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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FF97B it is the complementary color #B00684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FF97B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FF97B shade: #54F976, #65FF89, #76FF9C, #87FFAF and #98FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FF97B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FF97B shade: #4FF97B, #3EE768, #2DD555, #1CC342 and #0BB12F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FF97B shade: #4DF87A, #4FF84D, #7DF84D, #ABF84D and #D9F84D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FF97B shade: #4DF87A, #4DF8A8, #4DF8D6, #4DECF8 and #4DBEF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FF97B shade matches the following richer shades: #4DF87A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FF97B shade: #4DF87A, #5CE981, #6BDA88, #7ACC8F and #89BD96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FF97B shade: #7EF84D, #50F84D, #4DF878, #4DF8A6 and #4DF8D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FF97B shade: #08EB43, #26F75C, #4DF87A, #75FA97 and #9DFBB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FF97B shade: #4FF97B, #4DABF8 and #F84D67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FF97B shade: #4FF97B, #784DF8 and #F8784D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FF97B shade: #4FF97B, #4DABF8, #F84DCD and #F89A4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FF97B shade: #4FF97B, #4D78F8, #F84DCD and #F8CD4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

Complementary color

CMYK 0 / 97 / 25 / 31

HEX #B00684

RGB 176 6 132

HSL 315.53, 0.93%, 0.36%

LAB 39.62, 67.86, -22.85

 

CMYK 66 / 0 / 53 / 2

HEX #54F976

RGB 84 249 118

HSL 132.36, 0.93%, 0.65%

LAB 87.46, -68.76, 50.17

 

CMYK 60 / 0 / 46 / 0

HEX #65FF89

RGB 101 255 137

HSL 134.03, 1%, 0.7%

LAB 89.9, -64.93, 44.36

 

CMYK 54 / 0 / 39 / 0

HEX #76FF9C

RGB 118 255 156

HSL 136.64, 1%, 0.73%

LAB 90.68, -58.26, 36.21

 

CMYK 47 / 0 / 31 / 0

HEX #87FFAF

RGB 135 255 175

HSL 140, 1%, 0.76%

LAB 91.58, -50.9, 28.02

 

CMYK 40 / 0 / 24 / 0

HEX #98FFC2

RGB 152 255 194

HSL 144.47, 1%, 0.8%

LAB 92.61, -42.98, 19.9

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 73 / 0 / 55 / 9

HEX #3EE768

RGB 62 231 104

HSL 134.91, 0.78%, 0.57%

LAB 81.39, -68.14, 49.19

 

CMYK 79 / 0 / 60 / 16

HEX #2DD555

RGB 45 213 85

HSL 134.29, 0.67%, 0.51%

LAB 75.33, -66.95, 50.58

 

CMYK 86 / 0 / 66 / 24

HEX #1CC342

RGB 28 195 66

HSL 133.65, 0.75%, 0.44%

LAB 69.23, -65.23, 51.86

 

CMYK 94 / 0 / 73 / 31

HEX #0BB12F

RGB 11 177 47

HSL 133.01, 0.88%, 0.37%

LAB 63.11, -62.79, 52.81

 

CMYK 69 / 0 / 51 / 3

HEX #4DF87A

RGB 77 248 122

HSL 135.79, 0.92%, 0.64%

LAB 87.05, -69.07, 47.78

 

CMYK 68 / 0 / 69 / 3

HEX #4FF84D

RGB 79 248 77

HSL 119.3, 0.92%, 0.64%

LAB 86.67, -73.77, 66.45

 

CMYK 50 / 0 / 69 / 3

HEX #7DF84D

RGB 125 248 77

HSL 103.16, 0.92%, 0.64%

LAB 87.98, -63.29, 68.23

 

CMYK 31 / 0 / 69 / 3

HEX #ABF84D

RGB 171 248 77

HSL 87.02, 0.92%, 0.64%

LAB 90.01, -48.79, 70.96

 

CMYK 13 / 0 / 69 / 3

HEX #D9F84D

RGB 217 248 77

HSL 70.88, 0.92%, 0.64%

LAB 92.76, -31.65, 74.63

 

CMYK 69 / 0 / 51 / 3

HEX #4DF87A

RGB 77 248 122

HSL 135.79, 0.92%, 0.64%

LAB 87.05, -69.07, 47.78

 

CMYK 69 / 0 / 32 / 3

HEX #4DF8A8

RGB 77 248 168

HSL 151.93, 0.92%, 0.64%

LAB 87.75, -61.29, 26.08

 

CMYK 69 / 0 / 14 / 3

HEX #4DF8D6

RGB 77 248 214

HSL 168.07, 0.92%, 0.64%

LAB 88.72, -51.09, 3.72

 

CMYK 69 / 5 / 0 / 3

HEX #4DECF8

RGB 77 236 248

HSL 184.21, 0.92%, 0.64%

LAB 86.18, -36.8, -17.82

 

CMYK 69 / 23 / 0 / 3

HEX #4DBEF8

RGB 77 190 248

HSL 200.35, 0.92%, 0.64%

LAB 73.01, -13.98, -37.98

 

CMYK 69 / 0 / 51 / 3

HEX #4DF87A

RGB 77 248 122

HSL 135.79, 0.92%, 0.64%

LAB 87.05, -69.07, 47.78

 

