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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC728 it is the complementary color #B038D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC728 shade: #54C723, #65D936, #76EB49, #87FD5C and #98FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC728 shade: #4FC728, #3EB515, #2DA302, #1C9100 and #0B7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC728 shade: #4EC827, #7AC827, #A5C827, #C8BF27 and #C89427

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC728 shade: #4EC827, #27C82B, #27C856, #27C882 and #27C8AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC728 shade matches the following richer shades: #4EC827, #45DB14 and #3BEE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC728 shade: #4EC827, #58B43A, #62A14E, #6C8D61 and #767A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC728 shade: #A5C827, #7AC827, #4FC827, #27C82A and #27C855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC728 shade: #338319, #41A520, #4EC827, #65D93F and #81E062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC728 shade: #4FC728, #27C8C0 and #C8278F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC728 shade: #4FC728, #274FC8 and #C8274F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC728 shade: #4FC728, #27C8C0, #9F27C8 and #C8272F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC728 shade: #4FC728, #279FC8, #9F27C8 and #C84F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

Complementary color

CMYK 18 / 74 / 0 / 16

HEX #B038D7

RGB 176 56 215

HSL 285.28, 0.67%, 0.53%

LAB 48.22, 69.53, -58.46

 

CMYK 58 / 0 / 82 / 22

HEX #54C723

RGB 84 199 35

HSL 102.07, 0.7%, 0.46%

LAB 71.46, -59.26, 65.05

 

CMYK 53 / 0 / 75 / 15

HEX #65D936

RGB 101 217 54

HSL 102.7, 0.68%, 0.53%

LAB 77.67, -60.16, 65.54

 

CMYK 50 / 0 / 69 / 8

HEX #76EB49

RGB 118 235 73

HSL 103.33, 0.8%, 0.6%

LAB 83.84, -60.75, 65.32

 

CMYK 47 / 0 / 64 / 1

HEX #87FD5C

RGB 135 253 92

HSL 103.98, 0.98%, 0.68%

LAB 89.94, -61.11, 64.68

 

CMYK 40 / 0 / 56 / 0

HEX #98FF6F

RGB 152 255 111

HSL 102.92, 1%, 0.72%

LAB 91.39, -55.06, 58.53

 

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

CMYK 66 / 0 / 88 / 29

HEX #3EB515

RGB 62 181 21

HSL 104.63, 0.79%, 0.4%

LAB 65.06, -58.88, 62.35

 

CMYK 72 / 0 / 99 / 36

HEX #2DA302

RGB 45 163 2

HSL 103.98, 0.98%, 0.32%

LAB 58.75, -56.94, 59.86

 

CMYK 81 / 0 / 100 / 43

HEX #1C9100

RGB 28 145 0

HSL 108.41, 1%, 0.28%

LAB 52.4, -54.1, 54.96

 

CMYK 91 / 0 / 100 / 50

HEX #0B7F00

RGB 11 127 0

HSL 114.8, 1%, 0.25%

LAB 45.97, -50.53, 49.73

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 39 / 0 / 81 / 22

HEX #7AC827

RGB 122 200 39

HSL 89.07, 0.67%, 0.47%

LAB 73.28, -48.04, 66.21

 

CMYK 18 / 0 / 81 / 22

HEX #A5C827

RGB 165 200 39

HSL 73.04, 0.67%, 0.47%

LAB 75.73, -31.85, 69.33

 

CMYK 0 / 5 / 81 / 22

HEX #C8BF27

RGB 200 191 39

HSL 56.65, 0.67%, 0.47%

LAB 75.88, -12.73, 70.48

 

CMYK 0 / 26 / 81 / 22

HEX #C89427

RGB 200 148 39

HSL 40.62, 0.67%, 0.47%

LAB 64.65, 9.99, 60.59

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 81 / 0 / 79 / 22

HEX #27C82B

RGB 39 200 43

HSL 121.49, 0.67%, 0.47%

LAB 70.81, -67.53, 61.85

 

CMYK 81 / 0 / 57 / 22

HEX #27C856

RGB 39 200 86

HSL 137.52, 0.67%, 0.47%

LAB 71.15, -63.32, 45.24

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 81 / 0 / 14 / 22

HEX #27C8AD

RGB 39 200 173

HSL 169.94, 0.67%, 0.47%

LAB 72.73, -45.73, 2.22

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 68 / 0 / 91 / 14

HEX #45DB14

RGB 69 219 20

HSL 105.23, 0.83%, 0.47%

LAB 77.27, -69.67, 72.97

 

CMYK 75 / 0 / 100 / 7

HEX #3BEE00

RGB 59 238 0

HSL 105.13, 1%, 0.47%

LAB 82.96, -77.33, 79.55

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 51 / 0 / 68 / 29

HEX #58B43A

RGB 88 180 58

HSL 105.25, 0.51%, 0.47%

LAB 65.77, -49.65, 51.8

 

