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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFC83 it is the complementary color #B0037C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFC83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFC83 shade: #54FC7E, #65FF91, #76FFA4, #87FFB7 and #98FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFC83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFC83 shade: #4FFC83, #3EEA70, #2DD85D, #1CC64A and #0BB437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFC83 shade: #4FFC83, #4FFC54, #78FC4F, #A7FC4F and #D5FC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFC83 shade: #4FFC83, #4FFCB1, #4FFCE0, #4FE9FC and #4FBAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFC83 shade matches the following richer shades: #4FFC83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFC83 shade: #4FFC83, #5DED88, #6CDF8E, #7AD194 and #88C29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFC83 shade: #77FC4F, #4FFC54, #4FFC83, #4FFCB1 and #4FFCDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFC83 shade: #03F54C, #26FB66, #4FFC83, #77FC9F and #A0FDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFC83 shade: #4FFC83, #4FA5FC and #FC4F60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFC83 shade: #4FFC83, #834FFC and #FC834F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFC83 shade: #4FFC83, #4FA5FC, #FC4FC8 and #FCA54F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFC83 shade: #4FFC83, #4F71FC, #FC4FC8 and #FCD94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

Complementary color

CMYK 0 / 98 / 30 / 31

HEX #B0037C

RGB 176 3 124

HSL 318.03, 0.97%, 0.35%

LAB 39.16, 67.26, -18.6

 

CMYK 67 / 0 / 50 / 1

HEX #54FC7E

RGB 84 252 126

HSL 135, 0.97%, 0.66%

LAB 88.45, -68.69, 47.67

 

CMYK 60 / 0 / 43 / 0

HEX #65FF91

RGB 101 255 145

HSL 137.14, 1%, 0.7%

LAB 90.01, -63.71, 40.64

 

CMYK 54 / 0 / 36 / 0

HEX #76FFA4

RGB 118 255 164

HSL 140.15, 1%, 0.73%

LAB 90.8, -56.92, 32.4

 

CMYK 47 / 0 / 28 / 0

HEX #87FFB7

RGB 135 255 183

HSL 144, 1%, 0.76%

LAB 91.73, -49.45, 24.17

 

CMYK 40 / 0 / 21 / 0

HEX #98FFCA

RGB 152 255 202

HSL 149.13, 1%, 0.8%

LAB 92.78, -41.46, 16.04

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 74 / 0 / 52 / 8

HEX #3EEA70

RGB 62 234 112

HSL 137.44, 0.8%, 0.58%

LAB 82.4, -68.04, 46.7

 

CMYK 79 / 0 / 57 / 15

HEX #2DD85D

RGB 45 216 93

HSL 136.84, 0.69%, 0.51%

LAB 76.35, -66.91, 48.17

 

CMYK 86 / 0 / 63 / 22

HEX #1CC64A

RGB 28 198 74

HSL 136.24, 0.75%, 0.44%

LAB 70.27, -65.27, 49.59

 

CMYK 94 / 0 / 69 / 29

HEX #0BB437

RGB 11 180 55

HSL 135.62, 0.88%, 0.37%

LAB 64.15, -62.95, 50.82

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 0 / 67 / 1

HEX #4FFC54

RGB 79 252 84

HSL 121.73, 0.97%, 0.65%

LAB 87.93, -74.43, 65.16

 

CMYK 52 / 0 / 69 / 1

HEX #78FC4F

RGB 120 252 79

HSL 105.78, 0.97%, 0.65%

LAB 89.01, -65.92, 68.51

 

CMYK 34 / 0 / 69 / 1

HEX #A7FC4F

RGB 167 252 79

HSL 89.48, 0.97%, 0.65%

LAB 90.96, -51.69, 71.15

 

CMYK 15 / 0 / 69 / 1

HEX #D5FC4F

RGB 213 252 79

HSL 73.53, 0.97%, 0.65%

LAB 93.59, -34.92, 74.66

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 0 / 30 / 1

HEX #4FFCB1

RGB 79 252 177

HSL 153.99, 0.97%, 0.65%

LAB 89.14, -60.7, 23.41

 

CMYK 69 / 0 / 11 / 1

HEX #4FFCE0

RGB 79 252 224

HSL 170.29, 0.97%, 0.65%

LAB 90.17, -50.02, 0.64

 

CMYK 69 / 8 / 0 / 1

HEX #4FE9FC

RGB 79 233 252

HSL 186.59, 0.97%, 0.65%

LAB 85.49, -34, -20.96

 

