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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC92A it is the complementary color #B036D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC92A shade: #54C925, #65DB38, #76ED4B, #87FF5E and #98FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC92A shade: #4FC92A, #3EB717, #2DA504, #1C9300 and #0B8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC92A shade: #4FC92A, #7AC92A, #A5C92A, #C9C32A and #C9982A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC92A shade: #4FC92A, #2AC930, #2AC95B, #2AC986 and #2AC9B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC92A shade matches the following richer shades: #4FC92A, #45DD17 and #3AF103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC92A shade: #4FC92A, #5AB63E, #65A252, #6F8E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC92A shade: #A4C92A, #7AC92A, #4FC92A, #2AC930 and #2AC95A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC92A shade: #34851C, #42A723, #4FC92A, #68D746 and #83DF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC92A shade: #4FC92A, #2AC9C4 and #C92A8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC92A shade: #4FC92A, #2A4FC9 and #C92A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC92A shade: #4FC92A, #2AC9C4, #A42AC9 and #C92A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC92A shade: #4FC92A, #2A9FC9, #A42AC9 and #C9552A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

Complementary color

CMYK 17 / 75 / 0 / 16

HEX #B036D5

RGB 176 54 213

HSL 286.04, 0.65%, 0.52%

LAB 47.84, 69.84, -57.91

 

CMYK 58 / 0 / 82 / 21

HEX #54C925

RGB 84 201 37

HSL 102.8, 0.69%, 0.47%

LAB 72.09, -59.86, 65.11

 

CMYK 54 / 0 / 74 / 14

HEX #65DB38

RGB 101 219 56

HSL 103.44, 0.69%, 0.54%

LAB 78.3, -60.75, 65.49

 

CMYK 50 / 0 / 68 / 7

HEX #76ED4B

RGB 118 237 75

HSL 104.07, 0.82%, 0.61%

LAB 84.45, -61.33, 65.21

 

CMYK 47 / 0 / 63 / 0

HEX #87FF5E

RGB 135 255 94

HSL 104.72, 1%, 0.68%

LAB 90.54, -61.69, 64.54

 

CMYK 40 / 0 / 56 / 0

HEX #98FF71

RGB 152 255 113

HSL 103.52, 1%, 0.72%

LAB 91.41, -54.85, 57.67

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 66 / 0 / 87 / 28

HEX #3EB717

RGB 62 183 23

HSL 105.38, 0.78%, 0.4%

LAB 65.71, -59.47, 62.51

 

CMYK 73 / 0 / 98 / 35

HEX #2DA504

RGB 45 165 4

HSL 104.72, 0.95%, 0.33%

LAB 59.41, -57.53, 60.11

 

CMYK 81 / 0 / 100 / 42

HEX #1C9300

RGB 28 147 0

HSL 108.57, 1%, 0.29%

LAB 53.07, -54.72, 55.5

 

CMYK 91 / 0 / 100 / 49

HEX #0B8100

RGB 11 129 0

HSL 114.88, 1%, 0.25%

LAB 46.67, -51.13, 50.29

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 39 / 0 / 79 / 21

HEX #7AC92A

RGB 122 201 42

HSL 89.81, 0.65%, 0.48%

LAB 73.6, -48.31, 65.65

 

CMYK 18 / 0 / 79 / 21

HEX #A5C92A

RGB 165 201 42

HSL 73.58, 0.65%, 0.48%

LAB 76.03, -32.2, 68.78

 

CMYK 0 / 3 / 79 / 21

HEX #C9C32A

RGB 201 195 42

HSL 57.74, 0.65%, 0.48%

LAB 77.05, -14.23, 70.7

 

CMYK 0 / 24 / 79 / 21

HEX #C9982A

RGB 201 152 42

HSL 41.51, 0.65%, 0.48%

LAB 65.78, 8.37, 60.61

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 0 / 76 / 21

HEX #2AC930

RGB 42 201 48

HSL 122.26, 0.65%, 0.48%

LAB 71.2, -67.13, 60.67

 

CMYK 79 / 0 / 55 / 21

HEX #2AC95B

RGB 42 201 91

HSL 138.49, 0.65%, 0.48%

LAB 71.57, -62.61, 43.39

 

CMYK 79 / 0 / 33 / 21

HEX #2AC986

RGB 42 201 134

HSL 154.72, 0.65%, 0.48%

LAB 72.22, -55.08, 22.44

 

CMYK 79 / 0 / 12 / 21

HEX #2AC9B1

RGB 42 201 177

HSL 170.94, 0.65%, 0.48%

LAB 73.18, -44.81, 0.71

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 69 / 0 / 90 / 13

HEX #45DD17

RGB 69 221 23

HSL 106.06, 0.81%, 0.48%

LAB 77.9, -70.21, 73.04

 

