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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53AC88 it is the complementary color #AC5377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53AC88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53AC88 shade: #58AC83, #69BE96, #7AD0A9, #8BE2BC and #9CF4CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53AC88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53AC88 shade: #53AC88, #429A75, #318862, #20764F and #0F643C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53AC88 shade: #52AC88, #52AC6F, #52AC57, #65AC52 and #7DAC52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53AC88 shade: #52AC88, #52ACA0, #52A0AC, #5288AC and #526FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53AC88 shade matches the following richer shades: #52AC88, #3EC08B, #29D58F, #14EA93 and #00FE97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53AC88 shade: #52AC88, #679784, #7C8280, #906E7C and #A55978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53AC88 shade: #52AC57, #52AC6F, #52AC86, #52AC9E and #52A1AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53AC88 shade: #38745C, #459072, #52AC88, #6EB99B and #8AC6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53AC88 shade: #53AC88, #5266AC and #AC6352

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53AC88 shade: #53AC88, #8652AC and #AC8652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53AC88 shade: #53AC88, #5266AC, #AC5278 and #AC9852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53AC88 shade: #53AC88, #5A52AC, #AC5278 and #A4AC52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

Complementary color

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 49 / 0 / 24 / 33

HEX #58AC83

RGB 88 172 131

HSL 150.71, 0.34%, 0.51%

LAB 64.34, -35.28, 13.36

 

CMYK 45 / 0 / 21 / 25

HEX #69BE96

RGB 105 190 150

HSL 151.76, 0.4%, 0.58%

LAB 70.89, -35.08, 12.29

 

CMYK 41 / 0 / 19 / 18

HEX #7AD0A9

RGB 122 208 169

HSL 152.79, 0.48%, 0.65%

LAB 77.35, -34.85, 11.31

 

CMYK 38 / 0 / 17 / 11

HEX #8BE2BC

RGB 139 226 188

HSL 153.79, 0.6%, 0.72%

LAB 83.71, -34.62, 10.39

 

CMYK 36 / 0 / 15 / 4

HEX #9CF4CF

RGB 156 244 207

HSL 154.77, 0.8%, 0.78%

LAB 89.99, -34.4, 9.52

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 57 / 0 / 24 / 40

HEX #429A75

RGB 66 154 117

HSL 154.77, 0.4%, 0.43%

LAB 57.61, -35.5, 11.61

 

CMYK 64 / 0 / 28 / 47

HEX #318862

RGB 49 136 98

HSL 153.79, 0.47%, 0.36%

LAB 50.85, -35.43, 12.89

 

CMYK 73 / 0 / 33 / 54

HEX #20764F

RGB 32 118 79

HSL 152.79, 0.57%, 0.29%

LAB 43.99, -35.09, 14.35

 

CMYK 85 / 0 / 40 / 61

HEX #0F643C

RGB 15 100 60

HSL 151.76, 0.74%, 0.23%

LAB 37.01, -34.27, 16.04

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 52 / 0 / 35 / 33

HEX #52AC6F

RGB 82 172 111

HSL 139.33, 0.35%, 0.5%

LAB 63.71, -40.82, 23.38

 

CMYK 52 / 0 / 49 / 33

HEX #52AC57

RGB 82 172 87

HSL 123.33, 0.35%, 0.5%

LAB 63.33, -44.79, 35.5

 

CMYK 41 / 0 / 52 / 33

HEX #65AC52

RGB 101 172 82

HSL 107.33, 0.35%, 0.5%

LAB 64.06, -39.78, 39.09

 

CMYK 27 / 0 / 52 / 33

HEX #7DAC52

RGB 125 172 82

HSL 91.33, 0.35%, 0.5%

LAB 65.34, -31.38, 40.92

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 52 / 0 / 7 / 33

HEX #52ACA0

RGB 82 172 160

HSL 172, 0.35%, 0.5%

LAB 64.83, -29.87, -2.05

 

CMYK 52 / 7 / 0 / 33

HEX #52A0AC

RGB 82 160 172

HSL 188, 0.35%, 0.5%

LAB 61.58, -20.59, -13.62

 

CMYK 52 / 21 / 0 / 33

HEX #5288AC

RGB 82 136 172

HSL 204, 0.35%, 0.5%

LAB 54.43, -7.52, -24.52

 

CMYK 52 / 35 / 0 / 33

HEX #526FAC

RGB 82 111 172

HSL 220.67, 0.35%, 0.5%

LAB 47.16, 7.31, -35.84

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 68 / 0 / 28 / 25

HEX #3EC08B

RGB 62 192 139

HSL 155.54, 0.51%, 0.5%

LAB 69.89, -47.73, 16.63

 

CMYK 81 / 0 / 33 / 16

HEX #29D58F

RGB 41 213 143

HSL 155.58, 0.68%, 0.5%

LAB 76.1, -57.8, 22.99

 