CMYK 69 / 0 / 51 / 3

HEX #4DF87A

RGB 77 248 122

HSL 135.79, 0.92%, 0.64%

LAB 87.05, -69.07, 47.78

 

CMYK 61 / 0 / 45 / 9

HEX #5CE981

RGB 92 233 129

HSL 135.74, 0.76%, 0.64%

LAB 82.99, -59.9, 39.4

 

CMYK 51 / 0 / 38 / 15

HEX #6BDA88

RGB 107 218 136

HSL 135.68, 0.6%, 0.64%

LAB 79.07, -49.43, 30.88

 

CMYK 40 / 0 / 30 / 20

HEX #7ACC8F

RGB 122 204 143

HSL 135.37, 0.45%, 0.64%

LAB 75.64, -38.07, 22.74

 

CMYK 28 / 0 / 21 / 26

HEX #89BD96

RGB 137 189 150

HSL 135, 0.28%, 0.64%

LAB 72.17, -25.05, 14.32

 

CMYK 49 / 0 / 69 / 3

HEX #7EF84D

RGB 126 248 77

HSL 102.81, 0.92%, 0.64%

LAB 88.02, -63.01, 68.28

 

CMYK 68 / 0 / 69 / 3

HEX #50F84D

RGB 80 248 77

HSL 118.95, 0.92%, 0.64%

LAB 86.69, -73.59, 66.48

 

CMYK 69 / 0 / 52 / 3

HEX #4DF878

RGB 77 248 120

HSL 135.09, 0.92%, 0.64%

LAB 87.03, -69.35, 48.69

 

CMYK 69 / 0 / 33 / 3

HEX #4DF8A6

RGB 77 248 166

HSL 151.23, 0.92%, 0.64%

LAB 87.71, -61.68, 27.04

 

CMYK 69 / 0 / 15 / 3

HEX #4DF8D3

RGB 77 248 211

HSL 167.02, 0.92%, 0.64%

LAB 88.65, -51.82, 5.18

 

CMYK 97 / 0 / 71 / 8

HEX #08EB43

RGB 8 235 67

HSL 135.59, 0.93%, 0.48%

LAB 81.77, -77.91, 64.72

 

CMYK 85 / 0 / 63 / 3

HEX #26F75C

RGB 38 247 92

HSL 135.5, 0.93%, 0.56%

LAB 85.86, -77.31, 59.52

 

CMYK 69 / 0 / 51 / 3

HEX #4DF87A

RGB 77 248 122

HSL 135.79, 0.92%, 0.64%

LAB 87.05, -69.07, 47.78

 

CMYK 53 / 0 / 40 / 2

HEX #75FA97

RGB 117 250 151

HSL 135.34, 0.93%, 0.72%

LAB 89.11, -57.35, 36.61

 

CMYK 37 / 0 / 28 / 2

HEX #9DFBB5

RGB 157 251 181

HSL 135.32, 0.92%, 0.8%

LAB 91.46, -42.18, 24.97

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 69 / 31 / 0 / 3

HEX #4DABF8

RGB 77 171 248

HSL 207.02, 0.92%, 0.64%

LAB 67.64, -3.6, -46.39

 

CMYK 0 / 69 / 58 / 3

HEX #F84D67

RGB 248 77 103

HSL 350.88, 0.92%, 0.64%

LAB 58.27, 66.12, 23.42

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 52 / 69 / 0 / 3

HEX #784DF8

RGB 120 77 248

HSL 255.09, 0.92%, 0.64%

LAB 47.08, 58.19, -79.27

 

CMYK 0 / 52 / 69 / 3

HEX #F8784D

RGB 248 120 77

HSL 15.09, 0.92%, 0.64%

LAB 64.9, 46.01, 46.05

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 69 / 31 / 0 / 3

HEX #4DABF8

RGB 77 171 248

HSL 207.02, 0.92%, 0.64%

LAB 67.64, -3.6, -46.39

 

CMYK 0 / 69 / 17 / 3

HEX #F84DCD

RGB 248 77 205

HSL 315.09, 0.92%, 0.64%

LAB 61.37, 76.45, -31.23

 

CMYK 0 / 38 / 69 / 3

HEX #F89A4D

RGB 248 154 77

HSL 27.02, 0.92%, 0.64%

LAB 71.96, 28.76, 53.9

 

CMYK 68 / 0 / 51 / 2

HEX #4FF97B

RGB 79 249 123

HSL 135.53, 0.93%, 0.64%

LAB 87.41, -68.94, 47.76

 

CMYK 69 / 52 / 0 / 3

HEX #4D78F8

RGB 77 120 248

HSL 224.91, 0.92%, 0.64%

LAB 53.8, 26.68, -68.46

 

CMYK 0 / 69 / 17 / 3

HEX #F84DCD

RGB 248 77 205

HSL 315.09, 0.92%, 0.64%

LAB 61.37, 76.45, -31.23

 

CMYK 0 / 17 / 69 / 3

HEX #F8CD4D

RGB 248 205 77

HSL 44.91, 0.92%, 0.64%

LAB 84.05, 2.12, 66.64

 

Description

Color code: HEX #4FF97B | qconv.com Color code: HEX #4FF97B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 249 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 249 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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