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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FDB3D it is the complementary color #B024C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FDB3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FDB3D shade: #54DB38, #65ED4B, #76FF5E, #87FF71 and #98FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FDB3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FDB3D shade: #4FDB3D, #3EC92A, #2DB717, #1CA504 and #0B9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FDB3D shade: #4FDB3D, #79DB3D, #A4DB3D, #CFDB3D and #DBBC3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FDB3D shade: #4FDB3D, #3DDB55, #3DDB80, #3DDBAB and #3DDBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FDB3D shade matches the following richer shades: #4FDB3D and #40ED2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FDB3D shade: #4FDB3D, #5DC84F, #6BB662, #7AA374 and #889187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FDB3D shade: #A4DB3D, #79DB3D, #4FDB3D, #3DDB54 and #3DDB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FDB3D shade: #2EA71E, #37CA25, #4FDB3D, #6EE15F and #8EE882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FDB3D shade: #4FDB3D, #3DCEDB and #DB3D8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FDB3D shade: #4FDB3D, #3D4FDB and #DB3D4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FDB3D shade: #4FDB3D, #3DCEDB, #C83DDB and #DB4A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FDB3D shade: #4FDB3D, #3D9EDB, #C83DDB and #DB793D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

Complementary color

CMYK 9 / 81 / 0 / 24

HEX #B024C2

RGB 176 36 194

HSL 293.16, 0.69%, 0.45%

LAB 44.78, 71.78, -51.86

 

CMYK 62 / 0 / 74 / 14

HEX #54DB38

RGB 84 219 56

HSL 109.69, 0.69%, 0.54%

LAB 77.78, -64.91, 64.81

 

CMYK 57 / 0 / 68 / 7

HEX #65ED4B

RGB 101 237 75

HSL 110.37, 0.82%, 0.61%

LAB 83.88, -65.71, 64.45

 

CMYK 54 / 0 / 63 / 0

HEX #76FF5E

RGB 118 255 94

HSL 111.06, 1%, 0.68%

LAB 89.94, -66.23, 63.71

 

CMYK 47 / 0 / 56 / 0

HEX #87FF71

RGB 135 255 113

HSL 110.7, 1%, 0.72%

LAB 90.72, -59.8, 56.69

 

CMYK 40 / 0 / 48 / 0

HEX #98FF84

RGB 152 255 132

HSL 110.24, 1%, 0.76%

LAB 91.62, -52.67, 49.26

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 69 / 0 / 79 / 21

HEX #3EC92A

RGB 62 201 42

HSL 112.45, 0.65%, 0.48%

LAB 71.53, -64.4, 62.98

 

CMYK 75 / 0 / 87 / 28

HEX #2DB717

RGB 45 183 23

HSL 111.75, 0.78%, 0.4%

LAB 65.35, -62.6, 62.05

 

CMYK 83 / 0 / 98 / 35

HEX #1CA504

RGB 28 165 4

HSL 111.06, 0.95%, 0.33%

LAB 59.13, -60.04, 59.76

 

CMYK 93 / 0 / 100 / 42

HEX #0B9300

RGB 11 147 0

HSL 115.51, 1%, 0.29%

LAB 52.88, -56.45, 55.27

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 45 / 0 / 72 / 14

HEX #79DB3D

RGB 121 219 61

HSL 97.22, 0.69%, 0.55%

LAB 79.08, -54.68, 64.82

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 5 / 0 / 72 / 14

HEX #CFDB3D

RGB 207 219 61

HSL 64.56, 0.69%, 0.55%

LAB 84.1, -22.79, 71.45

 

CMYK 0 / 14 / 72 / 14

HEX #DBBC3D

RGB 219 188 61

HSL 48.23, 0.69%, 0.55%

LAB 76.9, -2.15, 64.82

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 0 / 61 / 14

HEX #3DDB55

RGB 61 219 85

HSL 129.11, 0.69%, 0.55%

LAB 77.47, -66.67, 53.1

 

CMYK 72 / 0 / 42 / 14

HEX #3DDB80

RGB 61 219 128

HSL 145.44, 0.69%, 0.55%

LAB 78, -60.44, 33.32

 

CMYK 72 / 0 / 22 / 14

HEX #3DDBAB

RGB 61 219 171

HSL 161.77, 0.69%, 0.55%

LAB 78.81, -51.62, 12.05

 