CMYK 91 / 0 / 37 / 8

HEX #14EA93

RGB 20 234 147

HSL 155.61, 0.84%, 0.5%

LAB 82.43, -65.97, 29.45

 

CMYK 100 / 0 / 41 / 0

HEX #00FE97

RGB 0 254 151

HSL 155.67, 1%, 0.5%

LAB 88.5, -72.57, 35.49

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 32 / 0 / 13 / 41

HEX #679784

RGB 103 151 132

HSL 156.25, 0.19%, 0.5%

LAB 58.68, -20.47, 4.87

 

CMYK 5 / 0 / 2 / 49

HEX #7C8280

RGB 124 130 128

HSL 160, 0.02%, 0.5%

LAB 53.82, -2.62, 0.3

 

CMYK 0 / 24 / 14 / 44

HEX #906E7C

RGB 144 110 124

HSL 335.29, 0.13%, 0.5%

LAB 50.14, 15.81, -2.53

 

CMYK 0 / 46 / 27 / 35

HEX #A55978

RGB 165 89 120

HSL 335.53, 0.3%, 0.5%

LAB 47.62, 34.97, -3.55

 

CMYK 52 / 0 / 49 / 33

HEX #52AC57

RGB 82 172 87

HSL 123.33, 0.35%, 0.5%

LAB 63.33, -44.79, 35.5

 

CMYK 52 / 0 / 35 / 33

HEX #52AC6F

RGB 82 172 111

HSL 139.33, 0.35%, 0.5%

LAB 63.71, -40.82, 23.38

 

CMYK 52 / 0 / 22 / 33

HEX #52AC86

RGB 82 172 134

HSL 154.67, 0.35%, 0.5%

LAB 64.18, -36.13, 11.45

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 52 / 6 / 0 / 33

HEX #52A1AC

RGB 82 161 172

HSL 187.33, 0.35%, 0.5%

LAB 61.88, -21.11, -13.16

 

CMYK 52 / 0 / 21 / 55

HEX #38745C

RGB 56 116 92

HSL 156, 0.35%, 0.34%

LAB 44.38, -25.74, 7.34

 

CMYK 52 / 0 / 21 / 44

HEX #459072

RGB 69 144 114

HSL 156, 0.35%, 0.42%

LAB 54.48, -30.82, 8.91

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 41 / 0 / 16 / 27

HEX #6EB99B

RGB 110 185 155

HSL 156, 0.35%, 0.58%

LAB 69.74, -30.29, 7.96

 

CMYK 30 / 0 / 12 / 22

HEX #8AC6AE

RGB 138 198 174

HSL 156, 0.34%, 0.66%

LAB 75.36, -24.42, 5.88

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 52 / 41 / 0 / 33

HEX #5266AC

RGB 82 102 172

HSL 226.67, 0.35%, 0.5%

LAB 44.62, 12.89, -39.85

 

CMYK 0 / 42 / 52 / 33

HEX #AC6352

RGB 172 99 82

HSL 11.33, 0.35%, 0.5%

LAB 49.86, 27.68, 22.42

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 22 / 52 / 0 / 33

HEX #8652AC

RGB 134 82 172

HSL 274.67, 0.35%, 0.5%

LAB 44.35, 38.72, -39.99

 

CMYK 0 / 22 / 52 / 33

HEX #AC8652

RGB 172 134 82

HSL 34.67, 0.35%, 0.5%

LAB 58.44, 8.06, 33.38

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 52 / 41 / 0 / 33

HEX #5266AC

RGB 82 102 172

HSL 226.67, 0.35%, 0.5%

LAB 44.62, 12.89, -39.85

 

CMYK 0 / 52 / 30 / 33

HEX #AC5278

RGB 172 82 120

HSL 334.67, 0.35%, 0.5%

LAB 47.19, 41.12, -4.09

 

CMYK 0 / 12 / 52 / 33

HEX #AC9852

RGB 172 152 82

HSL 46.67, 0.35%, 0.5%

LAB 63.21, -1.87, 39.21

 

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 48 / 52 / 0 / 33

HEX #5A52AC

RGB 90 82 172

HSL 245.33, 0.35%, 0.5%

LAB 39.89, 27.35, -47.37

 

CMYK 0 / 52 / 30 / 33

HEX #AC5278

RGB 172 82 120

HSL 334.67, 0.35%, 0.5%

LAB 47.19, 41.12, -4.09

 

CMYK 5 / 0 / 52 / 33

HEX #A4AC52

RGB 164 172 82

HSL 65.33, 0.35%, 0.5%

LAB 68.03, -15.85, 44.77

 

Description

Color code: HEX #53AC88 | qconv.com Color code: HEX #53AC88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 172 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 172 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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