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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FF04B it is the complementary color #B00FB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FF04B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FF04B shade: #54F046, #65FF59, #76FF6C, #87FF7F and #98FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FF04B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FF04B shade: #4FF04B, #3EDE38, #2DCC25, #1CBA12 and #0BA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FF04B shade: #4FF04B, #7CF04B, #A8F04B, #D4F04B and #F0DF4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FF04B shade: #4FF04B, #4BF074, #4BF0A0, #4BF0CD and #4BE7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FF04B shade matches the following richer shades: #4FF04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FF04B shade: #4FF04B, #5EE05B, #6DD16B, #7CC17A and #8BB18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FF04B shade: #A9F04B, #7DF04B, #51F04B, #4BF072 and #4BF09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FF04B shade: #16D811, #2AED25, #4FF04B, #75F371 and #9AF698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FF04B shade: #4FF04B, #4BD5F0 and #F04B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FF04B shade: #4FF04B, #4B51F0 and #F04B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FF04B shade: #4FF04B, #4BD5F0, #EA4BF0 and #F0674B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FF04B shade: #4FF04B, #4BA3F0, #EA4BF0 and #F0984B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

Complementary color

CMYK 2 / 92 / 0 / 29

HEX #B00FB4

RGB 176 15 180

HSL 298.55, 0.85%, 0.38%

LAB 42.56, 73.45, -47.2

 

CMYK 65 / 0 / 71 / 6

HEX #54F046

RGB 84 240 70

HSL 115.06, 0.85%, 0.61%

LAB 84.3, -70.83, 66.57

 

CMYK 60 / 0 / 65 / 0

HEX #65FF59

RGB 101 255 89

HSL 115.66, 1%, 0.67%

LAB 89.4, -70.67, 64.96

 

CMYK 54 / 0 / 58 / 0

HEX #76FF6C

RGB 118 255 108

HSL 115.92, 1%, 0.71%

LAB 90.07, -64.81, 57.97

 

CMYK 47 / 0 / 50 / 0

HEX #87FF7F

RGB 135 255 127

HSL 116.25, 1%, 0.75%

LAB 90.87, -58.16, 50.52

 

CMYK 40 / 0 / 43 / 0

HEX #98FF92

RGB 152 255 146

HSL 116.7, 1%, 0.79%

LAB 91.81, -50.83, 42.82

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 72 / 0 / 75 / 13

HEX #3EDE38

RGB 62 222 56

HSL 117.83, 0.72%, 0.55%

LAB 78.2, -70.12, 65.06

 

CMYK 78 / 0 / 82 / 20

HEX #2DCC25

RGB 45 204 37

HSL 117.13, 0.69%, 0.47%

LAB 72.15, -68.32, 64.83

 

CMYK 85 / 0 / 90 / 27

HEX #1CBA12

RGB 28 186 18

HSL 116.43, 0.82%, 0.4%

LAB 66.07, -65.82, 63.53

 

CMYK 93 / 0 / 100 / 34

HEX #0BA800

RGB 11 168 0

HSL 116.07, 1%, 0.33%

LAB 59.96, -62.46, 60.93

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 48 / 0 / 69 / 6

HEX #7CF04B

RGB 124 240 75

HSL 102.18, 0.85%, 0.62%

LAB 85.56, -60.77, 66.44

 

CMYK 30 / 0 / 69 / 6

HEX #A8F04B

RGB 168 240 75

HSL 86.18, 0.85%, 0.62%

LAB 87.56, -46.61, 69.13

 

CMYK 12 / 0 / 69 / 6

HEX #D4F04B

RGB 212 240 75

HSL 70.18, 0.85%, 0.62%

LAB 90.24, -30.02, 72.71

 

CMYK 0 / 7 / 69 / 6

HEX #F0DF4B

RGB 240 223 75

HSL 53.82, 0.85%, 0.62%

LAB 87.88, -10.43, 71.05

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 69 / 0 / 52 / 6

HEX #4BF074

RGB 75 240 116

HSL 134.91, 0.85%, 0.62%

LAB 84.52, -67.5, 47.48

 

CMYK 69 / 0 / 33 / 6

HEX #4BF0A0

RGB 75 240 160

HSL 150.91, 0.85%, 0.62%

LAB 85.18, -60.15, 26.65

 

CMYK 69 / 0 / 15 / 6

HEX #4BF0CD

RGB 75 240 205

HSL 167.27, 0.85%, 0.62%

LAB 86.12, -50.23, 4.65

 

CMYK 69 / 4 / 0 / 6

HEX #4BE7F0

RGB 75 231 240

HSL 183.27, 0.85%, 0.62%

LAB 84.45, -37.02, -16.22

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 58 / 0 / 59 / 12

HEX #5EE05B

RGB 94 224 91

HSL 118.65, 0.68%, 0.62%

LAB 79.87, -61.23, 53.44

 

