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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B47E it is the complementary color #AC4B81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B47E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B47E shade: #58B479, #69C68C, #7AD89F, #8BEAB2 and #9CFCC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B47E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B47E shade: #53B47E, #42A26B, #319058, #207E45 and #0F6C32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B47E shade: #54B47F, #54B465, #5EB454, #77B454 and #91B454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B47E shade: #54B47F, #54B498, #54B4B2, #549CB4 and #5482B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B47E shade matches the following richer shades: #54B47F, #41C87C, #2DDB7A and #19EF78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B47E shade: #54B47F, #68A081, #7C8C83, #907885 and #A46588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B47E shade: #5EB454, #54B464, #54B47E, #54B497 and #54B4B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B47E shade: #377E57, #449B6B, #54B47F, #71C094 and #8ECDAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B47E shade: #53B47E, #5477B4 and #B45854

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B47E shade: #53B47E, #7E54B4 and #B47E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B47E shade: #53B47E, #5477B4, #B4548A and #B49154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B47E shade: #53B47E, #545BB4, #B4548A and #B4AD54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

Complementary color

CMYK 0 / 56 / 25 / 33

HEX #AC4B81

RGB 172 75 129

HSL 326.6, 0.39%, 0.48%

LAB 46.16, 45.85, -11.07

 

CMYK 51 / 0 / 33 / 29

HEX #58B479

RGB 88 180 121

HSL 141.52, 0.38%, 0.53%

LAB 66.59, -40.88, 21.92

 

CMYK 47 / 0 / 29 / 22

HEX #69C68C

RGB 105 198 140

HSL 142.58, 0.45%, 0.59%

LAB 73.08, -40.7, 20.71

 

CMYK 44 / 0 / 26 / 15

HEX #7AD89F

RGB 122 216 159

HSL 143.62, 0.55%, 0.66%

LAB 79.47, -40.48, 19.58

 

CMYK 41 / 0 / 24 / 8

HEX #8BEAB2

RGB 139 234 178

HSL 144.63, 0.69%, 0.73%

LAB 85.78, -40.24, 18.53

 

CMYK 38 / 0 / 22 / 1

HEX #9CFCC5

RGB 156 252 197

HSL 145.63, 0.94%, 0.8%

LAB 92.01, -39.99, 17.54

 

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

CMYK 59 / 0 / 34 / 36

HEX #42A26B

RGB 66 162 107

HSL 145.63, 0.42%, 0.45%

LAB 59.94, -41.17, 20.39

 

CMYK 66 / 0 / 39 / 44

HEX #319058

RGB 49 144 88

HSL 144.63, 0.49%, 0.38%

LAB 53.28, -41, 21.84

 

CMYK 75 / 0 / 45 / 51

HEX #207E45

RGB 32 126 69

HSL 143.62, 0.59%, 0.31%

LAB 46.52, -40.5, 23.44

 

CMYK 86 / 0 / 54 / 58

HEX #0F6C32

RGB 15 108 50

HSL 142.58, 0.76%, 0.24%

LAB 39.68, -39.41, 25.2

 

CMYK 53 / 0 / 29 / 29

HEX #54B47F

RGB 84 180 127

HSL 146.88, 0.39%, 0.52%

LAB 66.57, -40.7, 18.62

 

CMYK 53 / 0 / 44 / 29

HEX #54B465

RGB 84 180 101

HSL 130.63, 0.39%, 0.52%

LAB 66.11, -45.42, 31.84

 

CMYK 48 / 0 / 53 / 29

HEX #5EB454

RGB 94 180 84

HSL 113.75, 0.39%, 0.52%

LAB 66.26, -45.1, 40.68

 

CMYK 34 / 0 / 53 / 29

HEX #77B454

RGB 119 180 84

HSL 98.13, 0.39%, 0.52%

LAB 67.43, -37.01, 42.37

 

CMYK 19 / 0 / 53 / 29

HEX #91B454

RGB 145 180 84

HSL 81.88, 0.39%, 0.52%

LAB 68.97, -27.34, 44.57

 

CMYK 53 / 0 / 29 / 29

HEX #54B47F

RGB 84 180 127

HSL 146.88, 0.39%, 0.52%

LAB 66.57, -40.7, 18.62

 

CMYK 53 / 0 / 16 / 29

HEX #54B498

RGB 84 180 152

HSL 162.5, 0.39%, 0.52%

LAB 67.12, -35.2, 5.72

 

CMYK 53 / 0 / 1 / 29

HEX #54B4B2

RGB 84 180 178

HSL 178.75, 0.39%, 0.52%

LAB 67.83, -28.59, -7.6

 

CMYK 53 / 13 / 0 / 29

HEX #549CB4

RGB 84 156 180

HSL 195, 0.39%, 0.52%

LAB 60.74, -15.72, -19.38

 

CMYK 53 / 28 / 0 / 29

HEX #5482B4

RGB 84 130 180

HSL 211.25, 0.39%, 0.52%

LAB 53.11, -1.1, -31.15

 

CMYK 53 / 0 / 29 / 29

HEX #54B47F

RGB 84 180 127

HSL 146.88, 0.39%, 0.52%

LAB 66.57, -40.7, 18.62

 

CMYK 68 / 0 / 38 / 22

HEX #41C87C

RGB 65 200 124

HSL 146.22, 0.55%, 0.52%

LAB 72.15, -53.44, 27.68

 

CMYK 79 / 0 / 44 / 14

HEX #2DDB7A

RGB 45 219 122

HSL 146.55, 0.71%, 0.52%

LAB 77.65, -63.53, 35.83

 

