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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53A1F9 it is the complementary color #AC5E06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53A1F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53A1F9 shade: #58A1F4, #69B3FF, #7AC5FF, #8BD7FF and #9CE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53A1F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53A1F9 shade: #53A1F9, #428FE6, #317DD3, #206BC0 and #0F59AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53A1F9 shade: #52A0F8, #5273F8, #5E52F8, #8B52F8 and #B752F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53A1F9 shade: #52A0F8, #5273F8 and #5252F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53A1F9 shade matches the following richer shades: #52A0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53A1F9 shade: #52A0F8, #61A1EA, #6FA2DB, #7EA3CD and #8CA4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53A1F9 shade: #52F8F5, #52CFF8, #52A2F8, #5276F8 and #5B52F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53A1F9 shade: #0875F0, #2A8AF7, #52A0F8, #7AB6FA and #A2CCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53A1F9 shade: #53A1F9, #C952F8 and #E5F852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53A1F9 shade: #53A1F9, #F852A2 and #A2F852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53A1F9 shade: #53A1F9, #C952F8, #F8A852 and #81F852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53A1F9 shade: #53A1F9, #F852F5, #F8A852 and #52F855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

Complementary color

CMYK 0 / 45 / 97 / 33

HEX #AC5E06

RGB 172 94 6

HSL 31.81, 0.93%, 0.35%

LAB 47.99, 26.67, 55.02

 

CMYK 64 / 34 / 0 / 4

HEX #58A1F4

RGB 88 161 244

HSL 211.92, 0.88%, 0.65%

LAB 65.04, 2.47, -48.27

 

CMYK 59 / 30 / 0 / 0

HEX #69B3FF

RGB 105 179 255

HSL 210.4, 1%, 0.71%

LAB 71.19, -1.13, -44.53

 

CMYK 52 / 23 / 0 / 0

HEX #7AC5FF

RGB 122 197 255

HSL 206.17, 1%, 0.74%

LAB 76.85, -7.55, -35.65

 

CMYK 45 / 16 / 0 / 0

HEX #8BD7FF

RGB 139 215 255

HSL 200.69, 1%, 0.77%

LAB 82.55, -13.22, -26.84

 

CMYK 39 / 9 / 0 / 0

HEX #9CE9FF

RGB 156 233 255

HSL 193.33, 1%, 0.81%

LAB 88.24, -18.26, -18.12

 

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

CMYK 71 / 38 / 0 / 10

HEX #428FE6

RGB 66 143 230

HSL 211.83, 0.77%, 0.58%

LAB 58.52, 4.81, -50.92

 

CMYK 77 / 41 / 0 / 17

HEX #317DD3

RGB 49 125 211

HSL 211.85, 0.65%, 0.51%

LAB 51.86, 6.64, -50.89

 

CMYK 83 / 44 / 0 / 25

HEX #206BC0

RGB 32 107 192

HSL 211.88, 0.71%, 0.44%

LAB 45.12, 8.94, -50.83

 

CMYK 91 / 49 / 0 / 32

HEX #0F59AD

RGB 15 89 173

HSL 211.9, 0.84%, 0.37%

LAB 38.31, 11.85, -50.69

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 67 / 54 / 0 / 3

HEX #5273F8

RGB 82 115 248

HSL 228.07, 0.92%, 0.65%

LAB 52.77, 30.46, -70.12

 

CMYK 62 / 67 / 0 / 3

HEX #5E52F8

RGB 94 82 248

HSL 244.34, 0.92%, 0.65%

LAB 45.9, 51.75, -81.29

 

CMYK 44 / 67 / 0 / 3

HEX #8B52F8

RGB 139 82 248

HSL 260.6, 0.92%, 0.65%

LAB 49.86, 58.84, -74.65

 

CMYK 26 / 67 / 0 / 3

HEX #B752F8

RGB 183 82 248

HSL 276.51, 0.92%, 0.65%

LAB 54.95, 67.28, -66.16

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 67 / 54 / 0 / 3

HEX #5273F8

RGB 82 115 248

HSL 228.07, 0.92%, 0.65%

LAB 52.77, 30.46, -70.12

 

CMYK 67 / 67 / 0 / 3

HEX #5252F8

RGB 82 82 248

HSL 240, 0.92%, 0.65%

LAB 45.09, 50.24, -82.64

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 59 / 31 / 0 / 8

HEX #61A1EA

RGB 97 161 234

HSL 211.97, 0.77%, 0.65%

LAB 64.94, 0.85, -42.92

 