CMYK 48 / 0 / 49 / 18

HEX #6DD16B

RGB 109 209 107

HSL 118.82, 0.53%, 0.62%

LAB 76.02, -49.65, 41.52

 

CMYK 36 / 0 / 37 / 24

HEX #7CC17A

RGB 124 193 122

HSL 118.31, 0.36%, 0.62%

LAB 72.11, -36.02, 29.06

 

CMYK 21 / 0 / 22 / 31

HEX #8BB18A

RGB 139 177 138

HSL 118.46, 0.2%, 0.62%

LAB 68.58, -20.57, 15.84

 

CMYK 30 / 0 / 69 / 6

HEX #A9F04B

RGB 169 240 75

HSL 85.82, 0.85%, 0.62%

LAB 87.61, -46.26, 69.2

 

CMYK 48 / 0 / 69 / 6

HEX #7DF04B

RGB 125 240 75

HSL 101.82, 0.85%, 0.62%

LAB 85.6, -60.48, 66.49

 

CMYK 66 / 0 / 69 / 6

HEX #51F04B

RGB 81 240 75

HSL 117.82, 0.85%, 0.62%

LAB 84.27, -71.01, 64.69

 

CMYK 69 / 0 / 53 / 6

HEX #4BF072

RGB 75 240 114

HSL 134.18, 0.85%, 0.62%

LAB 84.5, -67.78, 48.38

 

CMYK 69 / 0 / 34 / 6

HEX #4BF09E

RGB 75 240 158

HSL 150.18, 0.85%, 0.62%

LAB 85.14, -60.53, 27.62

 

CMYK 90 / 0 / 92 / 15

HEX #16D811

RGB 22 216 17

HSL 118.49, 0.85%, 0.46%

LAB 75.65, -74.74, 71.77

 

CMYK 82 / 0 / 84 / 7

HEX #2AED25

RGB 42 237 37

HSL 118.5, 0.85%, 0.54%

LAB 82.48, -78.21, 74.18

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 52 / 0 / 53 / 5

HEX #75F371

RGB 117 243 113

HSL 118.15, 0.84%, 0.7%

LAB 86.54, -60.04, 51.58

 

CMYK 37 / 0 / 38 / 4

HEX #9AF698

RGB 154 246 152

HSL 118.72, 0.84%, 0.78%

LAB 89.42, -45.57, 36.8

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 69 / 11 / 0 / 6

HEX #4BD5F0

RGB 75 213 240

HSL 189.82, 0.85%, 0.62%

LAB 79.26, -28.48, -24.08

 

CMYK 0 / 69 / 39 / 6

HEX #F04B93

RGB 240 75 147

HSL 333.82, 0.85%, 0.62%

LAB 57.72, 68.22, -3.41

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 69 / 66 / 0 / 6

HEX #4B51F0

RGB 75 81 240

HSL 237.82, 0.85%, 0.62%

LAB 43.76, 47.41, -80.35

 

CMYK 0 / 69 / 66 / 6

HEX #F04B51

RGB 240 75 81

HSL 357.82, 0.85%, 0.62%

LAB 56.24, 63.12, 33.3

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 69 / 11 / 0 / 6

HEX #4BD5F0

RGB 75 213 240

HSL 189.82, 0.85%, 0.62%

LAB 79.26, -28.48, -24.08

 

CMYK 3 / 69 / 0 / 6

HEX #EA4BF0

RGB 234 75 240

HSL 297.82, 0.85%, 0.62%

LAB 60.62, 79.15, -52.23

 

CMYK 0 / 57 / 69 / 6

HEX #F0674B

RGB 240 103 75

HSL 10.18, 0.85%, 0.62%

LAB 60.55, 51.07, 41.78

 

CMYK 67 / 0 / 69 / 6

HEX #4FF04B

RGB 79 240 75

HSL 118.55, 0.85%, 0.62%

LAB 84.22, -71.38, 64.63

 

CMYK 69 / 32 / 0 / 6

HEX #4BA3F0

RGB 75 163 240

HSL 208, 0.85%, 0.62%

LAB 64.95, -2.07, -46.25

 

CMYK 3 / 69 / 0 / 6

HEX #EA4BF0

RGB 234 75 240

HSL 297.82, 0.85%, 0.62%

LAB 60.62, 79.15, -52.23

 

CMYK 0 / 37 / 69 / 6

HEX #F0984B

RGB 240 152 75

HSL 28, 0.85%, 0.62%

LAB 70.52, 26.45, 52.98

 

Description

Color code: HEX #4FF04B | qconv.com Color code: HEX #4FF04B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 240 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 240 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 69 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 69% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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