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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD6C6 it is the complementary color #B02939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD6C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD6C6 shade: #54D6C1, #65E8D4, #76FAE7, #87FFFA and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD6C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD6C6 shade: #4FD6C6, #3EC4B3, #2DB2A0, #1CA08D and #0B8E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD6C6 shade: #4DD5C5, #4DD5A0, #4DD57B, #4DD557 and #68D54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD6C6 shade: #4DD5C5, #4DC0D5, #4D9CD5, #4D77D5 and #4D52D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD6C6 shade matches the following richer shades: #4DD5C5, #3BE7D2 and #29F8E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD6C6 shade: #4DD5C5, #5FC3B7, #70B1AA, #82A09C and #948E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD6C6 shade: #4DD57A, #4DD59E, #4DD5C3, #4DC3D5 and #4D9ED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD6C6 shade: #27A899, #2FCAB7, #4DD5C5, #6EDDD0 and #90E5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD6C6 shade: #4FD6C6, #564DD5 and #D58C4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD6C6 shade: #4FD6C6, #C34DD5 and #D5C34D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD6C6 shade: #4FD6C6, #564DD5, #D54D5F and #CCD54D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD6C6 shade: #4FD6C6, #7F4DD5, #D54D5F and #A3D54D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

Complementary color

CMYK 0 / 77 / 68 / 31

HEX #B02939

RGB 176 41 57

HSL 352.89, 0.62%, 0.43%

LAB 39.77, 54.2, 24.57

 

CMYK 61 / 0 / 10 / 16

HEX #54D6C1

RGB 84 214 193

HSL 170.31, 0.61%, 0.58%

LAB 78.36, -40.57, -0.24

 

CMYK 56 / 0 / 9 / 9

HEX #65E8D4

RGB 101 232 212

HSL 170.84, 0.74%, 0.65%

LAB 84.6, -40.77, -1.15

 

CMYK 53 / 0 / 8 / 2

HEX #76FAE7

RGB 118 250 231

HSL 171.36, 0.93%, 0.72%

LAB 90.78, -40.88, -1.99

 

CMYK 47 / 0 / 2 / 0

HEX #87FFFA

RGB 135 255 250

HSL 177.5, 1%, 0.76%

LAB 93.26, -35, -8.1

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

CMYK 68 / 0 / 9 / 23

HEX #3EC4B3

RGB 62 196 179

HSL 172.39, 0.53%, 0.51%

LAB 72.07, -39.68, -1.97

 

CMYK 75 / 0 / 10 / 30

HEX #2DB2A0

RGB 45 178 160

HSL 171.88, 0.6%, 0.44%

LAB 65.7, -39.01, -0.9

 

CMYK 83 / 0 / 12 / 37

HEX #1CA08D

RGB 28 160 141

HSL 171.36, 0.7%, 0.37%

LAB 59.26, -38.03, 0.3

 

CMYK 92 / 0 / 14 / 44

HEX #0B8E7A

RGB 11 142 122

HSL 170.84, 0.86%, 0.3%

LAB 52.75, -36.62, 1.67

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C5

RGB 77 213 197

HSL 172.94, 0.62%, 0.57%

LAB 77.99, -40.27, -2.95

 

CMYK 64 / 0 / 25 / 16

HEX #4DD5A0

RGB 77 213 160

HSL 156.62, 0.62%, 0.57%

LAB 77.1, -49.18, 15.53

 

CMYK 64 / 0 / 42 / 16

HEX #4DD57B

RGB 77 213 123

HSL 140.29, 0.62%, 0.57%

LAB 76.43, -56.37, 33.87

 

CMYK 64 / 0 / 59 / 16

HEX #4DD557

RGB 77 213 87

HSL 124.41, 0.62%, 0.57%

LAB 75.98, -61.51, 50.61

 

CMYK 51 / 0 / 64 / 16

HEX #68D54D

RGB 104 213 77

HSL 108.09, 0.62%, 0.57%

LAB 76.72, -56.06, 55.99

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C5

RGB 77 213 197

HSL 172.94, 0.62%, 0.57%

LAB 77.99, -40.27, -2.95

 

CMYK 64 / 10 / 0 / 16

HEX #4DC0D5

RGB 77 192 213

HSL 189.26, 0.62%, 0.57%

LAB 72.28, -25.87, -20.13

 

CMYK 64 / 27 / 0 / 16

HEX #4D9CD5

RGB 77 156 213

HSL 205.15, 0.62%, 0.57%

LAB 61.79, -6.79, -36.29

 

CMYK 64 / 44 / 0 / 16

HEX #4D77D5

RGB 77 119 213

HSL 221.47, 0.62%, 0.57%

LAB 51.35, 15.12, -52.78

 

CMYK 64 / 62 / 0 / 16

HEX #4D52D5

RGB 77 82 213

HSL 237.79, 0.62%, 0.57%

LAB 41.87, 38.16, -68.1

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C5

RGB 77 213 197

HSL 172.94, 0.62%, 0.57%

LAB 77.99, -40.27, -2.95

 

CMYK 74 / 0 / 9 / 9

HEX #3BE7D2

RGB 59 231 210

HSL 172.67, 0.78%, 0.57%

LAB 83.3, -47.15, -2.11

 

