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Color name
HEX #4FE632

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE632 it is the complementary color #B019CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE632 shade: #54E62D, #65F840, #76FF53, #87FF66 and #98FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE632 shade: #4FE632, #3ED41F, #2DC20C, #1CB000 and #0B9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE632 shade: #4FE532, #7FE532, #B0E532, #E0E532 and #E5BA32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE632 shade: #4FE532, #32E546, #32E576, #32E5A6 and #32E5D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE632 shade matches the following richer shades: #4FE532 and #43F820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE632 shade: #4FE532, #5CD345, #68C057, #75AE6A and #819B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE632 shade: #B0E532, #80E532, #50E532, #32E544 and #32E574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE632 shade: #2EB015, #38D41A, #4FE532, #6FEA57 and #8EEE7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE632 shade: #4FE632, #32DFE5 and #E53298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE632 shade: #4FE632, #3250E5 and #E53250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE632 shade: #4FE632, #32DFE5, #C732E5 and #E53832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE632 shade: #4FE632, #32AAE5, #C732E5 and #E56E32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

Complementary color

CMYK 14 / 88 / 0 / 20

HEX #B019CD

RGB 176 25 205

HSL 290.33, 0.78%, 0.45%

LAB 44.71, 75.99, -58.37

 

CMYK 63 / 0 / 80 / 10

HEX #54E62D

RGB 84 230 45

HSL 107.35, 0.79%, 0.54%

LAB 81.11, -69.2, 71.28

 

CMYK 59 / 0 / 74 / 3

HEX #65F840

RGB 101 248 64

HSL 107.93, 0.93%, 0.61%

LAB 87.13, -70.27, 71.59

 

CMYK 54 / 0 / 67 / 0

HEX #76FF53

RGB 118 255 83

HSL 107.79, 1%, 0.66%

LAB 89.86, -67.18, 67.9

 

CMYK 47 / 0 / 60 / 0

HEX #87FF66

RGB 135 255 102

HSL 107.06, 1%, 0.7%

LAB 90.61, -60.94, 61.32

 

CMYK 40 / 0 / 53 / 0

HEX #98FF79

RGB 152 255 121

HSL 106.12, 1%, 0.74%

LAB 91.49, -53.98, 54.19

 

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

CMYK 71 / 0 / 85 / 17

HEX #3ED41F

RGB 62 212 31

HSL 109.72, 0.74%, 0.48%

LAB 74.96, -68.41, 68.92

 

CMYK 77 / 0 / 94 / 24

HEX #2DC20C

RGB 45 194 12

HSL 109.12, 0.88%, 0.4%

LAB 68.87, -66.27, 66.86

 

CMYK 84 / 0 / 100 / 31

HEX #1CB000

RGB 28 176 0

HSL 110.45, 1%, 0.35%

LAB 62.76, -63.37, 63.24

 

CMYK 93 / 0 / 100 / 38

HEX #0B9E00

RGB 11 158 0

HSL 115.82, 1%, 0.31%

LAB 56.61, -59.62, 58.25

 

CMYK 66 / 0 / 78 / 10

HEX #4FE532

RGB 79 229 50

HSL 110.28, 0.77%, 0.55%

LAB 80.7, -69.63, 69.46

 

CMYK 45 / 0 / 78 / 10

HEX #7FE532

RGB 127 229 50

HSL 94.19, 0.77%, 0.55%

LAB 82.26, -57.32, 71.49

 

CMYK 23 / 0 / 78 / 10

HEX #B0E532

RGB 176 229 50

HSL 77.77, 0.77%, 0.55%

LAB 84.74, -40.25, 74.68

 

CMYK 2 / 0 / 78 / 10

HEX #E0E532

RGB 224 229 50

HSL 61.68, 0.77%, 0.55%

LAB 88.02, -21.05, 78.87

 

CMYK 0 / 19 / 78 / 10

HEX #E5BA32

RGB 229 186 50

HSL 45.59, 0.77%, 0.55%

LAB 77.28, 2.74, 69.42

 

CMYK 66 / 0 / 78 / 10

HEX #4FE532

RGB 79 229 50

HSL 110.28, 0.77%, 0.55%

LAB 80.7, -69.63, 69.46

 

CMYK 78 / 0 / 69 / 10

HEX #32E546

RGB 50 229 70

HSL 126.7, 0.77%, 0.55%

LAB 80.27, -72.86, 62.18

 

CMYK 78 / 0 / 48 / 10

HEX #32E576

RGB 50 229 118

HSL 142.79, 0.77%, 0.55%

LAB 80.75, -67.02, 41.75

 

CMYK 78 / 0 / 28 / 10

HEX #32E5A6

RGB 50 229 166

HSL 158.88, 0.77%, 0.55%

LAB 81.55, -57.98, 18.5

 

CMYK 78 / 0 / 7 / 10

HEX #32E5D6

RGB 50 229 214

HSL 174.97, 0.77%, 0.55%

LAB 82.69, -46.13, -5.15

 

CMYK 66 / 0 / 78 / 10

HEX #4FE532

RGB 79 229 50

HSL 110.28, 0.77%, 0.55%

LAB 80.7, -69.63, 69.46

 

CMYK 73 / 0 / 87 / 3

HEX #43F820

RGB 67 248 32

HSL 110.28, 0.94%, 0.55%

LAB 86.22, -78.37, 78.6

 

