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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FF766 it is the complementary color #B00899. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FF766. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FF766 shade: #54F761, #65FF74, #76FF87, #87FF9A and #98FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FF766. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FF766 shade: #4FF766, #3EE553, #2DD340, #1CC12D and #0BAF1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FF766 shade: #4FF666, #65F64F, #92F64F, #BFF64F and #EDF64F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FF766 shade: #4FF666, #4FF693, #4FF6C0, #4FF6ED and #4FD2F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FF766 shade matches the following richer shades: #4FF666

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FF766 shade: #4FF666, #5EE771, #6DD97C, #7CCA86 and #8BBB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FF766 shade: #92F64F, #65F64F, #4FF665, #4FF692 and #4FF6BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FF766 shade: #0AE829, #28F444, #4FF666, #77F888 and #9EFAAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FF766 shade: #4FF766, #4FBFF6 and #F64F7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FF766 shade: #4FF766, #654FF6 and #F6654F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FF766 shade: #4FF766, #4FBFF6, #F64FE0 and #F6874F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FF766 shade: #4FF766, #4F8CF6, #F64FE0 and #F6B94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

Complementary color

CMYK 0 / 95 / 13 / 31

HEX #B00899

RGB 176 8 153

HSL 308.21, 0.91%, 0.36%

LAB 40.74, 70.31, -33.95

 

CMYK 66 / 0 / 61 / 3

HEX #54F761

RGB 84 247 97

HSL 124.79, 0.91%, 0.65%

LAB 86.64, -70.62, 58.51

 

CMYK 60 / 0 / 55 / 0

HEX #65FF74

RGB 101 255 116

HSL 125.84, 1%, 0.7%

LAB 89.65, -67.78, 53.81

 

CMYK 54 / 0 / 47 / 0

HEX #76FF87

RGB 118 255 135

HSL 127.45, 1%, 0.73%

LAB 90.38, -61.45, 46.02

 

CMYK 47 / 0 / 40 / 0

HEX #87FF9A

RGB 135 255 154

HSL 129.5, 1%, 0.76%

LAB 91.24, -54.38, 38.04

 

CMYK 40 / 0 / 32 / 0

HEX #98FFAD

RGB 152 255 173

HSL 132.23, 1%, 0.8%

LAB 92.23, -46.7, 30.02

 

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

CMYK 73 / 0 / 64 / 10

HEX #3EE553

RGB 62 229 83

HSL 127.54, 0.76%, 0.57%

LAB 80.56, -69.97, 57.43

 

CMYK 79 / 0 / 70 / 17

HEX #2DD340

RGB 45 211 64

HSL 126.87, 0.65%, 0.5%

LAB 74.52, -68.52, 58.38

 

CMYK 85 / 0 / 77 / 24

HEX #1CC12D

RGB 28 193 45

HSL 126.18, 0.75%, 0.43%

LAB 68.44, -66.47, 58.88

 

CMYK 94 / 0 / 85 / 31

HEX #0BAF1A

RGB 11 175 26

HSL 125.49, 0.88%, 0.36%

LAB 62.34, -63.61, 58.55

 

CMYK 68 / 0 / 59 / 4

HEX #4FF666

RGB 79 246 102

HSL 128.26, 0.9%, 0.64%

LAB 86.27, -70.63, 55.91

 

CMYK 59 / 0 / 68 / 4

HEX #65F64F

RGB 101 246 79

HSL 112.1, 0.9%, 0.64%

LAB 86.62, -68.48, 65.83

 

CMYK 41 / 0 / 68 / 4

HEX #92F64F

RGB 146 246 79

HSL 95.93, 0.9%, 0.64%

LAB 88.25, -56.16, 68.04

 

CMYK 22 / 0 / 68 / 4

HEX #BFF64F

RGB 191 246 79

HSL 79.76, 0.9%, 0.64%

LAB 90.58, -40.58, 71.17

 

CMYK 4 / 0 / 68 / 4

HEX #EDF64F

RGB 237 246 79

HSL 63.23, 0.9%, 0.64%

LAB 93.66, -22.66, 75.28

 

CMYK 68 / 0 / 59 / 4

HEX #4FF666

RGB 79 246 102

HSL 128.26, 0.9%, 0.64%

LAB 86.27, -70.63, 55.91

 

CMYK 68 / 0 / 40 / 4

HEX #4FF693

RGB 79 246 147

HSL 144.43, 0.9%, 0.64%

LAB 86.84, -64.12, 35.43

 

CMYK 68 / 0 / 22 / 4

HEX #4FF6C0

RGB 79 246 192

HSL 160.6, 0.9%, 0.64%

LAB 87.67, -55.16, 13.65

 

CMYK 68 / 0 / 4 / 4

HEX #4FF6ED

RGB 79 246 237

HSL 176.77, 0.9%, 0.64%

LAB 88.77, -44.08, -8.18

 

CMYK 68 / 15 / 0 / 4

HEX #4FD2F6

RGB 79 210 246

HSL 192.93, 0.9%, 0.64%

LAB 78.7, -24.63, -28.12

 

CMYK 68 / 0 / 59 / 4

HEX #4FF666

RGB 79 246 102

HSL 128.26, 0.9%, 0.64%

LAB 86.27, -70.63, 55.91

 

