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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FED83 it is the complementary color #B0127C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FED83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FED83 shade: #54ED7E, #65FF91, #76FFA4, #87FFB7 and #98FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FED83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FED83 shade: #4FED83, #3EDB70, #2DC95D, #1CB74A and #0BA537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FED83 shade: #4FEC83, #4FEC58, #70EC4F, #9AEC4F and #C5EC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FED83 shade: #4FEC83, #4FECAD, #4FECD7, #4FD6EC and #4FACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FED83 shade matches the following richer shades: #4FEC83 and #3FFC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FED83 shade: #4FEC83, #5FDC88, #6ECD8D, #7EBD93 and #8EAD98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FED83 shade: #71EC4F, #4FEC57, #4FEC81, #4FECAB and #4FECD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FED83 shade: #16D354, #2AE868, #4FEC83, #74F09D and #9AF4B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FED83 shade: #4FED83, #4F9BEC and #EC4F5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FED83 shade: #4FED83, #814FEC and #EC814F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FED83 shade: #4FED83, #4F9BEC, #EC4FBA and #ECA04F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FED83 shade: #4FED83, #4F6CEC, #EC4FBA and #ECCF4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

Complementary color

CMYK 0 / 90 / 30 / 31

HEX #B0127C

RGB 176 18 124

HSL 319.75, 0.81%, 0.38%

LAB 39.78, 65.45, -17.65

 

CMYK 65 / 0 / 47 / 7

HEX #54ED7E

RGB 84 237 126

HSL 136.47, 0.81%, 0.63%

LAB 83.94, -63.41, 42.04

 

CMYK 60 / 0 / 43 / 0

HEX #65FF91

RGB 101 255 145

HSL 137.14, 1%, 0.7%

LAB 90.01, -63.71, 40.64

 

CMYK 54 / 0 / 36 / 0

HEX #76FFA4

RGB 118 255 164

HSL 140.15, 1%, 0.73%

LAB 90.8, -56.92, 32.4

 

CMYK 47 / 0 / 28 / 0

HEX #87FFB7

RGB 135 255 183

HSL 144, 1%, 0.76%

LAB 91.73, -49.45, 24.17

 

CMYK 40 / 0 / 21 / 0

HEX #98FFCA

RGB 152 255 202

HSL 149.13, 1%, 0.8%

LAB 92.78, -41.46, 16.04

 

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

CMYK 72 / 0 / 49 / 14

HEX #3EDB70

RGB 62 219 112

HSL 139.11, 0.69%, 0.55%

LAB 77.79, -62.92, 41

 

CMYK 78 / 0 / 54 / 21

HEX #2DC95D

RGB 45 201 93

HSL 138.46, 0.63%, 0.48%

LAB 71.64, -61.96, 42.53

 

CMYK 85 / 0 / 60 / 28

HEX #1CB74A

RGB 28 183 74

HSL 137.81, 0.73%, 0.41%

LAB 65.44, -60.51, 44.06

 

CMYK 93 / 0 / 67 / 35

HEX #0BA537

RGB 11 165 55

HSL 137.14, 0.88%, 0.35%

LAB 59.21, -58.36, 45.48

 

CMYK 67 / 0 / 44 / 7

HEX #4FEC83

RGB 79 236 131

HSL 139.87, 0.81%, 0.62%

LAB 83.6, -63.17, 39.13

 

CMYK 67 / 0 / 63 / 7

HEX #4FEC58

RGB 79 236 88

HSL 123.44, 0.81%, 0.62%

LAB 83.1, -68.85, 58.28

 

CMYK 53 / 0 / 67 / 7

HEX #70EC4F

RGB 112 236 79

HSL 107.39, 0.81%, 0.62%

LAB 83.97, -62.26, 63.11

 

CMYK 35 / 0 / 67 / 7

HEX #9AEC4F

RGB 154 236 79

HSL 91.34, 0.81%, 0.62%

LAB 85.72, -49.52, 65.5

 

CMYK 17 / 0 / 67 / 7

HEX #C5EC4F

RGB 197 236 79

HSL 74.9, 0.81%, 0.62%

LAB 88.17, -33.8, 68.82

 

CMYK 67 / 0 / 44 / 7

HEX #4FEC83

RGB 79 236 131

HSL 139.87, 0.81%, 0.62%

LAB 83.6, -63.17, 39.13

 

CMYK 67 / 0 / 27 / 7

HEX #4FECAD

RGB 79 236 173

HSL 155.92, 0.81%, 0.62%

LAB 84.31, -55.33, 18.79

 

CMYK 67 / 0 / 9 / 7

HEX #4FECD7

RGB 79 236 215

HSL 171.97, 0.81%, 0.62%

LAB 85.28, -45.46, -1.8

 

CMYK 67 / 9 / 0 / 7

HEX #4FD6EC

RGB 79 214 236

HSL 188.41, 0.81%, 0.62%

LAB 79.51, -29.59, -21.56

 

CMYK 67 / 27 / 0 / 7

HEX #4FACEC

RGB 79 172 236

HSL 204.46, 0.81%, 0.62%

LAB 67.44, -7.84, -40.14

 

CMYK 67 / 0 / 44 / 7

HEX #4FEC83

RGB 79 236 131

HSL 139.87, 0.81%, 0.62%

LAB 83.6, -63.17, 39.13

 

