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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC137 it is the complementary color #B03EC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC137 shade: #54C132, #65D345, #76E558, #87F76B and #98FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC137 shade: #4FC137, #3EAF24, #2D9D11, #1C8B00 and #0B7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC137 shade: #4FC236, #75C236, #9AC236, #C0C236 and #C29F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC137 shade: #4FC236, #36C244, #36C26A, #36C28F and #36C2B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC137 shade matches the following richer shades: #4FC236, #42D722 and #34EB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC137 shade: #4FC236, #5CAE4B, #699A5F, #768673 and #847287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC137 shade: #9BC236, #75C236, #50C236, #36C242 and #36C267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC137 shade: #358224, #42A22D, #4FC236, #69CE54 and #85D774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC137 shade: #4FC137, #36C0C2 and #C23688

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC137 shade: #4FC137, #3650C2 and #C23650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC137 shade: #4FC137, #36C0C2, #A936C2 and #C23936

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC137 shade: #4FC137, #3696C2, #A936C2 and #C26336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

Complementary color

CMYK 12 / 69 / 0 / 22

HEX #B03EC8

RGB 176 62 200

HSL 289.57, 0.56%, 0.51%

LAB 48.06, 64.49, -50.08

 

CMYK 56 / 0 / 74 / 24

HEX #54C132

RGB 84 193 50

HSL 105.73, 0.59%, 0.48%

LAB 69.65, -56.25, 58.78

 

CMYK 52 / 0 / 67 / 17

HEX #65D345

RGB 101 211 69

HSL 106.48, 0.62%, 0.55%

LAB 75.94, -56.85, 58.36

 

CMYK 48 / 0 / 62 / 10

HEX #76E558

RGB 118 229 88

HSL 107.23, 0.73%, 0.62%

LAB 82.16, -57.2, 57.55

 

CMYK 45 / 0 / 57 / 3

HEX #87F76B

RGB 135 247 107

HSL 108, 0.9%, 0.69%

LAB 88.32, -57.36, 56.54

 

CMYK 40 / 0 / 51 / 0

HEX #98FF7E

RGB 152 255 126

HSL 107.91, 1%, 0.75%

LAB 91.55, -53.4, 51.97

 

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

CMYK 65 / 0 / 79 / 31

HEX #3EAF24

RGB 62 175 36

HSL 108.78, 0.66%, 0.41%

LAB 63.19, -56.14, 56.87

 

CMYK 71 / 0 / 89 / 38

HEX #2D9D11

RGB 45 157 17

HSL 108, 0.8%, 0.34%

LAB 56.79, -54.57, 55.84

 

CMYK 80 / 0 / 100 / 45

HEX #1C8B00

RGB 28 139 0

HSL 107.91, 1%, 0.27%

LAB 50.35, -52.24, 53.32

 

CMYK 91 / 0 / 100 / 53

HEX #0B7900

RGB 11 121 0

HSL 114.55, 1%, 0.24%

LAB 43.87, -48.71, 48.05

 

CMYK 59 / 0 / 72 / 24

HEX #4FC236

RGB 79 194 54

HSL 109.29, 0.56%, 0.49%

LAB 69.83, -57.57, 57.49

 

CMYK 40 / 0 / 72 / 24

HEX #75C236

RGB 117 194 54

HSL 93, 0.56%, 0.49%

LAB 71.3, -46.44, 59.45

 

CMYK 21 / 0 / 72 / 24

HEX #9AC236

RGB 154 194 54

HSL 77.14, 0.56%, 0.49%

LAB 73.36, -32.76, 62.18

 

CMYK 1 / 0 / 72 / 24

HEX #C0C236

RGB 192 194 54

HSL 60.86, 0.56%, 0.49%

LAB 76.1, -17.08, 65.78

 

CMYK 0 / 18 / 72 / 24

HEX #C29F36

RGB 194 159 54

HSL 45, 0.56%, 0.49%

LAB 66.92, 2.01, 56.9

 

CMYK 59 / 0 / 72 / 24

HEX #4FC236

RGB 79 194 54

HSL 109.29, 0.56%, 0.49%

LAB 69.83, -57.57, 57.49

 

CMYK 72 / 0 / 65 / 24

HEX #36C244

RGB 54 194 68

HSL 126, 0.56%, 0.49%

LAB 69.32, -61.42, 51.22

 

CMYK 72 / 0 / 45 / 24

HEX #36C26A

RGB 54 194 106

HSL 142.29, 0.56%, 0.49%

LAB 69.76, -56.21, 33.79

 

CMYK 72 / 0 / 26 / 24

HEX #36C28F

RGB 54 194 143

HSL 158.14, 0.56%, 0.49%

LAB 70.42, -48.89, 15.19

 

CMYK 72 / 0 / 7 / 24

HEX #36C2B5

RGB 54 194 181

HSL 174.43, 0.56%, 0.49%

LAB 71.35, -39.32, -4.12

 

CMYK 59 / 0 / 72 / 24

HEX #4FC236

RGB 79 194 54

HSL 109.29, 0.56%, 0.49%

LAB 69.83, -57.57, 57.49

 

CMYK 69 / 0 / 84 / 16

HEX #42D722

RGB 66 215 34

HSL 109.39, 0.73%, 0.49%

LAB 75.99, -68.5, 69.2

 