CMYK 72 / 0 / 3 / 14

HEX #3DDBD5

RGB 61 219 213

HSL 177.72, 0.69%, 0.55%

LAB 79.87, -40.86, -8.76

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 73 / 0 / 82 / 7

HEX #40ED2A

RGB 64 237 42

HSL 113.23, 0.84%, 0.55%

LAB 82.82, -75.18, 73.45

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 54 / 0 / 61 / 22

HEX #5DC84F

RGB 93 200 79

HSL 113.06, 0.52%, 0.55%

LAB 72.36, -53.9, 50.15

 

CMYK 41 / 0 / 46 / 29

HEX #6BB662

RGB 107 182 98

HSL 113.57, 0.37%, 0.55%

LAB 67.62, -40.1, 35.5

 

CMYK 25 / 0 / 29 / 36

HEX #7AA374

RGB 122 163 116

HSL 112.34, 0.2%, 0.55%

LAB 63, -23.3, 20.04

 

CMYK 6 / 0 / 7 / 43

HEX #889187

RGB 136 145 135

HSL 114, 0.04%, 0.55%

LAB 59.19, -5.23, 4.18

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 45 / 0 / 72 / 14

HEX #79DB3D

RGB 121 219 61

HSL 97.22, 0.69%, 0.55%

LAB 79.08, -54.68, 64.82

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 0 / 62 / 14

HEX #3DDB54

RGB 61 219 84

HSL 128.73, 0.69%, 0.55%

LAB 77.46, -66.78, 53.52

 

CMYK 72 / 0 / 42 / 14

HEX #3DDB7F

RGB 61 219 127

HSL 145.06, 0.69%, 0.55%

LAB 77.99, -60.62, 33.8

 

CMYK 72 / 0 / 82 / 35

HEX #2EA71E

RGB 46 167 30

HSL 112.99, 0.7%, 0.39%

LAB 60.17, -57.04, 55.67

 

CMYK 73 / 0 / 82 / 21

HEX #37CA25

RGB 55 202 37

HSL 113.45, 0.69%, 0.47%

LAB 71.68, -66.22, 64.47

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 51 / 0 / 58 / 12

HEX #6EE15F

RGB 110 225 95

HSL 113.08, 0.68%, 0.63%

LAB 80.73, -57.14, 52.8

 

CMYK 39 / 0 / 44 / 9

HEX #8EE882

RGB 142 232 130

HSL 112.94, 0.69%, 0.71%

LAB 84.52, -46.38, 41.24

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 6 / 0 / 14

HEX #3DCEDB

RGB 61 206 219

HSL 184.94, 0.69%, 0.55%

LAB 76.22, -33.14, -17.45

 

CMYK 0 / 72 / 35 / 14

HEX #DB3D8E

RGB 219 61 142

HSL 329.24, 0.69%, 0.55%

LAB 52.23, 66.87, -8.99

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 64 / 0 / 14

HEX #3D4FDB

RGB 61 79 219

HSL 233.16, 0.69%, 0.55%

LAB 40.73, 39.95, -73.43

 

CMYK 0 / 72 / 64 / 14

HEX #DB3D4F

RGB 219 61 79

HSL 353.16, 0.69%, 0.55%

LAB 50.64, 61.64, 26.65

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 6 / 0 / 14

HEX #3DCEDB

RGB 61 206 219

HSL 184.94, 0.69%, 0.55%

LAB 76.22, -33.14, -17.45

 

CMYK 9 / 72 / 0 / 14

HEX #C83DDB

RGB 200 61 219

HSL 292.78, 0.69%, 0.55%

LAB 52.65, 73.3, -53.42

 

CMYK 0 / 66 / 72 / 14

HEX #DB4A3D

RGB 219 74 61

HSL 4.94, 0.69%, 0.55%

LAB 52.17, 55.82, 38.89

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 72 / 28 / 0 / 14

HEX #3D9EDB

RGB 61 158 219

HSL 203.16, 0.69%, 0.55%

LAB 62.13, -8.36, -39.12

 

CMYK 9 / 72 / 0 / 14

HEX #C83DDB

RGB 200 61 219

HSL 292.78, 0.69%, 0.55%

LAB 52.65, 73.3, -53.42

 

CMYK 0 / 45 / 72 / 14

HEX #DB793D

RGB 219 121 61

HSL 22.78, 0.69%, 0.55%

LAB 60.84, 33.5, 48.44

 

Description

Color code: HEX #4FDB3D | qconv.com Color code: HEX #4FDB3D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 219 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 219 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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