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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FDDCA it is the complementary color #B02235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FDDCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FDDCA shade: #54DDC5, #65EFD8, #76FFEB, #87FFFE and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FDDCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FDDCA shade: #4FDDCA, #3ECBB7, #2DB9A4, #1CA791 and #0B957E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FDDCA shade: #4FDDCA, #4FDDA4, #4FDD7D, #4FDD57 and #6DDD4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FDDCA shade: #4FDDCA, #4FCADD, #4FA3DD, #4F7DDD and #4F57DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FDDCA shade matches the following richer shades: #4FDDCA and #3EEED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FDDCA shade: #4FDDCA, #60CCBE, #71BBB1, #82AAA5 and #939998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FDDCA shade: #4FDD7C, #4FDDA2, #4FDDC8, #4FCCDD and #4FA7DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FDDCA shade: #22B7A3, #2CD6C0, #4FDDCA, #72E4D4 and #94EADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FDDCA shade: #4FDDCA, #564FDD and #DD8F4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FDDCA shade: #4FDDCA, #C84FDD and #DDC84F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FDDCA shade: #4FDDCA, #564FDD, #DD4F64 and #D6DD4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FDDCA shade: #4FDDCA, #814FDD, #DD4F64 and #ABDD4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

Complementary color

CMYK 0 / 81 / 70 / 31

HEX #B02235

RGB 176 34 53

HSL 351.97, 0.68%, 0.41%

LAB 38.95, 56.1, 26.05

 

CMYK 62 / 0 / 11 / 13

HEX #54DDC5

RGB 84 221 197

HSL 169.49, 0.67%, 0.6%

LAB 80.53, -42.67, 0.79

 

CMYK 58 / 0 / 10 / 6

HEX #65EFD8

RGB 101 239 216

HSL 170, 0.81%, 0.67%

LAB 86.73, -42.9, -0.14

 

CMYK 54 / 0 / 8 / 0

HEX #76FFEB

RGB 118 255 235

HSL 171.24, 1%, 0.73%

LAB 92.3, -42.14, -1.83

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFE

RGB 135 255 254

HSL 179.5, 1%, 0.76%

LAB 93.38, -34.02, -10.01

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 69 / 0 / 10 / 20

HEX #3ECBB7

RGB 62 203 183

HSL 171.49, 0.58%, 0.52%

LAB 74.29, -41.74, -0.88

 

CMYK 76 / 0 / 11 / 27

HEX #2DB9A4

RGB 45 185 164

HSL 171, 0.61%, 0.45%

LAB 67.97, -41.03, 0.22

 

CMYK 83 / 0 / 13 / 35

HEX #1CA791

RGB 28 167 145

HSL 170.5, 0.71%, 0.38%

LAB 61.59, -40.02, 1.45

 

CMYK 93 / 0 / 15 / 42

HEX #0B957E

RGB 11 149 126

HSL 170, 0.86%, 0.31%

LAB 55.15, -38.58, 2.84

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 64 / 0 / 26 / 13

HEX #4FDDA4

RGB 79 221 164

HSL 155.92, 0.68%, 0.59%

LAB 79.65, -51.23, 16.98

 

CMYK 64 / 0 / 43 / 13

HEX #4FDD7D

RGB 79 221 125

HSL 139.44, 0.68%, 0.59%

LAB 78.96, -58.65, 36.14

 

CMYK 64 / 0 / 61 / 13

HEX #4FDD57

RGB 79 221 87

HSL 123.38, 0.68%, 0.59%

LAB 78.5, -63.89, 53.51

 

CMYK 51 / 0 / 64 / 13

HEX #6DDD4F

RGB 109 221 79

HSL 107.32, 0.68%, 0.59%

LAB 79.34, -57.52, 58.09

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 64 / 9 / 0 / 13

HEX #4FCADD

RGB 79 202 221

HSL 188.03, 0.68%, 0.59%

LAB 75.53, -28.14, -19.54

 

CMYK 64 / 26 / 0 / 13

HEX #4FA3DD

RGB 79 163 221

HSL 204.51, 0.68%, 0.59%

LAB 64.22, -7.75, -36.92

 

CMYK 64 / 43 / 0 / 13

HEX #4F7DDD

RGB 79 125 221

HSL 220.56, 0.68%, 0.59%

LAB 53.55, 14.54, -53.79

 

CMYK 64 / 61 / 0 / 13

HEX #4F57DD

RGB 79 87 221

HSL 236.62, 0.68%, 0.59%

LAB 43.8, 38.07, -69.52

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 74 / 0 / 10 / 7

HEX #3EEED6

RGB 62 238 214

HSL 171.82, 0.84%, 0.59%

LAB 85.52, -48.75, -0.97

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 53 / 0 / 7 / 20

HEX #60CCBE

RGB 96 204 190

HSL 172.22, 0.51%, 0.59%

LAB 75.69, -34.44, -2.5

 