CMYK 78 / 0 / 94 / 8

HEX #34EB0E

RGB 52 235 14

HSL 109.68, 0.89%, 0.49%

LAB 81.94, -77.21, 77.47

 

CMYK 59 / 0 / 72 / 24

HEX #4FC236

RGB 79 194 54

HSL 109.29, 0.56%, 0.49%

LAB 69.83, -57.57, 57.49

 

CMYK 47 / 0 / 57 / 32

HEX #5CAE4B

RGB 92 174 75

HSL 109.7, 0.4%, 0.49%

LAB 64.21, -44.31, 42.56

 

CMYK 32 / 0 / 38 / 40

HEX #699A5F

RGB 105 154 95

HSL 109.83, 0.24%, 0.49%

LAB 58.92, -28.3, 25.87

 

CMYK 12 / 0 / 14 / 47

HEX #768673

RGB 118 134 115

HSL 110.53, 0.08%, 0.49%

LAB 54.17, -9.66, 8.28

 

CMYK 2 / 16 / 0 / 47

HEX #847287

RGB 132 114 135

HSL 291.43, 0.08%, 0.49%

LAB 50.32, 11.06, -8.9

 

CMYK 20 / 0 / 72 / 24

HEX #9BC236

RGB 155 194 54

HSL 76.71, 0.56%, 0.49%

LAB 73.43, -32.36, 62.27

 

CMYK 40 / 0 / 72 / 24

HEX #75C236

RGB 117 194 54

HSL 93, 0.56%, 0.49%

LAB 71.3, -46.44, 59.45

 

CMYK 59 / 0 / 72 / 24

HEX #50C236

RGB 80 194 54

HSL 108.86, 0.56%, 0.49%

LAB 69.86, -57.33, 57.53

 

CMYK 72 / 0 / 66 / 24

HEX #36C242

RGB 54 194 66

HSL 125.14, 0.56%, 0.49%

LAB 69.3, -61.62, 52.04

 

CMYK 72 / 0 / 47 / 24

HEX #36C267

RGB 54 194 103

HSL 141, 0.56%, 0.49%

LAB 69.72, -56.71, 35.26

 

CMYK 59 / 0 / 72 / 49

HEX #358224

RGB 53 130 36

HSL 109.15, 0.57%, 0.33%

LAB 48.07, -41.95, 41.8

 

CMYK 59 / 0 / 72 / 36

HEX #42A22D

RGB 66 162 45

HSL 109.23, 0.57%, 0.41%

LAB 59.15, -49.92, 49.81

 

CMYK 59 / 0 / 72 / 24

HEX #4FC236

RGB 79 194 54

HSL 109.29, 0.56%, 0.49%

LAB 69.83, -57.57, 57.49

 

CMYK 49 / 0 / 59 / 19

HEX #69CE54

RGB 105 206 84

HSL 109.67, 0.55%, 0.57%

LAB 74.69, -52.38, 50.7

 

CMYK 38 / 0 / 46 / 16

HEX #85D774

RGB 133 215 116

HSL 109.7, 0.55%, 0.65%

LAB 78.95, -43.79, 41

 

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

CMYK 72 / 1 / 0 / 24

HEX #36C0C2

RGB 54 192 194

HSL 180.86, 0.56%, 0.49%

LAB 71.13, -34.72, -11.56

 

CMYK 0 / 72 / 30 / 24

HEX #C23688

RGB 194 54 136

HSL 324.86, 0.56%, 0.49%

LAB 46.82, 61.95, -13.96

 

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

CMYK 72 / 59 / 0 / 24

HEX #3650C2

RGB 54 80 194

HSL 228.86, 0.56%, 0.49%

LAB 38.58, 29.6, -62.53

 

CMYK 0 / 72 / 59 / 24

HEX #C23650

RGB 194 54 80

HSL 348.86, 0.56%, 0.49%

LAB 45.2, 56.62, 18.06

 

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

CMYK 72 / 1 / 0 / 24

HEX #36C0C2

RGB 54 192 194

HSL 180.86, 0.56%, 0.49%

LAB 71.13, -34.72, -11.56

 

CMYK 13 / 72 / 0 / 24

HEX #A936C2

RGB 169 54 194

HSL 289.29, 0.56%, 0.49%

LAB 45.59, 64.9, -50.62

 

CMYK 0 / 71 / 72 / 24

HEX #C23936

RGB 194 57 54

HSL 1.29, 0.56%, 0.49%

LAB 45.17, 54.02, 33.67

 

CMYK 59 / 0 / 72 / 24

HEX #4FC137

RGB 79 193 55

HSL 109.57, 0.56%, 0.49%

LAB 69.53, -57.14, 56.81

 

CMYK 72 / 23 / 0 / 24

HEX #3696C2

RGB 54 150 194

HSL 198.86, 0.56%, 0.49%

LAB 58.5, -13.36, -30.82

 

CMYK 13 / 72 / 0 / 24

HEX #A936C2

RGB 169 54 194

HSL 289.29, 0.56%, 0.49%

LAB 45.59, 64.9, -50.62

 

CMYK 0 / 49 / 72 / 24

HEX #C26336

RGB 194 99 54

HSL 19.29, 0.56%, 0.49%

LAB 52.57, 34.62, 41.98

 

Description

Color code: HEX #4FC137 | qconv.com Color code: HEX #4FC137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 193 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 193 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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