CMYK 49 / 26 / 0 / 14

HEX #6FA2DB

RGB 111 162 219

HSL 211.67, 0.6%, 0.65%

LAB 65.23, -1.34, -34.15

 

CMYK 39 / 20 / 0 / 20

HEX #7EA3CD

RGB 126 163 205

HSL 211.9, 0.44%, 0.65%

LAB 65.78, -2.06, -25.48

 

CMYK 26 / 14 / 0 / 25

HEX #8CA4BE

RGB 140 164 190

HSL 211.2, 0.28%, 0.65%

LAB 66.4, -2.39, -16.12

 

CMYK 67 / 0 / 1 / 3

HEX #52F8F5

RGB 82 248 245

HSL 178.92, 0.92%, 0.65%

LAB 89.64, -42.42, -11.06

 

CMYK 67 / 17 / 0 / 3

HEX #52CFF8

RGB 82 207 248

HSL 194.82, 0.92%, 0.65%

LAB 77.99, -22.08, -30.27

 

CMYK 67 / 35 / 0 / 3

HEX #52A2F8

RGB 82 162 248

HSL 211.08, 0.92%, 0.65%

LAB 65.29, 2.26, -50.08

 

CMYK 67 / 52 / 0 / 3

HEX #5276F8

RGB 82 118 248

HSL 226.99, 0.92%, 0.65%

LAB 53.52, 28.62, -68.9

 

CMYK 63 / 67 / 0 / 3

HEX #5B52F8

RGB 91 82 248

HSL 243.25, 0.92%, 0.65%

LAB 45.68, 51.35, -81.64

 

CMYK 97 / 51 / 0 / 6

HEX #0875F0

RGB 8 117 240

HSL 211.81, 0.94%, 0.49%

LAB 50.76, 20.1, -69.01

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF7

RGB 42 138 247

HSL 211.9, 0.93%, 0.57%

LAB 57.45, 11.41, -62.09

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 51 / 27 / 0 / 2

HEX #7AB6FA

RGB 122 182 250

HSL 211.88, 0.93%, 0.73%

LAB 72.56, -0.85, -39.63

 

CMYK 35 / 19 / 0 / 2

HEX #A2CCFB

RGB 162 204 251

HSL 211.69, 0.92%, 0.81%

LAB 80.65, -2.7, -27.51

 

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

CMYK 19 / 67 / 0 / 3

HEX #C952F8

RGB 201 82 248

HSL 283.01, 0.92%, 0.65%

LAB 57.3, 70.99, -62.26

 

CMYK 8 / 0 / 67 / 3

HEX #E5F852

RGB 229 248 82

HSL 66.87, 0.92%, 0.65%

LAB 93.62, -26.64, 73.97

 

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

CMYK 0 / 67 / 35 / 3

HEX #F852A2

RGB 248 82 162

HSL 331.08, 0.92%, 0.65%

LAB 60.43, 69.44, -8

 

CMYK 35 / 0 / 67 / 3

HEX #A2F852

RGB 162 248 82

HSL 91.08, 0.92%, 0.65%

LAB 89.59, -51.54, 68.54

 

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

CMYK 19 / 67 / 0 / 3

HEX #C952F8

RGB 201 82 248

HSL 283.01, 0.92%, 0.65%

LAB 57.3, 70.99, -62.26

 

CMYK 0 / 32 / 67 / 3

HEX #F8A852

RGB 248 168 82

HSL 31.08, 0.92%, 0.65%

LAB 75.18, 21.69, 55.08

 

CMYK 48 / 0 / 67 / 3

HEX #81F852

RGB 129 248 82

HSL 103.01, 0.92%, 0.65%

LAB 88.17, -61.78, 66.61

 

CMYK 67 / 35 / 0 / 2

HEX #53A1F9

RGB 83 161 249

HSL 211.81, 0.93%, 0.65%

LAB 65.1, 3.32, -50.92

 

CMYK 0 / 67 / 1 / 3

HEX #F852F5

RGB 248 82 245

HSL 301.08, 0.92%, 0.65%

LAB 63.82, 80.55, -49.8

 

CMYK 0 / 32 / 67 / 3

HEX #F8A852

RGB 248 168 82

HSL 31.08, 0.92%, 0.65%

LAB 75.18, 21.69, 55.08

 

CMYK 67 / 0 / 66 / 3

HEX #52F855

RGB 82 248 85

HSL 121.08, 0.92%, 0.65%

LAB 86.79, -72.52, 63.56

 

Description

Color code: HEX #53A1F9 | qconv.com Color code: HEX #53A1F9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 161 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 161 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 35 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 35% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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