CMYK 66 / 0 / 78 / 10

HEX #4FE532

RGB 79 229 50

HSL 110.28, 0.77%, 0.55%

LAB 80.7, -69.63, 69.46

 

CMYK 56 / 0 / 67 / 17

HEX #5CD345

RGB 92 211 69

HSL 110.28, 0.62%, 0.55%

LAB 75.63, -59.21, 57.95

 

CMYK 46 / 0 / 55 / 25

HEX #68C057

RGB 104 192 87

HSL 110.29, 0.45%, 0.55%

LAB 70.41, -46.71, 44.3

 

CMYK 33 / 0 / 39 / 32

HEX #75AE6A

RGB 117 174 106

HSL 110.29, 0.3%, 0.55%

LAB 65.82, -32.01, 29.14

 

CMYK 17 / 0 / 19 / 39

HEX #819B7D

RGB 129 155 125

HSL 112, 0.13%, 0.55%

LAB 61.3, -15.08, 12.76

 

CMYK 23 / 0 / 78 / 10

HEX #B0E532

RGB 176 229 50

HSL 77.77, 0.77%, 0.55%

LAB 84.74, -40.25, 74.68

 

CMYK 44 / 0 / 78 / 10

HEX #80E532

RGB 128 229 50

HSL 93.85, 0.77%, 0.55%

LAB 82.3, -57.01, 71.54

 

CMYK 65 / 0 / 78 / 10

HEX #50E532

RGB 80 229 50

HSL 109.94, 0.77%, 0.55%

LAB 80.72, -69.43, 69.5

 

CMYK 78 / 0 / 70 / 10

HEX #32E544

RGB 50 229 68

HSL 126.03, 0.77%, 0.55%

LAB 80.25, -73.04, 62.9

 

CMYK 78 / 0 / 49 / 10

HEX #32E574

RGB 50 229 116

HSL 142.12, 0.77%, 0.55%

LAB 80.73, -67.33, 42.69

 

CMYK 74 / 0 / 88 / 31

HEX #2EB015

RGB 46 176 21

HSL 110.32, 0.79%, 0.39%

LAB 63.08, -60.34, 60.49

 

CMYK 74 / 0 / 88 / 17

HEX #38D41A

RGB 56 212 26

HSL 110.32, 0.78%, 0.47%

LAB 74.83, -69.6, 69.78

 

CMYK 66 / 0 / 78 / 10

HEX #4FE532

RGB 79 229 50

HSL 110.28, 0.77%, 0.55%

LAB 80.7, -69.63, 69.46

 

CMYK 53 / 0 / 63 / 8

HEX #6FEA57

RGB 111 234 87

HSL 110.2, 0.78%, 0.63%

LAB 83.4, -61.07, 59.27

 

CMYK 40 / 0 / 48 / 7

HEX #8EEE7C

RGB 142 238 124

HSL 110.53, 0.77%, 0.71%

LAB 86.18, -49.69, 46.22

 

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

CMYK 78 / 3 / 0 / 10

HEX #32DFE5

RGB 50 223 229

HSL 182.01, 0.77%, 0.55%

LAB 81.35, -39.25, -15.09

 

CMYK 0 / 78 / 34 / 10

HEX #E53298

RGB 229 50 152

HSL 325.81, 0.77%, 0.55%

LAB 53.17, 73.76, -13.34

 

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

CMYK 78 / 65 / 0 / 10

HEX #3250E5

RGB 50 80 229

HSL 229.94, 0.77%, 0.55%

LAB 41.33, 41.74, -78.17

 

CMYK 0 / 78 / 65 / 10

HEX #E53250

RGB 229 50 80

HSL 349.94, 0.77%, 0.55%

LAB 51.29, 68.01, 27.25

 

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

CMYK 78 / 3 / 0 / 10

HEX #32DFE5

RGB 50 223 229

HSL 182.01, 0.77%, 0.55%

LAB 81.35, -39.25, -15.09

 

CMYK 13 / 78 / 0 / 10

HEX #C732E5

RGB 199 50 229

HSL 289.94, 0.77%, 0.55%

LAB 51.93, 78.23, -60.26

 

CMYK 0 / 76 / 78 / 10

HEX #E53832

RGB 229 56 50

HSL 2.01, 0.77%, 0.55%

LAB 51.52, 64.97, 44.71

 

CMYK 66 / 0 / 78 / 10

HEX #4FE632

RGB 79 230 50

HSL 110.33, 0.78%, 0.55%

LAB 81.01, -69.95, 69.76

 

CMYK 78 / 26 / 0 / 10

HEX #32AAE5

RGB 50 170 229

HSL 199.78, 0.77%, 0.55%

LAB 65.81, -12.85, -38.9

 

CMYK 13 / 78 / 0 / 10

HEX #C732E5

RGB 199 50 229

HSL 289.94, 0.77%, 0.55%

LAB 51.93, 78.23, -60.26

 

CMYK 0 / 52 / 78 / 10

HEX #E56E32

RGB 229 110 50

HSL 20.11, 0.77%, 0.55%

LAB 59.93, 42.58, 53.13

 

Description

Color code: HEX #4FE632 | qconv.com Color code: HEX #4FE632 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 230 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 230 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 78% 10% C M Y K

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Provide designers and agencies with accurate color values.

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