CMYK 39 / 0 / 52 / 37

HEX #62A14E

RGB 98 161 78

HSL 105.54, 0.35%, 0.47%

LAB 60.46, -36.41, 36.67

 

CMYK 23 / 0 / 31 / 45

HEX #6C8D61

RGB 108 141 97

HSL 105, 0.18%, 0.47%

LAB 55.18, -20.37, 19.82

 

CMYK 3 / 0 / 4 / 52

HEX #767A75

RGB 118 122 117

HSL 108, 0.02%, 0.47%

LAB 50.75, -2.51, 2.21

 

CMYK 18 / 0 / 81 / 22

HEX #A5C827

RGB 165 200 39

HSL 73.04, 0.67%, 0.47%

LAB 75.73, -31.85, 69.33

 

CMYK 39 / 0 / 81 / 22

HEX #7AC827

RGB 122 200 39

HSL 89.07, 0.67%, 0.47%

LAB 73.28, -48.04, 66.21

 

CMYK 61 / 0 / 81 / 22

HEX #4FC827

RGB 79 200 39

HSL 105.09, 0.67%, 0.47%

LAB 71.63, -60.63, 64.09

 

CMYK 81 / 0 / 79 / 22

HEX #27C82A

RGB 39 200 42

HSL 121.12, 0.67%, 0.47%

LAB 70.81, -67.6, 62.15

 

CMYK 81 / 0 / 58 / 22

HEX #27C855

RGB 39 200 85

HSL 137.14, 0.67%, 0.47%

LAB 71.14, -63.45, 45.69

 

CMYK 61 / 0 / 81 / 49

HEX #338319

RGB 51 131 25

HSL 105.28, 0.68%, 0.31%

LAB 48.27, -43.71, 46.07

 

CMYK 61 / 0 / 81 / 35

HEX #41A520

RGB 65 165 32

HSL 105.11, 0.68%, 0.39%

LAB 60.01, -52.17, 55.12

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 53 / 0 / 71 / 15

HEX #65D93F

RGB 101 217 63

HSL 105.19, 0.67%, 0.55%

LAB 77.73, -59.54, 62.5

 

CMYK 42 / 0 / 56 / 12

HEX #81E062

RGB 129 224 98

HSL 105.24, 0.67%, 0.63%

LAB 81.21, -50.97, 52.21

 

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

CMYK 81 / 0 / 4 / 22

HEX #27C8C0

RGB 39 200 192

HSL 177.02, 0.67%, 0.47%

LAB 73.25, -40.5, -7.33

 

CMYK 0 / 81 / 29 / 22

HEX #C8278F

RGB 200 39 143

HSL 321.24, 0.67%, 0.47%

LAB 46.6, 68.73, -18.44

 

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

CMYK 81 / 61 / 0 / 22

HEX #274FC8

RGB 39 79 200

HSL 225.09, 0.67%, 0.47%

LAB 38.19, 30.86, -66.69

 

CMYK 0 / 81 / 61 / 22

HEX #C8274F

RGB 200 39 79

HSL 345.09, 0.67%, 0.47%

LAB 44.65, 62.96, 18.14

 

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

CMYK 81 / 0 / 4 / 22

HEX #27C8C0

RGB 39 200 192

HSL 177.02, 0.67%, 0.47%

LAB 73.25, -40.5, -7.33

 

CMYK 21 / 81 / 0 / 22

HEX #9F27C8

RGB 159 39 200

HSL 284.72, 0.67%, 0.47%

LAB 42.75, 69.03, -58.76

 

CMYK 0 / 81 / 77 / 22

HEX #C8272F

RGB 200 39 47

HSL 357.02, 0.67%, 0.47%

LAB 44.14, 61.38, 36.88

 

CMYK 60 / 0 / 80 / 22

HEX #4FC728

RGB 79 199 40

HSL 105.28, 0.67%, 0.47%

LAB 71.33, -60.24, 63.52

 

CMYK 81 / 21 / 0 / 22

HEX #279FC8

RGB 39 159 200

HSL 195.28, 0.67%, 0.47%

LAB 61.13, -17.93, -30.13

 

CMYK 21 / 81 / 0 / 22

HEX #9F27C8

RGB 159 39 200

HSL 284.72, 0.67%, 0.47%

LAB 42.75, 69.03, -58.76

 

CMYK 0 / 61 / 81 / 22

HEX #C84F27

RGB 200 79 39

HSL 14.91, 0.67%, 0.47%

LAB 49.52, 46.21, 46.61

 

Description

Color code: HEX #4FC728 | qconv.com Color code: HEX #4FC728 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 199 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 199 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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