CMYK 69 / 26 / 0 / 1

HEX #4FBAFC

RGB 79 186 252

HSL 202.89, 0.97%, 0.65%

LAB 72.1, -10.26, -41.55

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 61 / 0 / 43 / 7

HEX #5DED88

RGB 93 237 136

HSL 137.92, 0.8%, 0.65%

LAB 84.32, -60.08, 37.66

 

CMYK 52 / 0 / 36 / 13

HEX #6CDF8E

RGB 108 223 142

HSL 137.74, 0.64%, 0.65%

LAB 80.69, -50.21, 29.97

 

CMYK 42 / 0 / 29 / 18

HEX #7AD194

RGB 122 209 148

HSL 137.93, 0.49%, 0.65%

LAB 77.21, -39.42, 22.25

 

CMYK 30 / 0 / 21 / 24

HEX #88C29A

RGB 136 194 154

HSL 138.62, 0.32%, 0.65%

LAB 73.64, -27.07, 14.22

 

CMYK 53 / 0 / 69 / 1

HEX #77FC4F

RGB 119 252 79

HSL 106.13, 0.97%, 0.65%

LAB 88.97, -66.18, 68.46

 

CMYK 69 / 0 / 67 / 1

HEX #4FFC54

RGB 79 252 84

HSL 121.73, 0.97%, 0.65%

LAB 87.93, -74.43, 65.16

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 0 / 30 / 1

HEX #4FFCB1

RGB 79 252 177

HSL 153.99, 0.97%, 0.65%

LAB 89.14, -60.7, 23.41

 

CMYK 69 / 0 / 12 / 1

HEX #4FFCDF

RGB 79 252 223

HSL 169.94, 0.97%, 0.65%

LAB 90.14, -50.27, 1.12

 

CMYK 99 / 0 / 69 / 4

HEX #03F54C

RGB 3 245 76

HSL 138.1, 0.98%, 0.49%

LAB 84.92, -80.07, 64.73

 

CMYK 85 / 0 / 59 / 2

HEX #26FB66

RGB 38 251 102

HSL 138.03, 0.96%, 0.57%

LAB 87.18, -77.37, 56.8

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 53 / 0 / 37 / 1

HEX #77FC9F

RGB 119 252 159

HSL 138.05, 0.96%, 0.73%

LAB 89.88, -56.35, 33.67

 

CMYK 37 / 0 / 26 / 1

HEX #A0FDBC

RGB 160 253 188

HSL 138.06, 0.96%, 0.81%

LAB 92.29, -40.97, 22.57

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 35 / 0 / 1

HEX #4FA5FC

RGB 79 165 252

HSL 210.17, 0.97%, 0.65%

LAB 66.21, 1.44, -50.8

 

CMYK 0 / 69 / 62 / 1

HEX #FC4F60

RGB 252 79 96

HSL 354.1, 0.97%, 0.65%

LAB 59.1, 66.16, 28.7

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 48 / 69 / 0 / 1

HEX #834FFC

RGB 131 79 252

HSL 258.03, 0.97%, 0.65%

LAB 48.82, 60.01, -78.61

 

CMYK 0 / 48 / 69 / 1

HEX #FC834F

RGB 252 131 79

HSL 18.03, 0.97%, 0.65%

LAB 67.64, 42.21, 48.28

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 35 / 0 / 1

HEX #4FA5FC

RGB 79 165 252

HSL 210.17, 0.97%, 0.65%

LAB 66.21, 1.44, -50.8

 

CMYK 0 / 69 / 21 / 1

HEX #FC4FC8

RGB 252 79 200

HSL 318.03, 0.97%, 0.65%

LAB 62.05, 76.08, -27.29

 

CMYK 0 / 35 / 69 / 1

HEX #FCA54F

RGB 252 165 79

HSL 29.83, 0.97%, 0.65%

LAB 74.93, 24.74, 56.33

 

CMYK 69 / 0 / 48 / 1

HEX #4FFC83

RGB 79 252 131

HSL 138.03, 0.97%, 0.65%

LAB 88.41, -68.81, 45.23

 

CMYK 69 / 55 / 0 / 1

HEX #4F71FC

RGB 79 113 252

HSL 228.21, 0.97%, 0.65%

LAB 52.4, 32.64, -72.94

 

CMYK 0 / 69 / 21 / 1

HEX #FC4FC8

RGB 252 79 200

HSL 318.03, 0.97%, 0.65%

LAB 62.05, 76.08, -27.29

 

CMYK 0 / 14 / 69 / 1

HEX #FCD94F

RGB 252 217 79

HSL 47.86, 0.97%, 0.65%

LAB 87.43, -2.23, 69.42

 

Description

Color code: HEX #4FFC83 | qconv.com Color code: HEX #4FFC83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 252 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 252 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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