CMYK 40 / 0 / 5 / 27

HEX #71BBB1

RGB 113 187 177

HSL 171.89, 0.35%, 0.59%

LAB 71.03, -25.42, -2.2

 

CMYK 24 / 0 / 3 / 33

HEX #82AAA5

RGB 130 170 165

HSL 172.5, 0.19%, 0.59%

LAB 66.68, -14.55, -1.85

 

CMYK 4 / 0 / 1 / 40

HEX #939998

RGB 147 153 152

HSL 170, 0.03%, 0.59%

LAB 62.72, -2.35, -0.23

 

CMYK 64 / 0 / 44 / 13

HEX #4FDD7C

RGB 79 221 124

HSL 139.01, 0.68%, 0.59%

LAB 78.94, -58.82, 36.62

 

CMYK 64 / 0 / 27 / 13

HEX #4FDDA2

RGB 79 221 162

HSL 155.07, 0.68%, 0.59%

LAB 79.6, -51.66, 17.97

 

CMYK 64 / 0 / 10 / 13

HEX #4FDDC8

RGB 79 221 200

HSL 171.13, 0.68%, 0.59%

LAB 80.49, -42.74, -0.89

 

CMYK 64 / 8 / 0 / 13

HEX #4FCCDD

RGB 79 204 221

HSL 187.18, 0.68%, 0.59%

LAB 76.11, -29.11, -18.66

 

CMYK 64 / 24 / 0 / 13

HEX #4FA7DD

RGB 79 167 221

HSL 202.82, 0.68%, 0.59%

LAB 65.37, -9.96, -35.13

 

CMYK 81 / 0 / 11 / 28

HEX #22B7A3

RGB 34 183 163

HSL 171.95, 0.69%, 0.43%

LAB 67.17, -41.55, -0.43

 

CMYK 79 / 0 / 10 / 16

HEX #2CD6C0

RGB 44 214 192

HSL 172.24, 0.67%, 0.51%

LAB 77.54, -46.18, -1.01

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 50 / 0 / 7 / 11

HEX #72E4D4

RGB 114 228 212

HSL 171.58, 0.68%, 0.67%

LAB 83.87, -36.31, -2.17

 

CMYK 37 / 0 / 5 / 8

HEX #94EADF

RGB 148 234 223

HSL 172.33, 0.67%, 0.75%

LAB 87.23, -28.4, -2.88

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 61 / 64 / 0 / 13

HEX #564FDD

RGB 86 79 221

HSL 242.96, 0.68%, 0.59%

LAB 42.45, 43.9, -71.71

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F4F

RGB 221 143 79

HSL 27.04, 0.68%, 0.59%

LAB 66.2, 23.65, 45.56

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 10 / 64 / 0 / 13

HEX #C84FDD

RGB 200 79 221

HSL 291.13, 0.68%, 0.59%

LAB 55.17, 66.9, -50.55

 

CMYK 0 / 10 / 64 / 13

HEX #DDC84F

RGB 221 200 79

HSL 51.13, 0.68%, 0.59%

LAB 80.32, -6.53, 61.16

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 61 / 64 / 0 / 13

HEX #564FDD

RGB 86 79 221

HSL 242.96, 0.68%, 0.59%

LAB 42.45, 43.9, -71.71

 

CMYK 0 / 64 / 55 / 13

HEX #DD4F64

RGB 221 79 100

HSL 351.13, 0.68%, 0.59%

LAB 53.9, 56.78, 18.53

 

CMYK 3 / 0 / 64 / 13

HEX #D6DD4F

RGB 214 221 79

HSL 62.96, 0.68%, 0.59%

LAB 85.29, -19.93, 66.21

 

CMYK 64 / 0 / 9 / 13

HEX #4FDDCA

RGB 79 221 202

HSL 171.97, 0.68%, 0.59%

LAB 80.54, -42.23, -1.88

 

CMYK 42 / 64 / 0 / 13

HEX #814FDD

RGB 129 79 221

HSL 261.13, 0.68%, 0.59%

LAB 46.28, 51.47, -65.29

 

CMYK 0 / 64 / 55 / 13

HEX #DD4F64

RGB 221 79 100

HSL 351.13, 0.68%, 0.59%

LAB 53.9, 56.78, 18.53

 

CMYK 23 / 0 / 64 / 13

HEX #ABDD4F

RGB 171 221 79

HSL 81.13, 0.68%, 0.59%

LAB 82.34, -36.92, 62.21

 

Description

Color code: HEX #4FDDCA | qconv.com Color code: HEX #4FDDCA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 221 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 221 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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