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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53AD23 it is the complementary color #AC52DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53AD23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53AD23 shade: #58AD1E, #69BF31, #7AD144, #8BE357 and #9CF56A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53AD23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53AD23 shade: #53AD23, #429B10, #318900, #207700 and #0F6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53AD23 shade: #53AD23, #78AD23, #9DAD23, #AD9723 and #AD7223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53AD23 shade: #53AD23, #2EAD23, #23AD3D, #23AD63 and #23AD88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53AD23 shade matches the following richer shades: #53AD23, #4EBE12 and #49CF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53AD23 shade: #53AD23, #589C34, #5D8B45, #627A56 and #686967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53AD23 shade: #9DAD23, #78AD23, #53AD23, #2FAD23 and #23AD3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53AD23 shade: #326915, #438B1C, #53AD23, #64CF2A and #7BD949

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53AD23 shade: #53AD23, #23AD98 and #AD238B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53AD23 shade: #53AD23, #2353AD and #AD2353

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53AD23 shade: #53AD23, #23AD98, #7D23AD and #AD2338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53AD23 shade: #53AD23, #2398AD, #7D23AD and #AD3823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

Complementary color

CMYK 22 / 63 / 0 / 14

HEX #AC52DC

RGB 172 82 220

HSL 279.13, 0.66%, 0.59%

LAB 51.81, 58.97, -55.57

 

CMYK 49 / 0 / 83 / 32

HEX #58AD1E

RGB 88 173 30

HSL 95.66, 0.7%, 0.4%

LAB 63.39, -48.8, 59.1

 

CMYK 45 / 0 / 74 / 25

HEX #69BF31

RGB 105 191 49

HSL 96.34, 0.59%, 0.47%

LAB 69.81, -49.49, 59.56

 

CMYK 42 / 0 / 67 / 18

HEX #7AD144

RGB 122 209 68

HSL 97.02, 0.61%, 0.54%

LAB 76.16, -49.9, 59.25

 

CMYK 39 / 0 / 62 / 11

HEX #8BE357

RGB 139 227 87

HSL 97.71, 0.71%, 0.62%

LAB 82.44, -50.13, 58.53

 

CMYK 36 / 0 / 57 / 4

HEX #9CF56A

RGB 156 245 106

HSL 98.42, 0.87%, 0.69%

LAB 88.64, -50.23, 57.59

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 57 / 0 / 90 / 39

HEX #429B10

RGB 66 155 16

HSL 98.42, 0.81%, 0.34%

LAB 56.72, -49.01, 56.21

 

CMYK 64 / 0 / 100 / 46

HEX #318900

RGB 49 137 0

HSL 98.54, 1%, 0.27%

LAB 50.15, -47.43, 53.37

 

CMYK 73 / 0 / 100 / 53

HEX #207700

RGB 32 119 0

HSL 103.87, 1%, 0.23%

LAB 43.51, -45.01, 47.91

 

CMYK 85 / 0 / 100 / 60

HEX #0F6500

RGB 15 101 0

HSL 111.09, 1%, 0.2%

LAB 36.76, -41.95, 42.39

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 31 / 0 / 80 / 32

HEX #78AD23

RGB 120 173 35

HSL 83.04, 0.66%, 0.41%

LAB 64.96, -37.44, 59.7

 

CMYK 9 / 0 / 80 / 32

HEX #9DAD23

RGB 157 173 35

HSL 66.96, 0.66%, 0.41%

LAB 67.41, -22.33, 62.82

 

CMYK 0 / 13 / 80 / 32

HEX #AD9723

RGB 173 151 35

HSL 50.43, 0.66%, 0.41%

LAB 62.62, -3.83, 59.06

 

CMYK 0 / 34 / 80 / 32

HEX #AD7223

RGB 173 114 35

HSL 34.35, 0.66%, 0.41%

LAB 52.99, 16.68, 50.27

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 73 / 0 / 80 / 32

HEX #2EAD23

RGB 46 173 35

HSL 115.22, 0.66%, 0.41%

LAB 62.16, -58.68, 56.07

 

CMYK 80 / 0 / 65 / 32

HEX #23AD3D

RGB 35 173 61

HSL 131.3, 0.66%, 0.41%

LAB 62.15, -58.06, 46.2

 

CMYK 80 / 0 / 43 / 32

HEX #23AD63

RGB 35 173 99

HSL 147.83, 0.66%, 0.41%

LAB 62.63, -52.38, 28.14

 

CMYK 80 / 0 / 21 / 32

HEX #23AD88

RGB 35 173 136

HSL 163.91, 0.66%, 0.41%

LAB 63.36, -44.28, 9.02

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 59 / 0 / 91 / 25

HEX #4EBE12

RGB 78 190 18

HSL 99.07, 0.83%, 0.41%

LAB 68.38, -58.28, 65.9

 