CMYK 83 / 0 / 10 / 3

HEX #29F8E0

RGB 41 248 224

HSL 173.04, 0.94%, 0.57%

LAB 88.44, -52.18, -1.95

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C5

RGB 77 213 197

HSL 172.94, 0.62%, 0.57%

LAB 77.99, -40.27, -2.95

 

CMYK 51 / 0 / 6 / 24

HEX #5FC3B7

RGB 95 195 183

HSL 172.8, 0.45%, 0.57%

LAB 72.81, -32.17, -2.94

 

CMYK 37 / 0 / 4 / 31

HEX #70B1AA

RGB 112 177 170

HSL 173.54, 0.29%, 0.57%

LAB 67.87, -22.35, -3

 

CMYK 19 / 0 / 2 / 37

HEX #82A09C

RGB 130 160 156

HSL 172, 0.14%, 0.57%

LAB 63.58, -11.21, -1.37

 

CMYK 0 / 4 / 3 / 42

HEX #948E8F

RGB 148 142 143

HSL 350, 0.03%, 0.57%

LAB 59.55, 2.41, 0.25

 

CMYK 64 / 0 / 43 / 16

HEX #4DD57A

RGB 77 213 122

HSL 139.85, 0.62%, 0.57%

LAB 76.42, -56.54, 34.36

 

CMYK 64 / 0 / 26 / 16

HEX #4DD59E

RGB 77 213 158

HSL 155.74, 0.62%, 0.57%

LAB 77.06, -49.61, 16.53

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C3

RGB 77 213 195

HSL 172.06, 0.62%, 0.57%

LAB 77.94, -40.79, -1.96

 

CMYK 64 / 8 / 0 / 16

HEX #4DC3D5

RGB 77 195 213

HSL 187.94, 0.62%, 0.57%

LAB 73.16, -27.36, -18.8

 

CMYK 64 / 26 / 0 / 16

HEX #4D9ED5

RGB 77 158 213

HSL 204.26, 0.62%, 0.57%

LAB 62.37, -7.91, -35.39

 

CMYK 77 / 0 / 9 / 34

HEX #27A899

RGB 39 168 153

HSL 173.02, 0.62%, 0.41%

LAB 62.28, -37.15, -2.01

 

CMYK 77 / 0 / 9 / 21

HEX #2FCAB7

RGB 47 202 183

HSL 172.65, 0.62%, 0.49%

LAB 73.72, -43.13, -1.75

 

CMYK 64 / 0 / 8 / 16

HEX #4DD5C5

RGB 77 213 197

HSL 172.94, 0.62%, 0.57%

LAB 77.99, -40.27, -2.95

 

CMYK 50 / 0 / 6 / 13

HEX #6EDDD0

RGB 110 221 208

HSL 172.97, 0.62%, 0.65%

LAB 81.61, -34.91, -3.39

 

CMYK 37 / 0 / 5 / 10

HEX #90E5DA

RGB 144 229 218

HSL 172.24, 0.62%, 0.73%

LAB 85.52, -28.18, -2.78

 

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

CMYK 60 / 64 / 0 / 16

HEX #564DD5

RGB 86 77 213

HSL 243.97, 0.62%, 0.57%

LAB 41.36, 42.54, -68.91

 

CMYK 0 / 34 / 64 / 16

HEX #D58C4D

RGB 213 140 77

HSL 27.79, 0.62%, 0.57%

LAB 64.51, 21.81, 44.38

 

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

CMYK 8 / 64 / 0 / 16

HEX #C34DD5

RGB 195 77 213

HSL 292.06, 0.62%, 0.57%

LAB 53.72, 65.11, -48.35

 

CMYK 0 / 8 / 64 / 16

HEX #D5C34D

RGB 213 195 77

HSL 52.06, 0.62%, 0.57%

LAB 78.29, -7.45, 59.64

 

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

CMYK 60 / 64 / 0 / 16

HEX #564DD5

RGB 86 77 213

HSL 243.97, 0.62%, 0.57%

LAB 41.36, 42.54, -68.91

 

CMYK 0 / 64 / 55 / 16

HEX #D54D5F

RGB 213 77 95

HSL 352.06, 0.62%, 0.57%

LAB 52.15, 54.65, 18.91

 

CMYK 4 / 0 / 64 / 16

HEX #CCD54D

RGB 204 213 77

HSL 63.97, 0.62%, 0.57%

LAB 82.36, -20.23, 63.71

 

CMYK 63 / 0 / 7 / 16

HEX #4FD6C6

RGB 79 214 198

HSL 172.89, 0.62%, 0.57%

LAB 78.36, -40.14, -2.93

 

CMYK 40 / 64 / 0 / 16

HEX #7F4DD5

RGB 127 77 213

HSL 262.06, 0.62%, 0.57%

LAB 45.11, 50.02, -62.63

 

CMYK 0 / 64 / 55 / 16

HEX #D54D5F

RGB 213 77 95

HSL 352.06, 0.62%, 0.57%

LAB 52.15, 54.65, 18.91

 

CMYK 23 / 0 / 64 / 16

HEX #A3D54D

RGB 163 213 77

HSL 82.06, 0.62%, 0.57%

LAB 79.56, -36.47, 59.9

 

Description

Color code: HEX #4FD6C6 | qconv.com Color code: HEX #4FD6C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 214 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 214 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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