CMYK 68 / 0 / 59 / 4

HEX #4FF666

RGB 79 246 102

HSL 128.26, 0.9%, 0.64%

LAB 86.27, -70.63, 55.91

 

CMYK 59 / 0 / 51 / 9

HEX #5EE771

RGB 94 231 113

HSL 128.32, 0.74%, 0.64%

LAB 82.23, -61.06, 46.18

 

CMYK 50 / 0 / 43 / 15

HEX #6DD97C

RGB 109 217 124

HSL 128.33, 0.59%, 0.64%

LAB 78.66, -50.44, 36.43

 

CMYK 39 / 0 / 34 / 21

HEX #7CCA86

RGB 124 202 134

HSL 127.69, 0.42%, 0.64%

LAB 74.98, -38.14, 26.59

 

CMYK 26 / 0 / 22 / 27

HEX #8BBB91

RGB 139 187 145

HSL 127.5, 0.26%, 0.64%

LAB 71.61, -24.32, 16.25

 

CMYK 41 / 0 / 68 / 4

HEX #92F64F

RGB 146 246 79

HSL 95.93, 0.9%, 0.64%

LAB 88.25, -56.16, 68.04

 

CMYK 59 / 0 / 68 / 4

HEX #65F64F

RGB 101 246 79

HSL 112.1, 0.9%, 0.64%

LAB 86.62, -68.48, 65.83

 

CMYK 68 / 0 / 59 / 4

HEX #4FF665

RGB 79 246 101

HSL 127.9, 0.9%, 0.64%

LAB 86.26, -70.74, 56.34

 

CMYK 68 / 0 / 41 / 4

HEX #4FF692

RGB 79 246 146

HSL 144.07, 0.9%, 0.64%

LAB 86.82, -64.29, 35.91

 

CMYK 68 / 0 / 22 / 4

HEX #4FF6BF

RGB 79 246 191

HSL 160.24, 0.9%, 0.64%

LAB 87.65, -55.38, 14.14

 

CMYK 96 / 0 / 82 / 9

HEX #0AE829

RGB 10 232 41

HSL 128.38, 0.92%, 0.47%

LAB 80.7, -78.75, 71.56

 

CMYK 84 / 0 / 72 / 4

HEX #28F444

RGB 40 244 68

HSL 128.24, 0.9%, 0.56%

LAB 84.78, -78.51, 67.52

 

CMYK 68 / 0 / 59 / 4

HEX #4FF666

RGB 79 246 102

HSL 128.26, 0.9%, 0.64%

LAB 86.27, -70.63, 55.91

 

CMYK 52 / 0 / 45 / 3

HEX #77F888

RGB 119 248 136

HSL 127.91, 0.9%, 0.72%

LAB 88.37, -58.39, 43.01

 

CMYK 37 / 0 / 32 / 2

HEX #9EFAAB

RGB 158 250 171

HSL 128.48, 0.9%, 0.8%

LAB 91.04, -43.14, 29.48

 

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

CMYK 68 / 22 / 0 / 4

HEX #4FBFF6

RGB 79 191 246

HSL 199.76, 0.9%, 0.64%

LAB 73.27, -14.87, -36.49

 

CMYK 0 / 68 / 50 / 4

HEX #F64F7C

RGB 246 79 124

HSL 343.83, 0.9%, 0.64%

LAB 58.64, 66.35, 11.56

 

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

CMYK 59 / 68 / 0 / 4

HEX #654FF6

RGB 101 79 246

HSL 247.9, 0.9%, 0.64%

LAB 45.65, 53.75, -80.55

 

CMYK 0 / 59 / 68 / 4

HEX #F6654F

RGB 246 101 79

HSL 7.9, 0.9%, 0.64%

LAB 61.19, 54.28, 40.62

 

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

CMYK 68 / 22 / 0 / 4

HEX #4FBFF6

RGB 79 191 246

HSL 199.76, 0.9%, 0.64%

LAB 73.27, -14.87, -36.49

 

CMYK 0 / 68 / 9 / 4

HEX #F64FE0

RGB 246 79 224

HSL 307.9, 0.9%, 0.64%

LAB 62.14, 77.96, -40.77

 

CMYK 0 / 45 / 68 / 4

HEX #F6874F

RGB 246 135 79

HSL 20.12, 0.9%, 0.64%

LAB 67.64, 37.88, 48.06

 

CMYK 68 / 0 / 59 / 3

HEX #4FF766

RGB 79 247 102

HSL 128.21, 0.91%, 0.64%

LAB 86.57, -70.96, 56.26

 

CMYK 68 / 43 / 0 / 4

HEX #4F8CF6

RGB 79 140 246

HSL 218.08, 0.9%, 0.64%

LAB 59.04, 14.07, -58.92

 

CMYK 0 / 68 / 9 / 4

HEX #F64FE0

RGB 246 79 224

HSL 307.9, 0.9%, 0.64%

LAB 62.14, 77.96, -40.77

 

CMYK 0 / 25 / 68 / 4

HEX #F6B94F

RGB 246 185 79

HSL 38.08, 0.9%, 0.64%

LAB 78.96, 11.77, 60.44

 

Description

Color code: HEX #4FF766 | qconv.com Color code: HEX #4FF766 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 247 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 247 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 59 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 59% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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