CMYK 90 / 0 / 50 / 6

HEX #19EF78

RGB 25 239 120

HSL 146.64, 0.87%, 0.52%

LAB 83.6, -72.09, 44.3

 

CMYK 53 / 0 / 29 / 29

HEX #54B47F

RGB 84 180 127

HSL 146.88, 0.39%, 0.52%

LAB 66.57, -40.7, 18.62

 

CMYK 35 / 0 / 19 / 37

HEX #68A081

RGB 104 160 129

HSL 146.79, 0.23%, 0.52%

LAB 61.37, -25.37, 10.4

 

CMYK 11 / 0 / 6 / 45

HEX #7C8C83

RGB 124 140 131

HSL 146.25, 0.07%, 0.52%

LAB 56.76, -7.63, 2.84

 

CMYK 0 / 17 / 8 / 44

HEX #907885

RGB 144 120 133

HSL 327.5, 0.1%, 0.52%

LAB 53.01, 11.62, -3.6

 

CMYK 0 / 38 / 17 / 36

HEX #A46588

RGB 164 101 136

HSL 326.67, 0.26%, 0.52%

LAB 50.66, 30.48, -8.62

 

CMYK 48 / 0 / 53 / 29

HEX #5EB454

RGB 94 180 84

HSL 113.75, 0.39%, 0.52%

LAB 66.26, -45.1, 40.68

 

CMYK 53 / 0 / 44 / 29

HEX #54B464

RGB 84 180 100

HSL 130, 0.39%, 0.52%

LAB 66.1, -45.58, 32.34

 

CMYK 53 / 0 / 30 / 29

HEX #54B47E

RGB 84 180 126

HSL 146.25, 0.39%, 0.52%

LAB 66.55, -40.9, 19.13

 

CMYK 53 / 0 / 16 / 29

HEX #54B497

RGB 84 180 151

HSL 161.88, 0.39%, 0.52%

LAB 67.1, -35.43, 6.23

 

CMYK 53 / 0 / 2 / 29

HEX #54B4B1

RGB 84 180 177

HSL 178.13, 0.39%, 0.52%

LAB 67.8, -28.86, -7.1

 

CMYK 56 / 0 / 31 / 51

HEX #377E57

RGB 55 126 87

HSL 147.04, 0.39%, 0.35%

LAB 47.52, -31.96, 14.66

 

CMYK 56 / 0 / 31 / 39

HEX #449B6B

RGB 68 155 107

HSL 146.9, 0.39%, 0.44%

LAB 57.78, -37.65, 17.46

 

CMYK 53 / 0 / 29 / 29

HEX #54B47F

RGB 84 180 127

HSL 146.88, 0.39%, 0.52%

LAB 66.57, -40.7, 18.62

 

CMYK 41 / 0 / 23 / 25

HEX #71C094

RGB 113 192 148

HSL 146.58, 0.39%, 0.6%

LAB 71.79, -34.22, 14.69

 

CMYK 31 / 0 / 17 / 20

HEX #8ECDAA

RGB 142 205 170

HSL 146.67, 0.39%, 0.68%

LAB 77.47, -27.44, 11.08

 

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

CMYK 53 / 34 / 0 / 29

HEX #5477B4

RGB 84 119 180

HSL 218.13, 0.39%, 0.52%

LAB 49.95, 5.47, -36.1

 

CMYK 0 / 51 / 53 / 29

HEX #B45854

RGB 180 88 84

HSL 2.5, 0.39%, 0.52%

LAB 48.66, 36.92, 19.86

 

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

CMYK 30 / 53 / 0 / 29

HEX #7E54B4

RGB 126 84 180

HSL 266.25, 0.39%, 0.52%

LAB 44.34, 37.39, -44.77

 

CMYK 0 / 30 / 53 / 29

HEX #B47E54

RGB 180 126 84

HSL 26.25, 0.39%, 0.52%

LAB 57.33, 16.14, 31.1

 

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

CMYK 53 / 34 / 0 / 29

HEX #5477B4

RGB 84 119 180

HSL 218.13, 0.39%, 0.52%

LAB 49.95, 5.47, -36.1

 

CMYK 0 / 53 / 23 / 29

HEX #B4548A

RGB 180 84 138

HSL 326.25, 0.39%, 0.52%

LAB 49.35, 45.29, -11.56

 

CMYK 0 / 19 / 53 / 29

HEX #B49154

RGB 180 145 84

HSL 38.13, 0.39%, 0.52%

LAB 62.16, 5.58, 37.09

 

CMYK 54 / 0 / 30 / 29

HEX #53B47E

RGB 83 180 126

HSL 146.6, 0.39%, 0.52%

LAB 66.51, -41.14, 19.08

 

CMYK 53 / 49 / 0 / 29

HEX #545BB4

RGB 84 91 180

HSL 235.63, 0.39%, 0.52%

LAB 42.25, 22.89, -48.32

 

CMYK 0 / 53 / 23 / 29

HEX #B4548A

RGB 180 84 138

HSL 326.25, 0.39%, 0.52%

LAB 49.35, 45.29, -11.56

 

CMYK 0 / 4 / 53 / 29

HEX #B4AD54

RGB 180 173 84

HSL 55.63, 0.39%, 0.52%

LAB 69.63, -9.48, 46.01

 

Description

Color code: HEX #53B47E | qconv.com Color code: HEX #53B47E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 180 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 180 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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