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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE7B9 it is the complementary color #B01846. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE7B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE7B9 shade: #54E7B4, #65F9C7, #76FFDA, #87FFED and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE7B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE7B9 shade: #4FE7B9, #3ED5A6, #2DC393, #1CB180 and #0B9F6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE7B9 shade: #4FE7B9, #4FE790, #4FE767, #60E74F and #89E74F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE7B9 shade: #4FE7B9, #4FE7E2, #4FC3E7, #4F9AE7 and #4F71E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE7B9 shade matches the following richer shades: #4FE7B9 and #3FF7BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE7B9 shade: #4FE7B9, #60D7B3, #70C6AC, #80B6A6 and #90A69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE7B9 shade: #4FE766, #4FE78E, #4FE7B7, #4FE7DF and #4FC6E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE7B9 shade: #1BC994, #2BE2AA, #4FE7B9, #74ECC7 and #98F1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE7B9 shade: #4FE7B9, #4F61E7 and #E77A4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE7B9 shade: #4FE7B9, #B74FE7 and #E7B74F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE7B9 shade: #4FE7B9, #4F61E7, #E74F7F and #E7D54F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE7B9 shade: #4FE7B9, #6B4FE7, #E74F7F and #CBE74F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

Complementary color

CMYK 0 / 86 / 60 / 31

HEX #B01846

RGB 176 24 70

HSL 341.84, 0.76%, 0.39%

LAB 38.42, 59.5, 14.6

 

CMYK 64 / 0 / 22 / 9

HEX #54E7B4

RGB 84 231 180

HSL 159.18, 0.75%, 0.62%

LAB 83.09, -50.95, 13.44

 

CMYK 59 / 0 / 20 / 2

HEX #65F9C7

RGB 101 249 199

HSL 159.73, 0.93%, 0.69%

LAB 89.22, -51.14, 12.31

 

CMYK 54 / 0 / 15 / 0

HEX #76FFDA

RGB 118 255 218

HSL 163.8, 1%, 0.73%

LAB 91.88, -46.11, 6.35

 

CMYK 47 / 0 / 7 / 0

HEX #87FFED

RGB 135 255 237

HSL 171, 1%, 0.76%

LAB 92.92, -38.11, -1.89

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 71 / 0 / 22 / 16

HEX #3ED5A6

RGB 62 213 166

HSL 161.32, 0.64%, 0.54%

LAB 76.9, -50.21, 12.01

 

CMYK 77 / 0 / 25 / 24

HEX #2DC393

RGB 45 195 147

HSL 160.8, 0.63%, 0.47%

LAB 70.66, -49.53, 13.34

 

CMYK 84 / 0 / 28 / 31

HEX #1CB180

RGB 28 177 128

HSL 160.27, 0.73%, 0.4%

LAB 64.36, -48.51, 14.83

 

CMYK 93 / 0 / 31 / 38

HEX #0B9F6D

RGB 11 159 109

HSL 159.73, 0.87%, 0.33%

LAB 58.01, -47.04, 16.48

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 66 / 0 / 38 / 9

HEX #4FE790

RGB 79 231 144

HSL 145.66, 0.76%, 0.61%

LAB 82.29, -59.11, 30.93

 

CMYK 66 / 0 / 55 / 9

HEX #4FE767

RGB 79 231 103

HSL 129.47, 0.76%, 0.61%

LAB 81.73, -65.43, 50.13

 

CMYK 58 / 0 / 66 / 9

HEX #60E74F

RGB 96 231 79

HSL 113.29, 0.76%, 0.61%

LAB 81.95, -64.46, 60.8

 

CMYK 41 / 0 / 66 / 9

HEX #89E74F

RGB 137 231 79

HSL 97.11, 0.76%, 0.61%

LAB 83.46, -53.07, 62.87

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 66 / 0 / 2 / 9

HEX #4FE7E2

RGB 79 231 226

HSL 178.03, 0.76%, 0.61%

LAB 84.12, -40.35, -9.31

 

CMYK 66 / 16 / 0 / 9

HEX #4FC3E7

RGB 79 195 231

HSL 194.21, 0.76%, 0.61%

LAB 73.84, -21.64, -27.51

 

CMYK 66 / 33 / 0 / 9

HEX #4F9AE7

RGB 79 154 231

HSL 210.39, 0.76%, 0.61%

LAB 62.12, 0.67, -45.75

 

CMYK 66 / 51 / 0 / 9

HEX #4F71E7

RGB 79 113 231

HSL 226.58, 0.76%, 0.61%

LAB 50.97, 25.4, -63.55

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 74 / 0 / 23 / 3

HEX #3FF7BF

RGB 63 247 191

HSL 161.74, 0.92%, 0.61%

LAB 87.65, -57.89, 14.1

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 55 / 0 / 17 / 16

HEX #60D7B3

RGB 96 215 179

HSL 161.85, 0.6%, 0.61%

LAB 78.66, -42.08, 7.71

 

