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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC4BC it is the complementary color #B03B43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC4BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC4BC shade: #54C4B7, #65D6CA, #76E8DD, #87FAF0 and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC4BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC4BC shade: #4FC4BC, #3EB2A9, #2DA096, #1C8E83 and #0B7C70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC4BC shade: #4FC4BC, #4FC49C, #4FC47D, #4FC45D and #60C44F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC4BC shade: #4FC4BC, #4FACC4, #4F8DC4, #4F6DC4 and #4F4FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC4BC shade matches the following richer shades: #4FC4BC, #3CD7CC, #29EADD and #16FDED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC4BC shade: #4FC4BC, #62B1AB, #759E9B, #878B8B and #9A787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC4BC shade: #4FC47C, #4FC49B, #4FC4BA, #4FAEC4 and #4F8FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC4BC shade: #30908A, #3AAFA7, #4FC4BC, #6DCEC8 and #8CD8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC4BC shade: #4FC4BC, #5C4FC4 and #C48B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC4BC shade: #4FC4BC, #BA4FC4 and #C4BA4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC4BC shade: #4FC4BC, #5C4FC4, #C44F58 and #B6C44F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC4BC shade: #4FC4BC, #7F4FC4, #C44F58 and #93C44F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

Complementary color

CMYK 0 / 66 / 62 / 31

HEX #B03B43

RGB 176 59 67

HSL 355.9, 0.5%, 0.46%

LAB 42.4, 48.02, 21.76

 

CMYK 57 / 0 / 7 / 23

HEX #54C4B7

RGB 84 196 183

HSL 173.04, 0.49%, 0.55%

LAB 72.75, -34.91, -3.07

 

CMYK 53 / 0 / 6 / 16

HEX #65D6CA

RGB 101 214 202

HSL 173.63, 0.58%, 0.62%

LAB 79.11, -35.04, -3.9

 

CMYK 49 / 0 / 5 / 9

HEX #76E8DD

RGB 118 232 221

HSL 174.21, 0.71%, 0.69%

LAB 85.4, -35.1, -4.66

 

CMYK 46 / 0 / 4 / 2

HEX #87FAF0

RGB 135 250 240

HSL 174.78, 0.92%, 0.75%

LAB 91.6, -35.11, -5.38

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 65 / 0 / 5 / 30

HEX #3EB2A9

RGB 62 178 169

HSL 175.34, 0.48%, 0.47%

LAB 66.31, -34.14, -4.94

 

CMYK 72 / 0 / 6 / 37

HEX #2DA096

RGB 45 160 150

HSL 174.78, 0.56%, 0.4%

LAB 59.8, -33.56, -3.97

 

CMYK 80 / 0 / 8 / 44

HEX #1C8E83

RGB 28 142 131

HSL 174.21, 0.67%, 0.33%

LAB 53.2, -32.67, -2.86

 

CMYK 91 / 0 / 10 / 51

HEX #0B7C70

RGB 11 124 112

HSL 173.63, 0.84%, 0.26%

LAB 46.52, -31.33, -1.58

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 60 / 0 / 20 / 23

HEX #4FC49C

RGB 79 196 156

HSL 159.49, 0.5%, 0.54%

LAB 71.92, -42.5, 10.37

 

CMYK 60 / 0 / 36 / 23

HEX #4FC47D

RGB 79 196 125

HSL 143.59, 0.5%, 0.54%

LAB 71.3, -48.96, 26.08

 

CMYK 60 / 0 / 53 / 23

HEX #4FC45D

RGB 79 196 93

HSL 127.18, 0.5%, 0.54%

LAB 70.82, -54.14, 41.72

 

CMYK 51 / 0 / 60 / 23

HEX #60C44F

RGB 96 196 79

HSL 111.28, 0.5%, 0.54%

LAB 71.24, -51.54, 48.89

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 60 / 12 / 0 / 23

HEX #4FACC4

RGB 79 172 196

HSL 192.31, 0.5%, 0.54%

LAB 65.87, -20.42, -20.54

 

CMYK 60 / 28 / 0 / 23

HEX #4F8DC4

RGB 79 141 196

HSL 208.21, 0.5%, 0.54%

LAB 56.78, -3.43, -34.56

 

CMYK 60 / 44 / 0 / 23

HEX #4F6DC4

RGB 79 109 196

HSL 224.62, 0.5%, 0.54%

LAB 47.73, 15.87, -48.86

 

CMYK 60 / 60 / 0 / 23

HEX #4F4FC4

RGB 79 79 196

HSL 240, 0.5%, 0.54%

LAB 39.98, 34.69, -61.35

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 72 / 0 / 5 / 16

HEX #3CD7CC

RGB 60 215 204

HSL 175.74, 0.66%, 0.54%

LAB 78.42, -41.67, -6.12

 

CMYK 82 / 0 / 6 / 8

HEX #29EADD

RGB 41 234 221

HSL 175.96, 0.82%, 0.54%

LAB 84.24, -47.1, -6.56

 

