HEX #4E72BA

RGB 78 114 186

HSL 220, 0.44%, 0.52%

LAB 48.51, 9.19, -41.86

 

CMYK 0 / 58 / 10 / 27

HEX #BA4EA8

RGB 186 78 168

HSL 310, 0.44%, 0.52%

LAB 50.35, 54.59, -27.73

 

CMYK 0 / 19 / 58 / 27

HEX #BA964E

RGB 186 150 78

HSL 40, 0.44%, 0.52%

LAB 64, 4.92, 42.51

 

Description

Color code: HEX #4FBA62 | qconv.com Color code: HEX #4FBA62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 186 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 186 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 47 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 47% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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