CMYK 43 / 0 / 13 / 22

HEX #70C6AC

RGB 112 198 172

HSL 161.86, 0.43%, 0.61%

LAB 74.07, -32.17, 4.94

 

CMYK 30 / 0 / 9 / 29

HEX #80B6A6

RGB 128 182 166

HSL 162.22, 0.27%, 0.61%

LAB 70.03, -21.15, 2.47

 

CMYK 13 / 0 / 4 / 35

HEX #90A69F

RGB 144 166 159

HSL 160.91, 0.11%, 0.61%

LAB 66.29, -9.08, 1.03

 

CMYK 66 / 0 / 56 / 9

HEX #4FE766

RGB 79 231 102

HSL 129.08, 0.76%, 0.61%

LAB 81.71, -65.56, 50.57

 

CMYK 66 / 0 / 39 / 9

HEX #4FE78E

RGB 79 231 142

HSL 144.87, 0.76%, 0.61%

LAB 82.25, -59.47, 31.9

 

CMYK 66 / 0 / 21 / 9

HEX #4FE7B7

RGB 79 231 183

HSL 161.05, 0.76%, 0.61%

LAB 83.04, -51.11, 11.78

 

CMYK 66 / 0 / 3 / 9

HEX #4FE7DF

RGB 79 231 223

HSL 176.84, 0.76%, 0.61%

LAB 84.04, -41.16, -7.85

 

CMYK 66 / 14 / 0 / 9

HEX #4FC6E7

RGB 79 198 231

HSL 193.03, 0.76%, 0.61%

LAB 74.71, -23.16, -26.18

 

CMYK 87 / 0 / 26 / 21

HEX #1BC994

RGB 27 201 148

HSL 161.72, 0.76%, 0.45%

LAB 72.32, -53.31, 15.11

 

CMYK 81 / 0 / 25 / 11

HEX #2BE2AA

RGB 43 226 170

HSL 161.64, 0.76%, 0.53%

LAB 80.63, -56.61, 15.11

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 51 / 0 / 16 / 7

HEX #74ECC7

RGB 116 236 199

HSL 161.5, 0.76%, 0.69%

LAB 85.92, -42.51, 7.65

 

CMYK 37 / 0 / 11 / 5

HEX #98F1D6

RGB 152 241 214

HSL 161.8, 0.76%, 0.77%

LAB 89.13, -32.63, 4.62

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 66 / 58 / 0 / 9

HEX #4F61E7

RGB 79 97 231

HSL 232.89, 0.76%, 0.61%

LAB 46.95, 35.3, -70.06

 

CMYK 0 / 47 / 66 / 9

HEX #E77A4F

RGB 231 122 79

HSL 16.97, 0.76%, 0.61%

LAB 62.9, 38.68, 42.07

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 21 / 66 / 0 / 9

HEX #B74FE7

RGB 183 79 231

HSL 281.05, 0.76%, 0.61%

LAB 53.42, 65.05, -59.12

 

CMYK 0 / 21 / 66 / 9

HEX #E7B74F

RGB 231 183 79

HSL 41.05, 0.76%, 0.61%

LAB 76.93, 6.52, 57.82

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 66 / 58 / 0 / 9

HEX #4F61E7

RGB 79 97 231

HSL 232.89, 0.76%, 0.61%

LAB 46.95, 35.3, -70.06

 

CMYK 0 / 66 / 45 / 9

HEX #E74F7F

RGB 231 79 127

HSL 341.05, 0.76%, 0.61%

LAB 56.2, 62.17, 5.99

 

CMYK 0 / 8 / 66 / 9

HEX #E7D54F

RGB 231 213 79

HSL 52.89, 0.76%, 0.61%

LAB 84.56, -8.95, 65.88

 

CMYK 66 / 0 / 20 / 9

HEX #4FE7B9

RGB 79 231 185

HSL 161.84, 0.76%, 0.61%

LAB 83.08, -50.65, 10.79

 

CMYK 54 / 66 / 0 / 9

HEX #6B4FE7

RGB 107 79 231

HSL 251.05, 0.76%, 0.61%

LAB 44.92, 50.25, -73.28

 

CMYK 0 / 66 / 45 / 9

HEX #E74F7F

RGB 231 79 127

HSL 341.05, 0.76%, 0.61%

LAB 56.2, 62.17, 5.99

 

CMYK 12 / 0 / 66 / 9

HEX #CBE74F

RGB 203 231 79

HSL 71.05, 0.76%, 0.61%

LAB 87.2, -29.14, 67.94

 

Description

Color code: HEX #4FE7B9 | qconv.com Color code: HEX #4FE7B9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 231 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 231 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 20 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 20% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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