CMYK 91 / 0 / 6 / 1

HEX #16FDED

RGB 22 253 237

HSL 175.84, 0.98%, 0.54%

LAB 90.11, -51.74, -6.28

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 45 / 0 / 3 / 31

HEX #62B1AB

RGB 98 177 171

HSL 175.44, 0.34%, 0.54%

LAB 67.26, -25.76, -4.51

 

CMYK 26 / 0 / 2 / 38

HEX #759E9B

RGB 117 158 155

HSL 175.61, 0.17%, 0.54%

LAB 62.17, -14.55, -2.97

 

CMYK 3 / 0 / 0 / 45

HEX #878B8B

RGB 135 139 139

HSL 180, 0.02%, 0.54%

LAB 57.54, -1.46, -0.52

 

CMYK 0 / 22 / 21 / 40

HEX #9A787A

RGB 154 120 122

HSL 356.47, 0.14%, 0.54%

LAB 53.72, 13.57, 3.99

 

CMYK 60 / 0 / 37 / 23

HEX #4FC47C

RGB 79 196 124

HSL 143.08, 0.5%, 0.54%

LAB 71.28, -49.15, 26.58

 

CMYK 60 / 0 / 21 / 23

HEX #4FC49B

RGB 79 196 155

HSL 158.97, 0.5%, 0.54%

LAB 71.9, -42.73, 10.88

 

CMYK 60 / 0 / 5 / 23

HEX #4FC4BA

RGB 79 196 186

HSL 174.87, 0.5%, 0.54%

LAB 72.69, -35.06, -4.82

 

CMYK 60 / 11 / 0 / 23

HEX #4FAEC4

RGB 79 174 196

HSL 191.28, 0.5%, 0.54%

LAB 66.46, -21.45, -19.64

 

CMYK 60 / 27 / 0 / 23

HEX #4F8FC4

RGB 79 143 196

HSL 207.18, 0.5%, 0.54%

LAB 57.36, -4.58, -33.66

 

CMYK 67 / 0 / 4 / 44

HEX #30908A

RGB 48 144 138

HSL 176.25, 0.5%, 0.38%

LAB 54.46, -28.9, -5

 

CMYK 67 / 0 / 5 / 31

HEX #3AAFA7

RGB 58 175 167

HSL 175.9, 0.5%, 0.46%

LAB 65.24, -33.92, -5.43

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 47 / 0 / 3 / 19

HEX #6DCEC8

RGB 109 206 200

HSL 176.29, 0.5%, 0.62%

LAB 77.02, -30.03, -5.88

 

CMYK 35 / 0 / 2 / 15

HEX #8CD8D3

RGB 140 216 211

HSL 176.05, 0.49%, 0.7%

LAB 81.51, -24.53, -5

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 53 / 60 / 0 / 23

HEX #5C4FC4

RGB 92 79 196

HSL 246.67, 0.5%, 0.54%

LAB 40.98, 37.06, -59.68

 

CMYK 0 / 29 / 60 / 23

HEX #C48B4F

RGB 196 139 79

HSL 30.77, 0.5%, 0.54%

LAB 62.31, 15.33, 40.27

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 5 / 60 / 0 / 23

HEX #BA4FC4

RGB 186 79 196

HSL 294.87, 0.5%, 0.54%

LAB 51.86, 58.97, -41.66

 

CMYK 0 / 5 / 60 / 23

HEX #C4BA4F

RGB 196 186 79

HSL 54.87, 0.5%, 0.54%

LAB 74.46, -9.86, 54.18

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 53 / 60 / 0 / 23

HEX #5C4FC4

RGB 92 79 196

HSL 246.67, 0.5%, 0.54%

LAB 40.98, 37.06, -59.68

 

CMYK 0 / 60 / 55 / 23

HEX #C44F58

RGB 196 79 88

HSL 355.38, 0.5%, 0.54%

LAB 49.54, 47.51, 19.08

 

CMYK 7 / 0 / 60 / 23

HEX #B6C44F

RGB 182 196 79

HSL 67.18, 0.5%, 0.54%

LAB 76.06, -20.75, 55.63

 

CMYK 60 / 0 / 4 / 23

HEX #4FC4BC

RGB 79 196 188

HSL 175.9, 0.5%, 0.54%

LAB 72.74, -34.52, -5.82

 

CMYK 35 / 60 / 0 / 23

HEX #7F4FC4

RGB 127 79 196

HSL 264.62, 0.5%, 0.54%

LAB 44.36, 44.53, -54.05

 

CMYK 0 / 60 / 55 / 23

HEX #C44F58

RGB 196 79 88

HSL 355.38, 0.5%, 0.54%

LAB 49.54, 47.51, 19.08

 

CMYK 25 / 0 / 60 / 23

HEX #93C44F

RGB 147 196 79

HSL 85.13, 0.5%, 0.54%

LAB 73.71, -34.59, 52.36

 

Description

Color code: HEX #4FC4BC | qconv.com Color code: HEX #4FC4BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 196 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 196 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 4 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 4% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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