CMYK 76 / 0 / 99 / 5

HEX #3AF103

RGB 58 241 3

HSL 106.13, 0.98%, 0.48%

LAB 83.87, -78.29, 80.03

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 51 / 0 / 66 / 29

HEX #5AB63E

RGB 90 182 62

HSL 106, 0.49%, 0.48%

LAB 66.5, -49.49, 50.96

 

CMYK 38 / 0 / 49 / 36

HEX #65A252

RGB 101 162 82

HSL 105.75, 0.33%, 0.48%

LAB 60.97, -35.33, 35.31

 

CMYK 22 / 0 / 28 / 44

HEX #6F8E66

RGB 111 142 102

HSL 106.5, 0.16%, 0.48%

LAB 55.77, -18.93, 17.85

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 18 / 0 / 79 / 21

HEX #A4C92A

RGB 164 201 42

HSL 73.96, 0.65%, 0.48%

LAB 75.97, -32.6, 68.69

 

CMYK 39 / 0 / 79 / 21

HEX #7AC92A

RGB 122 201 42

HSL 89.81, 0.65%, 0.48%

LAB 73.6, -48.31, 65.65

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 0 / 76 / 21

HEX #2AC930

RGB 42 201 48

HSL 122.26, 0.65%, 0.48%

LAB 71.2, -67.13, 60.67

 

CMYK 79 / 0 / 55 / 21

HEX #2AC95A

RGB 42 201 90

HSL 138.11, 0.65%, 0.48%

LAB 71.56, -62.75, 43.85

 

CMYK 61 / 0 / 79 / 48

HEX #34851C

RGB 52 133 28

HSL 106.29, 0.65%, 0.32%

LAB 48.99, -44, 45.76

 

CMYK 60 / 0 / 79 / 35

HEX #42A723

RGB 66 167 35

HSL 105.91, 0.65%, 0.4%

LAB 60.71, -52.46, 54.86

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 52 / 0 / 67 / 16

HEX #68D746

RGB 104 215 70

HSL 105.93, 0.64%, 0.56%

LAB 77.27, -57.44, 59.42

 

CMYK 41 / 0 / 53 / 13

HEX #83DF68

RGB 131 223 104

HSL 106.39, 0.65%, 0.64%

LAB 81.07, -49.27, 49.31

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 0 / 2 / 21

HEX #2AC9C4

RGB 42 201 196

HSL 178.11, 0.65%, 0.48%

LAB 73.71, -39.54, -8.82

 

CMYK 0 / 79 / 29 / 21

HEX #C92A8F

RGB 201 42 143

HSL 321.89, 0.65%, 0.48%

LAB 47.05, 68.19, -17.73

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 61 / 0 / 21

HEX #2A4FC9

RGB 42 79 201

HSL 226.04, 0.65%, 0.48%

LAB 38.38, 31.5, -66.96

 

CMYK 0 / 79 / 61 / 21

HEX #C92A4F

RGB 201 42 79

HSL 346.04, 0.65%, 0.48%

LAB 45.13, 62.42, 18.82

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 0 / 2 / 21

HEX #2AC9C4

RGB 42 201 196

HSL 178.11, 0.65%, 0.48%

LAB 73.71, -39.54, -8.82

 

CMYK 18 / 79 / 0 / 21

HEX #A42AC9

RGB 164 42 201

HSL 286.04, 0.65%, 0.48%

LAB 43.89, 69.22, -57.46

 

CMYK 0 / 79 / 76 / 21

HEX #C92A30

RGB 201 42 48

HSL 357.74, 0.65%, 0.48%

LAB 44.64, 60.88, 36.91

 

CMYK 61 / 0 / 79 / 21

HEX #4FC92A

RGB 79 201 42

HSL 106.04, 0.65%, 0.48%

LAB 71.96, -60.81, 63.54

 

CMYK 79 / 21 / 0 / 21

HEX #2A9FC9

RGB 42 159 201

HSL 195.85, 0.65%, 0.48%

LAB 61.23, -17.3, -30.54

 

CMYK 18 / 79 / 0 / 21

HEX #A42AC9

RGB 164 42 201

HSL 286.04, 0.65%, 0.48%

LAB 43.89, 69.22, -57.46

 

CMYK 0 / 58 / 79 / 21

HEX #C9552A

RGB 201 85 42

HSL 16.23, 0.65%, 0.48%

LAB 50.78, 43.86, 46.45

 

Description

Color code: HEX #4FC92A | qconv.com Color code: HEX #4FC92A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 201 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 201 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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