CMYK 75 / 0 / 50 / 1

HEX #3FFC7D

RGB 63 252 125

HSL 139.68, 0.97%, 0.62%

LAB 88.04, -72.03, 47.54

 

CMYK 67 / 0 / 44 / 7

HEX #4FEC83

RGB 79 236 131

HSL 139.87, 0.81%, 0.62%

LAB 83.6, -63.17, 39.13

 

CMYK 57 / 0 / 38 / 14

HEX #5FDC88

RGB 95 220 136

HSL 139.68, 0.64%, 0.62%

LAB 79.27, -53.09, 31.07

 

CMYK 46 / 0 / 31 / 20

HEX #6ECD8D

RGB 110 205 141

HSL 139.58, 0.49%, 0.62%

LAB 75.39, -42.25, 23.37

 

CMYK 33 / 0 / 22 / 26

HEX #7EBD93

RGB 126 189 147

HSL 140, 0.32%, 0.62%

LAB 71.51, -29.13, 14.93

 

CMYK 18 / 0 / 12 / 32

HEX #8EAD98

RGB 142 173 152

HSL 139.35, 0.16%, 0.62%

LAB 67.95, -14.87, 7.29

 

CMYK 52 / 0 / 67 / 7

HEX #71EC4F

RGB 113 236 79

HSL 107.01, 0.81%, 0.62%

LAB 84, -61.99, 63.16

 

CMYK 67 / 0 / 63 / 7

HEX #4FEC57

RGB 79 236 87

HSL 123.06, 0.81%, 0.62%

LAB 83.09, -68.95, 58.68

 

CMYK 67 / 0 / 45 / 7

HEX #4FEC81

RGB 79 236 129

HSL 139.11, 0.81%, 0.62%

LAB 83.57, -63.49, 40.07

 

CMYK 67 / 0 / 28 / 7

HEX #4FECAB

RGB 79 236 171

HSL 155.16, 0.81%, 0.62%

LAB 84.27, -55.75, 19.77

 

CMYK 67 / 0 / 10 / 7

HEX #4FECD5

RGB 79 236 213

HSL 171.21, 0.81%, 0.62%

LAB 85.23, -45.97, -0.83

 

CMYK 90 / 0 / 60 / 17

HEX #16D354

RGB 22 211 84

HSL 139.68, 0.81%, 0.46%

LAB 74.44, -68.53, 49.95

 

CMYK 82 / 0 / 55 / 9

HEX #2AE868

RGB 42 232 104

HSL 139.58, 0.81%, 0.54%

LAB 81.4, -70.89, 49.14

 

CMYK 67 / 0 / 44 / 7

HEX #4FEC83

RGB 79 236 131

HSL 139.87, 0.81%, 0.62%

LAB 83.6, -63.17, 39.13

 

CMYK 52 / 0 / 35 / 6

HEX #74F09D

RGB 116 240 157

HSL 139.84, 0.81%, 0.7%

LAB 86.24, -52.59, 29.8

 

CMYK 37 / 0 / 25 / 4

HEX #9AF4B7

RGB 154 244 183

HSL 139.33, 0.8%, 0.78%

LAB 89.39, -39.57, 21.07

 

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

CMYK 67 / 34 / 0 / 7

HEX #4F9BEC

RGB 79 155 236

HSL 210.96, 0.81%, 0.62%

LAB 62.64, 1.78, -47.68

 

CMYK 0 / 67 / 61 / 7

HEX #EC4F5C

RGB 236 79 92

HSL 355.03, 0.81%, 0.62%

LAB 56.29, 60.98, 26.85

 

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

CMYK 45 / 67 / 0 / 7

HEX #814FEC

RGB 129 79 236

HSL 259.11, 0.81%, 0.62%

LAB 47.39, 55.43, -72

 

CMYK 0 / 45 / 67 / 7

HEX #EC814F

RGB 236 129 79

HSL 19.11, 0.81%, 0.62%

LAB 65.04, 37.05, 44.73

 

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

CMYK 67 / 34 / 0 / 7

HEX #4F9BEC

RGB 79 155 236

HSL 210.96, 0.81%, 0.62%

LAB 62.64, 1.78, -47.68

 

CMYK 0 / 67 / 21 / 7

HEX #EC4FBA

RGB 236 79 186

HSL 319.11, 0.81%, 0.62%

LAB 58.95, 70.23, -24.28

 

CMYK 0 / 32 / 67 / 7

HEX #ECA04F

RGB 236 160 79

HSL 30.96, 0.81%, 0.62%

LAB 71.92, 20.79, 52.5

 

CMYK 67 / 0 / 45 / 7

HEX #4FED83

RGB 79 237 131

HSL 139.75, 0.81%, 0.62%

LAB 83.9, -63.53, 39.52

 

CMYK 67 / 54 / 0 / 7

HEX #4F6CEC

RGB 79 108 236

HSL 228.92, 0.81%, 0.62%

LAB 50.03, 30.22, -67.87

 

CMYK 0 / 67 / 21 / 7

HEX #EC4FBA

RGB 236 79 186

HSL 319.11, 0.81%, 0.62%

LAB 58.95, 70.23, -24.28

 

CMYK 0 / 12 / 67 / 7

HEX #ECCF4F

RGB 236 207 79

HSL 48.92, 0.81%, 0.62%

LAB 83.45, -3.82, 64.87

 

Description

Color code: HEX #4FED83 | qconv.com Color code: HEX #4FED83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 237 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 237 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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