CMYK 65 / 0 / 100 / 19

HEX #49CF01

RGB 73 207 1

HSL 99.03, 0.99%, 0.41%

LAB 73.57, -65.46, 72.11

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 44 / 0 / 67 / 39

HEX #589C34

RGB 88 156 52

HSL 99.23, 0.5%, 0.41%

LAB 58.13, -40.42, 46.14

 

CMYK 33 / 0 / 50 / 45

HEX #5D8B45

RGB 93 139 69

HSL 99.43, 0.34%, 0.41%

LAB 53.19, -29.12, 32.35

 

CMYK 20 / 0 / 30 / 52

HEX #627A56

RGB 98 122 86

HSL 100, 0.17%, 0.41%

LAB 48.5, -15.99, 16.93

 

CMYK 1 / 0 / 2 / 59

HEX #686967

RGB 104 105 103

HSL 90, 0.01%, 0.41%

LAB 44.27, -0.8, 0.98

 

CMYK 9 / 0 / 80 / 32

HEX #9DAD23

RGB 157 173 35

HSL 66.96, 0.66%, 0.41%

LAB 67.41, -22.33, 62.82

 

CMYK 31 / 0 / 80 / 32

HEX #78AD23

RGB 120 173 35

HSL 83.04, 0.66%, 0.41%

LAB 64.96, -37.44, 59.7

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 73 / 0 / 80 / 32

HEX #2FAD23

RGB 47 173 35

HSL 114.78, 0.66%, 0.41%

LAB 62.18, -58.51, 56.09

 

CMYK 80 / 0 / 65 / 32

HEX #23AD3C

RGB 35 173 60

HSL 130.87, 0.66%, 0.41%

LAB 62.14, -58.17, 46.62

 

CMYK 52 / 0 / 80 / 59

HEX #326915

RGB 50 105 21

HSL 99.29, 0.67%, 0.25%

LAB 39.3, -33.88, 38.82

 

CMYK 52 / 0 / 80 / 45

HEX #438B1C

RGB 67 139 28

HSL 98.92, 0.66%, 0.33%

LAB 51.54, -42.01, 48.4

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 52 / 0 / 80 / 19

HEX #64CF2A

RGB 100 207 42

HSL 98.91, 0.66%, 0.49%

LAB 74.51, -57.49, 66.17

 

CMYK 43 / 0 / 66 / 15

HEX #7BD949

RGB 123 217 73

HSL 99.17, 0.65%, 0.57%

LAB 78.65, -52.38, 59.92

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 80 / 0 / 12 / 32

HEX #23AD98

RGB 35 173 152

HSL 170.87, 0.66%, 0.41%

LAB 63.76, -40.08, 0.7

 

CMYK 0 / 80 / 20 / 32

HEX #AD238B

RGB 173 35 139

HSL 314.78, 0.66%, 0.41%

LAB 41.14, 63, -24.84

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 80 / 52 / 0 / 32

HEX #2353AD

RGB 35 83 173

HSL 219.13, 0.66%, 0.41%

LAB 37.04, 17.44, -52.72

 

CMYK 0 / 80 / 52 / 32

HEX #AD2353

RGB 173 35 83

HSL 339.13, 0.66%, 0.41%

LAB 39.09, 56.92, 7.13

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 80 / 0 / 12 / 32

HEX #23AD98

RGB 35 173 152

HSL 170.87, 0.66%, 0.41%

LAB 63.76, -40.08, 0.7

 

CMYK 28 / 80 / 0 / 32

HEX #7D23AD

RGB 125 35 173

HSL 279.13, 0.66%, 0.41%

LAB 35.16, 58.97, -55.41

 

CMYK 0 / 80 / 68 / 32

HEX #AD2338

RGB 173 35 56

HSL 350.87, 0.66%, 0.41%

LAB 38.5, 55.1, 23.49

 

CMYK 52 / 0 / 80 / 32

HEX #53AD23

RGB 83 173 35

HSL 99.13, 0.66%, 0.41%

LAB 63.22, -50.05, 57.44

 

CMYK 80 / 12 / 0 / 32

HEX #2398AD

RGB 35 152 173

HSL 189.13, 0.66%, 0.41%

LAB 57.88, -23.72, -19.92

 

CMYK 28 / 80 / 0 / 32

HEX #7D23AD

RGB 125 35 173

HSL 279.13, 0.66%, 0.41%

LAB 35.16, 58.97, -55.41

 

CMYK 0 / 68 / 80 / 32

HEX #AD3823

RGB 173 56 35

HSL 9.13, 0.66%, 0.41%

LAB 40.95, 46.62, 38.63

 

Description

Color code: HEX #53AD23 | qconv.com Color code: HEX #53AD23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 173 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 173 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 80 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 80% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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